Discover the Profound Writings of Raffaello Palandri: Philosophy, Insight, and the Wisdom of Buddha
If you’re someone who values deep thought, timeless wisdom, and a critical lens on both present and past affairs, then you’re in for a real intellectual treat. I’m excited to introduce you to the powerful and thought-provoking blog writings of my friend Raffaello Palandri—a voice that bridges the ancient teachings of Buddha’s philosophy with the pressing complexities of our modern world.
Raffaello’s work doesn’t just skim the surface. Each piece invites you into a contemplative space where Eastern philosophy meets Western analysis, where calm introspection coexists with bold critique. His writing is rich in intellectual depth, historical context, and contemporary relevance—ideal for readers who enjoy peeling back the layers of meaning in both spiritual and societal matters.
Whether he’s dissecting current events, exploring human consciousness, or reflecting on the timeless principles of mindfulness and compassion, Raffaello writes with the rare ability to make complex ideas accessible—without ever watering them down.
If you’re ready for content that challenges your thinking, nurtures your inner world, and expands your understanding of global and philosophical issues, Raffaello Palandri’s blog is a must-read.
Hold yourself with compassion, yet walk unflinchingly toward what must be done, for kindness without resolve is indulgence, and resolve without kindness is tyranny.
Self-compassion
A Comparative and Contemplative Inquiry into Vajrayāna Buddhism
My path into Buddhism has been anything but conventional—shaped not by cultural inheritance or existential crisis, but by a relentless intellectual curiosity, a thirst for knowledge, and an ever-deepening aspiration toward the cultivation of wisdom.
Path into Buddhism
The Crisis of Modern Identity
In the annals of intellectual history, identity has always been a dynamic construct, shaped, dismantled, and reconstituted across epochs by theological doctrines, socio-political structures, philosophical paradigms, and technological shifts. Identity is no longer a moral question. It is a subscription plan. The late-capitalist subject is a ghost in the machine—overworked, overstimulated, overmedicated, and underfulfilled. Under consumerism, the soul is not lost. It is simply deemed irrelevant. Their obsession with “individual freedom” is a grotesque parody of true autonomy.
What they desire is not liberty for all, but unchecked dominion for the few. They detest plurality, fear nuance, and revere hierarchy—not because it is just, but because it flatters their fragility. Anything different is a threat. Anyone dissenting is an enemy. To live well is to live rationally, following nature and reason, not market fluctuations.
We must become citizens of Earth, not clients of empires. We must cultivate wisdom, not wealth. And we must remember that the most radical act in an age of commodified identity is to simply be—authentically, compassionately, and in quiet rebellion. To resist this is not to retreat into isolation. It is to rise in solidarity with the thinkers, seekers, creators, and caretakers who refuse to sell their souls to systems that would reduce them to metrics.
The Crisis of Modern Identity in an Age of Hyperindividualism
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Ben Azadi’s “The World’s Easiest Diet For Visceral Fat Reduction In 14 Days” outlines a seven-step protocol to reduce harmful belly fat. The core principles involve lowering insulin through carbohydrate restriction and prioritizing protein and healthy fats. Additional recommendations include eliminating snacking, incorporating sprints and daily walking (especially post-meal), avoiding alcohol, practicing intermittent fasting with an 18/6 schedule, and optimizing for 90 minutes of deep sleep nightly. The text also addresses the role of stress and protein intake in fat loss and details methods for measuring visceral fat, emphasizing MRI scans for visualization. Ultimately, the source provides actionable lifestyle changes for rapid visceral fat reduction and improved metabolic health.
The World’s Easiest Diet For Visceral Fat Reduction: A Study Guide
Quiz
What is visceral fat and why is it considered dangerous?
According to the source, which macronutrient has the most significant impact on insulin levels? Explain why this is relevant to visceral fat storage.
Describe the first step of the recommended protocol for reducing visceral fat. Provide a few examples of foods to avoid and foods to include.
Why is snacking discouraged in this dietary approach? Explain the analogy used to illustrate this point.
What is the suggested protocol for sprinting, and how does this type of exercise help in reducing visceral fat?
Explain why alcohol consumption is discouraged for those trying to lose visceral fat, according to the source.
How does walking, especially after meals, contribute to visceral fat reduction? Briefly describe the study mentioned to support this.
Outline the 18:6 intermittent fasting schedule recommended in the source and explain the proposed benefits for visceral fat loss.
Why is deep sleep considered important for burning visceral fat? List three scientifically proven tips provided to improve deep sleep.
According to the interview with JJ Virgin, why is prioritizing protein intake beneficial for reducing body fat, including visceral fat?
Answer Key
Visceral fat is the fat stored around the abdominal organs, often referred to as belly fat. It is dangerous because it applies pressure to vital organs like the heart, kidneys, liver, and pancreas, contributing to chronic diseases such as fatty liver disease, obesity, cancer, and heart disease.
Carbohydrates have the most significant impact on insulin levels. When carbohydrates are consumed, they cause the highest blood insulin response compared to protein (moderate response) and fat (minimal impact). Elevated insulin is the primary hormone that signals the body to store visceral fat.
The first step is to lower the hormone insulin by swapping carbohydrates for protein and fat. Foods to avoid include oats, oatmeal, cereal, bread, grains, fruit, fruit juices, quinoa, rice, potatoes, sweet potatoes, and legumes. Foods to include are cauliflower rice, squash rice, cabbage rice, eggs, red meat, wild-caught salmon, poultry, and goat/sheep dairy.
Snacking raises glucose and subsequently insulin levels, even if the snacks are considered healthy. This disrupts the metabolism and prevents the body from burning stored visceral fat. The analogy used compares snacking every few hours to someone constantly banging on your office door, disrupting your productive workflow.
The sprinting protocol involves a 20-second all-out effort sprint followed by 90 seconds of rest, repeated for three total rounds, three times per week. High-intensity interval training like sprinting activates hormones such as human growth hormone, making the metabolism more efficient at using stored fat for energy after glycogen stores are depleted.
Alcohol is considered a poison and a toxin that the liver prioritizes metabolizing before fat. This slows down fat burning. Additionally, alcohol stimulates appetite, decreases testosterone levels (which can hinder fat loss), and can increase estrogen levels (linked to abdominal fat storage).
Walking after meals helps to blunt the spike in blood sugar that occurs after eating, even with a lower carbohydrate intake. This results in less insulin being produced, allowing the body to enter a fat-burning state faster. A study showed that a 30-minute brisk walk after meals improved the glycemic response regardless of the meal’s macronutrient composition.
The 18:6 intermittent fasting schedule involves fasting for 18 hours a day and having a 6-hour eating window (e.g., 12:00 p.m. to 6:00 p.m.). This schedule is proposed to lower insulin levels, increase human growth hormone, reduce insulin resistance, boost metabolism, and promote overall hormonal balance, all of which can contribute to visceral fat loss.
Deep sleep is where most fat-burning hormones are activated, and the body taps into stored fat for energy. Three tips for better deep sleep are drinking banana tea, keeping the bedroom cold (around 65°F), and ensuring the bedroom is completely dark (using blackout curtains or a sleep mask).
Prioritizing protein intake is beneficial because protein is more metabolically costly to digest and assimilate compared to fats and carbohydrates (having a higher thermic effect). Eating protein first can also lead to feeling fuller for longer, reducing overall calorie intake and cravings, which are crucial for achieving a caloric deficit needed for fat loss.
Essay Format Questions
Discuss the interconnectedness of diet and hormones, specifically focusing on the role of insulin and cortisol in visceral fat storage and reduction as described in the source.
Critically evaluate the seven-step protocol presented for visceral fat reduction. Which steps do you find most compelling and why? Are there any potential challenges or limitations to following this plan for the average individual?
Compare and contrast the different types of exercise discussed in the source (sprinting and walking) in terms of their mechanisms for promoting visceral fat loss and their practical implications for implementation.
Analyze the importance of lifestyle factors beyond diet and exercise, such as sleep and stress management, in the context of the source’s recommendations for reducing visceral fat.
Based on the information provided, synthesize a comprehensive strategy for an individual aiming to significantly reduce their visceral fat within a few months. Include specific dietary changes, exercise recommendations, and lifestyle adjustments.
Glossary of Key Terms
Visceral Fat: Body fat that is stored within the abdominal cavity and surrounds vital organs such as the liver, intestines, and stomach.
Insulin: A hormone produced by the pancreas that regulates blood sugar levels. It also signals the body to store excess glucose as fat.
Cortisol: A steroid hormone produced by the adrenal glands in response to stress. Chronically elevated levels can contribute to increased visceral fat storage.
Macronutrients: The three main categories of nutrients that the body needs in large amounts: carbohydrates, proteins, and fats.
Glycogen: The stored form of glucose, primarily in the liver and muscles, which the body can use for energy.
High-Intensity Interval Training (HIIT): A form of exercise that involves short bursts of intense activity followed by periods of rest or low-intensity activity.
Postprandial: Occurring after a meal.
Glycemic Response: The effect that carbohydrates in food have on blood sugar levels.
Intermittent Fasting: An eating pattern that cycles between periods of eating and voluntary fasting on a regular schedule.
Autophagy: A natural cellular “clean-up” process where the body removes damaged or unnecessary components.
Human Growth Hormone (HGH): A hormone produced by the pituitary gland that plays a role in growth, metabolism, and fat burning.
Insulin Resistance: A condition in which the body’s cells become less responsive to insulin, leading to higher blood sugar levels.
Neurodegenerative Diseases: Conditions that progressively damage or kill nerve cells in the brain and spinal cord.
Leptin: A hormone produced by fat cells that helps regulate appetite and energy balance, often referred to as the satiety hormone.
Satiety: The feeling of fullness and satisfaction after eating.
Deep Sleep (Delta Sleep): A stage of sleep characterized by slow brain wave activity, during which the body repairs tissues, builds bone and muscle, and releases important hormones for fat burning.
Nitric Oxide: A molecule that helps blood vessels relax and widen, improving blood flow.
Vaso Dilation: The widening of blood vessels.
Oxytocin: A hormone often associated with bonding and social interaction, which can help lower cortisol levels.
Thermogenic Effect (or Thermic Effect of Food): The energy expenditure of the body above basal metabolic rate due to the cost of processing food for use and storage. Protein has a higher thermic effect than fats or carbohydrates.
DEXA Scan (Dual-energy X-ray Absorptiometry): A type of medical imaging scan that uses low levels of X-rays to measure bone density and body composition, including fat mass.
MRI (Magnetic Resonance Imaging): A medical imaging technique that uses strong magnetic fields and radio waves to create detailed images of the organs and tissues in the body, allowing for the visualization of visceral fat.
CT Scan (Computed Tomography Scan): A medical imaging technique that uses X-rays and computer processing to create cross-sectional images of the body, which can also be used to assess visceral fat, though it involves radiation exposure.
Myosteatosis: The infiltration of fat into skeletal muscle tissue.
Briefing Document: The World’s Easiest Diet For Visceral Fat Reduction
Source: Excerpts from “01.pdf” by Ben Azadi
Date: October 26, 2023 (Based on the provided context)
Author/Presenter: Ben Azadi (Keto Kamp)
Main Theme: This document outlines a 7-step protocol presented by Ben Azadi for effectively reducing visceral fat (the dangerous belly fat surrounding organs) in less than 14 days. The protocol focuses on dietary changes, lifestyle adjustments, and exercise to lower insulin levels, activate fat-burning hormones, and improve overall metabolic health. Azadi supports his claims with his personal transformation story and insights from health experts and research.
Key Ideas and Facts:
1. Lower Insulin Levels Through Dietary Changes:
Visceral fat storage is primarily driven by the hormone insulin. “when this hormone insulin is elevated a ton of visceral fat gets stored around your belly.”
Carbohydrates cause the highest insulin spike compared to protein (moderate) and fat (minimal). “when you eat carbohydrates you can see it creates the highest blood insulin response protein is number two but it’s a moderate insulin response and fat barely touches the dial on insulin.”
The first step is to swap carbohydrates for protein and fat to lower insulin and enable fat burning. “the first step here in your protocol is to swap carbohydrates for protein and fat.”
Common “healthy” foods like açai bowls (99g sugar), Lucky Charms (60g sugar in two servings), oatmeal (52g sugar in two servings), and orange juice (52g sugar in two cups) are high in sugar and cause significant insulin spikes.
Foods to remove include oats, oatmeal, all cereals, bread, grains, fruit and fruit juices, quinoa, white and brown rice, potatoes, sweet potatoes, and all legumes.
Foods to replace them with include cauliflower rice, squash rice, cabbage rice, eggs (whole), red meat (beef, lamb), wild-caught salmon, organic poultry (chicken, turkey), goat and sheep dairy (preferred over cow dairy due to higher MCT content), and greens (arugula, broccoli, Brussels sprouts, cauliflower).
Aim for under 50 grams of total carbohydrates per day to facilitate the metabolic switch to fat burning.
2. Stop Snacking Between Meals:
Every time you snack, you raise glucose and insulin levels, hindering fat burning. “every time you snack you raise glucose and then insulin even if it’s a healthy snack.”
The average American eats 17 to 23 times per day due to grazing.
Snacking disrupts the metabolic “fat-burning workflow.”
The recommendation is to start with three meals a day and gradually work towards intermittent fasting.
Sprinting is the “best exercise you can do to blast melt visceral fat.”
HIIT activates hormones like human growth hormone, making metabolism more efficient at using stored fat for energy.
Protocol: 20-second all-out sprint followed by 90 seconds of rest, repeated for three total rounds, three times per week (5-7 minutes total).
4. Eliminate or Limit Alcohol Consumption:
Alcohol is a “poison” and a toxin that the liver prioritizes metabolizing over fat burning.
Alcohol slows fat burning and can stimulate appetite, decrease testosterone, and increase estrogen levels (especially beer, linked to “beer belly”).
Recommendation: No alcohol. Opt for unsweetened mocktails or sparkling water with lemon.
5. Increase Daily Walking, Especially After Meals:
Aim for at least 7,000 steps daily, with 10,000 being even better.
Walking after meals helps to blunt blood sugar spikes and reduces the amount of insulin needed. “by going for a walk you blunt this big spike in blood sugars and you allow less insulin to become produced meaning you get into a fat burning State faster.”
A study showed that a 30-minute brisk walk after meals improved the glycemic response, even after high-carbohydrate meals. “although higher glucose levels were observed with High carbohydrate meal our finding show that a 30 minute post prandial meaning after eating brisk walk session improves the glycemic response after meals huge.”
Mike Mutzel, a fat loss expert, recommends breaking walks into “exercise snacks” of 2,500-3,000 steps interspersed throughout the day, which is more effective than one long walk.
Research suggests that walking at least 8,000 steps per day helps prevent metabolic deterioration and improves fat utilization. A low step count (around 2,600) resulted in an exaggerated post-meal triglyceride level and a 30% reduction in fat oxidation compared to a high step count (around 8,500).
Walking after a high-carb meal can significantly reduce glucose levels. Mike Mutzel experienced his glucose dropping from 185 to 85 mg/dL after a one-mile walk following a high-carb vegan meal.
Walking stimulates muscles to absorb glucose, reducing the need for excessive insulin.
Blue Zone research suggests that movement and recreational activity play a significant role in longevity, alongside diet.
6. Practice Intermittent Fasting (18/6 Schedule):
Intermittent fasting offers numerous benefits, including protection against neurodegenerative diseases (via autophagy), lowered insulin levels, increased human growth hormone (key for fat burning), reduced insulin resistance and blood sugar, reduced heart disease risk and blood pressure, boosted metabolism, potential lifespan extension, reduced inflammation, and improved hormone levels (leptin, testosterone).
The recommended schedule is an 18/6, meaning an 18-hour fasted state (water, electrolytes, supplements, coffee, tea only) and a 6-hour eating window (e.g., 12:00 PM to 6:00 PM) with 2-3 meals.
7. Aim for 90 Minutes of Deep Sleep:
Deep sleep (Delta sleep) is when you burn fat and visceral fat, and fat-burning hormones are activated.
Track deep sleep using devices like Oura Ring, Apple Watch, or Fitbit.
Scientifically proven tips for more deep sleep:
Drink banana tea (boiled banana with peel).
Keep the bedroom cold (around 65°F).
Ensure the bedroom is dark (blackout curtains or sleep mask).
Practice mouth taping to encourage nasal breathing and increase nitric oxide.
Take 400-600 mg of magnesium.
Questions and Answers:
Role of Stress (Cortisol): Cortisol works with insulin to store visceral fat. Chronic high cortisol levels lead to a “cortisol belly.” Managing stress (mental, emotional, physical, chemical) is crucial. Increasing oxytocin (through hugging, laughter, hobbies, gratitude – “vitamin G”) helps lower cortisol.
Protein Intake: Focus on protein intake (ideally 0.7 to 1 gram per pound of ideal body weight) for satiety, increased metabolic cost of digestion, and to support lean muscle mass. JJ Virgin emphasizes eating protein first at meals.
Measuring Visceral Fat:Indirect: Fasting insulin blood test (levels over 10 suggest insulin resistance and visceral fat storage).
Most Accurate: MRI scan of the abdomen. CT scans can also show visceral fat but involve radiation. Dexa scans quantify but don’t visualize visceral fat effectively.
Dr. Shan Omar, a visceral fat expert, emphasizes the visual impact of seeing visceral fat on an MRI as a powerful motivator for change. He notes that radiologists typically don’t report on visceral fat. Fatty infiltration in skeletal muscle often correlates with high visceral fat. Re-testing frequency depends on individual levels and goals, ranging from 3-12 months. Cost of MRI can vary significantly.
Quotes:
“visceral fat is the nasty belly fat around your stomach”
“insulin is the hormone that tells your body to pack on the visceral fat it’s the only hormone in your body that stores fat”
“when insulin is high from eating carbohydrates you’re your fat burning hormones they go and they hide they cannot coexist with insulin”
“sprinting is the best exercise you can do to blast melt visceral fat”
“alcohol is a poison to your body it’s a toxin to your brain”
“walking actually helps you uh trigger the the autophagy mechanisms that are some of the health benefits linked with fasting” (Quote from Mike Mutzel)
“Deep sleep right here this is where you burn fat this is where you burn visceral fat this is where most of your fat burning hormones are activated”
“gratitude is strength training for your soul” (Ben Azadi)
“eat protein first because I have been at too many dinners and heard too many times from women that they get too full to eat their protein” (Quote from JJ Virgin)
“MRI is the best way uh to do that and uh it’s uh when when people visualize it I get lots of colorful language the f bomb is dropped all the time” (Quote from Dr. Shan Omar)
Next Steps (Implied):
Follow the 7-step protocol.
Consider checking fasting insulin levels.
If motivated, explore getting an MRI scan to visualize visceral fat.
Check out the Keto Kamp recipes and other resources mentioned.
Watch the recommended video on “10 foods that put you in a fat burning State.”
This briefing document summarizes the core principles and actionable steps presented in Ben Azadi’s guide to reducing visceral fat. The emphasis is on understanding the role of insulin, making strategic dietary changes, incorporating specific types of exercise, prioritizing sleep, and managing stress to achieve rapid fat loss and improved metabolic health.
Visceral Fat: Reduction Through Diet and Lifestyle
Frequently Asked Questions About Visceral Fat Reduction
1. What is visceral fat and why is it dangerous? Visceral fat is the fat stored around your abdominal organs, often referred to as belly fat. It’s different from subcutaneous fat, which lies just beneath the skin. Visceral fat is particularly dangerous because it’s metabolically active, meaning it releases hormones and inflammatory substances that can contribute to chronic diseases such as heart disease, type 2 diabetes, fatty liver disease, obesity, and even certain types of cancer. It puts pressure on vital organs like the heart, kidneys, liver, and pancreas, hindering their proper function.
2. What is the “easiest diet” to reduce visceral fat quickly? The core principle of this diet focuses on lowering the hormone insulin, which is the primary hormone responsible for fat storage, especially visceral fat. The easiest approach involves swapping high-carbohydrate foods for protein and healthy fats. Carbohydrates cause the most significant spike in insulin, followed by protein (a moderate response), while fat has a minimal impact. Therefore, to promote fat burning, especially visceral fat, it’s recommended to drastically reduce or eliminate foods like oats and oatmeal, all cereals, bread and grains, fruit and fruit juices, quinoa, white and brown rice, potatoes and sweet potatoes, and all legumes. Instead, focus on consuming non-starchy vegetables (like cauliflower rice, squash rice, and cabbage rice), whole eggs, red meat (beef and lamb), wild-caught salmon, organic poultry (chicken and turkey), and goat or sheep dairy (or raw, organic, grass-fed cow dairy in moderation). Aim to keep total carbohydrate intake under 50 grams per day to facilitate a metabolic shift towards fat burning.
3. Besides diet, what other lifestyle changes are crucial for blasting visceral fat? Several lifestyle modifications complement dietary changes for effective visceral fat reduction: * Stop Snacking: Frequent snacking, even on healthy foods, elevates glucose and insulin levels, hindering fat burning. Aim for three main meals a day initially and consider progressing to intermittent fasting. * Implement Sprints: High-intensity interval training like sprinting (20 seconds of all-out effort followed by 90 seconds of rest, repeated for 3 rounds, 3 times per week) is highly effective in activating fat-burning hormones like human growth hormone and depleting glycogen stores, forcing the body to utilize stored fat. * Eliminate or Limit Alcohol: Alcohol is a toxin that the liver prioritizes metabolizing, thus slowing down fat burning. It also stimulates appetite, decreases testosterone (important for fat loss), and can increase estrogen levels (linked to abdominal fat). * Increase Daily Walking: Aim for at least 7,000, ideally 10,000 steps per day. Post-meal walks, even for 30 minutes, are particularly beneficial in blunting blood sugar spikes and reducing the need for excessive insulin production. Breaking up walks into 2,500-3,000 step sessions throughout the day can be more effective than one long walk. * Practice Intermittent Fasting (18/6 Schedule): Fasting for 18 hours daily with a 6-hour eating window (e.g., eating between 12 pm and 6 pm) can protect against neurodegenerative diseases, reduce insulin resistance, lower blood sugar and blood pressure, boost metabolism, extend lifespan, reduce inflammation, and optimize hormones like human growth hormone, leptin, and testosterone, all contributing to visceral fat loss. * Prioritize Deep Sleep (90 Minutes): Deep sleep is crucial for fat burning and the activation of fat-burning hormones. Tips to improve deep sleep include drinking banana tea, keeping the bedroom cool (around 65°F) and dark, using mouth tape to encourage nasal breathing, and taking 400-600mg of magnesium.
4. How does stress impact visceral fat accumulation? Stress plays a significant role in visceral fat storage. While insulin is the primary fat-storing hormone, cortisol, the stress hormone, works in conjunction with it. Chronically elevated cortisol levels can lead to increased visceral fat storage, often referred to as a “cortisol belly.” Managing stress through adequate sleep, addressing mental, emotional, physical, and chemical stressors, and increasing oxytocin (the “love hormone”) through actions like hugging, laughing, engaging in hobbies, and practicing gratitude can help combat cortisol and reduce visceral fat.
5. How much protein is recommended to help burn visceral fat? Protein is crucial for fat loss due to its high thermic effect (the energy required to digest and assimilate it), its ability to promote satiety (keeping you feeling full longer), and its role in preserving lean muscle mass during a caloric deficit. A general recommendation is to aim for 0.7 to 1 gram of protein per pound of your ideal body weight. Prioritizing protein intake, especially eating it before other macronutrients, can help manage hunger and cravings, supporting overall calorie control and visceral fat reduction.
6. What are the ways to measure visceral fat? There are both indirect and direct methods to measure visceral fat. * Indirect Method: A fasting insulin blood test can indicate insulin resistance. A fasting insulin level over 10 suggests insulin resistance and likely the presence of excess visceral fat. This is a relatively inexpensive test that can be requested from your doctor. * Direct Methods: The most accurate ways to visualize and quantify visceral fat are through imaging techniques like DEXA scans, CT scans, and MRI scans. While DEXA scans provide a number representing visceral fat, they don’t offer a visual representation. CT scans and MRI scans provide images that clearly show visceral fat (appearing as white on the scans). MRI scans are considered superior due to their higher resolution and lack of radiation. However, it’s important to note that visceral fat is often not routinely reported by radiologists. Visualizing the visceral fat on an MRI or CT scan can have a strong emotional impact, motivating individuals to make necessary lifestyle changes. Software exists that can quantify visceral fat from these scans, though it’s not always necessary as the visual evidence can be powerful. Repeat testing can be done every 3 to 9 months to monitor progress. MRI scan costs can vary significantly by location, so it’s worth shopping around.
7. Can walking really help in losing stubborn belly fat? Yes, walking is a mandatory aspect of a healthy lifestyle and significantly aids in reducing stubborn belly fat. Aiming for around 9,000 steps per day is a good target, with benefits increasing up to 12,000 steps for disease prevention. Breaking up walks into multiple shorter sessions (2,500-3,000 steps each) throughout the day is more effective than one long session. Walking after meals is particularly beneficial for blunting post-meal glucose spikes, reducing the need for high insulin levels, and promoting fat burning. Research shows that even a brisk 15-20 minute walk after a higher-carb meal can significantly lower glucose levels. Furthermore, consistent walking improves the body’s ability to oxidize fat.
8. What is the connection between deep sleep and visceral fat loss? Deep sleep is a critical phase of sleep where the majority of fat-burning hormones are activated, allowing the body to tap into stored fat for energy, including visceral fat. Aiming for approximately 90 minutes of deep sleep each night can significantly accelerate visceral fat reduction. Strategies to enhance deep sleep, such as maintaining a cool and dark bedroom, practicing nasal breathing through mouth taping, and ensuring adequate magnesium intake, can optimize this fat-burning process during sleep.
Burning Visceral Fat: A Seven-Step Protocol
Visceral fat is described as the nasty belly fat around your stomach. It’s problematic because it applies pressure to vital organs like your heart, kidneys, liver, and pancreas, potentially leading to chronic diseases such as fatty liver disease, obesity, cancer, and heart disease.
According to Ben Azadi, the easiest diet to follow to reduce visceral fat in less than 14 days involves a seven-step protocol.
Here are the seven steps for burning visceral fat outlined in the source:
Lower Insulin: The primary hormone that signals fat storage, particularly visceral fat, is insulin. To lower insulin, the first step is to swap carbohydrates for protein and fat. Carbohydrates cause the highest insulin spike, followed by protein (moderate), while fat barely affects insulin levels.
It’s recommended to remove foods like oats and oatmeal, all cereals (even whole grain), bread, grains, fruit and fruit juices, quinoa, white and brown rice, potatoes and sweet potatoes, and all legumes. These foods can cause a significant glucose and insulin response. Fruit and fruit juices contain fructose and sometimes high fructose corn syrup, which can lead to fatty liver and visceral fat.
You should replace these with fat-burning, insulin-friendly foods such as cauliflower rice, squash rice, cabbage rice, whole eggs (with the yolk), red meat (beef and lamb), wild-caught salmon, organic poultry (chicken and turkey), and goat and sheep dairy (which contain more medium-chain triglycerides than cow dairy). Raw organic grass-fed cow dairy might be okay in moderation. Greens like arugula, broccoli, Brussels sprouts, and cauliflower are also beneficial.
Ideally, aim to drop your total carbohydrates under 50 grams per day to facilitate a metabolic switch to fat burning.
Stop Snacking: Snacking between meals raises glucose and insulin levels, even if it’s a healthy snack, disrupting your metabolism and preventing visceral fat burning. The average American eats 17 to 23 times per day due to grazing. You should aim for three meals a day initially and then work towards intermittent fasting.
Sprints: Sprinting is considered the best exercise to blast visceral fat. High-intensity interval training like sprinting activates hormones such as human growth hormone, making your metabolism more efficient at using stored fat for energy. The protocol involves sprinting at an all-out effort for 20 seconds, followed by 90 seconds of rest, repeated for three total rounds, three times per week. This should only take about 5 to 7 minutes.
No or Limit Alcohol: Alcohol is described as a poison and a toxin to the body that slows fat burning because the liver prioritizes metabolizing alcohol. Alcohol also stimulates appetite, decreases testosterone levels (which can last up to 24 hours), and can increase estrogen levels (especially beer), potentially contributing to an “estrogen belly”. It is recommended to avoid alcohol entirely or limit its consumption significantly.
Walking: Getting at least 7,000 steps a day (ideally 10,000) is crucial. Walking after eating a meal is particularly beneficial because it blunts the spike in blood sugar and reduces the amount of insulin produced, allowing you to get into a fat-burning state faster. Studies show that a 30-minute brisk walk after meals improves the glycemic response. Interspersing walking throughout the day in exercise snacks (three or four 2,500-3,000 step sessions) can be more effective than one longer walk. Aiming for around 9,000 steps per day is a good target. Even a rigorous 15-20 minute walk after a high-carb meal can significantly reduce glucose levels.
Intermittent Fasting: This has numerous benefits, including protecting against neurodegenerative diseases through autophagy, lowering insulin levels, increasing human growth hormone, reducing insulin resistance and blood sugar levels, reducing the risk of heart disease, boosting metabolism, extending lifespan, reducing inflammation, removing waste from cells, and helping with hormones like leptin and testosterone. The recommended schedule for visceral fat reduction is an 18/6 schedule, where you fast for 18 hours (consuming only water, electrolytes, supplements, coffee, or tea) and have a 6-hour eating window (e.g., 12:00 p.m. to 6:00 p.m.) with 2 to 3 meals.
90 Minutes of Deep Sleep: Deep sleep is when you burn fat and visceral fat, and most fat-burning hormones are activated. Aiming for 90 minutes of deep sleep each night is recommended. Scientifically proven tips to improve deep sleep include drinking banana tea, keeping the bedroom cold (around 65°F), ensuring the bedroom is dark (using blackout curtains or a sleep mask), using mouth tape to encourage nasal breathing, and taking 400-600 mg of magnesium.
The source also addresses the role of stress and protein intake in visceral fat reduction:
Stress: While insulin is the primary hormone for visceral fat storage, cortisol (the stress hormone) works with insulin. Chronic high levels of cortisol can lead to a “cortisol belly” and fat storage. Managing stress through optimizing sleep, addressing mental, emotional, physical, and chemical stressors is important. Activities that produce oxytocin (like hugging, watching something funny, hobbies, and practicing gratitude – “vitamin G”) can help combat high cortisol levels.
Protein Intake: The focus should be on protein intake when reducing carbohydrates. Prioritizing protein intake and eating it first during meals is recommended because protein is more metabolically costly to digest and assimilate compared to carbs and fat (20-30% of protein calories are used in digestion). Protein also helps you feel fuller for longer and can help with cravings. A general recommendation is to aim for 0.7 to 1 gram of protein per pound of your target or ideal body weight.
Regarding measuring visceral fat, the source provides the following information:
An indirect way to measure visceral fat is through a fasting insulin blood test. A result over 10 may indicate insulin resistance and visceral fat storage.
The most accurate way to test is with an MRI scan. CT scans can also visualize visceral fat but involve radiation. DEXA scans quantify visceral fat but don’t allow for visualization.
Visualizing visceral fat on an MRI scan can have a significant emotional impact, which can motivate individuals to make lifestyle changes. On an MRI, fat appears white, while muscle appears dark.
While software exists to quantify visceral fat numerically, visualizing the amount of visceral fat may be more impactful for individuals.
It’s important to understand that doctors do not routinely read visceral fat on MRI or CT scans. Dr. Anna C. Rosa is mentioned as one of the first radiologists to routinely do so.
If you’ve had a CT scan of your abdomen, you can review the images to see the amount of visceral fat.
Repeat testing with MRI can be done every 3 to 6 months to monitor progress. The cost and time involved with MRI scans can be limitations.
Insulin’s Role in Fat Storage and Reduction Strategies
Based on the sources and our conversation history, let’s discuss insulin hormone levels.
Insulin is the primary hormone in your body that signals fat storage, especially visceral fat. When insulin levels are elevated, a significant amount of fat is stored around your belly. This is a problem because this visceral fat puts pressure on vital organs and can contribute to chronic diseases like fatty liver disease, obesity, cancer, and heart disease.
The source highlights that carbohydrates cause the most significant spike in blood insulin when you eat them. Protein results in a moderate insulin response, while fat barely affects insulin levels. This is described as basic human physiology verified by medical textbooks.
When insulin levels are high due to carbohydrate consumption, your fat-burning hormones are suppressed and cannot function effectively. Insulin and fat burning essentially cannot coexist.
Therefore, the first step to burning visceral fat, according to Ben Azadi, is to lower insulin levels. This is primarily achieved by swapping carbohydrates for protein and fat in your diet. The source recommends avoiding foods that cause high insulin spikes, such as:
Oats and oatmeal
All cereals, including whole grain
Bread and grains
Fruit and fruit juices (due to fructose and potential high fructose corn syrup)
Quinoa, white and brown rice
Potatoes and sweet potatoes
All legumes (beans, peanuts, lentils, and chickpeas)
Instead, the source suggests replacing these with insulin-friendly, fat-burning foods like:
Cauliflower rice, squash rice, and cabbage rice
Whole eggs (with the yolk)
Red meat (beef and lamb)
Wild-caught salmon
Organic poultry (chicken and turkey)
Goat and sheep dairy (which have more medium-chain triglycerides than cow dairy)
Raw organic grass-fed cow dairy (potentially in moderation)
Greens like arugula, broccoli, Brussels sprouts, and cauliflower
The goal is to drop total carbohydrate intake to under 50 grams per day to lower insulin sufficiently and trigger a metabolic switch to fat burning.
Beyond dietary changes, intermittent fasting is also presented as a method to lower insulin levels. During the fasting period, insulin levels naturally decrease, which is beneficial for burning visceral fat and has other health benefits like increased human growth hormone and reduced insulin resistance. The recommended schedule is an 18/6 fasting window.
Furthermore, walking after meals helps to blunt the spike in blood sugar, which in turn reduces the amount of insulin required to clear glucose from the bloodstream. This allows you to get into a fat-burning state more quickly.
The source also indirectly links stress and cortisol to insulin’s role in visceral fat storage. While insulin is the primary hormone, cortisol (the stress hormone) works with insulin to promote visceral fat accumulation. Managing stress can therefore have a positive impact on insulin regulation.
Finally, an indirect way to measure visceral fat is through a fasting insulin blood test. A fasting insulin level over 10 may indicate insulin resistance, which is often associated with higher levels of visceral fat.
Carbohydrates and Visceral Fat Reduction: A Protocol
Based on the sources and our conversation history, let’s discuss carbohydrate intake in relation to visceral fat reduction.
The source “01.pdf” emphasizes that carbohydrate intake plays a significant role in the accumulation of visceral fat. According to Ben Azadi, carbohydrates cause the highest blood insulin response compared to protein and fat. Elevated insulin levels are the primary driver of visceral fat storage around the belly.
Therefore, the first and most crucial step in the provided protocol for reducing visceral fat is to significantly lower carbohydrate intake. The rationale behind this is that by reducing carbohydrates, you can lower insulin levels, which in turn signals your body to stop storing visceral fat and instead start burning it. The source explicitly states that when insulin is high from eating carbohydrates, your fat-burning hormones are suppressed and cannot effectively do their job.
To lower insulin, the source recommends swapping carbohydrates for protein and fat in your diet. It provides a detailed list of foods that people often think are healthy but can actually contribute to visceral fat due to their high carbohydrate and sugar content:
Oats and oatmeal
All cereals, even whole grain varieties
Bread and grains
Fruit and fruit juices because they contain fructose and sometimes high fructose corn syrup, leading to a significant glucose and insulin spike and potentially causing fatty liver and visceral fat
Quinoa, white and brown rice
Potatoes and sweet potatoes
All legumes, including beans, peanuts, lentils, and chickpeas
Instead of these foods, the source suggests replacing them with fat-burning and insulin-friendly options:
Cauliflower rice, squash rice, and cabbage rice as alternatives to white or brown rice
Whole eggs (with the yolk)
Red meat like beef and lamb
Wild-caught salmon
Organic poultry like chicken and turkey
Goat and sheep dairy (which are noted as being potentially better than cow dairy due to a higher content of medium-chain triglycerides)
Raw organic grass-fed cow dairy (suggested as possibly okay in moderation)
Greens like arugula, broccoli, Brussels sprouts, and cauliflower
The source provides a specific target for carbohydrate intake, recommending that you ideally drop your total carbohydrate consumption to under 50 grams per day. This level is suggested to be low enough to significantly lower insulin and facilitate a metabolic switch from burning glucose to burning fat, including visceral fat.
Our previous discussion on insulin hormone levels also highlighted the direct link between carbohydrate intake and insulin spikes [the previous turn]. We noted that carbohydrates have the most substantial impact on raising insulin levels compared to other macronutrients.
Furthermore, the source connects carbohydrate intake to other recommendations for visceral fat reduction. For example, walking after meals is particularly emphasized for its ability to blunt the post-meal glucose spike that occurs even with lower carbohydrate intake. This reduction in glucose also means less insulin needs to be released. Similarly, intermittent fasting helps lower overall insulin levels, which is partly achieved by restricting the time window during which carbohydrates (and other foods) are consumed.
In summary, the source posits that high carbohydrate intake is a primary driver of elevated insulin levels and subsequent visceral fat accumulation. To effectively reduce visceral fat, a significant reduction in carbohydrate intake to below 50 grams per day is recommended, along with the substitution of high-carbohydrate foods with protein and fat sources and insulin-friendly vegetables. Managing carbohydrate intake is presented as the foundational step upon which the other recommendations for visceral fat reduction are built.
Intermittent Fasting for Visceral Fat Reduction
Based on the sources and our conversation history, let’s discuss intermittent fasting as a strategy for visceral fat reduction.
The source “01.pdf” presents intermittent fasting as the sixth step in its seven-step protocol for burning belly fat. It is described as having many benefits.
How Intermittent Fasting Helps Burn Visceral Fat:
Lowers Insulin Levels: One of the primary ways intermittent fasting aids in visceral fat loss is by lowering insulin levels. As we discussed previously, elevated insulin is the main hormone that promotes the storage of visceral fat [1, our conversation history]. By abstaining from food for a significant period, insulin levels naturally decrease, which signals the body to start burning stored fat, including visceral fat.
Increases Human Growth Hormone (HGH): Fasting promotes a rise in human growth hormone. HGH is a key hormone that helps the body burn fat. The source mentions that studies suggest a significant increase in HGH hour after hour during a fast.
Promotes Autophagy: Intermittent fasting helps the body go through cellular cleaning processes called autophagy. Autophagy involves clearing out senescent (aged or damaged) cells.
Reduces Insulin Resistance and Lowers Blood Sugar: Fasting can help reduce insulin resistance and lower blood sugar levels. This is significant because insulin resistance is often linked to increased visceral fat storage.
Boosts Metabolism: Contrary to the misconception that fasting slows metabolism, the source states that it actually boosts metabolism.
Positively Impacts Other Hormones: Fasting can also help with hormones like leptin (the satiety hormone) and testosterone.
Recommended Intermittent Fasting Schedule:
The specific intermittent fasting schedule recommended in the source for burning visceral fat is the 18/6 schedule. This means:
18 hours of fasting: During this time, no food is consumed. You can have water, electrolytes, supplements, coffee, and tea. Snacking is not allowed.
6-hour eating window: This is the period during which you consume your meals. The example given is from 12:00 p.m. to 6:00 p.m.. During this window, you would typically eat two to three meals.
The source emphasizes utilizing sleep as part of the fasted state by having an earlier dinner by 6:00 p.m..
Connection to Previous Discussions:
Insulin: Our previous discussions highlighted that lowering insulin is crucial for visceral fat reduction and that carbohydrates are the primary driver of insulin spikes [our conversation history]. Intermittent fasting is presented as another effective method, alongside dietary changes, to achieve and maintain lower insulin levels.
Carbohydrate Intake: While intermittent fasting focuses on when you eat, the source also recommends what you eat during your eating window, which aligns with our discussion on lowering carbohydrate intake to manage insulin [2, 10, our conversation history]. Combining a lower-carbohydrate diet during the eating window with intermittent fasting is implied as a powerful strategy.
In summary, the source “01.pdf” strongly advocates for intermittent fasting, specifically the 18/6 schedule, as a valuable tool for reducing visceral fat. Its benefits are attributed to its ability to lower insulin, increase HGH, promote autophagy, improve insulin sensitivity, boost metabolism, and positively influence other hormones. This recommendation aligns with the broader strategy of managing insulin levels discussed in the source and our previous conversations regarding the impact of carbohydrate intake on insulin.
Walking for Visceral Fat Reduction: Steps and Timing
Based on the sources and our conversation history, let’s discuss steps and walking in the context of visceral fat reduction.
Walking as Step Five in the Protocol:
The source “01.pdf” identifies getting at least 7,000 steps a day, with 10,000 steps being even better, as the fifth step in the protocol for burning visceral fat. It specifically highlights that walking after eating a meal is the most beneficial time to do this.
Benefits of Walking, Especially After Meals:
Blunting Blood Sugar Spikes: When you eat food, your blood sugar levels will rise, even with a lower carbohydrate intake. This prompts the pancreas to release insulin to clear the glucose from the bloodstream. The more metabolically unhealthy you are and the more visceral fat you have, the higher this blood sugar spike can be, requiring more insulin. Walking after a meal helps to blunt this spike in blood sugars, requiring less insulin to be produced, and allowing you to get into a fat-burning state faster.
Study Supporting Postprandial Walking: The source references a study titled “the effects of postprandial walking on the glucose response after meals with different characteristics” which demonstrated that a 30-minute brisk walk after meals improves the glycemic response, even after high-carbohydrate meals.
Expert Opinion from Mike Mutzel: The source includes an interview with fat loss expert Mike Mutzel, who emphasizes that walking is a mandatory aspect of a healthy lifestyle, regardless of diet or fasting programs. He cites research suggesting a threshold of around 9,000 steps per day for overall health benefits and around 12,000 steps for preventing various diseases. A significant meta-analysis involving 1.3 million people found that at least 8,600 steps per day can help avoid and reduce the risk of developing conditions like sleep apnea, depression, high blood pressure, and improve metabolic health, including reducing visceral fat.
“Exercise Snacks” – Breaking Up Walks:
Mike Mutzel suggests breaking up your daily walks into “exercise snacks” of three or four 2,500 to 3,000 step sessions interspersed throughout the day, rather than one long bout of exercise. He argues that this approach can be more effective than a single longer walk.
Research by Edward Coyle on Step Counts and Metabolic Health:
The source discusses research by Edward Coyle at UT Austin, who found that:
Individuals walking less than 8,000 steps per day had an exaggerated postmeal level of blood triglycerides after a standardized high-fat test meal, which is a strong indicator of poor metabolic health and fat utilization.
There was a 30% reduction in fat oxidation in the low step count group (around 2,600 steps) compared to the high step count group (around 8,500 steps).
Interestingly, a 60-minute Zone 2 exercise session did not significantly increase fat oxidation in the low step count group, suggesting that daily walking activity is crucial for maximizing the benefits of structured exercise.
Walking After “Cheat Meals”:
Mike Mutzel suggests that even if someone has a higher-carbohydrate meal (like a “cheat meal”), going for a rigorous walk for 15-20 minutes can literally cut their glucose levels almost in half. This further reinforces the benefit of postprandial movement in managing blood sugar and insulin.
Connection to Previous Discussions:
Insulin: As mentioned, walking, especially after meals, directly helps in managing blood glucose levels, thus reducing the insulin response. This aligns with our previous discussions about the importance of lowering insulin for visceral fat reduction [our conversation history].
Carbohydrate Intake: While lowering carbohydrate intake is the primary dietary recommendation, incorporating walking helps mitigate the glucose spike that can still occur even with a reduced carbohydrate load [4, 5, our conversation history]. The synergy between dietary changes and increased physical activity like walking is evident.
In summary, the source strongly advocates for regular walking, aiming for at least 7,000 to 10,000 steps per day, with a particular emphasis on walking after meals to help blunt blood sugar and insulin spikes. Breaking up the total step count into smaller “exercise snacks” throughout the day may be more effective than a single long walk. Research indicates that achieving a sufficient daily step count is crucial for healthy postmeal metabolic responses and fat oxidation. This recommendation complements the dietary and fasting strategies for visceral fat reduction by directly influencing glucose metabolism and insulin sensitivity.
The World’s Easiest Diet For Visceral Fat Reduction In 14 Days | Ben Azadi
The Original Text
visceral fat is the nasty belly fat around your stomach I’m going to share with you in this lesson the easiest diet to follow to blast melt visceral fat in less than 14 days how do I know this can be done well this is a photo of me when I was 2050 lb 34% body fat I had a ton of visceral fat and I applied what I’m about to teach you and here’s what happened to me I went from 250 lb as you can see on the screen here to 170 lb right here here 34% body fat to as low as 6% body fat I had a lot of visceral fat those are signs of visceral fat you can see the love handles here and you can see what happened as a result before and after so you’re about to get the same results that I did I know this works because this guy right here me when I was 24 years old I was struggling with a ton of fat obesity I had pre-diabetes and high blood pressure and I tried so many different approaches and it wasn’t until I followed this approach that I’m going to share with you these seven steps to burn this fat that’s what I achieved in a short amount of time and I’m going to lay it all out for you right now the first step to burning visceral fat is to lower a hormone called insulin when this hormone insulin is elevated a ton of visceral fat gets stored around your belly this is a problem because that visceral fat applies pressure to your heart your kidneys to your liver and your pancreas and it creates chronic disease fatty liver disease obesity cancer heart disease insulin is the hormone that tells your body to pack on the visceral fat it’s the only hormone in your body that stores fat that’s pretty interesting because there’s over 600 hormones in the body but only one signal fat storage in that hormone is primarily the hormone insulin now cortisol works with insulin to do that but it’s insulin that’s causing this visceral fat all right now let’s unpack out of the three macronutrients out there which one causes the most insulin Spike well the research is clear when you eat carbohydrates you can see it creates the highest blood insulin response protein is number two but it’s a moderate insulin response and fat barely touches the dial on insulin this is basic human physiology all the medical textbooks verify this so if we know that it’s carbohydrates that Spike insulin the most that means the first step here in your protocol is to swap carbohydrates for protein and fat when insulin is high from eating carbohydrates you’re your fat burning hormones they go and they hide they cannot coexist with insulin so just to give you an example what are the foods people eat that they think are healthy but actually are causing visceral fat I’m going to show you some crazy stats right here these are some stats from chronometer doccom keto camp where you could input your food and it gives you the amount of grams of carbs protein fat it gives you all the calculations all the nutrition I input that into the system and I’m going to give you an example of the common foods people eat they think are healthy he but it’s causing weight gain it’s causing visceral fat so this is an example of an assai Bowl One assai Bowl from Jamba Juice how many teaspoons of sugar in that 20 teaspoons of sugar which equates to 99 gam of sugar that’s a huge blood sugar and insulin response all right Lucky Charms I know most people don’t think Lucky Charms are healthy but hey let’s look at the stats here in two servings of lucky charm so two bowls we have 12 teaspoons of sugar 60 g of sugar then we have oatmeal okay a lot of people try to lose visceral fat and they’re eating oatmeal they think oatmeal helps them lose weight does oatmeal cause an insulin Spike how much sugar is an oatmeal in just two servings of oatmeal there is 52 gam of sugar not to mention all the glyphosate and contaminants that’s usually found in oatmeal that’s besides the fact here orange juice people drink orange juice thinking they’re getting their vitamin C two cups of orange juice 16 o is 52 g of sugar therefore what you’re going to want to do to start tapping into visceral fat by lowering insulin is to remove the following Foods we have oats and oatmeal you want to get rid of that cereal that goes for all cereal even whole grain cereal all bread grains fruit and fruit juices because fruit and fruit juices contain fructose and sometimes high fructose corn syrup huge glucose and Insulin Spike that causes fatty liver and visceral fat you want to avoid quinoa white and brown rice you want to avoid potatoes and sweet potatoes all legumes including beans peanuts lentil and chickpeas ideally you want to drop your total carbohydrates under 50 gam total per day to lower insulin enough to make a metabolic switch to Fat metabolism fat burning where your body starts burning that visceral fat this is the first step that I did to start burning my visc fat now the question is what do I eat Ben you’re taking all my favorite stuff away there’s some really good food you can eat here’s what you want to swap them with you want to replace those foods with the following fat burning insulin Friendly Foods we have cauliflower rice squash rice and cabbage rice that’s a good replacement for white rice or brown rice we have eggs the whole egg with the yolk it’s amazing for insulin resistance fat burning amazing for fatty liver disease we have red meat like beef and lamb wild CAU salmon is amazing with its anti-inflammatory properties it has EPA and DHA it lowers inflammation allows your fat burning hormones to do their job we have poultry organic poultry ideally chicken and turkey I put eggs on there twice I guess I did that subconsciously because I love eggs so much goat and sheep Dairy would be better than Cow Dairy if you do cowery raw organic grass-fed cowery should be okay but the reason I put goat and sheep Dairy on this list as opposed to Cow Dairy is because goat and sheep Dairy contain 30% medium chain triglycerides which actually helps you get into a fat burning State faster than Cow Dairy greens like arugula which is a great bidder for your liver to detoxify and burn fat broccoli brussels sprouts cauliflower this is a good list of fat burning foods now there’s a lot more and I put together a recipe called the keto camp recipe of the week and these are recipes you can get by scanning the screen right there I’ll get out of the way for you uh or going to keto Camp recipes.com I’ll drop a link down below but these recipes I’ve worked with the food journalist for six months to put together insulin friendly fat burning recipes protein focused healthy fats low carbs and it takes all the guest work out of it so you just follow the recipes you get one a week in your email inbox and it’s easy and quick to make and it tastes pretty good all right Second Step here in your protocol is to stop snacking in between your meals every time you snack you raise glucose and then insulin even if it’s a healthy snack and here’s a crazy stat my colleague Dr Don Clum did a patient population study and he found out that the average American eats 17 to 23 times per day how is that possible it’s the grazing the handful of almonds the sip of the kombucha the protein shake every time you eat if it’s a snack or a full-on meal it doesn’t matter it’s a meal to your body it’s going to disrupt your metabolism it’s going to prevent you from burning visceral fat the example I always give is like this example here let’s say you’re in your office at home and you’re in a flow State working very productive and every 2 to three hours somebody bangs on your door and disrupts your your workflow that’s what’s happening to your metabolism when you eat every 2 to three hours your spiking glucose and insulin and you’re disrupting your fat burning workflow so the first step here along the Second Step I should say along with the first step is to eliminate the snacks you’re going to start by just having three meals a day and you’re going to work your way up to intermittent fasting which will discuss how that helps you burn visceral fat in a second the third step to burning belly fat are Sprints sprinting is the best exercise you can do to blast melt visceral fat I’ll share with you the protocol and it’s pretty easy by the way it might seem too little but I got to tell you it works like a charm but let me explain how this works when you do high-intensity interval training a Sprint at an allout effort and then you rest and recover and repeat that a few times you activate hormones in your body that like human growth hormone and others that really allow your metabolism to get more efficient and use stored fat for energy it’s a very energy demanding activity Sprints and you’re going to allow your your body to burn through your sugar reserves called your glycogen stores and then make that metabolic switch to blasting stored fat visceral fat for energy so the protocol is very simple you do this three times per week you’re going to Sprint all out effort for 20 seconds either outside or on a treadmill you could also do it on a bicycle by the way if you have bad knees all out effort like a lion is chasing you for 20 seconds time yourself then you’re going to rest for 90 seconds total ideally you want to sit down maybe lie down for 90 seconds allow your body to go back into a parasympathetic State and then you do it again 20 second all out Sprint you can do that for three total rounds and you’re only going to do that three times per week maybe it’s Monday Wednesday and Friday they should only take about 5 to 7 minutes you might want to warm up beforehand but 5 to 7 minutes what a wonderful way and a fast easy way to burn belly fat so sprinting is the third step here the fourth way to burn visceral fat sorry to be the be bad news but this is no alcohol or limit alcohol but if you go no alcohol even better look before I get into these stats here alcohol is a poison to your body it’s a toxin to your brain even if it’s the cleanest alcohol in the world the most expensive alcohol every sip will kill brain cells inside of your body but it’s not just that as it relates to visceral fat your liver is a very important organ not just for detoxification but for fat loss and when you have alcohol your liver and your metabolism needs to metabolize and prioritize getting rid of that toxin the alcohol before anything else before fat burning before any other detoxification processes so you slow fat burning and another reason why is alcohol stimulates appetite and decreases testosterone levels for up to 24 hours so you’re probably going to eat more carbohydrates eat unhealthy you’re going to have lower levels of testosterone and it can increase estrogen levels especially beer by 300% this is why they call it an Infamous beer belly it’s really just an estrogen belly biochemically the higher your levels of estrogen are the more readily you absorb alcohol and the slower you break it down it becomes a vicious cycle so have a mocktail that’s not sweetened have sparkling water this is what I do sparkling water with a Sprinkle of lemon sometimes I’ll put some drops of stevia monk fruit but no alcohol if you’re serious about burning visceral fat okay the fifth step here in your protocol is walking getting at least 7,000 steps a day 10,000 steps are even better but doing it after eating a meal after eating your meals is the best time to do this because when you eat food you’re going to have blood sugar Spike even with the lowering of carbs that we mentioned in the protein and fat there’s still going to be a rise in glucose and the more metabolically unhealthy you are the more visceral fat you have the higher that blood sugar Spike the higher that blood sugar goes after eating the more insulin is required from your pancreas to be pumped out to clear that excess glucose out of the bloodstream and into your cells that’s not good the more insulin the more you store fat so by going for a walk you blunt this big spike in blood sugars and you allow less insulin to become produced meaning you get into a fat burning State faster walking is one of the best things you can do and this study proves it and there’s numerous studies that show this but this study titled the effects of postprandial walking on the glucose response after meals with different characteristics so what this study did they took participants in three different groups one group ate a low carbohydrate meal one group ate a mixed meal of carbs and fat and protein and the other group had a straight up high carb meal and all three groups when they walked for 30 minutes after a meal saw positive results here’s what the study said although higher glucose levels were observed with High carbohydrate meal are finding show that a 30 minute post prandial meaning after eating brisk walk session improves the glycemic response after meals huge so 30 minute walk after all your meals and if you can’t do it after all your meals do it after your biggest meal of the day I interviewed a world renown expert uh Mike mutel who’s a fat loss Fitness expert and a good friend of mine and he’s going to share with you right now why walking is one of the best ways to burn fat visc fat overall body fat and extend your lifespan so check out this clip it’s going to blow your mind from Mike mutzel if people wanted to shed stubborn Fat Mike how can walking help with this and what is the right method of walking to make this more efficient Ben great question I think people need to think about walking as a mandatory aspect of their lifestyle irrespective of whatever diet or fasting program they’re doing uh various Studies have been emerging over the past I want to say five or six years finding that the threshold for the number of steps that we should be walking every day is right around 9,000 so that’s what people should aim for uh other studies show about 12,000 for preventing different diseases and these are common conditions there was a huge metaanalysis involving 1.3 million people finding that if you walk at least 8600 steps per day you can avoid and reduce your risk of developing all sorts of conditions from sleep apnea to depression to uh high blood pressure pressure improving metabolic Health producing visceral fat um so that’s really important but getting back to your question specifically about losing belly fat um we should be breaking our walks up into what I I consider and researchers talk about this exercise snacks so having three or four 2500 step sessions interspersed throughout the day so you know people are always wondering like well will coffee break my fast will this or that break my fast walking actually helps you uh trigger the the autophagy mechanisms that are some of the health benefits linked with fasting uh we can get into the the sort of synergy between exercise and autophagy and the parallels with fasting later but but to get real granular with this 3 to 4 2500 or 3,000 step sessions and so what that might look like is before you have uh breakfast in the morning a lot of people fast in the morning a lot of your listeners do that um just go out and get 2500 3,000 steps you know and then around after lunchtime after your first major meal um get another 3,000 steps and then after dinner you get 3,000 and if you do these little exercise breaks it’s actually more effective than just going to the gym and doing say 45 minutes on a treadmill or a 45 minute walk so interspersing exercise and walking throughout the day uh is better than just doing one bout of exercise and I like to share the research from a gentleman known as his name is Edward Coyle at UT Austin and he’s published many randomized control trials where uh they randomize subjects to either a low step count group medium step count and High Step count and to enumerate those step counts we’re talking 2600 steps for a whole day so just relegating people to a lab where they’re only walking with their pedometer 2500 steps and then they randomize people to either walk 4,500 steps or 9,000 steps and then what they do after just this is I think two and over the course of two and four days depending upon which study they published they’ve done a few of these different trials then after those interventions uh they will give the sub subjects a standardized high fat test meal and they’ll look at markers of fat oxidation as well as postmeal hypertriglyceridemia so I know you talk a lot about lipids and and biomarkers high postmeal triglycerides are a strong independent risk factor of future heart disease as well as metabolic deterioration and it’s a proxy of poor fat utilization and handling and poor fat oxidation so you don’t want a strong High postmeal triglyceride level would suggest that you have some degree of poor metabolic health and so what the investigators found is when people do not walk at least 8,000 steps per day after the standardized test meal they have an exaggerated postmeal level of their blood triglycerides which as I mentioned very problematic arguably worse than LDL cholesterol which we can get into later and the differential in fat oxidation between the low step count group again most people are just walking about 2,000 3,000 steps per day you know they get up they walk they go to the car they drive to work they get in the office they sit all day then they drive home and watch TV and so most people are pretty sedentary and there was a 30% reduction When comparing the high step count group around 8,500 steps compared to the 2600 step count so if we think about just two days and this is some people might be traveling going to Yos or Yellowstone with the family they’re in an RV wi AO they’re eating you know chips and hot dogs and things like that sitting around or on a on an airplane you know so we do this uh all people do this all the time and we wonder why we can’t lose fat and this just this is one very simple way uh to just improve your body’s ability to burn fat because going further what the study did is they also in one arm of the study they had individuals do a 60 Minute Zone 2 exercise session which as we know zone two is actually I don’t think it’s the best for long-term fat loss but when you’re doing Zone to low intensity cardio you tend to the body relies more upon burning fat for fuel to uh give your muscles energy during that exercise session there wasn’t a statistically signific significant increase in fat oxidation in the low step count group meaning that if people don’t walk a lot but they go to the gym they’re not getting the most mileage from that gym session because they’re not just doing these daily uh activities of daily living that are supporting fat oxidation so yeah to be very concise three to four sessions uh walking sessions of you know 250000 to 3,000 steps interspersed throughout the day and honestly Ben this is great for mental focus I mean you can only focus on a one you know finite task for a short period of time uh and so this just really helps break up the day you feel better you digest your food better we can get into the ciran Rhythm health because I encourage people to walk outside even on a cloudy day the uh the intensity of the Sun the Lux uh is is well over a thousand which really helps Toc entrain your circuiting clock system and Foster that sleep pressure later in the day so there’s a bunch of different health benefits uh but yeah it really helps people lose a lot more belly fat I’m sold I I have I have been sold for quite some time you broke it down so well and the evident this this research is clear that it’s beneficial especially when you chunk it out so 9,000 steps per day seems to be the target uh I tend to get around 12 or 13,000 on average per day and it’s chunked it’s not in one long workout so I tend to do that naturally with my day-to-day it’s the benefit of having a dog by the way it’s I walk him at least twice a day so I get outside you mentioned going for a walk after dinner I’d love for you to share the benefits of going for a walk after eating uh maybe a higher carve meal of what it does to kind of blunt that post pral glucose yeah this is amazing and and the way that I sort of figured this out I mean obviously there’s research you to show this but back when continuous glucose monitors the Abbott freestyle came on the on the market back in 2017 um you know I had been doing keto eating a low carb diet since 2014 got into it and I was like you know kind of curious like if I were to go to a vegan restaurant uh here in Seattle I went to I just Google the most popular vegan restaurant um my family went in there and we just said hey we’ve never been here before give us your your the most popular items on the menu and it was you know pizza and some Breads and some different things and I’m testing my glucose in real time I calibrated the glucose monitor and so forth and I could see my glucose start to continuously in increase to 185 Mig per deciliter and so for folks listening that is in the pre-diabetic range now I know that might sound alarming people are like well you’re diabetic it’s like no I had been used to eating a low carb diet for a while and research shows this when you get habitually accustomed to eating a low carb diet and then you have a very high carb meal your body can have an OV exaggerated response to that meal and that’s exactly what happened and you know I was like oh my gosh we need to go for a walk to get this down and no kidding Ben I went for my usual one mile walk with the dogs uh came back and my glucose went from 185 to 85 milligrams per deser and I I made a video on this and I was just blown away you know we hear all the time about exercise is good for fat loss exercise helps with blood flow exercise you know helps reduce glucose and and and improve the valley the Peaks and troughs and glucose levels but in real time I was able to see this and I thought wow this is really powerful and it really speaks to when go to other parts of the world you know I know some of your audience lives outside of North America but most are relegated to North America that’s just kind of how YouTube works and you know when you go to Europe and other places people just walk you know they don’t have cars and and things like this they have public transportation but you know people are walking in this but yet they’re eating bread and baguettes and pasta you’re like well why don’t we see the Obesity uh in parts of Europe where they do have a relatively High carbohydrate diet and my uh hypothesis is that they’re just walking more they’re just more active and and moving around more so that I think is really important so if someone does have a cheat meal someone listening is going to go to a birthday or a wedding or have a barbecue and there might be Temptations with a hot dog or some chips or some ice cream or whatever if you just go for a rigorous walk for 15 20 minutes that’s all it takes you can literally cut your glucose in half by doing that and obviously there’s many health benefits too because you insulin you know if you are normally low carb and then you have a high GL glucose or high calorie meal um you’re going to have an OV exaggerated insulin response to that and and we know there’s downsides to insulin in terms of uh facilitating AOS sclerosis and the formation of plaque in your arteries uh inflammation immune suppression there’s a a long list and so by just helping your body do what insulin would normally do and put glucose into your muscles by moving your muscles you’re causing them to absorb uh that glucose and and we already know this in the postmeal window about 80% of glucose is deposited in skeletal muscle so if you just add some stimulus there by walking because people don’t think about muscle as an organ it’s an organ just like your thyroid just like your liver just like your pancreas but in order for this organ to work it needs stimulation and so we need to stimulate this organ through activity and that’s where exercise really comes in and people don’t think that walking is an exercise but it really is you know you’re moving those muscles and I will tell you there’s research out of Copenhagen uh researchers in Denmark outside of Copenhagen have done uh studies finding that in diabetics the leg muscles become insulin resistant before the musculature in the upper body and I know people go to the gym they lift you know chest and biceps and and I do that stuff too I I like lifting weights but you you need a lot of stimulation in your legs because for some reason they become sort of disease likee before the musculature in the upper body and I would argue that part of that is because we have through natural collection and and just how humans are either hunting historically ancestrally hunting or gathering we’re moving we’re never meant to sit in our cars for three hours a day and and Rush our traffic or sit in desks we are always we should be moving and this is one of the things if you look at the Blue Zone research we’re hearing so much push about well you got to go on a plant-based diet because see these blue zones eat plant more plants than meat you know depending upon the Blue Zone so therefore the plant-based diet is the the key here it’s the sinanan of longevity well not so fast these Blue zone areas are are also characterized by a lot of recreational activity in Sardinia in parts of Costa Rica in Japan these people move they don’t sit in their cars they’re they’re you know moving throughout the day having these so-called exercise snacks so uh again if you have a cheat meal go for a brisk walk it will literally cut your glucose levels almost in half well there you have it I hope Mike Mel and I have inspired you to get at least 7,000 steps a day but get those steps after eating your meal for the best visc Al fat burning response your next tip number six is to practice intermittent fasting there are so many benefits to in fasting here are some of the benefits I love and there’s a typo right there just ignore that typo so here’s one of the benefits you protect against neurodegenerative diseases that’s because your body goes through the cellular cleaning process called autophagy where it clears these senescent cells insulin levels drop and human growth hormone increases that is key for burning visceral fat we already established we need a lower insulin obviously fasting does that but human growth hormone is one of the key hormones that helps you burn body fat and as you practice fasting you get a rise in human growth hormone studies suggest huge increase in human growth hormone hour after hour during a fast this is your body’s way of pumping you full of energy because it thinks you’re going through a famine it doesn’t understand this it’s just hard wired this way one of the other benefits you reduce insulin resistance and lower blood sugar levels obviously you reduce risk of heart disease you reduce blood pressure and overall lipids boost metabolism Because by the way it does not slow down your metabolism when you fast it does the complete opposite studies suggest it extends lifespan reduces inflammation removes waste from cells and also helps with hormones like leptin which is your satiety hormone and testosterone so the schedule you’re going to follow for intermittent fasting is an 186 schedule this is a great schedule for burning visceral fat something I do on a daily basis this means for 18 hours you’re in the fasted State no food what are you having in the fasted State just water electrolytes supplements coffee tea that’s it no snacking no food for 18 hours so that would mean you have a 6-hour eating window to get your food and your protein so for example from 12: to 6:00 p.m. you have your eating window you’re going to eat 2 to three meals between 12: and 600 p.m. this little window right here from 6:00 p.m. to 12:00 p.m. the next day day you can see from 6:00 p.m. to 12:00 p.m. the next day you’re in your fasted state so you’re using sleep as that fasted State you’re having an earlier dinner by 600 p.m. that is an 186 schedule that I want you to follow to tap into visceral fat the seventh step here in your protocol is to get 90 minutes of deep sleep there are four main stages of sleep each night you have well when you’re awake and then you have three main cycles of sleep light sleep deep sleep REM sleep all are important REM sleep is great for it’s called rapid eye movement it’s great for U consolidating short-term memory for long-term memory great for focus and mental Clarity but the deep sleep right here this is where you burn fat this is where you burn visceral fat this is where most of your fat burning hormones are activated and you’re really tapping into stored fat for energy and you want to aim to get 90 minutes each night of this deep sleep you could track that with like an aura ring I have an aura ring here I’ll put a link for it in the notes down below Apple watches fitbits bands there’s many devices I’ll drop links for many of them all of them down below in the notes for you to check out personally I like my my aura ring but if you could achieve 90 minutes of deep sleep this Delta sleep each night you’re going to accelerate your results with burning visceral fat so here are some scientifically proven tips to get more deep sleep starting tonight number one drink banana tea I call it Nature’s NyQuil now I got this from my colleague Dr Michael Bruce banana tea you grab a whole banana cut the ends off but you leave the peel on because the peel of the banana has more micronutrients like potassium and magnesium that help you calm down than the actual itself and you boil it for about 5 minutes and then pour that into a cup and just drink the tea great for somebody who has a racing mind at night drink some banana tea cold bedroom studies suggest that your room needs to be about 65° fahr to get that deep fat burning Delta Sleep set that thermostat to around 65 degrees Fahrenheit dark bedroom you don’t want anything with light at night don’t have the television on put your alarm clock far away put your phone out of the room or turn shut it off and if you can have blackout curtains that’s best but you could also just wear a sleep mask I use the one from bonch charge which I’ll drop a link for down below but you want to make sure no light going through your eyes or on your skin to get deep sleep at night mouth taping is a game Cher for deep sleep when you breathe through your mouth at night you are not going to get enough deep sleep you’re going to deplete nitric oxide and you’re going to feel groggy in the morning and it’s going to be hard to burn fat you want to breathe through your nose so I simply wear an adhesive a piece of tape from somnifix and I’ll drop a link for them down below every night I just put this on before bed and it trains my body to Brea breathe through my nose where you get more into a parasympathetic state so you get more deep sleep you increase nitric oxide which is very important for cell communication and something called Vaso dilation some mouth tape at night I’ll drop a link for them down below and then lastly take some magnesium 400 to 600 Mig of magnesium I’ll drop a link for my favorite one down below now let’s get into some of your questions here that you said submitted and by the way if you’re watching on YouTube keep submitting those questions cuz we use them for videos I want to address all your questions what role does stress play with visceral fat that’s the first question as I mentioned earlier insulin is the only hormone I should say the primary hormone that stores visceral fat but cortisol works with insulin cortisol is the stress hormone so it plays a huge role you want to make sure you’re mastering your stress and by optimizing your sleep that’s already going to help you master your stress but stress comes from three different areas mental emotional physical and chemical so address all three if you’re stressed out watching the news watching television seeing what’s happening in the world uh having toxic relationships I know it sounds like how could this cause visceral fat well it’s called a cortisol belly for a reason when you have high levels of cortisol chronically high levels of cortisol you’re going to create a cortisol belly and you’re going to store fat so yes master stress one of the best ways to combat high levels of cortisol is with the hormone oxytocin you you see oxytocin and cortisol have an inverted relationship when you produce oxytocin cortisol drops how do you produce oxytocin I’m glad you asked hugging your dog or another human being for 10 seconds or more will produce oxytocin watching something funny will produce oxytocin doing something you love like a hobby for me it’s basketball will produce oxytocin vitamin G is the best way to produce oxytocin you want to talk about the best supplements in the world for visceral fat and chronic stress and oxytocin production vitamin G is where it’s at now I don’t have an affiliate link or a coupon code for vitamin G because vitamin G is the practice of gratitude you can see here in my shirt vitamin G what you appreciate appreciates and I’m being serious studies show numerous studies that the more gratitude you have in your heart and I’ve named it that gratitude is strength training for your soul I love that line thought about it when I was walking my dog the other day put it in the comment section if you’re watching on YouTube gratitude is strength training for your soul you get an immediate benefit there’s no upper limit on vitamin G it’s free and vitamin G gratitude will activate cortisol and Gaba and dopamine and it combats cortisol helps you burn fat next question is how much protein should I have to burn visceral fat we established that you want to have less than 50 gram of carbs total per day the focus should actually be protein and I brought on JJ Virgin on the metabolic Freedom podcast and she’s going to give you a Master Class A short little tip here on how protein helps you burn visceral fat so check out this clip with JJ Virgin the first one I love so much because it’s going to solve a couple problems because if you’re trying to lose fat at some point you’re going to have to go into a caloric deficit and you’re going to have to achieve it one way or the other and if you’re hungry and having cravings that’s out the window so the easiest way to be able to get into that at some point which we will talk about but this is the first big rock is to eat protein first is to prioritize protein but I I say eat protein first because I have been at too many dinners and heard too many times from women that they get too full to eat their protein and I’m like well I just sat at dinner with you and I watched you have a salad with cranberry raspberry vinegarette glazed nuts you literally had it a sunde then you had some bread then you had some appetizer like calamari and then you say that you and I’m talking fried calamari so you’re mainly getting dough and fried right and then finally your meal comes and it’s like some kind of starch and veggie and a little protein and you eat the starch then you finally get over the protein of course you’re full so the easy way to solve this is to eat protein first now why do I want you to do this so when you look at our three macronutrients you know along with water that we must have to survive which it’s interesting we do not have to have carbohydrates to survive as you know you know protein and fat and water we must have we can live without carbs which it and I know this must make you crazy too Ben it’s like why did we design an entire diet based on the one thing that we can live without how is it working for us not good you know so you know let’s focus on the protein and the reason I love that is a couple things number one when you’re eating Whole Foods proteins like wild salmon grass-fed beef you’re going to get healthy fats too so you get everything you need and then drink a bunch of water with it the reason I want people to focus on protein first is protein compared to carbs and fat is so much more metabolically costly to digest and assimilate where fat really takes nothing to get on your body and be burned as fat or stored as fat and we have a great storage Depot pretty much unlimited for fat then carbs maybe 5 to 10% is the processing to either get them stored in your muscles as glycogen which is what we hope we have like liver and muscle or turned into fat which is what we hope we don’t do or just burned and then we’ve got protein 20 to 30% of the of the energy that we take in when we take in protein has to be used in the digestion and assimilation of protein how cool is that so 100 calories of protein is only really 70 calories probably or 75 contrast that with 100 calories of fat is 100 calories so that’s the first part of it the second piece of it and you would you would think and this has actually been shown is that if all you did initially this would help you initially it’s not going to be a long-term fix but initially if all you did was take some of the calories away from fat carbs and move them over to protein you would eat less overall because you wouldn’t be as hungry but You’ take in less calories overall too it’s not a huge effect but it does make a difference and everything counts but the second reason I love protein is because it’s going to make you feel Fuller longer everyone’s talking about glp 1es and I’m like all right we’ll just eat protein it’s one of the you know nature Nature’s little glp1 Agonist protein so protein not only helps us with Hunger but it also helps us with cravings and as you know those are two very different things and so you know now you’ve got the building blocks we turn over 300 plus uh grams of amino acids a day in our bodies and we need the protein we need the essential amino acids from the protein to make the other amino acids and then to make neurotransmitters that will help shut down our Cravings so we we’re not hungry we don’t have the Cravings we’ve got a better ther effect so that’s where I really like people to start because it just makes the rest of this easy and it’s something you can do whatever diet you’re following so I always do that like let’s like not get into some the diet religion and the diet Wars you could do this plant-based you can do this carnivore you can do it whichever way you do it but start with making protein 7 to one gram per pound of Target body weight you can even push it a little higher if you’re working on recomping and put that as your first thing that you eat before you eat anything else so that’s I was going to ask you how much do you recommend so 7 to one gram per ideal body weight can you share how somebody would calculate that based off of somebody who’s overweight right now they’re trying to lose weight yeah and I mean here’s the thing and this is what I used to do but it just got so complicated in the perfect world we would go get a dexa scan we’d find out our Target body weight that we’d really want to be but based on more of our skeletal muscle than dose it per skeletal muscle all right you know what the minute we start to make things hard then people have a reason why not to so you know that weight you feel good at right now I’m gonna I’m going to say that we always want to look past weight to what that weight’s made up of as the most important thing however let’s just not get into the weeds of should it be 140 pounds or 160 pounds pick a weight and then just look at that weight and let’s say it’s you know 150 pounds so you’re going to go 7times 150 would be how much is your lowest amount and then you could go up to 150 grams and really you can go higher I mean this you know there so much research has come out lately about protein intake because it used to be that don’t eat more than I I remember I got a DM you’ll love this I got a DM my manicur has told me that I should not eat more than 27 grams of protein at a meal because I’m like because what what will happen where will it go you know because I’m like it’s got to go somewhere it’s not going poof you know we can take protein and we could use it as fuel our body doesn’t want to so you know it’s like it’s going to try to use it more and break it into amino acids and use it to rebuild but if it had to use it it could turn it into sugar and you could use it for fuel or you could turn it then and put it into glycogen in the muscles or you could turn it into fat and store it so you can do any of those things it’s not GNA like turn into some evil rampaging monster in your body do not worry you know it’s like everyone’s worried about overeating protein I’m worried about you overeating sugar and damaged fats and Ultra processed food I don’t think we’ve ever seen anyone you know who’s in the hospital because they were you know they just had a really really uh Pig Out diet on wild salmine and they got no that doesn’t happen no one ever I mean even you know look at carnivore are you getting people sick because they’re eating grassed meat no we get sick because we eat Ultra processed foods you know that’s why we’re sick there you have it so I always say get one gram of protein per pound of your ideal body weight so if your ideal body weight your goal weight is 120 lbs you want to get about 120 grams of protein J to just establish how important that is for lean muscle mass visceral fat satiety and all the other benefits fourth question how do you measure visceral fat there’s an indirect way to measure visceral fat that’s with the fasting insulin it’s a blood test and if you see that over 10 you have insulin resistance you’re storing visceral fat cheap test to get got to ask for it from your doctor the most accurate way to test is with a skin and I brought on a visceral fat expert this guy has reviewed thousands of visceral fat scans he is the world leader on visceral fat and one of my dear friends Dr Shan Omar and he’s going to share with you how to actually measure visceral fat and if you’re listening on the podcast we’ll explain it in a way for you to understand what we’re sharing so check this out what are the best ways of measuring uh viseral fat you can measure it uh quite accurate through a dexa scan uh but let’s just be honest those of you um that are aware of somebody that’s kind of a dexus SC for the purposes of looking at visceral fat let me ask you a question uh what kind of effect or influence did that have so uh what happens when you get a dexus scan it gives you a number and when you get an MRI scan or you get a CT scan of your abdomen uh which you you can get a number because there’s software that can be uh that can quantify your visceral fat but uh I was just sharing with a radiologist of yesterday that runs A rad Radiology system that um it’s it’s not even important for me or a doctor to look at that MRI scan you know who’s the most important person look that scan the person who did it the the person yeah who went and got it so so you can see the visceral fat inside you because uh once you understand that visceral fat the enemy for what it is and how problematic it is then you don’t want to interpret your the the problem you have through a numeric reduction to a numeric figure and that’s what you you get when you do a dexus scan but when you stare at that the abundance of white that white Enemy Inside of You by an MRI scan or if it’s a CT scan your your adomen and uh the difference between CT scan and your MRI scan is uh they’re both about as good of resolution a higher resolution MRI but it’s it suffice suff it’s a sufficient uh modality to look at visceral fat by CT scan the downside to it is the radiation that’s required when you get a CT scan and an MRI scan doesn’t use any radiation at all it uses safe magnetic fields uh so uh from a standpoint of safety the MRI is higher resolution uh no radiation required uh but um CT is an important part of the discussion because uh women who are listening many of you have had CT uh down scans and you need to go back and take ownership of that and do two things one uh look at the report the report generated that will have been interpreted will be bereft and devoid of any mention of visceral fat no doctor ever reads visceral fat that’s starting to change Dr Anna C Rosa R OA is the first radiologist that I’m aware of who is now routinely reading visceral fat fat around the heart fat within the muscles and deep subcutaneous fat in the world wow nobody else is reading if you’re a radiologist I think you need to to grasp that you just like me as an MD it was kept from you in medical school and kept from you in Radiology residency it’s the largest part of the adomen in most people and is completely ignored and it’s because in my opinion it’s the influence of the curriculums in medical school from Big Pharma uh that’s keeping it out of our curriculum to teach doctors uh but you need to visualize the visceral fat insidey the M MRI is the best way uh to do that and uh it’s uh when when people visualize it I get lots of colorful language the f bomb is dropped all the time my my my office when that happens uh people get very upset uh I’ve had uh clients get so upset that one I remember thinking I may have to call the police because they were dropping the f bomb so much they couldn’t sit and they run around you know standing up walking around saying this is the last eff in time I changed my life you know and and there I had other clients out in the waiting room and I was like this is super embarrassing they were all sorts of colorful uh language well some sometimes that emotional impact is needed to make the change that’s your that’s your point you know you see that with the image seven years later that guy is still nice and lean and healthy now it changed his life completely around I’ve had other clients uh one one client that I’ve told the story literally passed out when he visualized how much viseral fat that he had inside and so for that reason now I require all my clients to sit down I don’t let them stand because this guy was standing and he fell he went unconscious right in front of me U because he was so upset when I showed how much visceral fat he had now keep in mind if you’re you know clients if you’re watch or patients are watching today that you have to understand what visceral fat is and so um can we so can can we um do you have images on your phone that you I do yeah so what we’re going to do for those watching on YouTube if you’re listening on the audio podcast uh we’ll explain it in a way where you can understand what we’re showing but it’s better for you to go to youtube.com/ Kamp maybe after you finish listening so we could see exactly for those watching the visual impact of somebody who has a lot of visceral fat and then somebody who has a healthy amount a small amount of visceral fat so we’ll show that to you in a second yeah so yeah it’s really important I think for people to understand a little bit about visceral fat they need to know what a good amount is and so when people come I spend probably about half hour you know going through good examples like of a people with a low amount of visceral fat and people that have a high amount of Vis start with good or bad what are we starting with uh so th this is both good and bad um yeah so we’ll put that on the screen as well but show and I can we’ll send these images so the top image is somebody has um just a a moderate amount of visceral fat so pretty good but the bottom image you can see this person is filled with a lot of white so on an MRI scan fat shows up as white so this is Gabe a friend of mine from the Army National Guard I use his example a lot and uh for a a relatively modest amount of visceral fat and then this is uh assf at the bottom image who has huge amount of viseral fat and you want to be mostly dark you know Gabe is mostly dark he’s got big muscles oev is mostly white and when you have a lot of white you have a small amount of dark because the white uh unfortunately uh causes atrophy sarcopenia so we see a a deposition a reduction and visceral fat and this is this is a great example that almost all dark this person has the the smallest amount of visceral fat I’ve seen in a female W and uh she’s on social media um this is Karen Lauser she gives me permission to show her image and uh God bless this woman I mean I show show her a picture you she’s got 600,000 followers she is a very healthy looking woman she she actually is very attractive she’s a model and the reason she’s so attractive is because um she’s never had visceral fat she it’s the influence of visceral fat not the presence of visceral fat that causes people to have disease so you can accumulate a lot of visceral fat in a very short period of time and look great or um you can have a small amount of visceral fat over a long period of time and that influence that trickle trickle trickle of all the inflammatory molecules that come from it deteriorate your level of health and your appearance so if you see somebody who’s older Carolyn is 59 wow she looks amazing yeah yeah and so I’ve been on her on her on her Instagram live with her and God bless her she is um very dedicated to her followers she takes her role as a social media influenc are very serious her and her husband uh frequently do uh shows together and so she is routinely promoting uh health and because she enjoys uh uh talking about the topic and she herself has you know a very healthy appearing body so um it’s it’s really necessary to understand um visual fat where it is uh within the abdomen this is the little tiny divot U right there at the top is belly button oh that’s her belly little divot at the top there got it is is it giving you a total percentage of visceral fat like a total body fat or is it giving you certain areas and their percentages or maybe not at all you’re just looking at the photo and stad yeah we’re for us we just have people look at um how much visceral fat they have there is software out there and it’s free by the way if you are a radiologist and you want to start um scanning and reading uh visceral fat and you want to both quantify it uh with a numeric value um uh as well as qualitatively share it uh with with patients they get through it uh there is free software that will actually quantify now when when we were studying our startup for the National Science Foundation uh we we were spending money on software development to do our own proprietary system to quantify we actually abandoned it we had the ability to to measure it and we stopped measuring it because it it didn’t have any uh demonstrable impact on our CLI it was you because you give them a number you really want to show them U that that bad amount of fat so uh here’s another example of somebody has a huge amount of visceral fat show it to the screen so camera knows what put on so uh in the top uh example here is somebody that has a very large amount of visceral fat oh we lost it oh uh very large amount I’m glad you picked that up um of visceral fat uh in that top image and these are their legs corresponding leg images you see all the white streaks and those um leg images are from fatty infiltration of a a fat within the skeleton muscle or it’s fatty replacement of muscle tissue or it’s also called adverse muscle composition or myosteatosis is the technical term for it so the more visceral fat you have the more of this in inflammatory infiltrating fat you have going on within your skeletal muscle and you know you can understand why your muscles would would stop be performing as well and nobody’s talking about it’s completely ignored by doctors when you when CTS are done MRIs are done they don’t talk about either visceral fat or those fatty infiltrates and then here’s another individual has mostly muscle inside very very small amount of visceral fat and their legs are very lean very dark they look like Fong there’s no marbling or fatty infiltration going on so very different between those two comparisons yeah I call them bricks and clouds difference uh that that uh this image up up up on the top Corner looks like human wagu wagu human skeletal muscle moralization of the skeletal muscle so um I think it’s really important to to uh to have good accurate uh imagery of of these targets and dexa scans don’t allow you to visualize it they quantify it uh CT scans allow you to visualize visualize it you can quantify it through CT scan but there’s radiation but one of the reasons why I talk about CTS again as I mentioned earlier is because so many people have had them you need to go back and and get that report but take a look at that image yourself you’re entitled to it that’s your record go and look at the amount of visceral fat uh that you have within your CT skan of your abdomen or if you’ve had uh scans of your extremities take a look at fatty infiltration and see where you’re at and you could if you particularly if you changed your diet or change your lifestyle you can measure the impact the interval change how often should we be retesting well I recommend I for my my clients I scan anywhere from 3 to 6 to 9 months I have some clients who will only do it once a year because they have such low levels of atopos either a visceral fat or fat within their skeletal muscle that once a year is adequate for them but I would say for the majority of people you probably want to be doing it um every 3 to six months what is the limitation um one is time takes a little bit of time you got to drive there and go get it get it done as MRI scan of the adom and scanning time is about anywhere 9 to 10 minutes or so um but the cost is uh often times a limitation for other people uh for for a lot of people because that it ranges by state to state it does yeah excellent point so uh MRI in in one location like Los Angeles um they the cheapest I’ve seen about $240 uh some places in Florida where we’re where we’re at today uh you can actually get MRI scans in the Miami area for around $250 uh but then up in my area um couple hours north of where I live that same mrri scan uh cash pay discounted uh will still cost you $2,000 900 for single a difference I know so you you’re better off flying to Miami enjoying the weekend here getting a scan done and then going back to Minnesota right that’s exactly yeah so you should shop around um and I have a course uh some videos um what’s your weite on uh just my uh just my name http://www.d a n m.com Dr sha.com we’ll put it down below as well and and I have a educational Community is just uh uh Dr shauna. podia p o d a.com and so you can join my educational Community where I do a lot of educational videos and courses and things even teaching people how to read their own MRI why because doctors don’t know how to read it they won’t read it and uh so very often if you if you question an MRI you know to to uh uh to look for visceral fat they want even do it so you know you should put it put on indication why you’re requesting MRI say chronic belly pain or diverticular disease or something else because they’ll they won’t do it they Vis fat they you I have one client that actually in Florida it’s a great story he goes he he requests an MRI scan for a visceral fat the front desk approves it the technician goes and does the the downal MRI scan the report shows up with the request for the radiologist now and he goes I don’t know how to read visal fat he goes oh my God you got to cancel this scan give the patient their money back so literally the the client got it all his money back from the MRI scan and uh got a free MRI and of course I I could read it and and the client knows how to read it because it’s follow-up scan and I teach all my clients how to read their own SC so it worked out well for them so just be careful about what you what request is if you if you want to try to get a MRI scan for uh to to look at your visceral fat if you say viscal fat um the doctors are they’re going to they’re going to cancel your request and you’re never going to get your scan there you have it the easiest diet simple steps seven steps here to burn visceral fat follow it and let me know how it works for you and share this episode with a friend if you enjoy this video you’re going to love a recent video I just published on Foods 10 foods that put you in a fat burning State I just discuss a few of them today but there are a few others that I get into in this video check out this clip I’ll see you in that next video there are two types of food that we eat foods that cause weight gain and foods that cause fat loss numerous studies show how beneficial olive oil is not just for your health but for fat loss weight loss resistance insulin resistance and also diabetes the findings showed that the group consuming the olive oil was more effective
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The text expresses concern over the suppression of free speech and human rights in a predominantly Muslim society. It cites examples of censorship, injustice, and the abuse of power, particularly targeting minority groups and those critical of the government. The author contrasts this situation with idealized notions of free expression in other societies, arguing that true freedom requires accountability and protection for all, not just the powerful. The piece ultimately pleads for justice and an end to oppression, emphasizing the importance of both free speech and human rights. A call for responsible media is also included.
FAQ: Freedom of Expression and Human Rights
1. What is the main concern highlighted in the text?
The text expresses deep concern over the suppression of freedom of expression and human rights, particularly within the context of Islamic societies. It highlights the hypocrisy of claiming media freedom while simultaneously silencing dissenting voices and shielding those who commit heinous crimes.
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The text argues that a lack of freedom of expression leads to “confusion and suffocation” within a society. It implies that open discourse and the ability to express concerns without fear are essential for a healthy and vibrant community.
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The text references the “Danish poets and writers” who, despite facing religious persecution, sparked a literary revolution through their writing. This example demonstrates the enduring power of free expression to overcome oppression and bring about positive change.
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The text argues that while media proclaims to be free, this freedom is often “one-sided” and fails to hold powerful individuals and institutions accountable. It points out that critical voices are often silenced, particularly those who challenge religious or political authority.
5. What specific examples of injustice does the text highlight?
The text cites several examples of injustice, including the murder of Mashal Khan, the lack of justice for the rape of a 16-year-old girl, and the shielding of individuals involved in “Jihadi Lashkar and Tanzeem” from scrutiny.
6. What is the text’s stance on criticizing religious figures?
The text criticizes the tendency to silence any criticism of religious figures, even when their actions are harmful or contradict the principles of their faith. It argues that this unchecked authority allows for the abuse of power and the perpetuation of injustice.
7. What is the “short journey” the text refers to for the oppressed community?
The “short journey” refers to the struggle for freedom of expression and human rights. The text urges its readers to allow this community to continue its fight for justice and to resist those who seek to silence their voices.
8. What is the ultimate message of the text?
The text ultimately calls for a genuine commitment to freedom of expression and human rights, urging its readers to challenge hypocrisy, fight against injustice, and protect the right to speak truth to power. It emphasizes that these freedoms are essential for a just and flourishing society.
Freedom of Expression and Human Rights: A Study Guide
Glossary of Key Terms:
Tawa of Kufar: A declaration of disbelief or apostasy, often used to ostracize or condemn individuals or groups.
Danish: Likely refers to a specific cultural or linguistic group known for their poets and writers.
Atanas: Unclear from the text; requires further research for definition.
Hui Ahle religion: Unclear from the text; requires further research for definition.
Vaiti approach: Unclear from the text; requires further research for definition.
Maghrib Akwaaba Safar: Unclear from the text; might refer to a specific event, journey, or concept.
Muldoon: Unclear from the text; might refer to a person, group, or concept.
Vajra Ajams: Unclear from the text; might refer to a group or concept.
Mutalik: Unclear from the text; might refer to a person, ideology, or concept.
Jihadi Lashkar and Tanzeem: Refers to Jihadi militant groups or organizations.
Amran Ali Naqshbandi: A person mentioned in the text, likely accused of a crime.
Nama Nahaj Sahafi: Unclear from the text; might refer to a journalist or a media figure.
Muntakhab government: Refers to an elected government.
Ilm Mashal Khan: A student from Wali Khan University who was murdered.
PTI’s counselor Araf Khan: A political figure identified as the mastermind behind Ilm Mashal Khan’s murder.
Sati accounts: Unclear from the text; requires further research for definition.
Naqshbandi: Likely refers to a follower of the Naqshbandi Sufi order.
Mustaqeem: Arabic word meaning “those who are on the straight path,” often used to refer to righteous individuals.
Jumma Dara: Unclear from the text; requires further research for definition.
Barah Karam: Unclear from the text; requires further research for definition.
Short Answer Quiz:
According to the text, how do Danish poets and writers exemplify the idea of freedom of expression?
What are some of the challenges and restrictions faced by individuals expressing themselves freely in the context described?
How does the author compare the freedom of the media in their society to the freedom experienced in the United States and the Soviet Union?
What specific examples of media bias or restrictions are mentioned in the text?
What is the author’s critique of the media’s handling of the cases of Amran Ali Naqshbandi and Ilm Mashal Khan?
Who is Imran Ali and what allegations are made against him in the text?
What is the significance of the author’s plea to “have mercy on this unfortunate oppressed community”?
How does the author connect freedom of expression with concepts such as human rights, truth, and love?
What is the author’s stance on the limits of freedom of expression?
What is the overall message or argument the author is trying to convey through the text?
Answer Key:
The Danish poets and writers serve as examples of freedom of expression because they initiated a literary revolution despite facing opposition and restrictions from religious authorities.
The author describes challenges such as fear, censorship, societal pressure, and potential violence that hinder free expression. People are afraid to speak out against injustice or question authority for fear of reprisal.
The author argues that while the media is presented as “free,” it is a one-sided freedom that primarily serves the interests of the powerful. Unlike the US and USSR examples, where criticizing leaders is possible, the author suggests criticizing certain groups or ideologies remains taboo.
Examples of media bias include downplaying crimes committed by certain groups, focusing on negative aspects of the elected government, and silencing dissenting voices. The author also criticizes the inability to freely discuss the religious background of certain individuals accused of crimes.
The author criticizes the media for its selective outrage, highlighting the lack of attention given to Ilm Mashal Khan’s murder compared to the extensive coverage of Amran Ali Naqshbandi’s case. This disparity suggests biased reporting influenced by the religious background of the accused.
Imran Ali is presented as someone who exposes financial wrongdoings. However, the author questions his motives, suggesting he might be a “pawn” used to discredit those associated with the Naqshbandi Sufi order.
The author’s plea reveals a concern for a community facing discrimination and oppression. The author believes this community is further marginalized by biased media coverage and a lack of support from those in power.
The author emphasizes the interconnectedness of freedom of expression, human rights, the pursuit of truth, and the promotion of love. They argue that true freedom requires protecting individual rights and fostering a society where truth prevails and love conquers hatred.
While advocating for freedom of expression, the author acknowledges the need for limits, especially concerning lies and the spread of harmful information. The author believes responsible expression comes with accountability.
The author argues that genuine freedom of expression is lacking in their society despite claims of a “free media.” They expose hypocrisy, highlight the vulnerability of the oppressed, and emphasize the importance of responsible discourse grounded in truth, justice, and human rights.
Essay Questions:
Analyze the author’s use of historical and contemporary examples to illustrate their argument about freedom of expression. How do these examples strengthen or weaken their claims?
How does the text address the tension between freedom of expression and the potential for harmful or offensive speech? Discuss the author’s proposed solutions for navigating this complex issue.
The text heavily critiques the role of the media in shaping public perception and influencing societal discourse. Evaluate the validity of these criticisms and discuss the potential consequences of media bias on a society.
Drawing upon the text, explore the relationship between freedom of expression, human rights, and social justice. How can the pursuit of free expression contribute to the advancement of human rights and a more just society?
The text raises concerns about the treatment of a specific “oppressed community.” Analyze the nature of their oppression and the factors contributing to their marginalization. What role does freedom of expression play in empowering or silencing marginalized voices?
A Table of Contents for Understanding Freedom of Expression in the Muslim World
Source: Excerpts from “Pasted Text”
I. The Importance of Freedom of Expression
This section highlights the critical role of freedom of expression, using the example of a dervish’s humorous act as a symbol of genuine concern and thought in a society stifled by anxieties and limitations. It argues that the absence of such freedom leads to societal confusion and suffocation.
II. Historical Context: The Danish Writers’ Struggle
This section delves into a historical parallel, referencing the literary revolution spearheaded by Danish poets and writers who faced opposition from religious authorities. It emphasizes the Danish people’s perseverance in the face of adversity, ultimately achieving the seemingly impossible.
III. Contemporary Challenges: A Stifled Society
This section focuses on the current state of the Muslim world, depicting it as a place steeped in sorrow, worry, and suffocation. It illustrates the numerous obstacles and restrictions imposed on individuals, particularly by societal pressures, tradition-bearers, and fear. The author expresses concern over the potential consequences of criticizing religion, citing the fear of being labeled an infidel.
IV. Hypocrisy and Injustice: A Critique of Modern Society
This section criticizes the hypocrisy and injustices prevalent in society, pointing to the impunity enjoyed by those who commit acts of terror, bullying, and theft. It highlights the lack of accountability for violence and oppression, even on the 77th anniversary of Islamism. The author questions the authenticity of progress, suggesting that any success is met with suspicion and attempts to undermine it.
V. A Critical Look at Media Freedom: One-Sided and Superficial
This section delves into the state of media freedom, arguing that while it appears free on the surface, a closer examination reveals a biased and limited reality. It contrasts the freedom of expression in the West, using the example of criticizing President Reagan, with the constraints faced in the Muslim world. The author questions whether genuine criticism, particularly of religious extremism and violence, is truly permitted.
VI. The Limits of Freedom: Protecting Lies and Silencing Truth
This section examines the boundaries of media freedom, arguing that it should not be used to shield those who spread lies and falsehoods. It criticizes media personalities who prioritize profit over truth and responsibility, likening them to “mountains of Tazia and Daneshwari.” The author calls for concern and accountability within the media, advocating for restrictions on the misuse of freedom of expression.
VII. The Need for Balance: Freedom, Human Rights, and Responsibility
This concluding section emphasizes the importance of balancing freedom of expression with the protection of human rights. It acknowledges the potential for misuse and manipulation under the guise of freedom, stressing the necessity for responsible discourse and limitations to prevent harm and ensure a just and equitable society.
Freedom of Expression and Its Limitations
Source argues that true freedom of expression should allow for the criticism of those in power, including government officials and religious figures. The source uses the example of an American citizen’s right to criticize President Reagan to highlight the extent of freedom of expression in a democratic society.
The source criticizes the current state of media freedom, stating that it appears free on the surface but is actually one-sided.
True freedom should allow for open and honest discussion of even sensitive topics, without fear of reprisal.
The source emphasizes the importance of holding individuals accountable for their actions, regardless of their position or influence. This accountability should extend to journalists and media outlets, who have the responsibility to report truthfully and fairly.
The source also cautions against abusing the concept of freedom of expression. While freedom of expression is essential, it should not be used as a shield to spread falsehoods or harmful information.
The source calls for responsible use of freedom of expression, emphasizing the need for honesty and factual accuracy, especially in media reporting.
The source highlights the tension between freedom of expression and the potential for its misuse. Finding a balance between protecting free speech and preventing harm is crucial for a healthy and functioning society.
Human Rights Concerns Highlighted in the Source
The source expresses several human rights concerns, focusing on the rights to freedom of expression, a fair trial, and protection from violence and discrimination.
The source condemns the suppression of dissenting voices, particularly those critical of powerful figures or institutions.
The source criticizes the media for being complicit in this suppression, highlighting the tendency to avoid reporting on certain issues or perspectives due to fear or bias. This lack of balanced reporting, according to the source, is a serious threat to freedom of expression and the public’s right to be informed.
The source also raises concerns about the lack of accountability for perpetrators of violence and injustice.
The source cites specific examples of murders and other crimes where the perpetrators have not been brought to justice. This failure to hold individuals accountable, the source argues, contributes to a climate of impunity and fear.
Furthermore, the source points to the vulnerability of marginalized communities, who often face discrimination and violence without adequate protection or recourse.
The source’s concern for the “oppressed community” suggests that certain groups are systematically denied their basic human rights, including the right to safety and security.
By highlighting these issues, the source underscores the importance of upholding human rights for all individuals, regardless of their background or beliefs. The source emphasizes the need for:
a free and independent press that can hold those in power accountable.
a just and equitable legal system that ensures fair trials and punishes perpetrators of crimes.
protection for marginalized communities from discrimination and violence.
A Closer Examination of Media Freedom
The sources argue that true media freedom is essential for a functioning democracy. A free press should be able to hold those in power accountable and provide the public with accurate and unbiased information.
However, the sources express concern that the current state of media freedom is inadequate. While media outlets may appear free on the surface, they often face pressure to avoid reporting on certain topics or perspectives.
This pressure can come from government officials, powerful individuals, or even social norms and expectations.
The sources argue that this self-censorship leads to one-sided reporting and limits the public’s ability to engage in informed debate. The sources emphasize the importance of media outlets reporting truthfully and fairly, even on sensitive topics.
The sources highlight the responsibility of journalists to be courageous in their pursuit of truth. Journalists should not be afraid to criticize those in power or expose wrongdoing, even if it puts them at risk.
A free press should be a watchdog, holding those in power accountable and shining a light on injustices.
The sources also caution against the misuse of media freedom to spread misinformation or propaganda. While freedom of expression is essential, it should not be used to harm individuals or incite violence.
The sources call for a critical examination of media narratives and encourage the public to be discerning consumers of information.
Social Injustice: A Look at Suppression, Impunity, and Media’s Role
The sources discuss various forms of social injustice, highlighting the suppression of dissent, lack of accountability for perpetrators of violence, and the media’s role in perpetuating these injustices.
The sources strongly condemn the suppression of individuals or groups who express views critical of those in power or challenge established norms and beliefs. This suppression can take various forms, including censorship, harassment, intimidation, and even violence.
The sources point to a climate of fear where individuals hesitate to speak out against wrongdoing due to potential repercussions. This fear, they argue, allows injustice to flourish and prevents the necessary dialogue for positive social change.
The sources express deep concern about the lack of accountability for those who commit acts of violence or engage in discriminatory practices. They cite examples where perpetrators of serious crimes, including murder, have escaped justice. This impunity, according to the sources, not only denies victims their right to justice but also emboldens perpetrators and creates a culture where violence and discrimination are tolerated.
The sources emphasize that marginalized communities are particularly vulnerable to such injustices, as they often lack the resources and support systems to seek redress or protect themselves. The sources call for a more equitable legal system that ensures fair trials, protects victims, and holds perpetrators accountable, regardless of their social standing or influence.
The sources critically examine the role of the media in addressing or perpetuating social injustice. While acknowledging the importance of a free press, the sources argue that the current media landscape often falls short of its ideals.
They criticize the tendency of media outlets to engage in self-censorship, avoiding reporting on sensitive or controversial topics, especially those that might offend powerful individuals or institutions.
This self-censorship, according to the sources, creates a distorted picture of reality and prevents the public from being fully informed about critical social issues. It also contributes to the suppression of dissenting voices by denying them a platform to express their concerns.
The sources call for a more courageous and independent media that is willing to hold those in power accountable, expose wrongdoing, and give voice to the marginalized and oppressed. They stress the importance of truthful and fair reporting, even on sensitive issues, as a fundamental pillar of a just and equitable society.
Religious Persecution: A Glimpse Through Concerns About Freedom and Justice
While the sources do not explicitly detail instances of religious persecution, they do raise concerns about social injustices that are often intertwined with religious discrimination and persecution. The sources highlight the suppression of dissent, the lack of accountability for perpetrators of violence, and the media’s role in potentially exacerbating these issues, all of which can contribute to an environment where religious persecution can occur.
The sources’ emphasis on the suppression of critical voices suggests that individuals or groups holding certain religious beliefs might face censure or reprisal for expressing their views, especially if those views challenge dominant religious ideologies or the actions of powerful religious institutions.
The climate of fear described in the sources, where individuals hesitate to speak out against wrongdoing, could be particularly acute for religious minorities or individuals holding dissenting religious beliefs. This fear can prevent them from openly practicing their faith or advocating for their religious freedom, leaving them vulnerable to persecution.
The sources’ concern for the lack of accountability for perpetrators of violence is particularly relevant in the context of religious persecution. History is replete with examples of violence directed at religious minorities or individuals holding beliefs deemed heretical.
The failure to hold perpetrators of such violence accountable, as highlighted in the sources, creates a climate of impunity where religious persecution can continue unchecked. This lack of justice can further marginalize and disempower religious minorities, making them more susceptible to future attacks.
The sources’ critique of the media’s potential role in perpetuating injustice also applies to religious persecution. Media outlets, by avoiding reporting on sensitive religious issues or by presenting biased narratives, can contribute to the marginalization and demonization of certain religious groups.
This biased reporting can fuel prejudice and discrimination, creating a fertile ground for religious intolerance and even violence. Conversely, a free and independent media, as advocated for in the sources, can play a crucial role in exposing religious persecution, holding perpetrators accountable, and fostering interfaith understanding and tolerance.
Although the sources do not provide specific examples of religious persecution, their broader concerns about the suppression of dissent, lack of accountability for violence, and the media’s potential complicity in injustice all point to a societal context where religious persecution can thrive. Addressing these broader issues of injustice and promoting a culture of respect for human rights, including religious freedom, are crucial steps in combating religious persecution.
Examples of Injustice in the Sources
The sources highlight several examples of injustice, focusing on the suppression of dissent, the lack of accountability for violence, and the unequal treatment of marginalized communities.
Suppression of Dissent: The sources repeatedly criticize the silencing of individuals who dare to criticize those in power or challenge established norms. While not explicitly stated, this suppression can be inferred to include intimidation tactics, censorship, and potentially even legal action taken against those who express dissenting views. This climate of fear, as the sources argue, prevents open and honest dialogue, hindering progress and positive social change.
Lack of Accountability: The sources express deep concern over the failure to hold individuals accountable for their actions, particularly those who commit acts of violence or engage in discriminatory practices. Although no specific details about the crimes or the perpetrators are provided, the sources’ emphasis on this issue suggests a pattern of impunity where individuals, potentially those with influence or power, escape justice for their wrongdoings. This lack of accountability not only denies victims and their families justice but also creates a culture where violence and discrimination are tolerated or even normalized.
Unequal Treatment of Marginalized Communities: The sources repeatedly express concern for an “oppressed community” that faces systemic disadvantages and suffers disproportionately from these injustices. While the specific identity of this community is not explicitly defined, the sources suggest that they experience discrimination, vulnerability to violence, and lack of access to justice. The sources highlight the urgent need for greater protection and support for these marginalized groups to ensure their basic human rights and safety.
The sources, while not providing specific details about individual cases of injustice, paint a picture of a society where dissent is stifled, perpetrators of violence evade accountability, and marginalized communities bear the brunt of these systemic failures. They call for greater transparency, accountability, and protection of human rights to address these deeply rooted injustices and create a more just and equitable society.
Specific Instances of Censorship and Injustice in the Source
While the source expresses broad concerns about censorship, lack of accountability, and the unequal treatment of marginalized communities, it does not provide specific details about individual cases or name specific perpetrators. However, the source does allude to certain events and situations that exemplify these injustices.
Media Self-Censorship: The source criticizes the media for engaging in self-censorship, suggesting that media outlets avoid reporting on sensitive or controversial topics, particularly those that might offend powerful individuals or institutions. This self-censorship acts as a form of indirect censorship, limiting the information available to the public and hindering open discourse on important issues. The source does not provide specific examples of topics that are avoided but emphasizes that this practice distorts the public’s understanding of reality and contributes to the suppression of dissenting voices.
Unpunished Crimes: The source highlights the lack of accountability for perpetrators of violence, citing examples where individuals have escaped justice for serious crimes, including murder. While the source does not provide specific details about these crimes or name the perpetrators, it emphasizes that this impunity fosters a climate of fear and allows injustice to persist. This lack of accountability disproportionately impacts marginalized communities, who are often left without recourse or protection.
Suppression of Dissent: The source repeatedly condemns the suppression of dissenting voices, suggesting that individuals who challenge those in power or established norms face various forms of reprisal. The source does not specify the methods used to suppress dissent but suggests a climate of fear where individuals hesitate to speak out due to potential repercussions. This suppression limits open dialogue and hinders the possibility of positive social change.
The source, while lacking in specific details, uses these allusions to illustrate a broader pattern of injustice where censorship limits freedom of expression, perpetrators of violence evade accountability, and marginalized communities suffer disproportionately. This lack of specificity might be intentional, aiming to highlight systemic issues rather than individual cases, or it might reflect the author’s concern for potential repercussions if they were to provide more concrete details.
A Plea for Courage, Truth, and Justice
The author’s overall plea is for a society that upholds justice, protects freedom of expression, and ensures accountability for wrongdoing. They call for courage in the face of oppression, urging individuals and the media to speak truth to power and challenge the status quo.
Challenging Complacency: The author seems particularly concerned about a prevailing sense of apathy and acceptance of injustice. They challenge readers to move beyond passive observation and become active participants in the pursuit of a more just and equitable society. This call to action implies a rejection of complacency and a commitment to actively working towards positive change, even in the face of potential risks or discomfort.
Embracing Freedom of Expression: The author emphasizes the importance of freedom of expression as a cornerstone of a just society. They criticize the suppression of dissenting voices and the chilling effect of fear on open discourse. The author’s plea extends to the media, urging them to embrace their role as a watchdog and hold those in power accountable, even when it involves reporting on sensitive or controversial topics. This call for a courageous and independent media underscores the author’s belief in the power of truth and transparency as tools for combating injustice.
Demanding Accountability: The author repeatedly calls for an end to impunity, demanding that perpetrators of violence and injustice be held accountable for their actions. This plea is particularly poignant in the context of their discussion of marginalized communities who often suffer disproportionately from violence and lack access to justice. By emphasizing the need for accountability, the author highlights the systemic nature of injustice and the need for structural changes to ensure that all individuals, regardless of their social standing or background, have equal protection under the law.
The author’s overall plea is not merely for awareness of injustice but for a collective commitment to action. They urge readers to resist complacency, embrace freedom of expression, and demand accountability for wrongdoing. Their call to action is a powerful reminder that achieving a just and equitable society requires courage, truth, and a collective commitment to challenging the status quo.
A Critical Look at the Media’s Role
The author characterizes the media’s role as deeply problematic, accusing them of complicity in perpetuating injustice through self-censorship, biased reporting, and a failure to hold the powerful accountable. They present a scathing critique of the media’s shortcomings, arguing that instead of serving as a watchdog for the public good, they often act as a tool for those in power, silencing dissent and obscuring the truth.
Self-Censorship and the Suppression of Truth: The author contends that the media engages in self-censorship, avoiding sensitive or controversial topics that might offend powerful figures or institutions. This self-imposed silence, they argue, prevents open and honest public discourse, leaving citizens uninformed and vulnerable to manipulation. The author uses the term “free” ironically when describing the media, highlighting the discrepancy between the supposed freedom of the press and the reality of self-censorship that limits the flow of information and distorts public perception.
Unequal Treatment and Amplification of Injustice: The author also criticizes the media for its unequal treatment of different groups and issues, suggesting that they often amplify the voices of the powerful while silencing or marginalizing those of the oppressed. This bias, they argue, contributes to the perpetuation of injustice by shaping public opinion and reinforcing existing power structures. The author contrasts the media’s willingness to criticize the government with their reluctance to scrutinize powerful individuals or institutions, particularly those with religious authority, suggesting that the media’s pursuit of truth is often compromised by self-interest and fear of reprisal.
A Call for Courage and Accountability: The author’s critique of the media is not merely an observation of their failings but a call to action. They urge journalists and media outlets to embrace their role as a watchdog, holding those in power accountable and giving voice to the voiceless. The author’s plea for a courageous and independent media underscores their belief that a truly free press is essential for a just and equitable society. They challenge the media to move beyond self-interest and fear, to prioritize truth and justice over ratings and profits, and to use their platform to challenge the status quo and amplify the voices of those who are often silenced or ignored.
The author’s characterization of the media’s role is undeniably harsh, but it stems from a deep concern about the media’s potential impact on society. They see the media as a powerful force that can either contribute to or challenge injustice, and their critique serves as a wake-up call for the media to live up to its responsibility to serve the public good.
The Perils of Unchecked Media Freedom: A Source of Injustice
The author argues that unchecked media freedom, rather than being a guarantor of truth and justice, can become a tool for perpetuating injustice and silencing dissenting voices. They contend that when media outlets prioritize self-interest and sensationalism over truth and accountability, they contribute to the suppression of dissent, the spread of misinformation, and the unequal treatment of marginalized communities.
Amplifying Injustice through Bias and Censorship: The author suggests that unchecked media freedom can lead to biased reporting that favors the powerful and marginalizes the voices of the oppressed. This bias can manifest in the selection of stories covered, the framing of narratives, and the amplification of certain perspectives over others. The author also criticizes the media’s tendency to engage in self-censorship, avoiding sensitive or controversial topics that might offend powerful individuals or institutions. This self-imposed silence, they argue, prevents open and honest public discourse, leaving citizens uninformed and vulnerable to manipulation.
Fueling Social Divisions and Undermining Trust: The author expresses concern that unchecked media freedom can be exploited to spread misinformation and propaganda, further dividing society and eroding public trust in institutions. They highlight the danger of allowing media outlets to operate without any accountability for the accuracy or fairness of their reporting. This lack of accountability, they argue, creates an environment where truth becomes subjective and easily manipulated, making it difficult for citizens to discern fact from fiction and hindering informed decision-making.
Eroding Democratic Values and Principles: The author’s critique of unchecked media freedom ultimately stems from a concern for the health of democratic values and principles. They argue that a responsible and accountable media is essential for holding those in power accountable, informing the public, and facilitating open and honest debate. When media outlets prioritize sensationalism, profit, or self-preservation over truth and justice, they undermine these democratic principles and contribute to a climate of distrust, division, and injustice.
The author’s perspective challenges the often-held assumption that more media freedom is inherently beneficial. They argue that true media freedom requires a commitment to truth, accountability, and the responsible use of this powerful platform. Without these safeguards, unchecked media freedom can become a tool for manipulation and oppression, further entrenching existing power structures and hindering the pursuit of a just and equitable society.
Limits on Freedom of Expression: A Balancing Act for a Just Society
The author, while championing freedom of expression as a cornerstone of a just society, acknowledges the need for limitations on this freedom when it comes to potentially harmful or misleading information. The author’s perspective suggests that an unfettered right to free speech can be detrimental, leading to the spread of misinformation, the silencing of dissenting voices, and the perpetuation of injustice.
Accountability and Responsibility as Constraints: The author implies that freedom of expression should not be absolute but rather exercised with a sense of responsibility and accountability. This emphasis on responsibility suggests a need for mechanisms to address harmful or misleading speech, particularly when it incites violence, spreads hatred, or infringes on the rights of others. While not explicitly outlining specific limitations, the author underscores the importance of balancing individual liberties with the well-being of the community and the pursuit of a just society.
Media Ethics and the Public Good: The author’s critique of the media’s tendency toward self-censorship and biased reporting suggests a need for ethical guidelines and accountability mechanisms within the media industry. The author argues that a responsible media should prioritize truth, accuracy, and fairness over sensationalism or self-interest. This call for ethical conduct within the media highlights the author’s belief that freedom of expression should be exercised in a manner that contributes to informed public discourse and the betterment of society.
Protecting Vulnerable Communities and Challenging Power: The author’s concern for the unequal treatment of marginalized communities and the suppression of dissenting voices points to the need for limitations on speech that perpetuates discrimination or incites violence against vulnerable groups. This perspective suggests that freedom of expression should not be used as a shield for hate speech or to silence those who challenge established power structures. The author’s stance implies a commitment to protecting the most vulnerable members of society and ensuring that freedom of expression does not become a tool for oppression or the silencing of dissent.
The author’s view on the limits of free speech emphasizes the need for a nuanced approach that balances individual liberties with the pursuit of a just and equitable society. They argue that unchecked media freedom, while seemingly promoting open discourse, can inadvertently harm vulnerable communities, spread misinformation, and hinder genuine dialogue. The author’s perspective underscores the importance of fostering a culture of responsible speech, media accountability, and a commitment to protecting the rights of all members of society.
Navigating the Tightrope: The Author’s Perspective on Responsible Free Expression
The author views freedom of expression as a fundamental right, but one that must be exercised responsibly. They argue that unchecked free speech, particularly in the context of media, can be detrimental to a just society, leading to the spread of misinformation, the silencing of dissent, and the perpetuation of injustice.
Freedom of Expression as a Double-Edged Sword: The author acknowledges the inherent value of free speech in fostering open discourse and holding power accountable. They cite examples like the ability to criticize leaders and challenge authority as essential aspects of a democratic society. However, they also caution against viewing free speech as an absolute right, arguing that it can be weaponized to spread harmful ideologies, incite violence, and silence marginalized communities. This nuanced perspective suggests that freedom of expression, while crucial, must be carefully balanced with other societal values, like truth, justice, and the protection of vulnerable groups.
Media Responsibility as a Cornerstone of Just Discourse: The author places a significant emphasis on the role of the media in shaping public discourse and influencing societal values. They argue that media outlets have a responsibility to use their platform ethically, prioritizing truth and accuracy over sensationalism and profit-driven agendas. This call for media responsibility extends to the need for balanced reporting, fair representation of diverse viewpoints, and a commitment to holding powerful individuals and institutions accountable, even when it involves reporting on sensitive or controversial topics. The author contends that when media outlets fail to uphold these responsibilities, they contribute to the erosion of public trust, the spread of misinformation, and the amplification of existing power imbalances.
Individual Accountability and the Limits of Free Speech: The author’s call for responsible free speech extends beyond the realm of media to encompass individual accountability. They argue that individuals, too, have a responsibility to engage in discourse with a sense of integrity, avoiding the spread of harmful rhetoric or misinformation. While not explicitly advocating for specific legal limitations on free speech, the author’s perspective suggests that certain forms of expression, like hate speech or incitement to violence, should be subject to scrutiny and potential consequences. This stance reflects a belief that freedom of expression should not be used as a shield for harmful or irresponsible behavior, and that a just society requires a balance between individual liberties and the well-being of the community.
The author’s views on the responsibility of free expression reflect a nuanced understanding of this complex right. They advocate for a balanced approach that acknowledges the inherent value of open discourse while recognizing the potential for its misuse. They emphasize the need for both individual and institutional accountability in ensuring that freedom of expression serves its intended purpose: to promote truth, justice, and a more equitable society.
Contrasting Media Freedom: A Global Perspective
The author contrasts media freedom in different countries by using the example of a hypothetical scenario in the United States compared to the situation in their own country. While the author doesn’t explicitly name their country, they do mention “the 77th anniversary of Islamism”, and the text is written in English, suggesting a global perspective on media freedom.
The Illusion of Freedom: The author presents the anecdote about an American and a Soviet citizen discussing their ability to criticize their respective leaders. While this anecdote highlights a stark difference in freedom of speech during the Cold War era, the author uses it to illustrate a more nuanced point about the illusion of media freedom in their own country. They argue that while media outlets may appear to have the freedom to criticize the government, they face significant constraints when it comes to challenging powerful individuals or institutions, particularly those with religious authority.
Self-Censorship and Fear of Reprisal: The author argues that media freedom in their own country is limited by self-censorship and a fear of reprisal, particularly when reporting on sensitive topics related to religion or those in positions of authority. They contrast this with the hypothetical scenario in the US, where, according to the anecdote, citizens supposedly have the freedom to openly criticize their leaders without fear of repercussions. The author implies that true media freedom requires not only the absence of legal restrictions but also a culture of openness and a willingness to challenge those in power without fear of retaliation.
Unequal Treatment and the Protection of the Powerful: The author further criticizes the media in their own country for exhibiting bias in their reporting, protecting powerful figures and institutions while readily targeting those who are already marginalized or vulnerable. They contrast this with the idealized notion of media freedom in the US, where, according to the anecdote, even the President can be subject to public criticism without repercussions. This contrast highlights the author’s view that genuine media freedom requires a commitment to holding all individuals and institutions accountable, regardless of their power or influence.
The author uses the contrasting example of media freedom in the US to highlight the shortcomings and limitations they perceive in their own country. They argue that true media freedom requires not only the absence of legal restrictions but also a culture of openness, accountability, and a willingness to challenge those in power without fear of reprisal. They suggest that the current state of media freedom in their own country falls short of this ideal, characterized by self-censorship, bias, and the protection of powerful individuals and institutions at the expense of truth and justice.
A Delicate Balancing Act: Freedom of Expression and Its Necessary Constraints
The source presents a complex and often paradoxical relationship between freedom of expression and the need for its limitations. While the author champions the right to free speech as fundamental to a just society, they also caution against viewing this right as absolute, arguing that unchecked freedom of expression can become a tool for perpetuating injustice, silencing dissent, and eroding democratic values.
The Allure and Peril of Unfettered Speech: The source highlights the inherent tension between the ideals of free expression and the potential for its misuse. On the one hand, the author celebrates the power of free speech to challenge authority, expose wrongdoing, and foster open dialogue. They argue that a society where individuals can freely express their opinions, even those that are critical of the government or prevailing norms, is essential for a healthy democracy. However, the author also warns that unfettered free speech can have detrimental consequences. They argue that without certain safeguards, freedom of expression can be exploited to spread harmful ideologies, incite violence, and silence marginalized communities.
The Media’s Responsibility: A Double-Edged Sword: The source places particular emphasis on the role of the media in navigating this complex terrain. The author contends that media outlets, while enjoying the freedom to report and comment on matters of public interest, have a profound responsibility to use this power ethically. They argue that a responsible media should prioritize truth, accuracy, and fairness over sensationalism, profit-driven agendas, or self-preservation. The source suggests that when media outlets fail to uphold these responsibilities, they can become complicit in amplifying injustice, spreading misinformation, and eroding public trust.
Accountability as a Necessary Constraint: The author’s perspective underscores the importance of accountability as a key element in balancing freedom of expression with the need to protect individuals and society from harm. This accountability, they suggest, operates on multiple levels. Media outlets should be held accountable for the accuracy and fairness of their reporting, potentially through ethical guidelines or regulatory mechanisms. Individuals should also be held accountable for the responsible exercise of their free speech rights, particularly when it comes to avoiding harmful rhetoric or the spread of misinformation. The author’s view suggests that while freedom of expression is a cherished right, it is not a license to engage in reckless or harmful speech that undermines the well-being of others or the foundations of a just society.
The source’s exploration of freedom of expression and its limitations suggests that a truly free society requires a delicate balancing act. It necessitates a commitment to upholding the right to free speech while simultaneously recognizing the need for safeguards against its misuse. This balance, the author implies, requires a shared responsibility among individuals, media institutions, and society as a whole to ensure that freedom of expression serves its intended purpose: to foster open dialogue, promote truth, and contribute to a more just and equitable world.
Summary: This passage argues that true freedom of expression is essential for a healthy society and uses historical and contemporary examples to illustrate the dangers of suppressing dissent and critical thought.
Explanation: The author uses the metaphor of a “dervish” (a Sufi mystic) to represent someone who freely expresses their thoughts and concerns, not through empty slogans but through genuine reflection. They argue that societies that restrict such free expression will suffer from “confusion and suffocation” because worries and anxieties will fester without an outlet. The author then points to the example of Danish poets and writers who faced persecution for their ideas but ultimately triumphed, leading to a literary revolution. In contrast, the author laments the current state of the Muslim world where fear and restrictions stifle open discussion and critical thinking. They criticize those who enforce these restrictions and those who blindly follow them, comparing them to those who seek to impose their beliefs on others through violence and intimidation. The author concludes by highlighting the importance of true freedom of expression, drawing a parallel to Ronald Reagan’s assertion that even criticizing the President should be allowed in a free society.
Key terms:
Dervish: A Sufi mystic known for their unconventional behavior and spiritual insights, often associated with freedom and transcendence.
Tawa of Kufar: A declaration of disbelief or apostasy, often used as a tool to ostracize or persecute those who hold dissenting views.
Maghrib Akwaaba Safar: This phrase is unclear but seems to refer to a historical event or period.
Bami: It is unclear what “Bami” refers to in this context. It might be a person, place, or concept specific to the source material.
Atanas: It is unclear what “Atanas” refers to in this context. It might be a group of people, a literary genre, or a cultural movement specific to the source material.
Summary: The author is criticizing the Pakistani media for being biased and ignoring important issues like violence against women and religious extremism. They argue that while there is freedom of speech, the media focuses on sensationalism and protecting powerful figures.
Explanation: The passage uses a sarcastic tone to highlight the hypocrisy in claims of a free media in Pakistan. The author points out that while people can criticize the government, the media itself is selective in its coverage. They cite examples like the murder of Mashal Khan and violence against women, arguing that these cases don’t receive the attention they deserve. Instead, the media is accused of focusing on trivial matters and protecting those in power, even when they are involved in wrongdoing. The author appeals for more responsible journalism that addresses real issues and holds the powerful accountable.
Key Terms:
Muntakhab Government: Likely refers to the elected government in Pakistan.
Namna Sahafi: This term likely refers to a specific journalist or a type of sensationalist journalism.
Imran Ali: Possibly an individual accused of spreading false information.
Naqshbandi: Could refer to a specific person or a religious group.
Mustaqeem: A term in Islamic tradition referring to those who are righteous and follow the straight path.
Summary: This passage criticizes individuals who spread hatred and misinformation, particularly those who target vulnerable communities. It emphasizes the importance of truth, love, and respect for human rights.
Explanation: The author is deeply concerned about people who exploit and misrepresent others, particularly a vulnerable community referred to as “Mustaqeem.” They condemn those who spread ignorance and hatred, comparing them to “traders of profit” who prioritize personal gain over truth and human dignity. The author calls for responsible behavior, even in the context of freedom of expression, arguing that inciting hatred and spreading lies should not be tolerated. They believe in countering negativity with love, understanding, and a commitment to human rights. The passage emphasizes the need to stand against those who manipulate and harm others for personal gain.
Key Terms:
Mustaqeem: This term likely refers to a specific community or group that the author believes is being targeted and oppressed.
Jumma Dara: The meaning of this term is unclear from the passage, but it seems to represent a positive concept related to companionship, thinking, passion, and love.
Tazia and Daneshwari: These terms likely refer to cultural or religious symbols, possibly representing knowledge and tradition, which the author uses metaphorically to criticize those who misuse their influence.
Barah Karam: The meaning of this term is unclear, but it seems to be an appeal to someone named “Ram” to act ethically and avoid spreading falsehoods.
Kama: This term likely refers to a specific action or behavior that the author believes should be punished. It could be related to spreading lies or exploiting others.
A Paradox of Freedom: Navigating the Boundaries of Expression
The source navigates the paradoxical relationship between freedom of expression and its limitations, highlighting how the pursuit of uninhibited expression can sometimes clash with the need to protect individuals, communities, and the very foundations of a just society. This paradox is central to the author’s critique of Pakistani media and their perceived failure to uphold the principles of responsible reporting.
The Ideal of Free Expression vs. The Reality of Power Dynamics: The source positions freedom of expression as a fundamental right, essential for a healthy and vibrant society. The author invokes the image of a “dervish” to represent an individual who embodies this freedom – someone who fearlessly expresses their thoughts and concerns, engaging in genuine reflection rather than simply parroting empty slogans. This ideal is juxtaposed against the reality of power dynamics and societal pressures that often curtail genuine expression. The author argues that in societies where freedom of expression is stifled, worries and anxieties fester, leading to “confusion and suffocation”. They illustrate this point by drawing a parallel to the historical struggles of Danish poets and writers who faced persecution for their ideas but ultimately paved the way for a literary revolution.
The Media’s Responsibility and Its Shortcomings: The source places a significant burden on the media, highlighting their role in both upholding and undermining the principles of free expression. While acknowledging that media outlets in Pakistan have the freedom to criticize the government, the author contends that this freedom is often exercised selectively, with certain topics and individuals remaining off-limits due to power dynamics, societal pressures, and self-preservation. They argue that instead of focusing on crucial issues like violence against women, religious extremism, and government corruption, the media often prioritizes sensationalism, protecting powerful figures, and perpetuating a culture of fear and silence. The author’s critique underscores the importance of a responsible media that prioritizes truth, accuracy, and accountability over self-interest and the protection of the powerful.
The Need for Accountability and Ethical Boundaries: The source suggests that while freedom of expression is a cherished right, it is not an absolute right without limitations. The author emphasizes the need for accountability at both the individual and institutional levels to prevent the misuse of this freedom. This accountability, they argue, is necessary to prevent the spread of misinformation, hate speech, and harmful ideologies that can undermine the well-being of individuals and communities. The author condemns those who exploit freedom of expression for personal gain, particularly those who target vulnerable groups with hateful rhetoric or false narratives. They argue that such behavior should not be tolerated, even under the banner of free speech, and call for a commitment to truth, love, and respect for human rights as guiding principles for navigating the boundaries of expression.
The source ultimately advocates for a nuanced understanding of freedom of expression, one that acknowledges both its immense value and its potential for harm. The author’s perspective suggests that a truly free society requires a careful balancing act, where the right to express oneself is upheld while simultaneously acknowledging the need for ethical boundaries, responsible reporting, and accountability to prevent the misuse of this freedom. This balancing act, the source implies, is essential for ensuring that freedom of expression truly serves its intended purpose: to foster open dialogue, promote truth, and contribute to a more just and equitable society.
Bibliography
Cheema, Moeen H., and Ijaz Shafi Gilani. Fundamental Rights and Constitutional Remedies in Pakistan. Lahore: Pakistan Law House, 2015.
Malik, Iftikhar H. Culture and Customs of Pakistan. Westport: Greenwood Press, 2006. (Contains a chapter on media freedom and societal constraints.)
Rasul, Azmat, and Stephen D. McDowell. Consolidation of Media Freedom in Pakistan. Routledge, 2012.
Hussain, Zahid. Frontline Pakistan: The Struggle with Militant Islam. New York: Columbia University Press, 2007. (Discusses freedom of expression in the context of extremism and press freedom.)
Academic Articles
Yusuf, Huma. “Media and Politics in Pakistan.” South Asian History and Culture, vol. 3, no. 2, 2012, pp. 209–221.
Siraj, Syed A. “Critical Analysis of Press Freedom in Pakistan.” Journal of Media and Communication Studies, vol. 1, no. 3, 2009, pp. 043–047.
Mezzera, Marco, and Safdar Sial. “Media and Governance in Pakistan: A Controversial Yet Essential Relationship.” Initiative for Peacebuilding – Early Warning, 2010.
Reports and Research Papers
Human Rights Watch. “Criminalizing Online Speech: Pakistan’s Crackdown on Expression Over the Internet.” 2018. Available Online.
Reporters Without Borders (RSF). “2023 World Press Freedom Index: Pakistan.” Report Link.
Freedom House. “Freedom in the World 2023: Pakistan.” Freedom House Report.
Amnesty International. “Pakistan: Media under Siege.” 2021. Amnesty Report.
Online Articles and Essays
Hassan, Hamid. “Freedom of Expression in Pakistan: Legal Framework and Challenges.” Dawn, 15 July 2020. Link.
Imtiaz, Saba. “Censorship and Self-Censorship in Pakistan’s Media.” Al Jazeera, 18 February 2022. Link.
Baloch, Sahar. “The Internet Crackdown in Pakistan: How Freedom of Expression Is Threatened.” BBC News, 25 March 2021. Link.
This list offers a comprehensive overview of the topic, blending scholarly research, firsthand reports, and journalistic analyses. Let me know if you’d like sources narrowed down to specific subtopics!
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When it comes to beauty, even the smallest mistakes can have lasting consequences. Many people unknowingly sabotage their skincare, haircare, and makeup routines by following outdated advice or skipping essential steps. The result? Premature aging, hair damage, and ineffective products that fail to deliver the desired results. To maintain a radiant and youthful appearance, it’s crucial to learn from the experts and avoid these common beauty blunders.
Beauty professionals stress that a well-informed approach to self-care makes all the difference. From using the wrong skincare ingredients to applying makeup incorrectly, minor missteps can undermine your efforts. Renowned dermatologist Dr. Whitney Bowe notes, “Your skin is a reflection of your overall health and habits.” This means that understanding proper techniques and choosing high-quality products tailored to your needs is essential for achieving long-term beauty goals.
By steering clear of these 50 common beauty mistakes, you’ll not only enhance your natural glow but also protect yourself from unnecessary damage. Whether it’s over-exfoliating, neglecting sunscreen, or using the wrong hair treatments, small changes in your routine can lead to significant improvements. Let’s dive into these expert-backed tips to ensure your beauty regimen is working for you—not against you.
1 – Letting Brassy Tones Mess With Your Blonde Color
Nothing ruins a gorgeous blonde shade faster than brassy, yellow undertones. Many people assume that simply using a purple shampoo will fix the problem, but the reality is more complex. Brassiness often occurs due to sun exposure, hard water, or the natural fading of hair dye. Celebrity colorist Tracey Cunningham advises incorporating a color-protecting treatment into your routine and limiting heat styling to maintain the integrity of your blonde.
To keep your blonde looking fresh, opt for a sulfate-free shampoo designed for color-treated hair. Additionally, consider using a blue or violet-toned mask once a week to counteract any unwanted warmth. Hairstylists also recommend rinsing your hair with filtered water or using a showerhead filter to reduce mineral buildup. By implementing these preventive measures, you can keep your blonde locks vibrant and salon-fresh.
2 – Letting Reddish Tones Mess With Your Brunette Color
Brunettes often struggle with unwanted red or orange undertones, especially after repeated exposure to heat styling and environmental pollutants. Many people don’t realize that their hair care routine could be exacerbating the issue. Using the wrong shampoo or excessive heat tools can strip cool-toned pigments from brown hair, leaving behind an unflattering reddish hue.
To maintain the depth and richness of brunette hair, experts suggest incorporating a blue-tinted shampoo to neutralize warmth. Investing in heat protectant sprays and minimizing direct sun exposure can also prevent color shifts. For an extra layer of protection, hairstylists recommend scheduling gloss treatments every few weeks to refresh and enhance your natural or dyed brunette shade.
3 – Applying Your Body Self-Tanner to Your Face
Many people make the mistake of using their body self-tanner on their face, leading to clogged pores, breakouts, and an uneven complexion. Body tanners are often formulated with heavier ingredients that can be too harsh for delicate facial skin. Dermatologist Dr. Hadley King warns that “self-tanners designed for the body often contain higher concentrations of DHA, which can lead to excessive dryness and irritation when applied to the face.”
To achieve a natural, sun-kissed glow without damaging your skin, opt for a self-tanner specifically formulated for facial use. These formulas are typically non-comedogenic and infused with hydrating ingredients like hyaluronic acid and vitamin E. Additionally, applying a lightweight moisturizer before self-tanner can help create a more even finish and prevent patchiness.
4 – Over-Exfoliating With Physical Scrubs
Exfoliation is key to a glowing complexion, but too much of a good thing can be harmful. Many people overuse harsh physical scrubs, leading to micro-tears in the skin, increased sensitivity, and premature aging. Board-certified dermatologist Dr. Shereene Idriss explains, “Over-exfoliating disrupts the skin barrier, making it more susceptible to inflammation and irritation.”
Instead of scrubbing aggressively, switch to a gentler exfoliation routine. Experts recommend using chemical exfoliants, such as glycolic or lactic acid, which dissolve dead skin cells without causing abrasions. If you prefer physical exfoliation, opt for a fine-grain scrub and limit usage to two to three times per week. Protecting your skin barrier ensures a smoother, more radiant complexion in the long run.
5 – Relying on the SPF in Your Makeup Products
Many people believe that using foundation or powder with SPF is enough to protect their skin from harmful UV rays, but this is a dangerous misconception. According to the Skin Cancer Foundation, “most cosmetic products with SPF do not provide sufficient coverage unless applied in very thick layers, which is unrealistic.”
For proper sun protection, always apply a broad-spectrum sunscreen with at least SPF 30 underneath your makeup. Look for lightweight, non-greasy formulas that layer well with other skincare and makeup products. Reapplying sunscreen throughout the day—especially when spending time outdoors—is also essential to prevent sun damage and premature aging.
6 – Skipping Toning After Cleansing
Toner is often seen as an optional step, but skipping it can leave your skin unbalanced and vulnerable to irritation. After cleansing, your skin’s pH levels can become disrupted, making it more prone to dryness, oiliness, or breakouts. Skincare expert Dr. Dennis Gross explains, “A well-formulated toner helps restore balance, tighten pores, and enhance the effectiveness of the rest of your skincare routine.”
To reap the benefits, choose an alcohol-free toner suited to your skin type. Hydrating toners with ingredients like rose water or glycerin help soothe dry skin, while clarifying toners with witch hazel or salicylic acid are ideal for oily and acne-prone skin. Incorporating toner into your routine ensures your skin stays balanced and prepped for serums and moisturizers.
7 – Layering Setting Powder on Dry Skin
Using setting powder can help makeup last longer, but when applied to dry skin, it often accentuates fine lines and flakiness. Many people make the mistake of layering powder without properly prepping their skin, leading to a cakey, dull appearance. Makeup artist Bobbi Brown advises, “The key to flawless makeup is hydration—powder should enhance, not highlight dryness.”
To avoid this issue, start with a well-moisturized base. Apply a hydrating primer before foundation and use a light hand when applying setting powder. Opt for finely milled, translucent powders that set makeup without settling into lines. Additionally, using a damp beauty sponge instead of a brush can help distribute powder more evenly for a natural, smooth finish.
8 – Over-Cleansing Oily Skin
Many people with oily skin believe that washing their face multiple times a day will control excess oil, but this can actually have the opposite effect. Over-cleansing strips the skin of its natural oils, triggering the sebaceous glands to produce even more oil as a defense mechanism. Dermatologist Dr. Joshua Zeichner explains, “When you over-cleanse, your skin tries to compensate by producing more oil, leading to breakouts and irritation.”
To maintain a balanced complexion, use a gentle, sulfate-free cleanser no more than twice daily. Look for ingredients like niacinamide or salicylic acid, which help regulate oil production without over-drying the skin. If your skin feels tight or uncomfortable after cleansing, you may need to switch to a more hydrating formula to support your skin barrier.
9 – Removing Mascara With Cotton Pads
Using cotton pads to remove mascara may seem harmless, but it can cause unnecessary tugging on the delicate eye area, leading to premature wrinkles and lash breakage. The friction created by rubbing back and forth can also irritate the skin and leave behind mascara residue. Skincare expert Dr. Dendy Engelman warns, “The eye area is the first place to show signs of aging, so it’s crucial to treat it gently.”
Instead of cotton pads, opt for a gentle, oil-based makeup remover or micellar water on a reusable microfiber cloth. Apply the remover to closed eyes, let it sit for a few seconds to break down the mascara, then gently wipe away without rubbing. This method protects your lashes and the sensitive skin around your eyes while effectively removing all traces of makeup.
10 – Skipping Moisturizer on Oily or Acne-Prone Skin
Many people with oily or acne-prone skin believe that skipping moisturizer will prevent breakouts, but this is a major skincare mistake. When the skin lacks hydration, it compensates by producing even more oil, potentially leading to clogged pores and acne flare-ups. Dermatologist Dr. Whitney Bowe explains, “Moisturizing is essential—even for oily skin—because it helps maintain the skin barrier and prevents overproduction of sebum.”
To keep your skin hydrated without feeling greasy, choose a lightweight, oil-free moisturizer with ingredients like hyaluronic acid, glycerin, or niacinamide. These components provide hydration while regulating oil production and soothing inflammation. Using the right moisturizer ensures your skin remains balanced, reducing excess shine and breakouts over time.
11 – Over-Using a Purple Shampoo
Purple shampoo is a go-to product for blondes looking to neutralize brassy tones, but using it too often can lead to unintended consequences. Overuse can result in dry, brittle hair or even leave a purple tint behind. Celebrity hairstylist Kristin Ess advises, “Purple shampoo should be used strategically—too much can make your hair look dull or even slightly violet.”
To maintain a bright, healthy blonde, limit purple shampoo use to once or twice a week. On other days, use a hydrating, color-safe shampoo to keep hair nourished and prevent excessive dryness. If brassiness persists, consider a salon-grade toner or gloss treatment to refresh your color without overloading your strands with pigment.
12 – Applying Makeup Without Prepping Your Skin
Applying makeup to unprepped skin can lead to an uneven application, cakiness, or patchiness throughout the day. Skipping essential skincare steps, such as cleansing, moisturizing, and priming, can cause foundation and concealer to settle into fine lines and dry patches. Renowned makeup artist Charlotte Tilbury emphasizes, “Flawless makeup starts with great skincare—prepping the skin ensures a smooth, radiant finish.”
To create the perfect canvas, start with a clean face, followed by a lightweight moisturizer that suits your skin type. Apply a primer to address specific concerns, such as oil control, hydration, or pore filling. Proper skin preparation enhances makeup longevity and ensures a more polished, professional-looking result.
13 – Getting Pricey Hair Extensions
High-quality hair extensions can be a great way to add volume and length, but investing in expensive ones without proper maintenance can be a waste of money. Many people assume that once extensions are installed, they require little upkeep, but neglecting care can lead to tangling, breakage, and an unnatural appearance. Hair expert Jen Atkin notes, “Even the best extensions will look bad if they’re not properly maintained—regular conditioning and gentle handling are key.”
Instead of splurging on costly extensions, consider clip-ins or tape-ins that are easier to maintain. Always use sulfate-free shampoos, detangle gently with a wide-tooth comb, and avoid excessive heat styling. Proper care ensures your extensions blend seamlessly with your natural hair and last longer, making them a worthwhile investment.
14 – Picking at Your Pimples
Popping pimples may offer temporary satisfaction, but it often leads to long-term damage such as scarring, hyperpigmentation, and even infections. Squeezing blemishes pushes bacteria deeper into the skin, increasing inflammation and delaying the healing process. Dermatologist Dr. Sandra Lee, better known as Dr. Pimple Popper, warns, “Picking at a pimple is like playing with fire—you’re almost guaranteed to make it worse.”
Instead of squeezing blemishes, use a spot treatment with benzoyl peroxide, salicylic acid, or tea tree oil to reduce inflammation and speed up healing. Hydrocolloid patches are also an effective way to protect the pimple while drawing out impurities. Practicing patience and proper skincare will prevent unnecessary skin damage.
15 – Laying Out in the Sun to Tan
Sunbathing for a golden tan may seem appealing, but prolonged sun exposure significantly increases the risk of premature aging and skin cancer. UV rays break down collagen and elastin, leading to wrinkles, sunspots, and loss of skin elasticity. The American Academy of Dermatology warns, “There’s no such thing as a safe tan—every exposure to UV rays contributes to skin damage.”
Instead of tanning under the sun, opt for self-tanners or spray tans to achieve a sun-kissed glow without the harmful effects. If you’re spending time outdoors, always wear broad-spectrum SPF 30 or higher, seek shade, and use protective clothing. Keeping your skin safe from UV damage is one of the best ways to maintain a youthful appearance.
16 – Using the Same Face Towel All Week
Reusing the same face towel for days may seem harmless, but it can lead to a buildup of bacteria, dirt, and dead skin cells. Each time you dry your face, you’re potentially reintroducing impurities that can clog pores and trigger breakouts. Dermatologist Dr. Mona Gohara explains, “A damp towel is a breeding ground for bacteria, which can exacerbate acne and skin irritation.”
To maintain clear, healthy skin, switch to a clean towel every couple of days. Consider using soft, microfiber cloths that are gentle on the skin and dry quickly. For an even more hygienic approach, let your face air dry or use disposable facial tissues to pat dry, reducing bacterial contamination.
17 – Reserving Lip Balm for Daytime Use Only
Many people apply lip balm only during the day, neglecting their lips at night. However, lips lose moisture while you sleep, leading to dryness and cracking. Skincare expert Dr. Debra Jaliman states, “Your lips don’t have oil glands, so they need extra hydration overnight to stay smooth and healthy.”
To keep your lips soft, apply a nourishing lip mask or balm before bed. Look for formulas containing shea butter, ceramides, or hyaluronic acid for deep hydration. Regular nighttime application will ensure your lips remain plump and protected, even in harsh weather conditions.
18 – Sleeping on a Cotton Pillowcase
Cotton pillowcases absorb oils, bacteria, and product residue, which can lead to skin irritation and hair frizz. The friction from cotton fabric can also contribute to premature wrinkles and moisture loss. Skincare expert Dr. Howard Sobel explains, “Sleeping on a cotton pillowcase can create creases on the skin that, over time, turn into permanent wrinkles.”
Switching to a silk or satin pillowcase can reduce friction, prevent hair breakage, and help retain skin moisture. Silk’s smooth texture allows your skin to glide effortlessly, reducing the risk of fine lines. This small change in your sleep routine can make a big difference in the overall health of your skin and hair.
19 – Attempting to Treat Body Acne With a Traditional Scrub
Many people assume that using a physical scrub will help clear body acne, but aggressive exfoliation can worsen irritation and inflammation. Scrubbing can cause microtears in the skin, spreading bacteria and making breakouts more severe. Dermatologist Dr. Angela Lamb advises, “Instead of scrubbing, use a chemical exfoliant like salicylic acid or benzoyl peroxide to treat body acne effectively.”
For best results, opt for a body wash with acne-fighting ingredients like glycolic acid or tea tree oil. Follow up with a lightweight, non-comedogenic moisturizer to keep your skin balanced. Gentle, consistent care is the key to treating body acne without causing further damage.
20 – Wasting Money on Expensive Acne Treatments
Expensive acne products may promise miraculous results, but price doesn’t always equate to effectiveness. Many high-end treatments contain the same active ingredients as affordable alternatives. Skincare expert Dr. Sandra Lee notes, “It’s not about the brand or price—it’s about the ingredients that actually work.”
Instead of splurging on luxury products, look for dermatologist-recommended ingredients like salicylic acid, benzoyl peroxide, and retinoids. Over-the-counter treatments from reputable brands can be just as effective as high-end options. Investing in a solid skincare routine rather than overpriced products will yield better long-term results.
21 – Not Taking Care of Your Cuticles
Ignoring cuticle care can lead to dryness, hangnails, and infections. Many people pick at their cuticles or neglect them entirely, weakening the nail bed. Celebrity nail artist Deborah Lippmann explains, “Your cuticles protect your nails from bacteria—trimming them too much or leaving them dry can cause long-term damage.”
To keep cuticles healthy, apply cuticle oil daily and gently push them back instead of cutting them. Using a hydrating hand cream can also prevent peeling and cracking. Proper cuticle care not only keeps nails looking polished but also supports their overall strength and growth.
22 – Tying Your Hair Back With a Tight Elastic
Constantly pulling your hair back into a tight ponytail or bun can lead to breakage and traction alopecia—a form of hair loss caused by prolonged tension on the scalp. Trichologist Anabel Kingsley warns, “Repeatedly wearing tight hairstyles weakens hair follicles and can result in permanent hair thinning.”
Opt for silk scrunchies or spiral hair ties, which are gentler on the hair. Switching up your hairstyle and avoiding excessive tension will protect your strands from unnecessary damage. If you must wear your hair up, keep it loose and alternate styles to reduce stress on the scalp.
23 – Forgetting to Apply Sunscreen to Your Lips
Many people apply sunscreen to their face but forget their lips, leaving them vulnerable to sunburn and premature aging. The delicate skin on the lips lacks melanin, making it more susceptible to UV damage. Dermatologist Dr. Elizabeth Hale states, “Lip cancer is more common than people realize—using SPF lip balm daily is a simple yet essential step.”
To protect your lips, use a lip balm with SPF 30 or higher and reapply throughout the day. Look for formulas with nourishing ingredients like shea butter and antioxidants to provide extra hydration and protection. Keeping your lips shielded from the sun will prevent discoloration, dryness, and long-term damage.
24 – Washing Your Hair With Hard Water
Hard water contains minerals like calcium and magnesium, which can build up on the scalp and hair, leading to dryness, dullness, and breakage. Over time, these minerals create a film that prevents moisture from penetrating the hair shaft. Celebrity hairstylist Kristin Ess explains, “Hard water can strip hair color and leave it looking lifeless—using a water filter or clarifying shampoo helps remove buildup.”
If you live in an area with hard water, invest in a shower filter to reduce mineral deposits. Using a clarifying shampoo once a week and following up with a deep conditioner can help restore hydration and shine. Regular maintenance will keep your hair looking vibrant and healthy despite the effects of hard water.
25 – Not Protecting Your Hair When You Use Hot Tools
Frequent heat styling without protection can cause severe hair damage, leading to split ends and weakened strands. Heat tools strip moisture from the hair, making it more prone to breakage. Hairstylist Jen Atkin emphasizes, “Using heat without protection is like sunbathing without sunscreen—it’s a guaranteed way to damage your hair.”
Before using any hot tools, always apply a heat protectant spray or serum. Opt for lower heat settings and avoid excessive use of straighteners and curling irons. Incorporating heat-free styling techniques, like braids or rollers, can help preserve your hair’s health while still achieving beautiful styles.
26 – Using Cotton Rounds to Apply Toner
Cotton rounds may seem like a convenient way to apply toner, but they absorb too much product, leading to unnecessary waste. Additionally, the rough texture can irritate sensitive skin, especially when applying active ingredients like glycolic acid or salicylic acid. Skincare expert Dr. Shereene Idriss advises, “Switching to hands or reusable applicators ensures your skin gets the full benefit of your toner without unnecessary friction.”
Instead of cotton rounds, try patting toner directly onto your skin with clean hands or using a reusable, soft microfiber pad. This method enhances absorption and ensures you’re not wasting valuable skincare products. Plus, it’s a more eco-friendly approach that reduces disposable waste.
27 – Not Cleaning Your Makeup Brushes Enough
Dirty makeup brushes harbor bacteria, oil, and old product buildup, which can lead to breakouts and skin infections. Many people go weeks or even months without washing their brushes, unknowingly exposing their skin to harmful microbes. Dermatologist Dr. Ava Shamban warns, “Unwashed brushes can contribute to acne, irritation, and even eye infections if not cleaned regularly.”
To keep your brushes hygienic, wash them at least once a week using a gentle brush cleanser or mild shampoo. Rinse thoroughly and let them air dry on a clean towel. Regular cleaning not only protects your skin but also extends the lifespan of your brushes, ensuring flawless makeup application.
28 – Not Cleaning Your Facial Ice Roller
Facial ice rollers are great for reducing puffiness and soothing inflammation, but they can quickly become a breeding ground for bacteria if not cleaned properly. Many people store their rollers in the freezer without washing them after each use, increasing the risk of transferring germs onto their skin. Dr. Whitney Bowe emphasizes, “Any skincare tool that touches your face should be cleaned regularly to prevent bacterial buildup.”
To maintain hygiene, clean your ice roller after every use with a gentle soap or disinfectant wipe. Store it in a clean container or zip-lock bag in the freezer to avoid contamination. Keeping your tools clean ensures they remain effective and safe for daily use.
29 – Steaming Acne-Prone Skin
While facial steaming can feel relaxing, it’s not always beneficial for acne-prone skin. The heat can dilate blood vessels and increase inflammation, making breakouts worse rather than better. Dermatologist Dr. Ranella Hirsch explains, “Steaming can actually exacerbate acne by increasing redness and swelling, especially for those with sensitive skin.”
Instead of steaming, opt for gentle exfoliation with chemical exfoliants like AHAs or BHAs to unclog pores. If you enjoy steaming, limit it to once a week and follow with a soothing mask to minimize irritation. Moderation is key to preventing unnecessary skin flare-ups.
30 – Dermaplaning With a Mini Razor
Dermaplaning removes peach fuzz and dead skin cells, but using a mini razor at home without proper technique can lead to nicks, irritation, and even infections. Many people use dull blades or apply too much pressure, damaging their skin barrier. Aesthetician Kerry Benjamin warns, “DIY dermaplaning can be risky if not done correctly—professional treatments are safer and more effective.”
If you choose to dermaplane at home, use a sterilized, single-use razor and glide it gently at a 45-degree angle. Follow up with a hydrating serum to soothe the skin. However, for the best results, consider getting professional dermaplaning treatments that ensure safety and effectiveness.
31 – Washing Your Hair Too Often
Daily hair washing may seem like a good hygiene practice, but over-washing strips the scalp of its natural oils, leading to dryness and increased oil production. This cycle can cause hair to become brittle or excessively greasy. Hair expert Philip Kingsley explains, “Washing too frequently disrupts the scalp’s natural balance, making it harder to maintain healthy hair.”
Try washing your hair every two to three days, or even less if you have dry or curly hair. Use dry shampoo between washes to absorb excess oil and refresh your scalp. Finding the right balance will keep your hair nourished while preventing unnecessary damage.
32 – Applying a Shimmery Highlighter to Your Skin
Shimmery highlighter can add a radiant glow, but overuse or incorrect placement can emphasize fine lines, texture, and pores. Many people apply too much product, making their skin look oily rather than luminous. Celebrity makeup artist Bobbi Brown advises, “A little highlighter goes a long way—strategic placement is key to achieving a natural glow.”
For a flattering look, apply a light dusting of highlighter to the high points of your face, such as the cheekbones and brow bones. Choose a finely milled formula that blends seamlessly into the skin. Avoid glittery or chunky formulas that can appear unnatural under different lighting conditions.
33 – Using Powder to Touch Up Oily Skin
Reapplying powder throughout the day may seem like a quick fix for oily skin, but it can lead to a cakey, heavy finish. Layering powder on top of oil buildup can also clog pores and cause breakouts. Skincare expert Dr. Dennis Gross recommends, “Instead of piling on powder, use blotting papers to absorb excess oil without disrupting your makeup.”
If you need to refresh your makeup, opt for a mattifying setting spray or a light dusting of translucent powder. Applying powder only to specific areas, like the T-zone, will help control shine without overloading the skin with product.
34 – Relying on Poor Lighting While Doing Your Makeup
Applying makeup in dim or artificial lighting can lead to mismatched foundation, unblended contour, or overly heavy application. Many people don’t realize how different their makeup looks in natural light until they step outside. Makeup artist Lisa Eldridge emphasizes, “Good lighting is essential for achieving a seamless, natural-looking makeup application.”
To avoid makeup mishaps, apply your makeup near a window with plenty of natural light. If that’s not possible, invest in a well-lit vanity mirror with adjustable LED settings. Proper lighting ensures your makeup looks flawless in all settings.
35 – Layering on Self-Tanner Without Exfoliating First
Skipping exfoliation before applying self-tanner can result in an uneven, streaky application. Dead skin cells cause the tanner to cling to dry patches, creating dark spots and an unnatural finish. Tanning expert Jules Von Hep explains, “Exfoliating beforehand ensures an even canvas, allowing the tan to develop smoothly.”
Before self-tanning, use a gentle body scrub or exfoliating mitt to slough off dead skin. Focus on rough areas like elbows, knees, and ankles. Applying a lightweight moisturizer beforehand can also help prevent patchiness, leading to a more natural-looking tan.
36 – Always Buying Full-Size Mascaras
Mascara has a short shelf life, and using an old tube can lead to eye infections or irritation. Many people invest in full-size mascaras only to have them dry out before they’re fully used. Ophthalmologist Dr. Diane Hilal-Campo warns, “Mascara should be replaced every three months to prevent bacterial buildup that can cause eye issues.”
Instead of buying full-size mascaras, consider purchasing travel-size versions. These are more affordable, allow you to try different formulas, and reduce product waste. Regularly replacing mascara ensures a fresh, clump-free application while keeping your eyes safe.
37 – Loading Your Hair Up With Product to Add Volume
Applying too much volumizing product can weigh hair down rather than lift it. Many people mistakenly think that more mousse, spray, or dry shampoo will create lasting volume, but overuse can lead to buildup, making hair feel greasy and lifeless. Hairstylist Jen Atkin advises, “Less is more when it comes to volumizing products—layering lightly creates movement without stiffness.”
For best results, start with a small amount of product and focus on the roots. Blow-drying with a round brush or using velcro rollers can also boost volume without excessive product use. Regular clarifying treatments help remove buildup, keeping your hair bouncy and fresh.
38 – Faking Fuller Lips With a Capsaicin-Infused Gloss
Capsaicin, the active ingredient in chili peppers, is often found in plumping lip glosses to create a temporary swelling effect. However, these formulas can cause irritation, redness, and long-term dryness. Dermatologist Dr. Whitney Bowe warns, “Frequent use of capsaicin-based plumpers can lead to lip sensitivity and dehydration over time.”
For a safer, more natural approach, try exfoliating your lips to enhance their fullness or use hydrating lip masks. Opt for peptides or hyaluronic acid-infused lip treatments that provide a plumping effect without irritation. Overlining with a lip liner can also create the illusion of fuller lips without discomfort.
39 – Using Dry Shampoo That Quite Literally Dries Your Hair Out
Dry shampoo is a lifesaver on busy days, but excessive use can strip the scalp of natural oils and cause buildup. Many aerosol formulas contain alcohol, which can dry out both the scalp and hair, leading to breakage. Trichologist Bridgette Hill explains, “Overuse of dry shampoo can clog hair follicles, causing scalp issues and dull strands.”
To prevent damage, limit dry shampoo use to once or twice a week. Opt for formulas with nourishing ingredients like rice starch or oat milk, which absorb oil without dehydrating the scalp. Regularly washing your hair and massaging the scalp ensures a healthy balance of natural oils.
40 – Only Flossing When You See Food Between Your Teeth
Flossing isn’t just about removing visible food particles—it’s essential for gum health and preventing cavities. Skipping daily flossing allows plaque buildup, which can lead to gum disease and bad breath. Dr. Mark Burhenne, author of The 8-Hour Sleep Paradox, states, “The bacteria trapped between your teeth don’t just affect your mouth—they contribute to systemic inflammation in the body.”
Make flossing a daily habit, even if you don’t see food stuck between your teeth. Water flossers or interdental brushes are great alternatives for those who find traditional floss difficult to use. Consistent oral care leads to healthier gums and a fresher smile.
41 – Applying Lipstick on Dry, Flaky Lips
Lipstick on chapped lips can accentuate dryness and create an uneven texture. Many people skip proper lip prep, leading to a patchy or cracked lipstick finish. Makeup artist Charlotte Tilbury emphasizes, “A well-prepped lip is the secret to a flawless lipstick application.”
Before applying lipstick, exfoliate your lips with a gentle scrub or a soft toothbrush. Follow up with a hydrating lip balm and let it absorb before applying color. Choosing creamy or hydrating lipstick formulas prevents further dryness and keeps lips looking smooth.
42 – Going to Bed Without Removing All Your Eye Makeup
Leaving eye makeup on overnight can clog lash follicles, leading to irritation, infections, and even lash loss. Mascara and eyeliner residue can also contribute to under-eye puffiness and dark circles. Ophthalmologist Dr. Rupa Wong warns, “Sleeping in eye makeup increases the risk of developing styes and conjunctivitis.”
Use a gentle, oil-based remover to dissolve stubborn eye makeup without rubbing. Double cleansing ensures every trace is removed while keeping the delicate eye area hydrated. Proper makeup removal prevents premature aging and keeps your lashes and eyes healthy.
43 – Letting Pricey Skin Care Products Go to Waste
Many people invest in expensive skincare but fail to store or use them correctly, leading to wasted product and reduced effectiveness. Exposure to heat, air, and sunlight can degrade active ingredients, making them less potent. Dermatologist Dr. Loretta Ciraldo advises, “Proper storage extends the life of skincare products—keeping them in a cool, dark place ensures maximum efficacy.”
To avoid waste, use products consistently and within their recommended shelf life. Opt for airtight containers and store sensitive formulas, like vitamin C serums and retinoids, away from direct sunlight. Being mindful of skincare storage preserves its benefits and saves money in the long run.
44 – Tolerating Dry, Cracked Heels
Ignoring dry heels can lead to painful cracks, infections, and discomfort when walking. Many people rely on occasional moisturizing, which isn’t enough to repair severe dryness. Podiatrist Dr. Miguel Cunha explains, “Regular exfoliation and deep hydration are key to preventing cracked heels.”
To keep heels soft, use a foot scrub or pumice stone weekly and apply a thick, emollient-rich moisturizer before bed. Wearing moisture-locking socks overnight enhances absorption, ensuring lasting hydration. Consistent care prevents painful cracks and keeps feet looking and feeling smooth.
45 – Using a Giant Cotton Bath Towel to Dry Your Hair
Regular bath towels create friction that can cause frizz, breakage, and moisture loss in the hair. Cotton fibers are rough on delicate strands, especially when aggressively rubbing the hair dry. Hairstylist Kristin Ess states, “Switching to a microfiber towel or a cotton T-shirt reduces friction and keeps hair smooth.”
Instead of rubbing your hair, gently squeeze out excess water with a microfiber towel. Letting hair air dry partially before using heat tools also minimizes damage. A small change in your drying routine can improve hair health and texture over time.
46 – Always Getting Gel Manicures
Gel manicures provide long-lasting shine but can weaken nails over time due to the repeated use of harsh chemicals and UV exposure. Frequent gel removal can cause nail thinning and brittleness. Dr. Dana Stern, a nail health expert, warns, “Overuse of gel polish can lead to dehydration and long-term damage to the nail plate.”
To maintain nail health, take breaks between gel manicures and apply strengthening treatments. Using cuticle oil daily and opting for regular polish occasionally helps prevent excessive nail weakening. Prioritizing nail care ensures both beauty and strength in the long run.
47 – Using the Wrong Makeup Brush
Applying makeup with the wrong brush can result in uneven blending, streaky foundation, or patchy eyeshadow. Different brushes serve specific purposes, and using the incorrect one can make application harder than it needs to be. Makeup artist Wayne Goss emphasizes, “Investing in the right tools makes a huge difference in how makeup sits on the skin.”
Choose high-quality, well-shaped brushes that match the product you’re using—fluffy brushes for blending powders, dense brushes for foundation, and angled brushes for precision work. Keeping brushes clean also ensures smoother application and prevents breakouts.
48 – Thinking That Brushing & Mouthwash Will Stop Bad Breath
Brushing and using mouthwash alone don’t always eliminate bad breath, especially if the root cause is bacteria on the tongue or digestive issues. Many people neglect tongue cleaning, which allows odor-causing bacteria to thrive. Dentist Dr. Richard Price states, “The tongue harbors more bacteria than any other part of the mouth—scraping it daily is essential for fresh breath.”
Use a tongue scraper or the back of your toothbrush to remove buildup each morning. Staying hydrated and consuming fiber-rich foods can also help balance oral bacteria. Comprehensive oral hygiene ensures long-lasting freshness beyond just brushing and rinsing.
49 – Using Mouthwash That Contains Alcohol
Alcohol-based mouthwashes can dry out the mouth, leading to bad breath and irritation rather than true oral health benefits. They kill both harmful and beneficial bacteria, disrupting the mouth’s natural balance. Dr. Mark Wolff, a dental expert, explains, “Non-alcoholic mouthwashes are just as effective at killing bacteria without causing dryness.”
Opt for mouthwashes with fluoride, xylitol, or essential oils to support oral health without harsh effects. Hydration and saliva production naturally combat bacteria, so drinking plenty of water is also crucial for maintaining fresh breath.
50 – Relying on a Regular Manual Toothbrush
While manual toothbrushes can effectively clean teeth, they often don’t remove plaque as efficiently as electric ones. Studies show that electric toothbrushes reduce plaque buildup and gum disease more effectively. The American Dental Association states, “Powered toothbrushes with oscillating bristles provide superior cleaning and are especially beneficial for those with dexterity issues.”
Switching to an electric toothbrush ensures a deeper clean with minimal effort. Look for models with timers and pressure sensors to improve your brushing technique and maintain optimal oral health.
Conclusion
Beauty mistakes can be subtle, yet their effects accumulate over time, leading to unnecessary damage to your skin, hair, and overall health. By making small adjustments to your routine—whether it’s switching to a silk pillowcase, using a gentler exfoliant, or applying SPF to often-forgotten areas—you can maintain long-term beauty and wellness. As beauty expert Caroline Hirons puts it, “Good skincare isn’t about trends—it’s about consistency and knowledge.”
Prioritizing expert-backed habits will ensure you look and feel your best for years to come.
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If you’ve ever dreamed of turning your passion for words into a paycheck, now is the perfect time to make it a reality. The digital age has created an unprecedented demand for skilled writers across various industries. Whether you’re a seasoned professional or a newcomer looking to break into the field, numerous work-from-home writing opportunities await you. From blog writing to medical content, poetry to technical guides, the internet has opened up a world where writing can be both creatively fulfilling and financially rewarding.
The rise of remote work and the gig economy has made it easier than ever to earn a living as a writer. Companies, publications, and content platforms are constantly on the lookout for fresh voices and expert storytellers. Many businesses now outsource their content needs, creating a steady stream of work for freelancers. Full-time writing jobs have also expanded beyond traditional journalism, with editing, copywriting, and content marketing offering lucrative career paths for those with a knack for crafting compelling narratives.
As you explore this mega list of work-from-home writing jobs, you’ll discover opportunities tailored to different skill levels and interests. Whether you enjoy crafting engaging blog posts, writing technical documents, or even creating heartfelt poetry, there’s a niche for you. Each section will outline specific ways you can monetize your writing skills, including job boards, specialized platforms, and high-paying industries. Get ready to embark on a rewarding journey where your words can build a sustainable income from the comfort of your home.
1 – Freelance Blog Writing Gigs
Freelance blog writing is one of the most accessible and profitable ways to earn money as a writer. Businesses, entrepreneurs, and online publications constantly seek well-researched, engaging blog posts to attract and educate their audiences. Whether it’s in the tech industry, health and wellness, finance, or lifestyle, there’s an ongoing need for fresh content. Many companies are willing to pay competitive rates for high-quality blog posts that drive traffic and boost their online presence. Writers with expertise in SEO, storytelling, and audience engagement can command higher fees in this space.
To succeed as a freelance blog writer, consider building a strong portfolio showcasing diverse writing samples. Networking on platforms like LinkedIn, pitching to editors, and joining writer-focused communities can help land consistent work. Websites such as ProBlogger, BloggingPro, and Contena offer curated lists of blog writing gigs with pay rates ranging from modest to lucrative. As Neil Patel, a leading digital marketing expert, states, “Great content is the best sales tool in the world.” By honing your blog writing skills and leveraging online job boards, you can turn blog writing into a sustainable income stream.
For those seeking more stability, full-time writing and editing positions offer a steady paycheck and benefits while still allowing you to work remotely. These roles can range from content strategists and copywriters to editors for digital publications. Many companies, including major media outlets, marketing agencies, and tech firms, are hiring remote writers and editors to produce high-quality content for their websites, social media, and advertising campaigns. Unlike freelancing, full-time jobs provide job security, consistent income, and opportunities for career growth.
A strong background in writing, editing, and industry-specific knowledge can help secure these roles. Companies often look for writers with expertise in areas such as finance, technology, or healthcare. Some job boards specializing in full-time remote writing positions include We Work Remotely, FlexJobs, and Mediabistro. Books like The Elements of Style by Strunk and White or On Writing Well by William Zinsser can help refine your craft and improve your chances of landing a position. With dedication and continuous learning, full-time remote writing can become a fulfilling and lucrative career.
If you prefer a structured way to find writing jobs, paid freelance writing platforms offer a convenient solution. These platforms connect writers with clients needing content, often providing a steady stream of assignments. Websites such as Upwork, Freelancer, and PeoplePerHour allow writers to bid on projects in various niches, including blog writing, ghostwriting, and technical writing. While competition can be fierce, a strong profile, positive client reviews, and a niche specialization can help writers secure high-paying projects.
Another option is premium content platforms such as Verblio, ClearVoice, and WriterAccess, which curate high-quality assignments for approved writers. These platforms often require writers to pass a screening test or submit writing samples to gain access to higher-paying gigs. As marketing strategist Ann Handley states in Everybody Writes, “Quality content means business.” By producing exceptional work and leveraging these platforms effectively, freelance writers can build a profitable career from the comfort of their homes.
Greeting card writing is a unique and creative way to earn money as a writer. Companies specializing in sentimental, humorous, or inspirational messages are always on the lookout for fresh content. Writers who can craft concise yet meaningful phrases for birthdays, holidays, and special occasions have the opportunity to sell their work to greeting card companies. Some well-known brands, such as Blue Mountain Arts and Hallmark, accept freelance submissions and pay per accepted piece.
The key to success in this niche is understanding the tone and voice of different card companies. A humorous card company may have different expectations than one that focuses on heartfelt messages. Studying the styles of greeting card brands and submitting original, compelling ideas can increase your chances of getting published. Writing instructor William Zinsser reminds us, “Writing is an act of thinking,” and greeting card writing is a perfect example of distilling deep emotions into a few carefully chosen words.
5 – Write Helpful Tips, Short Stories, and Magazine Articles
Many online and print publications pay writers for well-crafted articles, short stories, and practical advice columns. Magazines, newspapers, and digital content hubs seek expert insights, personal essays, and how-to guides in various industries, from fashion to finance. Publications such as The New Yorker, Reader’s Digest, and The Sun pay for accepted submissions, often offering generous compensation for compelling storytelling and valuable information.
For those interested in writing short stories, literary magazines and anthologies regularly accept submissions. Websites like Duotrope and Submittable list numerous paid writing opportunities. Successful writers research their target publications, follow submission guidelines meticulously, and refine their pitches. As Stephen King emphasizes in On Writing, “The scariest moment is always just before you start.” Taking the leap and submitting your work can lead to rewarding publication opportunities.
Job boards remain one of the most effective ways to find high-paying writing gigs. Websites such as ProBlogger, Freelance Writing Jobs (FWJ), and Indeed regularly list freelance and full-time writing positions in various niches. These platforms provide a mix of one-time projects, ongoing assignments, and career-level writing opportunities, making them invaluable for writers at any stage of their journey.
The key to success on job boards is applying strategically. Instead of mass-applying, tailor your pitches to highlight relevant skills and experience. Persistence is also crucial, as competition can be high for well-paying jobs. Books such as The Well-Fed Writer by Peter Bowerman provide insights into securing long-term writing gigs. Regularly browsing job boards and refining your application strategy can lead to consistent writing income.
Not all writing opportunities fit neatly into a single category. Some writers excel in a variety of formats, including technical writing, grant writing, speechwriting, and ghostwriting. These specialized fields often offer high-paying opportunities for writers with industry-specific expertise. For example, grant writing for nonprofits or speechwriting for executives can be both lucrative and impactful.
To break into mixed writing jobs, it’s beneficial to take online courses or gain certifications in specialized writing fields. Platforms such as Coursera and Udemy offer courses in technical writing and grant writing. Additionally, networking with professionals in niche industries can lead to unique writing opportunities. As content strategist Joe Pulizzi advises in Content Inc., “Find your niche, own it, and work at it relentlessly.”
Medical writing is a specialized field that pays well due to its complexity and demand for accuracy. Pharmaceutical companies, medical journals, and healthcare organizations require writers who can translate complex medical information into understandable content. This includes research papers, patient education materials, and regulatory documents.
Writers with a background in science, healthcare, or journalism can excel in this field. The American Medical Writers Association (AMWA) offers resources and certifications to help writers establish credibility. As Atul Gawande notes in Better: A Surgeon’s Notes on Performance, “The most meaningful way to succeed is to help others succeed.” Medical writers play a crucial role in improving healthcare communication, making this both a rewarding and profitable career path.
Although poetry may not be the most lucrative writing field, opportunities exist for those with a strong command of language and imagery. Literary magazines, poetry contests, and online platforms like The Poetry Foundation and Rattle offer monetary rewards for exceptional poetry submissions.
To succeed, poets should research submission guidelines, enter reputable contests, and consider self-publishing poetry collections. Books like A Poetry Handbook by Mary Oliver provide valuable guidance on honing poetic craft. While financial success in poetry requires persistence, those who master the art can build a dedicated readership and monetize their work through workshops, readings, and published collections.
Food bloggers, cookbook publishers, and culinary websites often pay writers to create detailed recipes and engaging food content. Recipe development requires precision, creativity, and knowledge of food science.
Writers looking to break into this field can pitch original recipes to magazines like Bon Appétit or write for cooking blogs that accept guest contributions. As Michael Pollan states in Cooked, “Cooking is not a chore; it’s an expression of love.” Successful recipe writers understand how to craft both appealing and functional recipes that resonate with home cooks.
Professional resume writers help job seekers craft compelling resumes that highlight their skills and experience. With companies relying on applicant tracking systems (ATS), a well-optimized resume can make the difference between landing an interview and being overlooked.
Resume writing certifications from organizations like the Professional Association of Resume Writers & Career Coaches (PARW/CC) can add credibility. As career coach Martin Yate states in Knock ‘Em Dead Resumes, “Your resume is not about you; it’s about the employer’s needs.” Writers who master resume writing can earn well while helping others achieve career success.
Some platforms offer writers a share of the advertising revenue generated from their content. Websites like Medium’s Partner Program and Vocal Media pay based on engagement, making them a viable income source for consistent writers.
Building a loyal readership is key to maximizing revenue. Writers should focus on SEO-driven content, engaging storytelling, and regular posting. Books like Content Rules by Ann Handley offer insights into growing an online audience.
Romance remains one of the highest-grossing fiction genres. Platforms like Kindle Direct Publishing (KDP) allow writers to self-publish and earn royalties. Traditional publishers also seek engaging romance novels with fresh takes on classic tropes.
Writing compelling characters and emotionally engaging plots is essential. Reading industry bestsellers and studying Save the Cat! Writes a Novel by Jessica Brody can help aspiring romance authors develop marketable stories.
Businesses pay writers to craft social media posts, email newsletters, and website content that engage audiences. Strong writing skills combined with marketing knowledge make for a lucrative career in content marketing.
Books like Everybody Writes by Ann Handley provide strategies for writing persuasive online content. With companies investing heavily in digital marketing, skilled content creators are in high demand.
15 – Travel Writing
Travel writers get paid to share experiences, tips, and guides. Magazines like National Geographic Traveler and Lonely Planet accept freelance submissions.
A strong portfolio and networking can help secure opportunities. Reading The Travel Writer’s Handbook by Jacqueline Harmon Butler can provide insights into breaking into this competitive field.
The world of paid writing is vast, offering opportunities for writers of all backgrounds and skill levels. Whether you prefer the flexibility of freelancing or the stability of a full-time remote position, there is no shortage of ways to turn your words into income. The key to success lies in identifying your strengths, honing your craft, and continuously seeking new opportunities. As with any profession, persistence and adaptability play crucial roles in building a sustainable writing career.
In today’s digital age, businesses, publishers, and content platforms are constantly searching for skilled writers who can engage, inform, and persuade audiences. By leveraging the right resources—such as job boards, freelance platforms, and networking opportunities—you can carve out a niche for yourself and establish a rewarding writing career. As bestselling author Stephen King advises in On Writing, “You can, you should, and if you’re brave enough to start, you will.” Embrace the journey, refine your skills, and watch your passion for writing translate into a thriving profession.
Social Media and Content Marketing
With platforms like Facebook, Twitter, LinkedIn, Instagram, and more, there is a huge demand for writers who know the ins and outs of these online marketing platforms. Sometimes, these positions are called social media managers or virtual assistants, and other times, digital content specialists. Besides writing social media updates, you may also create content for blogs, ads, newsletter campaigns, video scripts, and other forms of content creation.
General knowledge of search engine optimization (SEO) is generally needed for these roles. Some companies may require applicants to have a bachelor’s degree in marketing, advertising, or a related field. However, depending on your experience level, some companies may substitute a degree for experience.
The world of freelance writing offers endless opportunities for those willing to hone their craft and explore various niches. Whether you prefer blog writing, technical content, or creative storytelling, there is a writing job that fits your skills and passions. By leveraging job boards, networking, and continuously improving your writing abilities, you can turn your talent into a sustainable career.
Affiliate Disclosure: This blog may contain affiliate links, which means I may earn a small commission if you click on the link and make a purchase. This comes at no additional cost to you. I only recommend products or services that I believe will add value to my readers. Your support helps keep this blog running and allows me to continue providing you with quality content. Thank you for your support!
Choosing a life partner is one of the most significant decisions you’ll ever make. A great relationship can elevate your happiness, while a toxic one can drain your energy and peace of mind. Many people enter relationships blinded by attraction, chemistry, or surface-level compatibility, only to realize later that they overlooked critical red flags.
At first glance, a woman may appear to be the perfect match—intelligent, charming, and supportive. However, true character reveals itself over time, often in ways that are subtle but telling. Some behaviors, though seemingly harmless at first, can develop into patterns that erode trust, respect, and emotional well-being. Recognizing these traits early can save you from long-term disappointment.
While there are many incredible women who make wonderful partners, there are also those whose habits and personalities create unhealthy dynamics. Identifying these problematic traits isn’t about being judgmental but about protecting your emotional health. Below are 12 types of women who, despite initial appeal, often make very bad partners.
1 – Women Who Play the Victim
A woman who constantly sees herself as a victim will always find someone or something to blame for her problems. Whether it’s her past relationships, work struggles, or family issues, she never takes responsibility for her actions. This mindset can make a relationship exhausting because you’re always expected to be the problem solver, the emotional caretaker, or the one apologizing—even when you’ve done nothing wrong. Over time, this dynamic can leave you feeling drained and resentful.
Psychologist Dr. Stephen Karpman, who developed the Drama Triangle, explains that the victim mentality is a manipulative social role that prevents personal growth. A healthy relationship requires accountability, where both partners acknowledge their mistakes and work towards solutions. If a woman refuses to own her role in conflicts and instead portrays herself as the perpetual victim, the relationship will be a never-ending cycle of guilt and frustration.
2 – Women Who Refuse to Compromise
No relationship can survive without compromise. A woman who insists on always having her way, disregarding your opinions or needs, creates a one-sided partnership. Whether it’s minor decisions like where to eat or major life choices like where to live, an unwillingness to meet halfway leads to tension and dissatisfaction. When a relationship becomes a dictatorship instead of a partnership, resentment builds, and love fades.
The renowned marriage counselor Dr. John Gottman emphasizes that successful relationships thrive on “a spirit of compromise and mutual respect.” Compromise doesn’t mean sacrificing your happiness—it means finding solutions that work for both partners. A woman who refuses to compromise sees the relationship as a battlefield where she must always win, making long-term harmony nearly impossible.
3 – Women Who Can’t Communicate
Communication is the foundation of any strong relationship. A woman who struggles to express her thoughts, emotions, or concerns effectively will create misunderstandings and unnecessary conflicts. Whether she gives the silent treatment, shuts down during difficult conversations, or expects you to “just know” what she’s thinking, poor communication can quickly erode trust and connection.
Dr. Deborah Tannen, a linguistics expert, highlights in You Just Don’t Understand that communication breakdowns often stem from different conversational styles. However, unwillingness to work on communication is a serious red flag. A healthy relationship requires open, honest discussions where both partners feel heard and understood. Without this, problems fester and ultimately lead to emotional distance.
4 – Women Who Are Emotionally Manipulative
Emotional manipulation is a toxic trait that can make even the strongest person feel powerless. A woman who uses guilt, gaslighting, or passive-aggressive behavior to control the relationship is not a true partner but a master of psychological games. She may twist situations to make you feel like the bad guy, exaggerate problems to gain sympathy, or withhold affection to punish you.
Renowned psychologist Dr. George K. Simon explains in In Sheep’s Clothing that manipulators thrive on creating confusion and self-doubt in their partners. In a loving relationship, both individuals should feel emotionally safe and supported—not constantly second-guessing themselves. If a woman uses manipulation to get what she wants, she is prioritizing control over connection.
5 – Women Who Need to Be the Center of Attention
A woman who constantly craves attention, whether from you or others, can make a relationship exhausting. She may interrupt conversations to bring the focus back to herself, seek validation from social media, or flirt excessively to boost her ego. While confidence is attractive, excessive attention-seeking often stems from deep-seated insecurity.
Psychologist Dr. Jean Twenge, author of The Narcissism Epidemic, points out that people who need constant validation struggle to maintain deep, meaningful relationships. A strong relationship thrives on mutual support, not one person demanding to be in the spotlight at all times. If her need for attention outweighs her ability to prioritize the relationship, it will become a never-ending competition for her focus.
6 – Women Who Are Jealous and Possessive
Jealousy in small doses is natural, but when it becomes excessive, it signals a deep-rooted insecurity that can destroy trust. A woman who constantly questions your whereabouts, monitors your phone, or gets upset when you spend time with friends is not showing love—she’s displaying control. Over time, this behavior creates an oppressive environment where you feel guilty for simply living your life.
Renowned therapist Dr. Harriet Lerner warns in The Dance of Anger that jealousy often stems from a fear of abandonment or personal inadequacy. However, trust is the backbone of any relationship. If a woman cannot trust you without constant reassurance, the relationship will feel more like a prison than a partnership.
7 – Women Who Speak Badly About Others
How a woman speaks about others says a lot about her character. If she constantly criticizes friends, family, or even strangers, there’s a good chance she’ll do the same to you behind your back. A person who thrives on gossip and negativity often has a cynical outlook on life, which can drain the joy from a relationship.
As Dale Carnegie wisely noted in How to Win Friends and Influence People, “Any fool can criticize, condemn, and complain, but it takes character and self-control to be understanding and forgiving.” If a woman habitually tears others down, it’s only a matter of time before she directs that negativity toward you.
8 – Women Who Can’t Fully Get Over Their Ex
A woman who remains emotionally attached to her ex is not truly available for a new relationship. She may frequently bring up her past relationship, compare you to her former partner, or even keep in contact with him under the guise of “just being friends.” While having a past is natural, being unable to move forward emotionally can create an unhealthy love triangle where you always feel like you’re competing with someone who isn’t even present.
Dr. Judith Sills, in Ex-Lover Syndrome, explains that unresolved attachments to exes often signal a fear of emotional closure or difficulty in embracing the present. A healthy relationship requires two emotionally available partners who are committed to building a future together. If a woman is still dwelling on the past, it may be a sign that she is not ready for a serious commitment, no matter how much she claims otherwise.
9 – Women Who Are Financially Irresponsible
Money problems are one of the leading causes of relationship stress and breakups. A woman who is reckless with her finances—whether through excessive shopping, chronic debt, or an inability to budget—can create long-term instability in a relationship. If she constantly relies on others to bail her out or expects you to shoulder financial burdens without contributing, this can lead to resentment and imbalance.
In The Millionaire Next Door, Dr. Thomas J. Stanley highlights that financial responsibility is a key indicator of long-term success in both personal and professional life. A woman who lives beyond her means, refuses to save, or expects lavish treatment without considering the future is not thinking like a life partner. A strong relationship requires shared financial values and responsibility, not reckless spending habits.
10 – Women Who Refuse to Get Help for Their Unresolved Trauma
Everyone carries emotional wounds, but refusing to acknowledge or seek help for deep-seated trauma can make a relationship difficult. A woman who has unhealed emotional pain from childhood, past relationships, or other life experiences may unintentionally project those struggles onto you. This can manifest in trust issues, extreme emotional reactions, or even pushing you away when things get serious.
Renowned psychologist Dr. Bessel van der Kolk, in The Body Keeps the Score, emphasizes that untreated trauma doesn’t just go away—it manifests in relationships, behaviors, and even physical health. While no one is obligated to heal overnight, a partner who refuses to seek help or work on personal growth may create an emotionally exhausting environment. Healthy relationships require self-awareness and the willingness to address personal struggles rather than using a partner as an emotional crutch.
11 – Women Who Lack Empathy
Empathy is the foundation of emotional connection. A woman who lacks the ability to understand and share in the feelings of others can be emotionally cold, dismissive, or even cruel. If she struggles to see things from your perspective, dismisses your emotions, or is indifferent to the struggles of those around her, the relationship will eventually feel lonely and unfulfilling.
Dr. Daniel Goleman, in Emotional Intelligence, explains that empathy is a key factor in successful relationships, friendships, and careers. A woman who cannot put herself in someone else’s shoes is unlikely to offer the support, kindness, or understanding necessary for a healthy partnership. A relationship without empathy is like a house without a foundation—it will eventually collapse.
12 – Women Who Are Overly Controlling
While confidence and leadership are attractive traits, excessive control can turn a relationship into a suffocating experience. A woman who dictates what you wear, who you spend time with, or how you live your life is not respecting your individuality. Control often stems from insecurity and a need to dominate rather than cooperate.
Psychologist Dr. Harriet Braiker, in Who’s Pulling Your Strings?, explains that controlling behaviors often start subtly before escalating into full-blown manipulation. A strong relationship is built on mutual trust and respect, not one person micromanaging the other. If you constantly feel like you’re walking on eggshells or losing your sense of self, it may be time to re-evaluate the relationship.
Conclusion
A successful relationship is not just about love and attraction—it requires emotional intelligence, trust, and mutual respect. Recognizing these problematic traits early on can prevent years of frustration and heartache. While no one is perfect, a relationship should enhance your well-being, not diminish it.
As Dr. Henry Cloud wisely puts it in Safe People, “The people you choose to let into your life will shape your emotional and mental well-being. Choose wisely.” By being mindful of the traits that lead to unhealthy dynamics, you can build a relationship based on true compatibility, mutual respect, and long-term happiness.
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The provided text consists of excerpts from Jane Austen’s novel Sense and Sensibility. It primarily follows the Dashwood family after the death of their father leaves them in a precarious financial situation due to the inheritance laws of the time. The narrative explores the contrasting personalities and romantic relationships of the two eldest daughters, Elinor and Marianne, as they navigate societal expectations, financial concerns, and the complexities of love. The excerpts detail their interactions with various suitors, family members, and acquaintances, highlighting themes of sense versus sensibility, societal pressures on women, and the pursuit of happiness through marriage. The challenges and triumphs of the Dashwood sisters form the central focus of these passages.
Sense and Sensibility Study Guide
Quiz
Answer each question in 2-3 sentences.
Describe the financial situation of Mrs. Dashwood and her daughters after Mr. Henry Dashwood’s death.
What was Mr. John Dashwood’s initial intention regarding his half-sisters’ financial well-being, and how did his wife influence this intention?
Contrast the personalities of Marianne and Elinor Dashwood as presented in the early chapters.
Explain why Mrs. Dashwood was pleased with the cottage at Barton, despite its smaller size compared to Norland Park.
Describe Sir John Middleton’s character and his role in the lives of the Dashwood sisters after their arrival in Devonshire.
What were Marianne’s initial impressions of Mr. Willoughby, and what aspects of his personality seemed to captivate her?
Summarize Elinor’s feelings and concerns regarding her connection with Edward Ferrars during their time in Devonshire.
What was Lucy Steele’s secret, and what were her motivations for confiding in Elinor?
Describe John Dashwood’s reaction to the news of Edward Ferrars’s engagement to Miss Morton. What did he suggest to Elinor regarding Colonel Brandon?
Explain the circumstances surrounding Willoughby’s abrupt departure from Barton Park. What reasons did Mrs. Dashwood and Elinor suspect?
Quiz Answer Key
Upon Mr. Henry Dashwood’s death, the Norland estate was entailed to his grandson, leaving his widow and daughters with very little financial security. Their mother had no fortune, and their father had only seven thousand pounds at his own disposal, along with a life interest in half of his first wife’s fortune, which was also secured for his son. This meant Mrs. Dashwood and her daughters had a limited income and were dependent on the generosity of others.
Mr. John Dashwood initially intended to give his half-sisters three thousand pounds as a promise to his deceased father. However, his wife, Fanny, vehemently opposed this idea, arguing that it would severely diminish their son’s inheritance and that the Miss Dashwoods had no real claim on his generosity due to their half-blood relation. Ultimately, under his wife’s influence, his generosity dwindled to vague promises of minor assistance.
Marianne is portrayed as highly emotional, romantic, and expressive, readily displaying her feelings and passionate about art and nature. Elinor, in contrast, is sensible, reserved, and more concerned with propriety and the practical aspects of life, often keeping her emotions private and acting with prudence and reason.
Despite its smaller size, Mrs. Dashwood was pleased with the cottage at Barton because she saw its potential for improvement and enjoyed the process of adding to and decorating her living space. She had enough ready money at the time to enhance its elegance and looked forward to making further alterations in the spring. Furthermore, a change of scenery was likely welcome after the discomfort of remaining at Norland under Mrs. John Dashwood’s supervision.
Sir John Middleton is depicted as a cheerful, good-natured, and hospitable man who enthusiastically welcomes the Dashwood sisters to Devonshire. He enjoys company and matchmaking, and while not particularly intellectual or perceptive, he shows genuine kindness and strives to ensure the comfort and amusement of his guests.
Marianne was immediately and intensely attracted to Mr. Willoughby, captivated by his apparent shared appreciation for nature, poetry, and sensibility. She perceived him as a kindred spirit, open, and expressive, mirroring her own emotional nature, which led to a swift and seemingly deep attachment.
Elinor developed a strong affection for Edward Ferrars but remained cautious and reserved due to his reserved nature and her uncertainty about his true feelings and his potential obligations to others. She valued his good sense and kindness but was often left in a state of anxious suspense, trying to interpret his subtle actions and words without allowing herself to be carried away by unfounded hope.
Lucy Steele’s secret was her long-standing, though undeclared, engagement to Edward Ferrars. Her motivations for confiding in Elinor stemmed from a mixture of a desire for a confidante (albeit a rival), a need to gauge Elinor’s own feelings for Edward, and a strategic move to secure Elinor’s potential future influence and support for their eventual marriage, particularly concerning Edward’s family.
John Dashwood was initially surprised and somewhat dismissive of Edward’s commitment to Lucy, viewing it as foolish and detrimental to Edward’s prospects, especially given the loss of Mrs. Ferrars’s financial support. He then enthusiastically suggested to Elinor that she should pursue a relationship with the wealthy and respectable Colonel Brandon, believing it to be a socially advantageous match that would please everyone, including his wife and Mrs. Ferrars.
Willoughby’s abrupt departure from Barton Park was seemingly due to an urgent summons to London from Mrs. Smith. Mrs. Dashwood believed Mrs. Smith suspected his attachment to Marianne and disapproved, using business as an excuse to remove him. Elinor was more reserved in her judgment but found his secrecy and sudden departure from his usual character perplexing and unsettling, fostering a suspicion of something unpleasant.
Essay Format Questions
Explore the significance of the title Sense and Sensibility in relation to the characters of Elinor and Marianne Dashwood. How do their contrasting approaches to life and love drive the plot and themes of the novel?
Analyze the role of social class and financial security in Sense and Sensibility. How do the characters’ economic circumstances and their awareness of social standing influence their choices, relationships, and overall happiness?
Discuss the portrayal of marriage in Sense and Sensibility. What different perspectives on marriage are presented through the various characters and their relationships? What does the novel suggest about the ideal basis for a successful marriage?
Examine the theme of communication and miscommunication in Sense and Sensibility. How do secrets, misunderstandings, and failures to express true feelings affect the relationships between the characters and the unfolding of the narrative?
Consider the development of either Elinor or Marianne Dashwood throughout the course of the novel. How do their experiences with love, disappointment, and societal expectations lead to personal growth or change in their perspectives?
Glossary of Key Terms
Entailment: A legal device restricting the inheritance of property to a specific line of heirs, preventing the current owner from selling or bequeathing it freely.
Life Interest: The right to use or derive income from a property for the duration of one’s life, after which ownership passes to another designated person.
Bequest: Something left to someone in a will.
Moiety: A half or one of two equal parts.
Sanguine: Optimistic or positive, especially in an apparently bad or difficult situation.
Alloy: Something that debases or spoils something else that is otherwise pure or valuable.
Decorum: Propriety and good taste in behavior or appearance.
Curricle: A light, open, two-wheeled carriage drawn by two horses abreast.
Protege: A person who is guided and supported by an older and more experienced or influential person.
Picturesque: Visually attractive, especially in a quaint or charming way, often resembling a painting. In the context of the novel, it refers to an appreciation for the rugged and irregular beauty of nature.
Jargon: Special words or expressions used by a profession or group that are difficult for others to understand.
Beau: A fashionable young man; a dandy.
Chambers (in the Temple): Offices and residential quarters for lawyers in the Temple, a historic district in London.
Gig: A light, two-wheeled carriage pulled by one horse.
Nicety: Excessive fastidiousness or fussiness, especially concerning details.
Affluence: The state of having a great deal of money; wealth.
Complacency: A feeling of smug or uncritical satisfaction with oneself or one’s achievements.
Concerto: A musical composition for a solo instrument or instruments accompanied by an orchestra, especially one conceived on a large scale.
Solicitation: The act of earnestly asking for or trying to obtain something.
Curacy: The position or work of a curate, a member of the clergy employed to assist a rector or vicar.
Hussif: A small sewing case or bag.
Liberality: Generosity.
Disinterested: Not influenced by personal feelings, opinions, or self-interest.
Fastidious: Very attentive to and concerned about accuracy and detail; very concerned about matters of cleanliness.
Avarice: Extreme greed for wealth or material gain.
Dissembling: Concealing one’s true motives, feelings, or beliefs.
Ingratiating: Intended to gain approval or favor; fawning.
Virulence: Bitter hostility.
Imprudence: Not showing care for the consequences of an action; rash.
Complacency (forced): A superficial or insincere display of satisfaction or contentment.
Briefing Document: Analysis of “Jane Austen’s Sense and Sensibility” Excerpts
Date: October 26, 2023 Prepared for: Literary Analysis Subject: Initial Themes and Important Ideas in Excerpts from “Jane Austen’s Sense and Sensibility”
This briefing document outlines the main themes and important ideas emerging from the provided excerpts of Jane Austen’s “Sense and Sensibility.” The focus is on character introductions, initial conflicts, societal expectations, and the contrasting personalities of the central figures. Quotes from the text are included to illustrate key points.
1. Inheritance and Financial Security:
The novel opens with the death of Mr. Henry Dashwood and the unfair distribution of his estate. The bulk of the property, Norland, is entailed to his son from his first marriage and his grandson, leaving his widow and three daughters (Elinor, Marianne, and Margaret) with a meager inheritance of £7,000 and £1,000 each.
“Mr. Dashwood had wished for it more for the sake of his wife and daughters than for himself or his son;—but to his son, and his son’s son, a child of four years old, it was secured, in such a way, as to leave to himself no power of providing for those who were most dear to him…”
This immediately establishes the precarious financial situation of the Dashwood women and the societal importance of securing a comfortable fortune through marriage.
Mr. John Dashwood’s initial intention to provide for his half-sisters is quickly dissuaded by his self-serving and materialistic wife, Fanny. This highlights the power dynamics within marriage and the influence of financial considerations on familial obligations.
“To take three thousand pounds from the fortune of their dear little boy would be impoverishing him to the most dreadful degree.” – Mrs. John Dashwood
“[H]ow excessively comfortable your mother-in-law and her daughters may live on the interest of seven thousand pounds, besides the thousand pounds belonging to each of the girls…” – Mrs. John Dashwood, rationalizing her husband’s inaction.
2. Contrasting Personalities: Sense vs. Sensibility:
The excerpts introduce Elinor and Marianne Dashwood, who embody the central theme of “sense” (reason and practicality) versus “sensibility” (emotion and romanticism).
Elinor is depicted as reserved and possessing “strength of understanding and coolness of judgment.”
Marianne is portrayed as highly emotional, valuing intense feeling and open expression.
“Margaret, the other sister, was a good-humored, well-disposed girl; but as she had already imbibed a good deal of Marianne’s romance, without having much of her sense…”
Their differing approaches to love and social interactions are evident in their reactions to Mr. Willoughby and their contrasting views on social decorum.
Marianne’s passionate outburst against Elinor’s restrained description of her feelings for an unnamed man (“Esteem him! Like him! Cold-hearted Elinor! Oh! worse than cold-hearted! Ashamed of being otherwise.”) clearly illustrates her sensibility.
3. Social Expectations and Propriety:
The excerpts reveal the strict social expectations placed upon women in this era, particularly regarding financial security and marriage.
Characters like Mrs. John Dashwood and Lady Middleton represent conventional societal values and often judge others based on superficial appearances and social standing.
Mrs. John Dashwood’s concern about maintaining appearances and her disapproval of her husband’s potential generosity towards his half-sisters exemplify this.
The interactions between Elinor, Marianne, and Mrs. Jennings highlight the tension between genuine emotion and social propriety. Marianne’s open and expressive nature often clashes with the more reserved expectations of society.
Marianne’s defense of her unchaperoned visit to Allenham with Mr. Willoughby (“If the impertinent remarks of Mrs. Jennings are to be the proof of impropriety in conduct, we are all offending every moment of our lives.”) demonstrates her disregard for conventional judgment when it conflicts with her feelings.
4. Courtship and Romantic Interests:
The beginnings of potential romantic relationships are introduced with the arrival of Edward Ferrars and Mr. Willoughby in the Dashwoods’ new neighborhood.
Elinor’s cautious and reserved feelings for Edward contrast sharply with Marianne’s immediate and passionate attachment to Willoughby.
Elinor’s guarded admission of her feelings (“Believe them to be stronger than I have declared; believe them, in short, to be such as his merit, and the suspicion—the hope of his affection for me may warrant, without imprudence or folly.”) showcases her sense and restraint.
Marianne’s immediate connection with Willoughby is evident in their shared appreciation for poetry and sensibility, as well as Sir John Middleton’s teasing observations.
The importance of financial prospects in marriage is hinted at, particularly in Sir John Middleton’s assessment of Willoughby as “very well worth catching.”
5. The Role of Family and Relationships:
Family dynamics play a significant role, as seen in the strained relationship between Mr. John Dashwood and his stepmother and half-sisters, influenced by his wife.
The bond between Elinor and Marianne is central, despite their contrasting personalities. Elinor often acts as a voice of reason for her more impulsive sister.
The introduction of other characters like Mrs. Jennings and Sir John Middleton suggests the importance of social connections and the role of community in their lives.
6. Social Commentary:
Austen subtly critiques the societal emphasis on wealth and status, particularly in the unfair inheritance laws and the mercenary attitudes towards marriage displayed by some characters.
The contrast between genuine kindness (e.g., Sir John Middleton’s hospitality) and self-interest (e.g., Mrs. John Dashwood’s behavior) provides a commentary on human nature within this social context.
Sir John’s genuine delight in accommodating the Dashwood sisters (“The friendliness of his disposition made him happy in accommodating those, whose situation might be considered, in comparison with the past, as unfortunate.”) stands in stark contrast to the self-serving motives of others.
Important Developments and Plot Points:
The Dashwood family’s move to Barton Cottage in Devonshire due to their reduced circumstances.
The immediate connection between Marianne and Mr. Willoughby, marked by shared sensibility and seemingly mutual affection.
Elinor’s growing but reserved attachment to Edward Ferrars.
The interference of self-interested individuals like Mrs. John Dashwood, who prioritize financial gain over familial duty and affection.
The introduction of Colonel Brandon as another potential suitor, though initially dismissed by Marianne due to his age and perceived lack of romanticism.
Willoughby’s sudden and unexplained departure for London, causing distress and confusion, particularly for Marianne.
The arrival of Lucy Steele and her sister Anne, introducing another layer of social maneuvering and potential romantic rivalry, particularly concerning Edward Ferrars. Lucy’s seemingly innocent but potentially calculated remarks hint at a hidden connection with Edward.
Lucy’s pointed comment, “Perhaps, Miss Marianne…you think young men never stand upon engagements, if they have no mind to keep them, little as well as great,” delivered while Elinor is present, creates suspicion about Edward’s situation.
Overall Themes Emerging:
The conflict between reason and emotion in navigating life and relationships.
The societal pressures and expectations surrounding women, particularly in relation to marriage and financial security.
The importance of social propriety versus genuine feeling.
The complexities of courtship and the influence of wealth and social status on romantic choices.
The dynamics of family relationships and the impact of individual characters on each other’s well-being.
These initial excerpts lay the groundwork for a story exploring the challenges faced by women in a society where their financial and social standing is largely dependent on marriage, and how individuals with differing temperaments navigate the complexities of love, loss, and social expectations. The contrasting approaches of Elinor and Marianne promise to be a central focus as the narrative unfolds.
Frequently Asked Questions about Sense and Sensibility:
1. What are the immediate financial circumstances of Mrs. Dashwood and her daughters at the beginning of the story?
Upon the death of Mr. Henry Dashwood, the Norland estate passes to his son from a previous marriage and then to the son’s young child, severely limiting the inheritance of Mr. Dashwood’s second wife and their three daughters, Elinor, Marianne, and Margaret. Mrs. Dashwood has no independent fortune, and Mr. Dashwood leaves only seven thousand pounds at his disposal. Each daughter is bequeathed a thousand pounds by their uncle, leaving them with a precarious financial situation and dependent on the goodwill of their half-brother.
2. How does the behavior of John and Fanny Dashwood after inheriting Norland affect Mrs. Dashwood and her daughters?
John and Fanny Dashwood, motivated by selfishness and a desire to preserve their son’s inheritance, quickly establish themselves as the masters of Norland and subtly degrade Mrs. Dashwood and her daughters to the status of mere visitors. While John initially proposes they stay, Fanny actively discourages any generosity towards her stepmother and sisters-in-law. They rationalize minimizing any financial assistance, convincing themselves that Mrs. Dashwood and her daughters can live comfortably on their small income and that any significant contribution would be an unnecessary drain on their own finances.
3. What are the contrasting personalities and approaches to love and life exhibited by Elinor and Marianne Dashwood?
Elinor embodies “sense,” characterized by her prudence, self-control, and practicality in social interactions and matters of the heart. She values discretion and suppresses her deeper emotions. Marianne represents “sensibility,” displaying intense emotions, romantic idealism, and an unrestrained expression of her feelings. She prioritizes passion and sincerity, sometimes to the detriment of social conventions and her own emotional well-being. Their contrasting approaches often lead to disagreements and misunderstandings.
4. What is the nature of Marianne’s initial romantic attachment to Mr. Willoughby, and what leads to her heartbreak?
Marianne is immediately and intensely drawn to the charming and seemingly ardent Mr. Willoughby. Their courtship is characterized by shared passions, open declarations, and a disregard for social proprieties, leading Marianne to believe in a deep and mutual commitment. However, Willoughby abruptly leaves Devonshire and later sends a cold and dismissive letter breaking off their connection. Marianne’s heartbreak stems from his apparent betrayal, inconstancy, and her deep emotional investment in what she believed was a genuine and profound love.
5. How does Colonel Brandon’s character and his feelings for Marianne contrast with Mr. Willoughby’s?
Colonel Brandon is portrayed as a reserved, honorable, and genuinely kind man who develops a quiet and steadfast affection for Marianne. Unlike Willoughby’s impulsive passion, Brandon’s love is patient and respectful of Marianne’s feelings, even when she clearly favors another. While Marianne initially dismisses him as dull and unromantic due to his age and serious demeanor, Brandon’s consistent integrity and eventual revelation of Willoughby’s past misconduct highlight his superior moral character and genuine concern for Marianne’s welfare.
6. What are Elinor’s feelings for Edward Ferrars, and what obstacles do they face?
Elinor develops a deep and steady affection for Edward Ferrars, characterized by shared values and intellectual compatibility. However, their relationship is fraught with obstacles. Edward is financially dependent on his mother, who strongly disapproves of Elinor due to her lack of fortune. Additionally, Elinor discovers that Edward is secretly engaged to Lucy Steele, a manipulative and ambitious young woman who strategically maintains his commitment while pursuing other prospects. Elinor bears her feelings with stoicism and discretion, enduring the pain of this knowledge in silence.
7. What role do social conventions and societal expectations play in the characters’ choices and experiences?
Social conventions and societal expectations heavily influence the characters’ actions and fates. Financial considerations dictate marriage prospects and social standing. The importance of securing a comfortable establishment for women is a central theme, driving the concerns of Mrs. Dashwood and the marriage strategies of characters like Lucy Steele. Propriety of behavior, especially for young women, is constantly scrutinized, as seen in the reactions to Marianne’s unrestrained expressions of affection for Willoughby. Characters navigate these expectations, sometimes conforming to them and sometimes challenging them, with varying consequences.
8. How do the experiences of Elinor and Marianne ultimately lead to their personal growth and different but equally fulfilling resolutions?
Through their respective romantic disappointments and subsequent reflections, both Elinor and Marianne undergo significant personal growth. Marianne learns the dangers of excessive sensibility and the importance of balancing passion with prudence and self-control. She comes to appreciate Colonel Brandon’s steadfast character and eventually finds happiness in a more mature and stable love. Elinor, while always possessing a strong sense of responsibility, learns to acknowledge and trust her own deeper emotions. The resolution sees both sisters finding marital happiness that aligns with their evolved understanding of love and life, demonstrating that both “sense” and “sensibility,” when tempered with experience, can lead to contentment.
Norland Inheritance and Family Dynamics
The sources provide a significant example of family inheritance issues through the story of the Dashwood family and the Norland estate.
The late owner of Norland Park, a single, elderly gentleman, intended to leave his estate to his nephew, Mr. Henry Dashwood. This established Mr. Henry Dashwood as the legal inheritor.
However, the old gentleman’s will ultimately created disappointment. While he did leave the estate to his nephew, it was “on such terms as destroyed half the value of the bequest”.
Specifically, the estate was “tied up for the benefit of [Mr. Henry Dashwood’s] grandson, a child of four years old”. This meant that Mr. Henry Dashwood had “no power of providing for those who were most dear to him, and who most needed a provision”, namely his wife and three daughters from his second marriage. He could not charge the estate or sell its valuable woods to support them.
This inheritance arrangement highlights a conflict between the lineal descent of property (to the grandson) and the immediate needs of the deceased’s close relatives (his nephew’s wife and daughters).
Despite this disappointment, the old gentleman did leave one thousand pounds a-piece to his three grand-nieces (Mr. Henry Dashwood’s daughters) as a mark of affection. This small provision contrasts sharply with the significant Norland inheritance being strictly entailed.
The financial disparity within Mr. Henry Dashwood’s family is further emphasized by the fact that his son from his first marriage was “amply provided for” by his mother’s large fortune. This pre-existing wealth made the Norland inheritance less crucial for him compared to his half-sisters, whose independent fortune was “but small”. Their mother had no fortune, and their father only had seven thousand pounds at his own disposal, with the rest of his first wife’s fortune secured for her son.
Upon the death of Mr. Henry Dashwood, the Norland estate immediately passed to his son, Mr. John Dashwood. This was his legal right as the inheritor through the entailment.
Mrs. John Dashwood’s immediate arrival at Norland after the funeral, without notice to her mother-in-law, highlights the power dynamics created by inheritance. She became the mistress of the house, effectively “degraded” her mother-in-law and sisters-in-law to the status of visitors.
The sources also touch upon the expectations and disappointments associated with potential inheritance. Mr. John Dashwood initially felt capable of generosity towards his half-sisters upon inheriting Norland, envisioning giving them a substantial sum. However, his wife quickly dissuaded him, emphasizing the financial implications for their own son and questioning the claims of his half-sisters. This illustrates how spousal influence can impact decisions regarding inherited wealth.
The discussion between Mr. and Mrs. John Dashwood regarding providing for his mother and sisters reveals differing perspectives on familial obligation and the use of inherited resources. Mrs. John Dashwood is strongly against diminishing her son’s future inheritance, while Mr. John Dashwood feels some sense of duty due to his father’s last request. They ultimately rationalize providing minimal, indirect assistance rather than a direct financial contribution.
The importance of securing financial stability through inheritance or marriage is a recurring theme. Characters like Mrs. Ferrars are depicted as being highly concerned with their sons marrying well financially. Her attempts to prevent Edward from marrying Lucy due to Lucy’s lack of fortune and her subsequent decision to favor Robert financially illustrate this societal emphasis.
The narrative also presents a contrasting view through Colonel Brandon, who offers Edward a living out of kindness and regard for his character, despite Edward’s current financial difficulties due to his mother’s disinheritance. This highlights that not all provisions for family members are solely based on legal inheritance.
In summary, the inheritance of the Norland estate sets the stage for many of the central conflicts and character dynamics in the excerpts. The entailment of the property, the limited financial means of some family members, and the contrasting views on familial responsibility and the use of inherited wealth drive the plot and influence the relationships between the characters. The emphasis on marrying for financial security further underscores the societal importance of inheritance and financial provision within families.
Sense and Sensibility: Social Expectations of Marriage
The sources reveal several key social expectations surrounding marriage in the society depicted in Jane Austen’s “Sense and Sensibility.” These expectations are often intertwined with financial security, social standing, and familial considerations.
Financial Security is a Primary Consideration: Marriage is frequently viewed as a means of securing financial stability and improving one’s fortune.
Mrs. John Dashwood believes that with the ten thousand pounds divided among the Dashwood sisters upon their mother’s death, they will be able to “do well” if they marry or live comfortably on the interest if they do not.
Some mothers might encourage a match with Edward Ferrars because he is the eldest son of a rich man, while others might be cautious because his fortune depends on his mother’s will.
Mrs. Ferrars desires her sons to “marry well”. She later offers Edward a significant income if he marries Miss Morton, who has a substantial fortune.
Willoughby initially courts Marianne but ultimately chooses to marry Miss Grey, who has fifty thousand pounds, explicitly to improve his financially strained circumstances. He acknowledges that his “false ideas of the necessity of riches” influenced this decision.
Colonel Brandon is considered an “excellent match” for Marianne by Mrs. Jennings because “HE was rich, and SHE was handsome”.
Elinor recognizes that “wealth has much to do” with grandeur in society.
Concerns are raised about Edward and Lucy’s potential poverty if they marry without a significant income.
Lucy Steele continues her engagement with Edward despite his disinheritance, possibly hoping for a change in his fortunes or recognizing the respectability of the connection.
Social Standing and Connections are Important: Marriage is expected to enhance or maintain one’s social standing and create advantageous family connections.
Mrs. Ferrars wishes to see her son “connected with some of the great men of the day”. She considers Edward’s engagement to Lucy Steele a “low connection”.
Lady Middleton is initially inclined to call on Mrs. Willoughby after her marriage because she will be “a woman of elegance and fortune”.
Mr. John Dashwood considers a marriage between Robert and Miss Morton “a very desirable connection on both sides” due to her social standing.
Age and Expectations of Marriage: There are implicit expectations about when individuals should marry.
Marianne believes that a woman of twenty-seven “can never hope to feel or inspire affection again” and might only marry for “provision and security” if her home is uncomfortable or her fortune small. Her view suggests a societal pressure for women to marry young.
Mrs. Jennings is actively involved in “projecting weddings among all the young people of her acquaintance”, indicating a social norm of seeking marriage.
Love and Affection vs. Practicality: While romantic love is valued by some characters, practical considerations often outweigh it in the context of marriage expectations.
Mrs. Dashwood believes that “difference of fortune should keep no couple asunder who were attracted by resemblance of disposition”. However, the actions of other characters, like Willoughby and Mrs. Ferrars, demonstrate that this is not a universally held view.
Marianne initially holds idealistic views about love and marriage, expecting “perfection” in a partner. Her subsequent disappointment highlights the clash between romantic ideals and social realities.
Elinor, while loving Edward, also recognizes the practical difficulties of their potential union due to his financial dependence.
Marriages based purely on convenience or financial benefit are acknowledged, though Marianne views them as “commercial exchange[s]” rather than true marriages.
Familial Influence on Marriage Choices: Family members, particularly mothers, exert significant influence over marriage decisions.
Mrs. Ferrars actively opposes Edward’s engagement to Lucy and tries to persuade him to marry Miss Morton.
Mr. John Dashwood and his wife discuss the financial implications of his sisters marrying.
Mrs. Dashwood encourages the connection between Elinor and Edward based on their perceived affection and compatibility. She also later hopes for a match between Marianne and Colonel Brandon.
Social Judgment of Marriages: Marriages are judged based on whether they meet these social expectations, particularly regarding financial and social suitability.
Mrs. Ferrars considers Edward’s potential marriage to Elinor a “lesser evil” than marrying Lucy Steele, implying a social hierarchy in terms of marriage partners.
Willoughby’s marriage to Miss Grey, despite his previous attachment to Marianne, is presented as a consequence of his financial needs and societal pressures to secure his future.
Lucy Steele’s successful marriage to Robert Ferrars, despite her prior engagement to Edward, can be seen as a triumph of “earnest, an unceasing attention to self-interest” in securing financial advantage.
In conclusion, the excerpts illustrate a society where marriage is heavily influenced by expectations of financial security and social advancement. While affection and personal compatibility are considered, they often take a secondary role to practical considerations and familial pressures in shaping marital choices and social judgments. The contrasting experiences of the characters highlight the complexities and potential conflicts arising from these social expectations surrounding marriage.
Sense and Sensibility: The Dashwood Sisters
The sources present a clear contrast between the characters of the Dashwood sisters, primarily Elinor and Marianne, with their younger sister Margaret playing a less central role in this dichotomy. The distinction between Elinor’s “sense” and Marianne’s “sensibility” is a central theme illustrated through their differing personalities and reactions to events.
Elinor Dashwood embodies sense and prudence. She is portrayed as possessing “a strength of understanding, and coolness of judgment” which enables her to be the counsellor of her mother, despite being only nineteen. Her disposition is affectionate and her feelings strong, “but she knew how to govern them“. This self-command is a defining characteristic, contrasting sharply with her mother and younger sister.
For example, Elinor, though deeply afflicted by her own concerns (implied through her “struggle” and effort), could still “consult with her brother, could receive her sister-in-law on her arrival, and treat her with proper attention; and could strive to rouse her mother to similar exertion, and encourage her to similar forbearance“. This demonstrates her ability to act rationally and considerately despite her own emotional state.
Her approach to her feelings for Edward also highlights her sense. While she believes their regard to be mutual, she requires “greater certainty of it” before finding Marianne’s conjectures agreeable. She speaks of her feelings for him in a “quiet way“, acknowledging esteem and liking, but stopping short of declaring assured love until his sentiments are fully known. This cautiousness contrasts with Marianne’s immediate and fervent expressions of affection.
Elinor recognizes the potential “inconveniences attending such feelings as Marianne’s“, believing that a better acquaintance with the world would be her sister’s “greatest possible advantage”. This pragmatic view further underscores her sensible nature.
Marianne Dashwood, on the other hand, epitomizes sensibility and emotion. She is described as “sensible and clever; but eager in everything: her sorrows, her joys, could have no moderation“. She is “generous, amiable, interesting: she was everything but prudent“. Her resemblance to her mother is noted as “strikingly great“, suggesting a shared tendency towards strong and unrestrained feelings.
Marianne and her mother “encouraged each other now in the violence of their affliction“, voluntarily renewing their sorrow and resolving against ever admitting consolation. This intense emotionality is the antithesis of Elinor’s self-control.
Her immediate and passionate reaction to Willoughby, based on shared appreciation for music and dancing, showcases her sensibility. She readily believes in the depth and permanence of their connection.
Marianne’s indignant response to Elinor’s quiet expressions of regard for Edward (“Esteem him! Like him! Cold-hearted Elinor! Oh! worse than cold-hearted! Ashamed of being otherwise. Use those words again, and I will leave the room this moment.”) vividly illustrates the difference in their emotional expression and expectations.
Her difficulty in tolerating anyone with “impertinence, vulgarity, inferiority of parts, or even difference of taste from herself”, especially heightened by her emotional distress, further emphasizes her refined sensibility and proneness to strong reactions.
Margaret Dashwood, the youngest sister, is described as “a good-humored, well-disposed girl; but as she had already imbibed a good deal of Marianne’s romance, without having much of her sense, she did not, at thirteen, bid fair to equal her sisters at a more advanced period of life“. This brief description positions her as leaning towards Marianne’s romantic sensibility but lacking her intellectual depth, suggesting she will likely not possess Elinor’s grounded sense.
The contrast between Elinor and Marianne is a driving force in the narrative:
Their differing reactions to love and courtship are a primary example. Marianne falls quickly and deeply in love with Willoughby, openly displaying her affection and distress, while Elinor maintains a reserved demeanor regarding her feelings for Edward, even in the face of uncertainty.
Their approaches to social interactions also differ. Marianne struggles with politeness when she does not feel genuine regard, while Elinor understands the necessity of social graces, even if it requires suppressing her true feelings. This is evident in their contrasting reactions to Mrs. Jennings and the Miss Steeles.
Their ways of coping with distress highlight their fundamental differences. Marianne gives herself wholly to sorrow, seeking to increase her wretchedness, whereas Elinor, though deeply affected, strives to exert herself, maintain composure, and consider the well-being of others.
In conclusion, the contrasting characters of Elinor and Marianne Dashwood serve as a central exploration of the themes of sense and sensibility within the novel. Elinor’s reason and self-control are juxtaposed with Marianne’s passionate emotions and impulsive nature, leading to different experiences, reactions, and ultimately, paths to happiness. Margaret, though less developed, serves as a potential intermediary, hinting at a blend of romanticism without the full depth of sensibility. The interplay between these sisterly characters provides a rich tapestry for examining individual responses to societal expectations, love, and loss.
Sense and Sensibility: The Power of Financial Security
The sources strongly emphasize the critical importance of financial security in the society depicted in “Sense and Sensibility”. This is evident in discussions about inheritance, marriage prospects, and overall well-being. Our previous conversation also extensively covered how financial security was a primary consideration in social expectations surrounding marriage.
Here’s a breakdown of the importance of financial security as portrayed in the sources:
Inheritance and Provision: The opening of the novel immediately establishes the significance of financial provision. Mr. Henry Dashwood’s son, John, is already “amply provided for” through his mother’s fortune. In contrast, his half-sisters’ future prospects are heavily reliant on their father inheriting the Norland estate, as their mother has “nothing,” and their father’s personal wealth is limited. This disparity in financial standing sets the stage for many of the subsequent events and anxieties related to the Dashwood women’s futures.
Marriage as a Financial Strategy: Marriage is frequently portrayed as a crucial avenue for achieving or maintaining financial stability and social standing.
Mrs. John Dashwood worries that her husband’s initial intention to give his sisters three thousand pounds apiece would “impoverishing him to the most dreadful degree” and rob their son. Her concern underscores the perceived financial imperative of securing her own child’s future.
The discussions surrounding the Dashwood sisters’ potential marriages often revolve around their lack of fortune. Mrs. John Dashwood believes that the ten thousand pounds they will inherit (approximately three thousand each) is a “very comfortable fortune for any young woman” and sufficient for them to “do well” if they marry.
Mothers are depicted as considering the financial implications of potential matches for their children. Some might encourage a connection with Edward Ferrars due to his prospects as the eldest son of a rich man, while others, like Mrs. Ferrars, prioritize even greater wealth and higher social standing, as seen in her desire for Edward to marry Miss Morton, who has thirty thousand pounds and is the daughter of a nobleman. Mrs. Ferrars is willing to settle a thousand a year on Edward if he marries Miss Morton.
Willoughby’s decision to abandon Marianne and marry Miss Grey, who possesses a fifty thousand pound fortune, is explicitly driven by his need to improve his “never large” and debt-ridden financial circumstances. He acknowledges his “false ideas of the necessity of riches” as a motivating factor.
Financial Dependence and Lack of Independence: The absence of financial independence creates significant vulnerabilities for characters.
Edward Ferrars laments his lack of a profession and the resulting dependence, stating it has been a “heavy misfortune” to him, leaving him an “idle, helpless being”. His financial reliance on his mother dictates his life choices and contributes to his unhappiness.
The precarious financial situation of Edward and Lucy if they were to marry is a recurring concern. Their combined income from his two thousand pounds and a potential curacy is viewed as insufficient to maintain a comfortable life. Mrs. Jennings vividly imagines their potential poverty with “a child every year” on a limited income.
Social Judgment Based on Financial Status: A person’s financial standing significantly influences how they are perceived and treated by society.
Lady Middleton is more inclined to associate with those of wealth and social standing, intending to call on Mrs. Willoughby after her marriage because she will be “a woman of elegance and fortune”.
Mr. John Dashwood’s congratulations to Elinor on her acquaintance with the wealthy Mrs. Jennings suggest that financial connections are seen as advantageous and a potential source of future benefit. He even speculates on the inheritance Elinor might receive from her.
Financial Concerns as a Source of Conflict and Anxiety: Discussions about money frequently generate tension and drive plot developments.
The disagreement between Mr. and Mrs. John Dashwood over the financial provision for his stepmother and sisters highlights how differing financial perspectives can cause domestic discord.
Mrs. Ferrars’s vehement opposition to Edward’s engagement with Lucy stems primarily from Lucy’s lack of fortune and the perceived social and financial disadvantage of such a match. Her threats to disinherit Edward underscore the immense power she wields through her wealth.
In conclusion, the excerpts from “Sense and Sensibility” provide numerous examples of how financial security is paramount in this social context. It dictates inheritance, shapes marriage opportunities and choices, determines social standing, creates dependencies and anxieties, and fuels both personal and interpersonal conflicts. The characters’ actions and motivations are frequently intertwined with the pursuit or maintenance of financial well-being, highlighting its indispensable role in their lives and within the social fabric of the novel.
Love and Sensibility: Elinor and Marianne’s Contrasting Hearts
The sources provide rich material for discussing the interplay between love and sensibility, primarily through the contrasting experiences and perspectives of Elinor and Marianne Dashwood. Their approaches to love are deeply intertwined with their core personalities, reflecting the central theme of “sense” versus “sensibility” that we discussed previously [See Conversation History].
Marianne embodies the “sensibility” aspect in her approach to love.
She falls quickly and passionately in love with Willoughby, driven by an immediate connection based on shared tastes and emotional resonance. Her feelings are intense and openly expressed, aligning with her generally eager and unreserved nature.
Marianne’s sensibility leads her to prioritize romantic ideals and emotional intensity in a relationship. She believes that a perfect union requires a complete coincidence of taste and feeling, as illustrated by her expectations for a partner who would share her passion for the same books and music. She finds Edward’s more reserved manner and less enthusiastic appreciation for the arts to be a significant deficiency.
Her distress upon Willoughby’s sudden departure and subsequent coldness is profound and unrestrained. She gives herself over entirely to her sorrow, highlighting the vulnerability inherent in such heightened sensibility when faced with disappointment.
Even after Willoughby’s betrayal, Marianne initially struggles to accept his faults, suggesting that her emotional investment makes it difficult for her to apply reason and judgment to his character. Her continued affection and desire to justify him demonstrate the powerful sway of her sensibility over her understanding.
Elinor, in contrast, exemplifies “sense” in her engagement with love.
Her affection for Edward Ferrars develops more gradually and is characterized by a greater degree of caution and self-control. While she feels a strong attachment (“believe them to be stronger than I have declared”), she refrains from fully trusting in its reciprocation until she has more certainty. This aligns with her generally prudent and self-governing nature [See Conversation History].
Elinor’s “sense” allows her to observe and interpret Edward’s reserved behavior more rationally, recognizing his shyness rather than immediately concluding a lack of affection. She is less swayed by immediate impressions and more inclined to consider underlying reasons for behavior.
Even when faced with the unsettling information from Lucy Steele regarding her supposed engagement to Edward, Elinor, despite her own distress, maintains a composed exterior and diligently seeks to understand the situation. Her ability to manage her emotions and act with consideration for others, even in personal anguish, showcases her strength of “sense” [See Conversation History].
Elinor’s acknowledgment of the importance of duty and her eventual wish for Edward’s happiness, even if it means accepting his engagement to Lucy, further illustrates her capacity for rational thought and emotional restraint in matters of love.
The interplay between their contrasting sensibilities shapes their experiences and perspectives on love:
Marianne struggles to understand Elinor’s more measured expressions of affection, viewing them as “cold-hearted”. This highlights how different emotional frameworks can lead to misunderstandings in evaluating the depth of feeling.
Elinor recognizes the potential pitfalls of Marianne’s unrestrained sensibility, fearing the “inconveniences attending such feelings” and believing that a greater understanding of the world would benefit her sister [See Conversation History, 2].
The contrast is also evident in their reactions to others’ relationships. Marianne is quick to perceive and comment on what she believes to be a lack of passion in Elinor’s interactions with Edward, while Elinor observes Marianne’s impulsive attachment to Willoughby with a more critical eye.
Furthermore, while the primary focus is on romantic love, the sources also touch upon the importance of financial considerations in the context of love and marriage, a topic we previously discussed [See Conversation History].
While Mrs. Dashwood believes that “difference of fortune should not keep any couple asunder who were attracted by resemblance of disposition”, the novel demonstrates the practical realities of financial dependence and how they can influence romantic choices, as seen in Willoughby’s marriage for money and the constraints faced by Edward due to his mother’s control over his finances.
Mrs. Ferrars’s strong disapproval of Edward’s engagement to Lucy is primarily based on Lucy’s lack of fortune and social standing. This underscores how societal “sense” often prioritizes financial security in marriage over purely emotional “sensibility”.
In conclusion, the excerpts from “Sense and Sensibility” vividly illustrate the complex relationship between love and sensibility. Marianne’s passionate and unrestrained approach, driven by her sensibility, contrasts sharply with Elinor’s more reasoned and self-controlled engagement with love, guided by her sense. Their differing experiences highlight the potential joys and sorrows associated with each approach, while the societal emphasis on financial security adds another layer of complexity to the considerations surrounding love and marriage in the novel. Ultimately, the narrative explores the challenges and potential for growth in finding a balance between the dictates of the heart and the constraints of reason and society.
Sense and Sensibility
by Jane Austen
Prepared and Published by:
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CHAPTER 1
The family of Dashwood had long been settled in Sussex. Their estate was large, and their residence was at Norland Park, in the centre of their property, where, for many generations, they had lived in so respectable a manner as to engage the general good opinion of their surrounding acquaintance. The late owner of this estate was a single man, who lived to a very advanced age, and who for many years of his life, had a constant companion and housekeeper in his sister. But her death, which happened ten years before his own, produced a great alteration in his home; for to supply her loss, he invited and received into his house the family of his nephew Mr. Henry Dashwood, the legal inheritor of the Norland estate, and the person to whom he intended to bequeath it. In the society of his nephew and niece, and their children, the old Gentleman’s days were comfortably spent. His attachment to them all increased. The constant attention of Mr. and Mrs. Henry Dashwood to his wishes, which proceeded not merely from interest, but from goodness of heart, gave him every degree of solid comfort which his age could receive; and the cheerfulness of the children added a relish to his existence.
By a former marriage, Mr. Henry Dashwood had one son: by his present lady, three daughters. The son, a steady respectable young man, was amply provided for by the fortune of his mother, which had been large, and half of which devolved on him on his coming of age. By his own marriage, likewise, which happened soon afterwards, he added to his wealth. To him therefore the succession to the Norland estate was not so really important as to his sisters; for their fortune, independent of what might arise to them from their father’s inheriting that property, could be but small. Their mother had nothing, and their father only seven
thousand pounds in his own disposal; for the remaining moiety of his first wife’s fortune was also secured to her child, and he had only a life-interest in it.
The old gentleman died: his will was read, and like almost every other will, gave as much disappointment as pleasure. He was neither so unjust, nor so ungrateful, as to leave his estate from his nephew;—but he left it to him on such terms as destroyed half the value of the bequest. Mr. Dashwood had wished for it more for the sake of his wife and daughters than for himself or his son;—but to his son, and his son’s son, a child of four years old, it was secured, in such a way, as to leave to himself no power of providing for those who were most dear to him, and who most needed a provision by any charge on the estate, or by any sale of its valuable woods. The whole was tied up for the benefit of this child, who, in occasional visits with his father and mother at Norland, had so far gained on the affections of his uncle, by such attractions as are by no means unusual in children of two or three years old; an imperfect articulation, an earnest desire of having his own way, many cunning tricks, and a great deal of noise, as to outweigh all the value of all the attention which, for years, he had received from his niece and her daughters. He meant not to be unkind, however, and, as a mark of his affection for the three girls, he left them a thousand pounds a-piece.
Mr. Dashwood’s disappointment was, at first, severe; but his temper was cheerful and sanguine; and he might reasonably hope to live many years, and by living economically, lay by a considerable sum from the produce of an estate already large, and capable of almost immediate improvement. But the fortune, which had been so tardy in coming, was his only one twelvemonth. He survived his uncle no longer; and ten thousand pounds, including the late legacies, was all that remained for his widow and daughters.
His son was sent for as soon as his danger was known, and to him Mr. Dashwood recommended, with all the strength and urgency which illness could command, the interest of his mother-in-law and sisters.
Mr. John Dashwood had not the strong feelings of the rest of the family; but he was affected by a recommendation of such a nature at such a time, and he promised to do every thing in his power to make them comfortable. His father was rendered easy by such an assurance, and Mr. John Dashwood had then leisure to consider how much there might prudently be in his power to do for them.
He was not an ill-disposed young man, unless to be rather cold hearted and rather selfish is to be ill-disposed: but he was, in general, well respected; for he conducted himself with propriety in the discharge of his ordinary duties. Had he married a more amiable woman, he might have been made still more respectable than he was:—he might even have been made amiable himself; for he was very young when he married, and very fond of his wife. But Mrs. John Dashwood was a strong caricature of himself;—more narrow-minded and selfish.
When he gave his promise to his father, he meditated within himself to increase the fortunes of his sisters by the present of a thousand pounds a-piece. He then really thought himself equal to it. The prospect of four thousand a-year, in addition to his present income, besides the remaining half of his own mother’s fortune, warmed his heart, and made him feel capable of generosity.— “Yes, he would give them three thousand pounds: it would be liberal and handsome! It would be enough to make them completely easy. Three thousand pounds! he could spare so considerable a sum with little inconvenience.”— He thought of it all day long, and for many days successively, and he did not repent.
No sooner was his father’s funeral over, than Mrs. John Dashwood, without sending any notice of her intention to her mother-in-law, arrived with her child and their attendants. No one could dispute her right to come; the house was her husband’s from the moment of his father’s decease; but the indelicacy of her conduct was so much the greater, and to a woman in Mrs. Dashwood’s situation, with only common feelings, must have been highly unpleasing;— but in HER mind there was a sense of honor so keen, a generosity so romantic, that any offence of the kind, by whomsoever given or received, was to her a source of immoveable disgust. Mrs. John Dashwood had never been a favourite with any of her husband’s family; but she had had no opportunity, till the present, of shewing them with how little attention to the comfort of other people she could act when occasion required it.
So acutely did Mrs. Dashwood feel this ungracious behaviour, and so earnestly did she despise her daughter-in-law for it, that, on the arrival of the latter, she would have quitted the house for ever, had not the entreaty of her eldest girl induced her first to reflect on the propriety of going, and her own tender love for all her three children determined her afterwards to stay, and for their sakes avoid a breach with their brother.
Elinor, this eldest daughter, whose advice was so effectual, possessed a strength of understanding, and coolness of judgment, which qualified her, though only nineteen, to be the counsellor of her mother, and enabled her frequently to counteract, to the advantage of them all, that eagerness of mind in Mrs. Dashwood which must generally have led to imprudence. She had an excellent heart;—her disposition was affectionate, and her feelings were strong; but she knew how to govern them: it was a knowledge which her mother had yet to learn; and which one of her sisters had resolved never to be taught.
Marianne’s abilities were, in many respects, quite equal to Elinor’s. She was sensible and clever; but eager in everything: her sorrows, her joys, could have no moderation. She was generous, amiable, interesting: she was everything but prudent. The resemblance between her and her mother was strikingly great.
Elinor saw, with concern, the excess of her sister’s sensibility; but by Mrs. Dashwood it was valued and cherished. They encouraged each other now in the violence of their affliction. The agony of grief which overpowered them at first, was voluntarily renewed, was sought for, was created again and again. They gave themselves up wholly to their sorrow, seeking increase of wretchedness in every reflection that could afford it, and resolved against ever admitting consolation in future. Elinor, too, was deeply afflicted; but still she could struggle, she could exert herself. She could consult with her brother, could receive her sister-in-law on her arrival, and treat her with proper attention; and could strive to rouse her mother to similar exertion, and encourage her to similar forbearance.
Margaret, the other sister, was a good-humored, well-disposed girl; but as she had already imbibed a good deal of Marianne’s romance, without having much of her sense, she did not, at thirteen, bid fair to equal her sisters at a more advanced period of life.
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CHAPTER 2
Mrs. John Dashwood now installed herself mistress of Norland; and her mother and sisters-in-law were degraded to the condition of visitors. As such, however, they were treated by her with quiet civility; and by her husband with as much kindness as he could feel towards anybody beyond himself, his wife, and their child. He really pressed them, with some earnestness, to consider Norland as their home; and, as no plan appeared so eligible to Mrs. Dashwood as remaining there till she could accommodate herself with a house in the neighbourhood, his invitation was accepted.
A continuance in a place where everything reminded her of former delight, was exactly what suited her mind. In seasons of cheerfulness, no temper could be more cheerful than hers, or possess, in a greater degree, that sanguine expectation of happiness which is happiness itself. But in sorrow she must be equally carried away by her fancy, and as far beyond consolation as in pleasure she was beyond alloy.
Mrs. John Dashwood did not at all approve of what her husband intended to do for his sisters. To take three thousand pounds from the fortune of their dear little boy would be impoverishing him to the most dreadful degree. She begged him to think again on the subject. How could he answer it to himself to rob his child, and his only child too, of so large a sum? And what possible claim could the Miss Dashwoods, who were related to him only by half blood, which she considered as no relationship at all, have on his generosity to so large an amount. It was very well known
that no affection was ever supposed to exist between the children of any man by different marriages; and why was he to ruin himself, and their poor little Harry, by giving away all his money to his half sisters?
“It was my father’s last request to me,” replied her husband, “that I should assist his widow and daughters.”
“He did not know what he was talking of, I dare say; ten to one but he was light-headed at the time. Had he been in his right senses, he could not have thought of such a thing as begging you to give away half your fortune from your own child.”
“He did not stipulate for any particular sum, my dear Fanny; he only requested me, in general terms, to assist them, and make their situation more comfortable than it was in his power to do. Perhaps it would have been as well if he had left it wholly to myself. He could hardly suppose I should neglect them. But as he required the promise, I could not do less than give it; at least I thought so at the time. The promise, therefore, was given, and must be performed. Something must be done for them whenever they leave Norland and settle in a new home.”
“Well, then, LET something be done for them; but THAT something need not be three thousand pounds. Consider,” she added, “that when the money is once parted with, it never can return. Your sisters will marry, and it will be gone for ever. If, indeed, it could be restored to our poor little boy—”
“Why, to be sure,” said her husband, very gravely, “that would make great difference. The time may come when Harry will regret that so large a sum was parted with. If he should have a numerous family, for instance, it would be a very convenient addition.”
“To be sure it would.”
“Perhaps, then, it would be better for all parties, if the sum were diminished one half.—Five hundred pounds would be a prodigious increase to their fortunes!”
“Oh! beyond anything great! What brother on earth would do half so much for his sisters, even if REALLY his sisters! And as it is—only half blood!—But you have such a generous spirit!”
“I would not wish to do any thing mean,” he replied. “One had rather, on such occasions, do too much than too little. No one, at least, can think I have not done enough for them: even themselves, they can hardly expect more.”
“There is no knowing what THEY may expect,” said the lady, “but we are not to think of their expectations: the question is, what you can afford to do.”
“Certainly—and I think I may afford to give them five hundred pounds a-piece. As it is, without any addition of mine, they will each have about three thousand pounds on their mother’s death—a very comfortable fortune for any young woman.”
“To be sure it is; and, indeed, it strikes me that they can want no addition at all. They will have ten thousand pounds divided amongst them. If they marry, they will be sure of doing well, and if they do not, they may all live very comfortably together on the interest of ten thousand pounds.”
“That is very true, and, therefore, I do not know whether, upon the whole, it would not be more advisable to do something for their mother while she lives, rather than for them—something of the annuity kind I mean.—My sisters
would feel the good effects of it as well as herself. A hundred a year would make them all perfectly comfortable.”
His wife hesitated a little, however, in giving her consent to this plan.
“To be sure,” said she, “it is better than parting with fifteen hundred pounds at once. But, then, if Mrs. Dashwood should live fifteen years we shall be completely taken in.”
“Fifteen years! my dear Fanny; her life cannot be worth half that purchase.”
“Certainly not; but if you observe, people always live for ever when there is an annuity to be paid them; and she is very stout and healthy, and hardly forty. An annuity is a very serious business; it comes over and over every year, and there is no getting rid of it. You are not aware of what you are doing. I have known a great deal of the trouble of annuities; for my mother was clogged with the payment of three to old superannuated servants by my father’s will, and it is amazing how disagreeable she found it. Twice every year these annuities were to be paid; and then there was the trouble of getting it to them; and then one of them was said to have died, and afterwards it turned out to be no such thing. My mother was quite sick of it. Her income was not her own, she said, with such perpetual claims on it; and it was the more unkind in my father, because, otherwise, the money would have been entirely at my mother’s disposal, without any restriction whatever. It has given me such an abhorrence of annuities, that I am sure I would not pin myself down to the payment of one for all the world.”
“It is certainly an unpleasant thing,” replied Mr. Dashwood, “to have those kind of yearly drains on one’s income. One’s fortune, as your mother justly says, is NOT one’s own. To be tied down to the regular payment of such a
sum, on every rent day, is by no means desirable: it takes away one’s independence.”
“Undoubtedly; and after all you have no thanks for it. They think themselves secure, you do no more than what is expected, and it raises no gratitude at all. If I were you, whatever I did should be done at my own discretion entirely. I would not bind myself to allow them any thing yearly. It may be very inconvenient some years to spare a hundred, or even fifty pounds from our own expenses.”
“I believe you are right, my love; it will be better that there should by no annuity in the case; whatever I may give them occasionally will be of far greater assistance than a yearly allowance, because they would only enlarge their style of living if they felt sure of a larger income, and would not be sixpence the richer for it at the end of the year. It will certainly be much the best way. A present of fifty pounds, now and then, will prevent their ever being distressed for money, and will, I think, be amply discharging my promise to my father.”
“To be sure it will. Indeed, to say the truth, I am convinced within myself that your father had no idea of your giving them any money at all. The assistance he thought of, I dare say, was only such as might be reasonably expected of you; for instance, such as looking out for a comfortable small house for them, helping them to move their things, and sending them presents of fish and game, and so forth, whenever they are in season. I’ll lay my life that he meant nothing farther; indeed, it would be very strange and unreasonable if he did. Do but consider, my dear Mr. Dashwood, how excessively comfortable your mother-in-law and her daughters may live on the interest of seven thousand pounds, besides the thousand pounds belonging to each of the girls, which brings them in fifty pounds a year a-piece, and, of course, they will pay their mother for their board out
of it. Altogether, they will have five hundred a-year amongst them, and what on earth can four women want for more than that?—They will live so cheap! Their housekeeping will be nothing at all. They will have no carriage, no horses, and hardly any servants; they will keep no company, and can have no expenses of any kind! Only conceive how comfortable they will be! Five hundred a year! I am sure I cannot imagine how they will spend half of it; and as to your giving them more, it is quite absurd to think of it. They will be much more able to give YOU something.”
“Upon my word,” said Mr. Dashwood, “I believe you are perfectly right. My father certainly could mean nothing more by his request to me than what you say. I clearly understand it now, and I will strictly fulfil my engagement by such acts of assistance and kindness to them as you have described. When my mother removes into another house my services shall be readily given to accommodate her as far as I can. Some little present of furniture too may be acceptable then.”
“Certainly,” returned Mrs. John Dashwood. “But, however, ONE thing must be considered. When your father and mother moved to Norland, though the furniture of Stanhill was sold, all the china, plate, and linen was saved, and is now left to your mother. Her house will therefore be almost completely fitted up as soon as she takes it.”
“That is a material consideration undoubtedly. A valuable legacy indeed! And yet some of the plate would have been a very pleasant addition to our own stock here.”
“Yes; and the set of breakfast china is twice as handsome as what belongs to this house. A great deal too handsome, in my opinion, for any place THEY can ever afford to live in. But, however, so it is. Your father thought only of THEM. And I must say this: that you owe no particular gratitude to him, nor attention to his wishes; for we very well know that
if he could, he would have left almost everything in the world to THEM.”
This argument was irresistible. It gave to his intentions whatever of decision was wanting before; and he finally resolved, that it would be absolutely unnecessary, if not highly indecorous, to do more for the widow and children of his father, than such kind of neighbourly acts as his own wife pointed out.
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CHAPTER 3
Mrs. Dashwood remained at Norland several months; not from any disinclination to move when the sight of every well known spot ceased to raise the violent emotion which it produced for a while; for when her spirits began to revive, and her mind became capable of some other exertion than that of heightening its affliction by melancholy remembrances, she was impatient to be gone, and indefatigable in her inquiries for a suitable dwelling in the neighbourhood of Norland; for to remove far from that beloved spot was impossible. But she could hear of no situation that at once answered her notions of comfort and ease, and suited the prudence of her eldest daughter, whose steadier judgment rejected several houses as too large for their income, which her mother would have approved.
Mrs. Dashwood had been informed by her husband of the solemn promise on the part of his son in their favour, which gave comfort to his last earthly reflections. She doubted the sincerity of this assurance no more than he had doubted it himself, and she thought of it for her daughters’ sake with satisfaction, though as for herself she was persuaded that a much smaller provision than 7000L would support her in affluence. For their brother’s sake, too, for the sake of his own heart, she rejoiced; and she reproached herself for being unjust to his merit before, in believing him incapable of generosity. His attentive behaviour to herself and his sisters convinced her that their welfare was dear to him, and, for a long time, she firmly relied on the liberality of his intentions.
The contempt which she had, very early in their acquaintance, felt for her daughter-in-law, was very much
increased by the farther knowledge of her character, which half a year’s residence in her family afforded; and perhaps in spite of every consideration of politeness or maternal affection on the side of the former, the two ladies might have found it impossible to have lived together so long, had not a particular circumstance occurred to give still greater eligibility, according to the opinions of Mrs. Dashwood, to her daughters’ continuance at Norland.
This circumstance was a growing attachment between her eldest girl and the brother of Mrs. John Dashwood, a gentleman-like and pleasing young man, who was introduced to their acquaintance soon after his sister’s establishment at Norland, and who had since spent the greatest part of his time there.
Some mothers might have encouraged the intimacy from motives of interest, for Edward Ferrars was the eldest son of a man who had died very rich; and some might have repressed it from motives of prudence, for, except a trifling sum, the whole of his fortune depended on the will of his mother. But Mrs. Dashwood was alike uninfluenced by either consideration. It was enough for her that he appeared to be amiable, that he loved her daughter, and that Elinor returned the partiality. It was contrary to every doctrine of her’s that difference of fortune should keep any couple asunder who were attracted by resemblance of disposition; and that Elinor’s merit should not be acknowledged by every one who knew her, was to her comprehension impossible.
Edward Ferrars was not recommended to their good opinion by any peculiar graces of person or address. He was not handsome, and his manners required intimacy to make them pleasing. He was too diffident to do justice to himself; but when his natural shyness was overcome, his behaviour gave every indication of an open, affectionate heart. His understanding was good, and his education had given it solid
improvement. But he was neither fitted by abilities nor disposition to answer the wishes of his mother and sister, who longed to see him distinguished—as—they hardly knew what. They wanted him to make a fine figure in the world in some manner or other. His mother wished to interest him in political concerns, to get him into parliament, or to see him connected with some of the great men of the day. Mrs. John Dashwood wished it likewise; but in the mean while, till one of these superior blessings could be attained, it would have quieted her ambition to see him driving a barouche. But Edward had no turn for great men or barouches. All his wishes centered in domestic comfort and the quiet of private life. Fortunately he had a younger brother who was more promising.
Edward had been staying several weeks in the house before he engaged much of Mrs. Dashwood’s attention; for she was, at that time, in such affliction as rendered her careless of surrounding objects. She saw only that he was quiet and unobtrusive, and she liked him for it. He did not disturb the wretchedness of her mind by ill-timed conversation. She was first called to observe and approve him farther, by a reflection which Elinor chanced one day to make on the difference between him and his sister. It was a contrast which recommended him most forcibly to her mother.
“It is enough,” said she; “to say that he is unlike Fanny is enough. It implies everything amiable. I love him already.”
“I think you will like him,” said Elinor, “when you know more of him.”
“Like him!” replied her mother with a smile. “I feel no sentiment of approbation inferior to love.”
“You may esteem him.”
“I have never yet known what it was to separate esteem and love.”
Mrs. Dashwood now took pains to get acquainted with him. Her manners were attaching, and soon banished his reserve. She speedily comprehended all his merits; the persuasion of his regard for Elinor perhaps assisted her penetration; but she really felt assured of his worth: and even that quietness of manner, which militated against all her established ideas of what a young man’s address ought to be, was no longer uninteresting when she knew his heart to be warm and his temper affectionate.
No sooner did she perceive any symptom of love in his behaviour to Elinor, than she considered their serious attachment as certain, and looked forward to their marriage as rapidly approaching.
“In a few months, my dear Marianne.” said she, “Elinor will, in all probability be settled for life. We shall miss her; but SHE will be happy.”
“Oh! Mamma, how shall we do without her?”
“My love, it will be scarcely a separation. We shall live within a few miles of each other, and shall meet every day of our lives. You will gain a brother, a real, affectionate brother. I have the highest opinion in the world of Edward’s heart. But you look grave, Marianne; do you disapprove your sister’s choice?”
“Perhaps,” said Marianne, “I may consider it with some surprise. Edward is very amiable, and I love him tenderly. But yet—he is not the kind of young man—there is something wanting—his figure is not striking; it has none of that grace which I should expect in the man who could seriously attach my sister. His eyes want all that spirit, that fire, which at once announce virtue and intelligence. And
besides all this, I am afraid, Mamma, he has no real taste. Music seems scarcely to attract him, and though he admires Elinor’s drawings very much, it is not the admiration of a person who can understand their worth. It is evident, in spite of his frequent attention to her while she draws, that in fact he knows nothing of the matter. He admires as a lover, not as a connoisseur. To satisfy me, those characters must be united. I could not be happy with a man whose taste did not in every point coincide with my own. He must enter into all my feelings; the same books, the same music must charm us both. Oh! mama, how spiritless, how tame was Edward’s manner in reading to us last night! I felt for my sister most severely. Yet she bore it with so much composure, she seemed scarcely to notice it. I could hardly keep my seat. To hear those beautiful lines which have frequently almost driven me wild, pronounced with such impenetrable calmness, such dreadful indifference!”— “He would certainly have done more justice to simple and elegant prose. I thought so at the time; but you WOULD give him Cowper.”
“Nay, Mamma, if he is not to be animated by Cowper!— but we must allow for difference of taste. Elinor has not my feelings, and therefore she may overlook it, and be happy with him. But it would have broke MY heart, had I loved him, to hear him read with so little sensibility. Mama, the more I know of the world, the more am I convinced that I shall never see a man whom I can really love. I require so much! He must have all Edward’s virtues, and his person and manners must ornament his goodness with every possible charm.”
“Remember, my love, that you are not seventeen. It is yet too early in life to despair of such a happiness. Why should you be less fortunate than your mother? In one circumstance only, my Marianne, may your destiny be different from her’s!”
CHAPTER 4
“What a pity it is, Elinor,” said Marianne, “that Edward should have no taste for drawing.”
“No taste for drawing!” replied Elinor, “why should you think so? He does not draw himself, indeed, but he has great pleasure in seeing the performances of other people, and I assure you he is by no means deficient in natural taste, though he has not had opportunities of improving it. Had he ever been in the way of learning, I think he would have drawn very well. He distrusts his own judgment in such matters so much, that he is always unwilling to give his opinion on any picture; but he has an innate propriety and simplicity of taste, which in general direct him perfectly right.”
Marianne was afraid of offending, and said no more on the subject; but the kind of approbation which Elinor described as excited in him by the drawings of other people, was very far from that rapturous delight, which, in her opinion, could alone be called taste. Yet, though smiling within herself at the mistake, she honoured her sister for that blind partiality to Edward which produced it.
“I hope, Marianne,” continued Elinor, “you do not consider him as deficient in general taste. Indeed, I think I may say that you cannot, for your behaviour to him is perfectly cordial, and if THAT were your opinion, I am sure you could never be civil to him.”
Marianne hardly knew what to say. She would not wound the feelings of her sister on any account, and yet to say what she did not believe was impossible. At length she replied:
“Do not be offended, Elinor, if my praise of him is not in every thing equal to your sense of his merits. I have not had so many opportunities of estimating the minuter propensities of his mind, his inclinations and tastes, as you have; but I have the highest opinion in the world of his goodness and sense. I think him every thing that is worthy and amiable.”
“I am sure,” replied Elinor, with a smile, “that his dearest friends could not be dissatisfied with such commendation as that. I do not perceive how you could express yourself more warmly.”
Marianne was rejoiced to find her sister so easily pleased.
“Of his sense and his goodness,” continued Elinor, “no one can, I think, be in doubt, who has seen him often enough to engage him in unreserved conversation. The excellence of his understanding and his principles can be concealed only by that shyness which too often keeps him silent. You know enough of him to do justice to his solid worth. But of his minuter propensities, as you call them you have from peculiar circumstances been kept more ignorant than myself. He and I have been at times thrown a good deal together, while you have been wholly engrossed on the most affectionate principle by my mother. I have seen a great deal of him, have studied his sentiments and heard his opinion on subjects of literature and taste; and, upon the whole, I venture to pronounce that his mind is well-informed, enjoyment of books exceedingly great, his imagination lively, his observation just and correct, and his taste delicate and pure. His abilities in every respect improve as much upon acquaintance as his manners and person. At first sight, his address is certainly not striking; and his person can hardly be called handsome, till the expression of his eyes, which are uncommonly good, and the general sweetness of his countenance, is perceived. At present, I know him so well,
that I think him really handsome; or at least, almost so. What say you, Marianne?”
“I shall very soon think him handsome, Elinor, if I do not now. When you tell me to love him as a brother, I shall no more see imperfection in his face, than I now do in his heart.”
Elinor started at this declaration, and was sorry for the warmth she had been betrayed into, in speaking of him. She felt that Edward stood very high in her opinion. She believed the regard to be mutual; but she required greater certainty of it to make Marianne’s conviction of their attachment agreeable to her. She knew that what Marianne and her mother conjectured one moment, they believed the next— that with them, to wish was to hope, and to hope was to expect. She tried to explain the real state of the case to her sister.
“I do not attempt to deny,” said she, “that I think very highly of him—that I greatly esteem, that I like him.”
Marianne here burst forth with indignation—
“Esteem him! Like him! Cold-hearted Elinor! Oh! worse than cold-hearted! Ashamed of being otherwise. Use those words again, and I will leave the room this moment.”
Elinor could not help laughing. “Excuse me,” said she; “and be assured that I meant no offence to you, by speaking, in so quiet a way, of my own feelings. Believe them to be stronger than I have declared; believe them, in short, to be such as his merit, and the suspicion—the hope of his affection for me may warrant, without imprudence or folly. But farther than this you must not believe. I am by no means assured of his regard for me. There are moments when the extent of it seems doubtful; and till his sentiments are fully known, you cannot wonder at my wishing to avoid any
encouragement of my own partiality, by believing or calling it more than it is. In my heart I feel little—scarcely any doubt of his preference. But there are other points to be considered besides his inclination. He is very far from being independent. What his mother really is we cannot know; but, from Fanny’s occasional mention of her conduct and opinions, we have never been disposed to think her amiable; and I am very much mistaken if Edward is not himself aware that there would be many difficulties in his way, if he were to wish to marry a woman who had not either a great fortune or high rank.”
Marianne was astonished to find how much the imagination of her mother and herself had outstripped the truth.
“And you really are not engaged to him!” said she. “Yet it certainly soon will happen. But two advantages will proceed from this delay. I shall not lose you so soon, and Edward will have greater opportunity of improving that natural taste for your favourite pursuit which must be so indispensably necessary to your future felicity. Oh! if he should be so far stimulated by your genius as to learn to draw himself, how delightful it would be!”
Elinor had given her real opinion to her sister. She could not consider her partiality for Edward in so prosperous a state as Marianne had believed it. There was, at times, a want of spirits about him which, if it did not denote indifference, spoke of something almost as unpromising. A doubt of her regard, supposing him to feel it, need not give him more than inquietude. It would not be likely to produce that dejection of mind which frequently attended him. A more reasonable cause might be found in the dependent situation which forbade the indulgence of his affection. She knew that his mother neither behaved to him so as to make his home comfortable at present, nor to give him any
assurance that he might form a home for himself, without strictly attending to her views for his aggrandizement. With such a knowledge as this, it was impossible for Elinor to feel easy on the subject. She was far from depending on that result of his preference of her, which her mother and sister still considered as certain. Nay, the longer they were together the more doubtful seemed the nature of his regard; and sometimes, for a few painful minutes, she believed it to be no more than friendship.
But, whatever might really be its limits, it was enough, when perceived by his sister, to make her uneasy, and at the same time, (which was still more common,) to make her uncivil. She took the first opportunity of affronting her mother-in-law on the occasion, talking to her so expressively of her brother’s great expectations, of Mrs. Ferrars’s resolution that both her sons should marry well, and of the danger attending any young woman who attempted to DRAW HIM IN; that Mrs. Dashwood could neither pretend to be unconscious, nor endeavor to be calm. She gave her an answer which marked her contempt, and instantly left the room, resolving that, whatever might be the inconvenience or expense of so sudden a removal, her beloved Elinor should not be exposed another week to such insinuations.
In this state of her spirits, a letter was delivered to her from the post, which contained a proposal particularly well timed. It was the offer of a small house, on very easy terms, belonging to a relation of her own, a gentleman of consequence and property in Devonshire. The letter was from this gentleman himself, and written in the true spirit of friendly accommodation. He understood that she was in need of a dwelling; and though the house he now offered her was merely a cottage, he assured her that everything should be done to it which she might think necessary, if the situation pleased her. He earnestly pressed her, after giving the particulars of the house and garden, to come with her
daughters to Barton Park, the place of his own residence, from whence she might judge, herself, whether Barton Cottage, for the houses were in the same parish, could, by any alteration, be made comfortable to her. He seemed really anxious to accommodate them and the whole of his letter was written in so friendly a style as could not fail of giving pleasure to his cousin; more especially at a moment when she was suffering under the cold and unfeeling behaviour of her nearer connections. She needed no time for deliberation or inquiry. Her resolution was formed as she read. The situation of Barton, in a county so far distant from Sussex as Devonshire, which, but a few hours before, would have been a sufficient objection to outweigh every possible advantage belonging to the place, was now its first recommendation. To quit the neighbourhood of Norland was no longer an evil; it was an object of desire; it was a blessing, in comparison of the misery of continuing her daughter-in-law’s guest; and to remove for ever from that beloved place would be less painful than to inhabit or visit it while such a woman was its mistress. She instantly wrote Sir John Middleton her acknowledgment of his kindness, and her acceptance of his proposal; and then hastened to shew both letters to her daughters, that she might be secure of their approbation before her answer were sent.
Elinor had always thought it would be more prudent for them to settle at some distance from Norland, than immediately amongst their present acquaintance. On THAT head, therefore, it was not for her to oppose her mother’s intention of removing into Devonshire. The house, too, as described by Sir John, was on so simple a scale, and the rent so uncommonly moderate, as to leave her no right of objection on either point; and, therefore, though it was not a plan which brought any charm to her fancy, though it was a removal from the vicinity of Norland beyond her wishes, she made no attempt to dissuade her mother from sending a letter of acquiescence.
CHAPTER 5
No sooner was her answer dispatched, than Mrs. Dashwood indulged herself in the pleasure of announcing to her son-in-law and his wife that she was provided with a house, and should incommode them no longer than till every thing were ready for her inhabiting it. They heard her with surprise. Mrs. John Dashwood said nothing; but her husband civilly hoped that she would not be settled far from Norland. She had great satisfaction in replying that she was going into Devonshire.—Edward turned hastily towards her, on hearing this, and, in a voice of surprise and concern, which required no explanation to her, repeated, “Devonshire! Are you, indeed, going there? So far from hence! And to what part of it?” She explained the situation. It was within four miles northward of Exeter.
“It is but a cottage,” she continued, “but I hope to see many of my friends in it. A room or two can easily be added; and if my friends find no difficulty in travelling so far to see me, I am sure I will find none in accommodating them.”
She concluded with a very kind invitation to Mr. and Mrs. John Dashwood to visit her at Barton; and to Edward she gave one with still greater affection. Though her late conversation with her daughter-in-law had made her resolve on remaining at Norland no longer than was unavoidable, it had not produced the smallest effect on her in that point to which it principally tended. To separate Edward and Elinor was as far from being her object as ever; and she wished to show Mrs. John Dashwood, by this pointed invitation to her
brother, how totally she disregarded her disapprobation of the match.
Mr. John Dashwood told his mother again and again how exceedingly sorry he was that she had taken a house at such a distance from Norland as to prevent his being of any service to her in removing her furniture. He really felt conscientiously vexed on the occasion; for the very exertion to which he had limited the performance of his promise to his father was by this arrangement rendered impracticable.— The furniture was all sent around by water. It chiefly consisted of household linen, plate, china, and books, with a handsome pianoforte of Marianne’s. Mrs. John Dashwood saw the packages depart with a sigh: she could not help feeling it hard that as Mrs. Dashwood’s income would be so trifling in comparison with their own, she should have any handsome article of furniture.
Mrs. Dashwood took the house for a twelvemonth; it was ready furnished, and she might have immediate possession. No difficulty arose on either side in the agreement; and she waited only for the disposal of her effects at Norland, and to determine her future household, before she set off for the west; and this, as she was exceedingly rapid in the performance of everything that interested her, was soon done.—The horses which were left her by her husband had been sold soon after his death, and an opportunity now offering of disposing of her carriage, she agreed to sell that likewise at the earnest advice of her eldest daughter. For the comfort of her children, had she consulted only her own wishes, she would have kept it; but the discretion of Elinor prevailed. HER wisdom too limited the number of their servants to three; two maids and a man, with whom they were speedily provided from amongst those who had formed their establishment at Norland.
The man and one of the maids were sent off immediately into Devonshire, to prepare the house for their mistress’s arrival; for as Lady Middleton was entirely unknown to Mrs. Dashwood, she preferred going directly to the cottage to being a visitor at Barton Park; and she relied so undoubtingly on Sir John’s description of the house, as to feel no curiosity to examine it herself till she entered it as her own. Her eagerness to be gone from Norland was preserved from diminution by the evident satisfaction of her daughter-in-law in the prospect of her removal; a satisfaction which was but feebly attempted to be concealed under a cold invitation to her to defer her departure. Now was the time when her son-in-law’s promise to his father might with particular propriety be fulfilled. Since he had neglected to do it on first coming to the estate, their quitting his house might be looked on as the most suitable period for its accomplishment. But Mrs. Dashwood began shortly to give over every hope of the kind, and to be convinced, from the general drift of his discourse, that his assistance extended no farther than their maintenance for six months at Norland. He so frequently talked of the increasing expenses of housekeeping, and of the perpetual demands upon his purse, which a man of any consequence in the world was beyond calculation exposed to, that he seemed rather to stand in need of more money himself than to have any design of giving money away.
In a very few weeks from the day which brought Sir John Middleton’s first letter to Norland, every thing was so far settled in their future abode as to enable Mrs. Dashwood and her daughters to begin their journey.
Many were the tears shed by them in their last adieus to a place so much beloved. “Dear, dear Norland!” said Marianne, as she wandered alone before the house, on the last evening of their being there; “when shall I cease to regret you!—when learn to feel a home elsewhere!—Oh! happy house, could you know what I suffer in now viewing you
from this spot, from whence perhaps I may view you no more!—And you, ye well-known trees!—but you will continue the same.—No leaf will decay because we are removed, nor any branch become motionless although we can observe you no longer!—No; you will continue the same; unconscious of the pleasure or the regret you occasion, and insensible of any change in those who walk under your shade!—But who will remain to enjoy you?”
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CHAPTER 6
The first part of their journey was performed in too melancholy a disposition to be otherwise than tedious and unpleasant. But as they drew towards the end of it, their interest in the appearance of a country which they were to inhabit overcame their dejection, and a view of Barton Valley as they entered it gave them cheerfulness. It was a pleasant fertile spot, well wooded, and rich in pasture. After winding along it for more than a mile, they reached their own house. A small green court was the whole of its demesne in front; and a neat wicket gate admitted them into it.
As a house, Barton Cottage, though small, was comfortable and compact; but as a cottage it was defective, for the building was regular, the roof was tiled, the window shutters were not painted green, nor were the walls covered with honeysuckles. A narrow passage led directly through the house into the garden behind. On each side of the entrance was a sitting room, about sixteen feet square; and beyond them were the offices and the stairs. Four bed-rooms and two garrets formed the rest of the house. It had not been built many years and was in good repair. In comparison of Norland, it was poor and small indeed!—but the tears which recollection called forth as they entered the house were soon dried away. They were cheered by the joy of the servants on their arrival, and each for the sake of the others resolved to appear happy. It was very early in September; the season was fine, and from first seeing the place under the advantage of good weather, they received an impression in its favour which was of material service in recommending it to their lasting approbation.
The situation of the house was good. High hills rose immediately behind, and at no great distance on each side;
some of which were open downs, the others cultivated and woody. The village of Barton was chiefly on one of these hills, and formed a pleasant view from the cottage windows. The prospect in front was more extensive; it commanded the whole of the valley, and reached into the country beyond. The hills which surrounded the cottage terminated the valley in that direction; under another name, and in another course, it branched out again between two of the steepest of them.
With the size and furniture of the house Mrs. Dashwood was upon the whole well satisfied; for though her former style of life rendered many additions to the latter indispensable, yet to add and improve was a delight to her; and she had at this time ready money enough to supply all that was wanted of greater elegance to the apartments. “As for the house itself, to be sure,” said she, “it is too small for our family, but we will make ourselves tolerably comfortable for the present, as it is too late in the year for improvements. Perhaps in the spring, if I have plenty of money, as I dare say I shall, we may think about building. These parlors are both too small for such parties of our friends as I hope to see often collected here; and I have some thoughts of throwing the passage into one of them with perhaps a part of the other, and so leave the remainder of that other for an entrance; this, with a new drawing room which may be easily added, and a bed-chamber and garret above, will make it a very snug little cottage. I could wish the stairs were handsome. But one must not expect every thing; though I suppose it would be no difficult matter to widen them. I shall see how much I am before-hand with the world in the spring, and we will plan our improvements accordingly.”
In the mean time, till all these alterations could be made from the savings of an income of five hundred a-year by a woman who never saved in her life, they were wise enough to be contented with the house as it was; and each of them
was busy in arranging their particular concerns, and endeavoring, by placing around them books and other possessions, to form themselves a home. Marianne’s pianoforte was unpacked and properly disposed of; and Elinor’s drawings were affixed to the walls of their sitting room.
In such employments as these they were interrupted soon after breakfast the next day by the entrance of their landlord, who called to welcome them to Barton, and to offer them every accommodation from his own house and garden in which theirs might at present be deficient. Sir John Middleton was a good looking man about forty. He had formerly visited at Stanhill, but it was too long for his young cousins to remember him. His countenance was thoroughly good-humoured; and his manners were as friendly as the style of his letter. Their arrival seemed to afford him real satisfaction, and their comfort to be an object of real solicitude to him. He said much of his earnest desire of their living in the most sociable terms with his family, and pressed them so cordially to dine at Barton Park every day till they were better settled at home, that, though his entreaties were carried to a point of perseverance beyond civility, they could not give offence. His kindness was not confined to words; for within an hour after he left them, a large basket full of garden stuff and fruit arrived from the park, which was followed before the end of the day by a present of game. He insisted, moreover, on conveying all their letters to and from the post for them, and would not be denied the satisfaction of sending them his newspaper every day.
Lady Middleton had sent a very civil message by him, denoting her intention of waiting on Mrs. Dashwood as soon as she could be assured that her visit would be no inconvenience; and as this message was answered by an invitation equally polite, her ladyship was introduced to them the next day.
They were, of course, very anxious to see a person on whom so much of their comfort at Barton must depend; and the elegance of her appearance was favourable to their wishes. Lady Middleton was not more than six or seven and twenty; her face was handsome, her figure tall and striking, and her address graceful. Her manners had all the elegance which her husband’s wanted. But they would have been improved by some share of his frankness and warmth; and her visit was long enough to detract something from their first admiration, by shewing that, though perfectly well-bred, she was reserved, cold, and had nothing to say for herself beyond the most common-place inquiry or remark.
Conversation however was not wanted, for Sir John was very chatty, and Lady Middleton had taken the wise precaution of bringing with her their eldest child, a fine little boy about six years old, by which means there was one subject always to be recurred to by the ladies in case of extremity, for they had to enquire his name and age, admire his beauty, and ask him questions which his mother answered for him, while he hung about her and held down his head, to the great surprise of her ladyship, who wondered at his being so shy before company, as he could make noise enough at home. On every formal visit a child ought to be of the party, by way of provision for discourse. In the present case it took up ten minutes to determine whether the boy were most like his father or mother, and in what particular he resembled either, for of course every body differed, and every body was astonished at the opinion of the others.
An opportunity was soon to be given to the Dashwoods of debating on the rest of the children, as Sir John would not leave the house without securing their promise of dining at the park the next day.
CHAPTER 7
Barton Park was about half a mile from the cottage. The ladies had passed near it in their way along the valley, but it was screened from their view at home by the projection of a hill. The house was large and handsome; and the Middletons lived in a style of equal hospitality and elegance. The former was for Sir John’s gratification, the latter for that of his lady. They were scarcely ever without some friends staying with them in the house, and they kept more company of every kind than any other family in the neighbourhood. It was necessary to the happiness of both; for however dissimilar in temper and outward behaviour, they strongly resembled each other in that total want of talent and taste which confined their employments, unconnected with such as society produced, within a very narrow compass. Sir John was a sportsman, Lady Middleton a mother. He hunted and shot, and she humoured her children; and these were their only resources. Lady Middleton had the advantage of being able to spoil her children all the year round, while Sir John’s independent employments were in existence only half the time. Continual engagements at home and abroad, however, supplied all the deficiencies of nature and education; supported the good spirits of Sir John, and gave exercise to the good breeding of his wife.
Lady Middleton piqued herself upon the elegance of her table, and of all her domestic arrangements; and from this kind of vanity was her greatest enjoyment in any of their parties. But Sir John’s satisfaction in society was much more real; he delighted in collecting about him more young people than his house would hold, and the noisier they were the better was he pleased. He was a blessing to all the juvenile part of the neighbourhood, for in summer he was for ever
forming parties to eat cold ham and chicken out of doors, and in winter his private balls were numerous enough for any young lady who was not suffering under the unsatiable appetite of fifteen.
The arrival of a new family in the country was always a matter of joy to him, and in every point of view he was charmed with the inhabitants he had now procured for his cottage at Barton. The Miss Dashwoods were young, pretty, and unaffected. It was enough to secure his good opinion; for to be unaffected was all that a pretty girl could want to make her mind as captivating as her person. The friendliness of his disposition made him happy in accommodating those, whose situation might be considered, in comparison with the past, as unfortunate. In showing kindness to his cousins therefore he had the real satisfaction of a good heart; and in settling a family of females only in his cottage, he had all the satisfaction of a sportsman; for a sportsman, though he esteems only those of his sex who are sportsmen likewise, is not often desirous of encouraging their taste by admitting them to a residence within his own manor.
Mrs. Dashwood and her daughters were met at the door of the house by Sir John, who welcomed them to Barton Park with unaffected sincerity; and as he attended them to the drawing room repeated to the young ladies the concern which the same subject had drawn from him the day before, at being unable to get any smart young men to meet them. They would see, he said, only one gentleman there besides himself; a particular friend who was staying at the park, but who was neither very young nor very gay. He hoped they would all excuse the smallness of the party, and could assure them it should never happen so again. He had been to several families that morning in hopes of procuring some addition to their number, but it was moonlight and every body was full of engagements. Luckily Lady Middleton’s mother had arrived at Barton within the last hour, and as she
was a very cheerful agreeable woman, he hoped the young ladies would not find it so very dull as they might imagine. The young ladies, as well as their mother, were perfectly satisfied with having two entire strangers of the party, and wished for no more.
Mrs. Jennings, Lady Middleton’s mother, was a good-humoured, merry, fat, elderly woman, who talked a great deal, seemed very happy, and rather vulgar. She was full of jokes and laughter, and before dinner was over had said many witty things on the subject of lovers and husbands; hoped they had not left their hearts behind them in Sussex, and pretended to see them blush whether they did or not. Marianne was vexed at it for her sister’s sake, and turned her eyes towards Elinor to see how she bore these attacks, with an earnestness which gave Elinor far more pain than could arise from such common-place raillery as Mrs. Jennings’s.
Colonel Brandon, the friend of Sir John, seemed no more adapted by resemblance of manner to be his friend, than Lady Middleton was to be his wife, or Mrs. Jennings to be Lady Middleton’s mother. He was silent and grave. His appearance however was not unpleasing, in spite of his being in the opinion of Marianne and Margaret an absolute old bachelor, for he was on the wrong side of five and thirty; but though his face was not handsome, his countenance was sensible, and his address was particularly gentlemanlike.
There was nothing in any of the party which could recommend them as companions to the Dashwoods; but the cold insipidity of Lady Middleton was so particularly repulsive, that in comparison of it the gravity of Colonel Brandon, and even the boisterous mirth of Sir John and his mother-in-law was interesting. Lady Middleton seemed to be roused to enjoyment only by the entrance of her four noisy children after dinner, who pulled her about, tore her clothes,
and put an end to every kind of discourse except what related to themselves.
In the evening, as Marianne was discovered to be musical, she was invited to play. The instrument was unlocked, every body prepared to be charmed, and Marianne, who sang very well, at their request went through the chief of the songs which Lady Middleton had brought into the family on her marriage, and which perhaps had lain ever since in the same position on the pianoforte, for her ladyship had celebrated that event by giving up music, although by her mother’s account, she had played extremely well, and by her own was very fond of it.
Marianne’s performance was highly applauded. Sir John was loud in his admiration at the end of every song, and as loud in his conversation with the others while every song lasted. Lady Middleton frequently called him to order, wondered how any one’s attention could be diverted from music for a moment, and asked Marianne to sing a particular song which Marianne had just finished. Colonel Brandon alone, of all the party, heard her without being in raptures. He paid her only the compliment of attention; and she felt a respect for him on the occasion, which the others had reasonably forfeited by their shameless want of taste. His pleasure in music, though it amounted not to that ecstatic delight which alone could sympathize with her own, was estimable when contrasted against the horrible insensibility of the others; and she was reasonable enough to allow that a man of five and thirty might well have outlived all acuteness of feeling and every exquisite power of enjoyment. She was perfectly disposed to make every allowance for the colonel’s advanced state of life which humanity required.
CHAPTER 8
Mrs. Jennings was a widow with an ample jointure. She had only two daughters, both of whom she had lived to see respectably married, and she had now therefore nothing to do but to marry all the rest of the world. In the promotion of this object she was zealously active, as far as her ability reached; and missed no opportunity of projecting weddings among all the young people of her acquaintance. She was remarkably quick in the discovery of attachments, and had enjoyed the advantage of raising the blushes and the vanity of many a young lady by insinuations of her power over such a young man; and this kind of discernment enabled her soon after her arrival at Barton decisively to pronounce that Colonel Brandon was very much in love with Marianne Dashwood. She rather suspected it to be so, on the very first evening of their being together, from his listening so attentively while she sang to them; and when the visit was returned by the Middletons’ dining at the cottage, the fact was ascertained by his listening to her again. It must be so. She was perfectly convinced of it. It would be an excellent match, for HE was rich, and SHE was handsome. Mrs. Jennings had been anxious to see Colonel Brandon well married, ever since her connection with Sir John first brought him to her knowledge; and she was always anxious to get a good husband for every pretty girl.
The immediate advantage to herself was by no means inconsiderable, for it supplied her with endless jokes against them both. At the park she laughed at the colonel, and in the
cottage at Marianne. To the former her raillery was probably, as far as it regarded only himself, perfectly indifferent; but to the latter it was at first incomprehensible; and when its object was understood, she hardly knew whether most to laugh at its absurdity, or censure its impertinence, for she considered it as an unfeeling reflection on the colonel’s advanced years, and on his forlorn condition as an old bachelor.
Mrs. Dashwood, who could not think a man five years younger than herself, so exceedingly ancient as he appeared to the youthful fancy of her daughter, ventured to clear Mrs. Jennings from the probability of wishing to throw ridicule on his age.
“But at least, Mamma, you cannot deny the absurdity of the accusation, though you may not think it intentionally ill-natured. Colonel Brandon is certainly younger than Mrs. Jennings, but he is old enough to be MY father; and if he were ever animated enough to be in love, must have long outlived every sensation of the kind. It is too ridiculous! When is a man to be safe from such wit, if age and infirmity will not protect him?”
“Infirmity!” said Elinor, “do you call Colonel Brandon infirm? I can easily suppose that his age may appear much greater to you than to my mother; but you can hardly deceive yourself as to his having the use of his limbs!”
“Did not you hear him complain of the rheumatism? and is not that the commonest infirmity of declining life?”
“My dearest child,” said her mother, laughing, “at this rate you must be in continual terror of MY decay; and it must seem to you a miracle that my life has been extended to the advanced age of forty.”
“Mamma, you are not doing me justice. I know very well that Colonel Brandon is not old enough to make his friends yet apprehensive of losing him in the course of nature. He may live twenty years longer. But thirty-five has nothing to do with matrimony.”
“Perhaps,” said Elinor, “thirty-five and seventeen had better not have any thing to do with matrimony together. But if there should by any chance happen to be a woman who is single at seven and twenty, I should not think Colonel Brandon’s being thirty-five any objection to his marrying HER.”
“A woman of seven and twenty,” said Marianne, after pausing a moment, “can never hope to feel or inspire affection again, and if her home be uncomfortable, or her fortune small, I can suppose that she might bring herself to submit to the offices of a nurse, for the sake of the provision and security of a wife. In his marrying such a woman therefore there would be nothing unsuitable. It would be a compact of convenience, and the world would be satisfied. In my eyes it would be no marriage at all, but that would be nothing. To me it would seem only a commercial exchange, in which each wished to be benefited at the expense of the other.”
“It would be impossible, I know,” replied Elinor, “to convince you that a woman of seven and twenty could feel for a man of thirty-five anything near enough to love, to make him a desirable companion to her. But I must object to your dooming Colonel Brandon and his wife to the constant confinement of a sick chamber, merely because he chanced to complain yesterday (a very cold damp day) of a slight rheumatic feel in one of his shoulders.”
“But he talked of flannel waistcoats,” said Marianne; “and with me a flannel waistcoat is invariably connected with
aches, cramps, rheumatisms, and every species of ailment that can afflict the old and the feeble.”
“Had he been only in a violent fever, you would not have despised him half so much. Confess, Marianne, is not there something interesting to you in the flushed cheek, hollow eye, and quick pulse of a fever?”
Soon after this, upon Elinor’s leaving the room, “Mamma,” said Marianne, “I have an alarm on the subject of illness which I cannot conceal from you. I am sure Edward Ferrars is not well. We have now been here almost a fortnight, and yet he does not come. Nothing but real indisposition could occasion this extraordinary delay. What else can detain him at Norland?”
“Had you any idea of his coming so soon?” said Mrs. Dashwood. “I had none. On the contrary, if I have felt any anxiety at all on the subject, it has been in recollecting that he sometimes showed a want of pleasure and readiness in accepting my invitation, when I talked of his coming to Barton. Does Elinor expect him already?”
“I have never mentioned it to her, but of course she must.”
“I rather think you are mistaken, for when I was talking to her yesterday of getting a new grate for the spare bedchamber, she observed that there was no immediate hurry for it, as it was not likely that the room would be wanted for some time.”
“How strange this is! what can be the meaning of it! But the whole of their behaviour to each other has been unaccountable! How cold, how composed were their last adieus! How languid their conversation the last evening of their being together! In Edward’s farewell there was no distinction between Elinor and me: it was the good wishes of
an affectionate brother to both. Twice did I leave them purposely together in the course of the last morning, and each time did he most unaccountably follow me out of the room. And Elinor, in quitting Norland and Edward, cried not as I did. Even now her self-command is invariable. When is she dejected or melancholy? When does she try to avoid society, or appear restless and dissatisfied in it?”
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CHAPTER 9
The Dashwoods were now settled at Barton with tolerable comfort to themselves. The house and the garden, with all the objects surrounding them, were now become familiar, and the ordinary pursuits which had given to Norland half its charms were engaged in again with far greater enjoyment than Norland had been able to afford, since the loss of their father. Sir John Middleton, who called on them every day for the first fortnight, and who was not in the habit of seeing much occupation at home, could not conceal his amazement on finding them always employed.
Their visitors, except those from Barton Park, were not many; for, in spite of Sir John’s urgent entreaties that they would mix more in the neighbourhood, and repeated assurances of his carriage being always at their service, the independence of Mrs. Dashwood’s spirit overcame the wish of society for her children; and she was resolute in declining to visit any family beyond the distance of a walk. There were but few who could be so classed; and it was not all of them that were attainable. About a mile and a half from the cottage, along the narrow winding valley of Allenham, which issued from that of Barton, as formerly described, the girls had, in one of their earliest walks, discovered an ancient respectable looking mansion which, by reminding them a little of Norland, interested their imagination and made them wish to be better acquainted with it. But they learnt, on enquiry, that its possessor, an elderly lady of very good character, was unfortunately too infirm to mix with the world, and never stirred from home.
The whole country about them abounded in beautiful walks. The high downs which invited them from almost every window of the cottage to seek the exquisite enjoyment of air on their summits, were a happy alternative when the dirt of the valleys beneath shut up their superior beauties; and towards one of these hills did Marianne and Margaret one memorable morning direct their steps, attracted by the partial sunshine of a showery sky, and unable longer to bear the confinement which the settled rain of the two preceding days had occasioned. The weather was not tempting enough to draw the two others from their pencil and their book, in spite of Marianne’s declaration that the day would be lastingly fair, and that every threatening cloud would be drawn off from their hills; and the two girls set off together.
They gaily ascended the downs, rejoicing in their own penetration at every glimpse of blue sky; and when they caught in their faces the animating gales of a high south-westerly wind, they pitied the fears which had prevented their mother and Elinor from sharing such delightful sensations.
“Is there a felicity in the world,” said Marianne, “superior to this?—Margaret, we will walk here at least two hours.”
Margaret agreed, and they pursued their way against the wind, resisting it with laughing delight for about twenty minutes longer, when suddenly the clouds united over their heads, and a driving rain set full in their face.— Chagrined and surprised, they were obliged, though unwillingly, to turn back, for no shelter was nearer than their own house. One consolation however remained for them, to which the exigence of the moment gave more than usual propriety; it was that of running with all possible speed down the steep side of the hill which led immediately to their garden gate.
They set off. Marianne had at first the advantage, but a false step brought her suddenly to the ground; and Margaret, unable to stop herself to assist her, was involuntarily hurried along, and reached the bottom in safety.
A gentleman carrying a gun, with two pointers playing round him, was passing up the hill and within a few yards of Marianne, when her accident happened. He put down his gun and ran to her assistance. She had raised herself from the ground, but her foot had been twisted in her fall, and she was scarcely able to stand. The gentleman offered his services; and perceiving that her modesty declined what her situation rendered necessary, took her up in his arms without farther delay, and carried her down the hill. Then passing through the garden, the gate of which had been left open by Margaret, he bore her directly into the house, whither Margaret was just arrived, and quitted not his hold till he had seated her in a chair in the parlour.
Elinor and her mother rose up in amazement at their entrance, and while the eyes of both were fixed on him with an evident wonder and a secret admiration which equally sprung from his appearance, he apologized for his intrusion by relating its cause, in a manner so frank and so graceful that his person, which was uncommonly handsome, received additional charms from his voice and expression. Had he been even old, ugly, and vulgar, the gratitude and kindness of Mrs. Dashwood would have been secured by any act of attention to her child; but the influence of youth, beauty, and elegance, gave an interest to the action which came home to her feelings.
She thanked him again and again; and, with a sweetness of address which always attended her, invited him to be seated. But this he declined, as he was dirty and wet. Mrs. Dashwood then begged to know to whom she was obliged. His name, he replied, was Willoughby, and his present home
was at Allenham, from whence he hoped she would allow him the honour of calling tomorrow to enquire after Miss Dashwood. The honour was readily granted, and he then departed, to make himself still more interesting, in the midst of a heavy rain.
His manly beauty and more than common gracefulness were instantly the theme of general admiration, and the laugh which his gallantry raised against Marianne received particular spirit from his exterior attractions.— Marianne herself had seen less of his person that the rest, for the confusion which crimsoned over her face, on his lifting her up, had robbed her of the power of regarding him after their entering the house. But she had seen enough of him to join in all the admiration of the others, and with an energy which always adorned her praise. His person and air were equal to what her fancy had ever drawn for the hero of a favourite story; and in his carrying her into the house with so little previous formality, there was a rapidity of thought which particularly recommended the action to her. Every circumstance belonging to him was interesting. His name was good, his residence was in their favourite village, and she soon found out that of all manly dresses a shooting-jacket was the most becoming. Her imagination was busy, her reflections were pleasant, and the pain of a sprained ankle was disregarded.
Sir John called on them as soon as the next interval of fair weather that morning allowed him to get out of doors; and Marianne’s accident being related to him, he was eagerly asked whether he knew any gentleman of the name of Willoughby at Allenham.
“Willoughby!” cried Sir John; “what, is HE in the country? That is good news however; I will ride over tomorrow, and ask him to dinner on Thursday.”
“You know him then,” said Mrs. Dashwood.
“Know him! to be sure I do. Why, he is down here every year.”
“And what sort of a young man is he?”
“As good a kind of fellow as ever lived, I assure you. A very decent shot, and there is not a bolder rider in England.”
“And is that all you can say for him?” cried Marianne, indignantly. “But what are his manners on more intimate acquaintance? What his pursuits, his talents, and genius?”
Sir John was rather puzzled.
“Upon my soul,” said he, “I do not know much about him as to all THAT. But he is a pleasant, good humoured fellow, and has got the nicest little black bitch of a pointer I ever saw. Was she out with him today?”
But Marianne could no more satisfy him as to the colour of Mr. Willoughby’s pointer, than he could describe to her the shades of his mind.
“But who is he?” said Elinor. “Where does he come from? Has he a house at Allenham?”
On this point Sir John could give more certain intelligence; and he told them that Mr. Willoughby had no property of his own in the country; that he resided there only while he was visiting the old lady at Allenham Court, to whom he was related, and whose possessions he was to inherit; adding, “Yes, yes, he is very well worth catching I can tell you, Miss Dashwood; he has a pretty little estate of his own in Somersetshire besides; and if I were you, I would not give him up to my younger sister, in spite of all this tumbling down hills. Miss Marianne must not expect to have
all the men to herself. Brandon will be jealous, if she does not take care.”
“I do not believe,” said Mrs. Dashwood, with a good humoured smile, “that Mr. Willoughby will be incommoded by the attempts of either of MY daughters towards what you call CATCHING him. It is not an employment to which they have been brought up. Men are very safe with us, let them be ever so rich. I am glad to find, however, from what you say, that he is a respectable young man, and one whose acquaintance will not be ineligible.”
“He is as good a sort of fellow, I believe, as ever lived,” repeated Sir John. “I remember last Christmas at a little hop at the park, he danced from eight o’clock till four, without once sitting down.”
“Did he indeed?” cried Marianne with sparkling eyes, “and with elegance, with spirit?”
“Yes; and he was up again at eight to ride to covert.”
“That is what I like; that is what a young man ought to be. Whatever be his pursuits, his eagerness in them should know no moderation, and leave him no sense of fatigue.”
“Aye, aye, I see how it will be,” said Sir John, “I see how it will be. You will be setting your cap at him now, and never think of poor Brandon.”
“That is an expression, Sir John,” said Marianne, warmly, “which I particularly dislike. I abhor every common-place phrase by which wit is intended; and ‘setting one’s cap at a man,’ or ‘making a conquest,’ are the most odious of all. Their tendency is gross and illiberal; and if their construction could ever be deemed clever, time has long ago destroyed all its ingenuity.”
Sir John did not much understand this reproof; but he laughed as heartily as if he did, and then replied,
“Ay, you will make conquests enough, I dare say, one way or other. Poor Brandon! he is quite smitten already, and he is very well worth setting your cap at, I can tell you, in spite of all this tumbling about and spraining of ankles.”
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CHAPTER 10
Marianne’s preserver, as Margaret, with more elegance than precision, styled Willoughby, called at the cottage early the next morning to make his personal enquiries. He was received by Mrs. Dashwood with more than politeness; with a kindness which Sir John’s account of him and her own gratitude prompted; and every thing that passed during the visit tended to assure him of the sense, elegance, mutual affection, and domestic comfort of the family to whom accident had now introduced him. Of their personal charms he had not required a second interview to be convinced.
Miss Dashwood had a delicate complexion, regular features, and a remarkably pretty figure. Marianne was still handsomer. Her form, though not so correct as her sister’s, in having the advantage of height, was more striking; and her face was so lovely, that when in the common cant of praise, she was called a beautiful girl, truth was less violently outraged than usually happens. Her skin was very brown, but, from its transparency, her complexion was uncommonly brilliant; her features were all good; her smile was sweet and attractive; and in her eyes, which were very dark, there was a life, a spirit, an eagerness, which could hardily be seen without delight. From Willoughby their expression was at first held back, by the embarrassment which the remembrance of his assistance created. But when this passed away, when her spirits became collected, when she saw that to the perfect good-breeding of the gentleman, he united frankness and vivacity, and above all, when she heard him declare, that of music and dancing he was passionately fond, she gave him such a look of approbation as secured the
largest share of his discourse to herself for the rest of his stay.
It was only necessary to mention any favourite amusement to engage her to talk. She could not be silent when such points were introduced, and she had neither shyness nor reserve in their discussion. They speedily discovered that their enjoyment of dancing and music was mutual, and that it arose from a general conformity of judgment in all that related to either. Encouraged by this to a further examination of his opinions, she proceeded to question him on the subject of books; her favourite authors were brought forward and dwelt upon with so rapturous a delight, that any young man of five and twenty must have been insensible indeed, not to become an immediate convert to the excellence of such works, however disregarded before. Their taste was strikingly alike. The same books, the same passages were idolized by each—or if any difference appeared, any objection arose, it lasted no longer than till the force of her arguments and the brightness of her eyes could be displayed. He acquiesced in all her decisions, caught all her enthusiasm; and long before his visit concluded, they conversed with the familiarity of a long-established acquaintance.
“Well, Marianne,” said Elinor, as soon as he had left them, “for ONE morning I think you have done pretty well. You have already ascertained Mr. Willoughby’s opinion in almost every matter of importance. You know what he thinks of Cowper and Scott; you are certain of his estimating their beauties as he ought, and you have received every assurance of his admiring Pope no more than is proper. But how is your acquaintance to be long supported, under such extraordinary despatch of every subject for discourse? You will soon have exhausted each favourite topic. Another meeting will suffice to explain his sentiments on picturesque beauty, and second marriages, and then you can have nothing farther to ask.”—
“Elinor,” cried Marianne, “is this fair? is this just? are my ideas so scanty? But I see what you mean. I have been too much at my ease, too happy, too frank. I have erred against every common-place notion of decorum; I have been open and sincere where I ought to have been reserved, spiritless, dull, and deceitful—had I talked only of the weather and the roads, and had I spoken only once in ten minutes, this reproach would have been spared.”
“My love,” said her mother, “you must not be offended with Elinor—she was only in jest. I should scold her myself, if she were capable of wishing to check the delight of your conversation with our new friend.”— Marianne was softened in a moment.
Willoughby, on his side, gave every proof of his pleasure in their acquaintance, which an evident wish of improving it could offer. He came to them every day. To enquire after Marianne was at first his excuse; but the encouragement of his reception, to which every day gave greater kindness, made such an excuse unnecessary before it had ceased to be possible, by Marianne’s perfect recovery. She was confined for some days to the house; but never had any confinement been less irksome. Willoughby was a young man of good abilities, quick imagination, lively spirits, and open, affectionate manners. He was exactly formed to engage Marianne’s heart, for with all this, he joined not only a captivating person, but a natural ardour of mind which was now roused and increased by the example of her own, and which recommended him to her affection beyond every thing else.
His society became gradually her most exquisite enjoyment. They read, they talked, they sang together; his musical talents were considerable; and he read with all the sensibility and spirit which Edward had unfortunately wanted.
In Mrs. Dashwood’s estimation he was as faultless as in Marianne’s; and Elinor saw nothing to censure in him but a propensity, in which he strongly resembled and peculiarly delighted her sister, of saying too much what he thought on every occasion, without attention to persons or circumstances. In hastily forming and giving his opinion of other people, in sacrificing general politeness to the enjoyment of undivided attention where his heart was engaged, and in slighting too easily the forms of worldly propriety, he displayed a want of caution which Elinor could not approve, in spite of all that he and Marianne could say in its support.
Marianne began now to perceive that the desperation which had seized her at sixteen and a half, of ever seeing a man who could satisfy her ideas of perfection, had been rash and unjustifiable. Willoughby was all that her fancy had delineated in that unhappy hour and in every brighter period, as capable of attaching her; and his behaviour declared his wishes to be in that respect as earnest, as his abilities were strong.
Her mother too, in whose mind not one speculative thought of their marriage had been raised, by his prospect of riches, was led before the end of a week to hope and expect it; and secretly to congratulate herself on having gained two such sons-in-law as Edward and Willoughby.
Colonel Brandon’s partiality for Marianne, which had so early been discovered by his friends, now first became perceptible to Elinor, when it ceased to be noticed by them. Their attention and wit were drawn off to his more fortunate rival; and the raillery which the other had incurred before any partiality arose, was removed when his feelings began really to call for the ridicule so justly annexed to sensibility. Elinor was obliged, though unwillingly, to believe that the sentiments which Mrs. Jennings had assigned him for her
own satisfaction, were now actually excited by her sister; and that however a general resemblance of disposition between the parties might forward the affection of Mr. Willoughby, an equally striking opposition of character was no hindrance to the regard of Colonel Brandon. She saw it with concern; for what could a silent man of five and thirty hope, when opposed to a very lively one of five and twenty? and as she could not even wish him successful, she heartily wished him indifferent. She liked him—in spite of his gravity and reserve, she beheld in him an object of interest. His manners, though serious, were mild; and his reserve appeared rather the result of some oppression of spirits than of any natural gloominess of temper. Sir John had dropped hints of past injuries and disappointments, which justified her belief of his being an unfortunate man, and she regarded him with respect and compassion.
Perhaps she pitied and esteemed him the more because he was slighted by Willoughby and Marianne, who, prejudiced against him for being neither lively nor young, seemed resolved to undervalue his merits.
“Brandon is just the kind of man,” said Willoughby one day, when they were talking of him together, “whom every body speaks well of, and nobody cares about; whom all are delighted to see, and nobody remembers to talk to.”
“That is exactly what I think of him,” cried Marianne.
“Do not boast of it, however,” said Elinor, “for it is injustice in both of you. He is highly esteemed by all the family at the park, and I never see him myself without taking pains to converse with him.”
“That he is patronised by YOU,” replied Willoughby, “is certainly in his favour; but as for the esteem of the others, it is a reproach in itself. Who would submit to the indignity of
being approved by such a woman as Lady Middleton and Mrs. Jennings, that could command the indifference of any body else?”
“But perhaps the abuse of such people as yourself and Marianne will make amends for the regard of Lady Middleton and her mother. If their praise is censure, your censure may be praise, for they are not more undiscerning, than you are prejudiced and unjust.”
“In defence of your protege you can even be saucy.”
“My protege, as you call him, is a sensible man; and sense will always have attractions for me. Yes, Marianne, even in a man between thirty and forty. He has seen a great deal of the world; has been abroad, has read, and has a thinking mind. I have found him capable of giving me much information on various subjects; and he has always answered my inquiries with readiness of good-breeding and good nature.”
“That is to say,” cried Marianne contemptuously, “he has told you, that in the East Indies the climate is hot, and the mosquitoes are troublesome.”
“He WOULD have told me so, I doubt not, had I made any such inquiries, but they happened to be points on which I had been previously informed.”
“Perhaps,” said Willoughby, “his observations may have extended to the existence of nabobs, gold mohrs, and palanquins.”
“I may venture to say that HIS observations have stretched much further than your candour. But why should you dislike him?”
“I do not dislike him. I consider him, on the contrary, as a very respectable man, who has every body’s good word, and nobody’s notice; who, has more money than he can spend, more time than he knows how to employ, and two new coats every year.”
“Add to which,” cried Marianne, “that he has neither genius, taste, nor spirit. That his understanding has no brilliancy, his feelings no ardour, and his voice no expression.”
“You decide on his imperfections so much in the mass,” replied Elinor, “and so much on the strength of your own imagination, that the commendation I am able to give of him is comparatively cold and insipid. I can only pronounce him to be a sensible man, well-bred, well-informed, of gentle address, and, I believe, possessing an amiable heart.”
“Miss Dashwood,” cried Willoughby, “you are now using me unkindly. You are endeavouring to disarm me by reason, and to convince me against my will. But it will not do. You shall find me as stubborn as you can be artful. I have three unanswerable reasons for disliking Colonel Brandon; he threatened me with rain when I wanted it to be fine; he has found fault with the hanging of my curricle, and I cannot persuade him to buy my brown mare. If it will be any satisfaction to you, however, to be told, that I believe his character to be in other respects irreproachable, I am ready to confess it. And in return for an acknowledgment, which must give me some pain, you cannot deny me the privilege of disliking him as much as ever.”
CHAPTER 11
Little had Mrs. Dashwood or her daughters imagined when they first came into Devonshire, that so many engagements would arise to occupy their time as shortly presented themselves, or that they should have such frequent invitations and such constant visitors as to leave them little leisure for serious employment. Yet such was the case. When Marianne was recovered, the schemes of amusement at home and abroad, which Sir John had been previously forming, were put into execution. The private balls at the park then began; and parties on the water were made and accomplished as often as a showery October would allow. In every meeting of the kind Willoughby was included; and the ease and familiarity which naturally attended these parties were exactly calculated to give increasing intimacy to his acquaintance with the Dashwoods, to afford him opportunity of witnessing the excellencies of Marianne, of marking his animated admiration of her, and of receiving, in her behaviour to himself, the most pointed assurance of her affection.
Elinor could not be surprised at their attachment. She only wished that it were less openly shewn; and once or twice did venture to suggest the propriety of some self-command to Marianne. But Marianne abhorred all concealment where no real disgrace could attend unreserve; and to aim at the restraint of sentiments which were not in themselves illaudable, appeared to her not merely an unnecessary effort, but a disgraceful subjection of reason to common-place and mistaken notions. Willoughby thought the
same; and their behaviour at all times, was an illustration of their opinions.
When he was present she had no eyes for any one else. Every thing he did, was right. Every thing he said, was clever. If their evenings at the park were concluded with cards, he cheated himself and all the rest of the party to get her a good hand. If dancing formed the amusement of the night, they were partners for half the time; and when obliged to separate for a couple of dances, were careful to stand together and scarcely spoke a word to any body else. Such conduct made them of course most exceedingly laughed at; but ridicule could not shame, and seemed hardly to provoke them.
Mrs. Dashwood entered into all their feelings with a warmth which left her no inclination for checking this excessive display of them. To her it was but the natural consequence of a strong affection in a young and ardent mind.
This was the season of happiness to Marianne. Her heart was devoted to Willoughby, and the fond attachment to Norland, which she brought with her from Sussex, was more likely to be softened than she had thought it possible before, by the charms which his society bestowed on her present home.
Elinor’s happiness was not so great. Her heart was not so much at ease, nor her satisfaction in their amusements so pure. They afforded her no companion that could make amends for what she had left behind, nor that could teach her to think of Norland with less regret than ever. Neither Lady Middleton nor Mrs. Jennings could supply to her the conversation she missed; although the latter was an everlasting talker, and from the first had regarded her with a kindness which ensured her a large share of her discourse.
She had already repeated her own history to Elinor three or four times; and had Elinor’s memory been equal to her means of improvement, she might have known very early in their acquaintance all the particulars of Mr. Jenning’s last illness, and what he said to his wife a few minutes before he died. Lady Middleton was more agreeable than her mother only in being more silent. Elinor needed little observation to perceive that her reserve was a mere calmness of manner with which sense had nothing to do. Towards her husband and mother she was the same as to them; and intimacy was therefore neither to be looked for nor desired. She had nothing to say one day that she had not said the day before. Her insipidity was invariable, for even her spirits were always the same; and though she did not oppose the parties arranged by her husband, provided every thing were conducted in style and her two eldest children attended her, she never appeared to receive more enjoyment from them than she might have experienced in sitting at home;—and so little did her presence add to the pleasure of the others, by any share in their conversation, that they were sometimes only reminded of her being amongst them by her solicitude about her troublesome boys.
In Colonel Brandon alone, of all her new acquaintance, did Elinor find a person who could in any degree claim the respect of abilities, excite the interest of friendship, or give pleasure as a companion. Willoughby was out of the question. Her admiration and regard, even her sisterly regard, was all his own; but he was a lover; his attentions were wholly Marianne’s, and a far less agreeable man might have been more generally pleasing. Colonel Brandon, unfortunately for himself, had no such encouragement to think only of Marianne, and in conversing with Elinor he found the greatest consolation for the indifference of her sister.
Elinor’s compassion for him increased, as she had reason to suspect that the misery of disappointed love had already been known to him. This suspicion was given by some words which accidently dropped from him one evening at the park, when they were sitting down together by mutual consent, while the others were dancing. His eyes were fixed on Marianne, and, after a silence of some minutes, he said, with a faint smile, “Your sister, I understand, does not approve of second attachments.”
“No,” replied Elinor, “her opinions are all romantic.”
“Or rather, as I believe, she considers them impossible to exist.”
“I believe she does. But how she contrives it without reflecting on the character of her own father, who had himself two wives, I know not. A few years however will settle her opinions on the reasonable basis of common sense and observation; and then they may be more easy to define and to justify than they now are, by any body but herself.”
“This will probably be the case,” he replied; “and yet there is something so amiable in the prejudices of a young mind, that one is sorry to see them give way to the reception of more general opinions.”
“I cannot agree with you there,” said Elinor. “There are inconveniences attending such feelings as Marianne’s, which all the charms of enthusiasm and ignorance of the world cannot atone for. Her systems have all the unfortunate tendency of setting propriety at nought; and a better acquaintance with the world is what I look forward to as her greatest possible advantage.”
After a short pause he resumed the conversation by saying,—
“Does your sister make no distinction in her objections against a second attachment? or is it equally criminal in every body? Are those who have been disappointed in their first choice, whether from the inconstancy of its object, or the perverseness of circumstances, to be equally indifferent during the rest of their lives?”
“Upon my word, I am not acquainted with the minutiae of her principles. I only know that I never yet heard her admit any instance of a second attachment’s being pardonable.”
“This,” said he, “cannot hold; but a change, a total change of sentiments—No, no, do not desire it; for when the romantic refinements of a young mind are obliged to give way, how frequently are they succeeded by such opinions as are but too common, and too dangerous! I speak from experience. I once knew a lady who in temper and mind greatly resembled your sister, who thought and judged like her, but who from an inforced change—from a series of unfortunate circumstances”— Here he stopt suddenly; appeared to think that he had said too much, and by his countenance gave rise to conjectures, which might not otherwise have entered Elinor’s head. The lady would probably have passed without suspicion, had he not convinced Miss Dashwood that what concerned her ought not to escape his lips. As it was, it required but a slight effort of fancy to connect his emotion with the tender recollection of past regard. Elinor attempted no more. But Marianne, in her place, would not have done so little. The whole story would have been speedily formed under her active imagination; and every thing established in the most melancholy order of disastrous love.
CHAPTER 12
As Elinor and Marianne were walking together the next morning the latter communicated a piece of news to her sister, which in spite of all that she knew before of Marianne’s imprudence and want of thought, surprised her by its extravagant testimony of both. Marianne told her, with the greatest delight, that Willoughby had given her a horse, one that he had bred himself on his estate in Somersetshire, and which was exactly calculated to carry a woman. Without considering that it was not in her mother’s plan to keep any horse, that if she were to alter her resolution in favour of this gift, she must buy another for the servant, and keep a servant to ride it, and after all, build a stable to receive them, she had accepted the present without hesitation, and told her sister of it in raptures.
“He intends to send his groom into Somersetshire immediately for it,” she added, “and when it arrives we will ride every day. You shall share its use with me. Imagine to yourself, my dear Elinor, the delight of a gallop on some of these downs.”
Most unwilling was she to awaken from such a dream of felicity to comprehend all the unhappy truths which attended the affair; and for some time she refused to submit to them. As to an additional servant, the expense would be a trifle; Mamma she was sure would never object to it; and any horse would do for HIM; he might always get one at the park; as to a stable, the merest shed would be sufficient. Elinor then ventured to doubt the propriety of her receiving such a
present from a man so little, or at least so lately known to her. This was too much.
“You are mistaken, Elinor,” said she warmly, “in supposing I know very little of Willoughby. I have not known him long indeed, but I am much better acquainted with him, than I am with any other creature in the world, except yourself and mama. It is not time or opportunity that is to determine intimacy;—it is disposition alone. Seven years would be insufficient to make some people acquainted with each other, and seven days are more than enough for others. I should hold myself guilty of greater impropriety in accepting a horse from my brother, than from Willoughby. Of John I know very little, though we have lived together for years; but of Willoughby my judgment has long been formed.”
Elinor thought it wisest to touch that point no more. She knew her sister’s temper. Opposition on so tender a subject would only attach her the more to her own opinion. But by an appeal to her affection for her mother, by representing the inconveniences which that indulgent mother must draw on herself, if (as would probably be the case) she consented to this increase of establishment, Marianne was shortly subdued; and she promised not to tempt her mother to such imprudent kindness by mentioning the offer, and to tell Willoughby when she saw him next, that it must be declined.
She was faithful to her word; and when Willoughby called at the cottage, the same day, Elinor heard her express her disappointment to him in a low voice, on being obliged to forego the acceptance of his present. The reasons for this alteration were at the same time related, and they were such as to make further entreaty on his side impossible. His concern however was very apparent; and after expressing it with earnestness, he added, in the same low voice,—”But, Marianne, the horse is still yours, though you cannot use it
now. I shall keep it only till you can claim it. When you leave Barton to form your own establishment in a more lasting home, Queen Mab shall receive you.”
This was all overheard by Miss Dashwood; and in the whole of the sentence, in his manner of pronouncing it, and in his addressing her sister by her Christian name alone, she instantly saw an intimacy so decided, a meaning so direct, as marked a perfect agreement between them. From that moment she doubted not of their being engaged to each other; and the belief of it created no other surprise than that she, or any of their friends, should be left by tempers so frank, to discover it by accident.
Margaret related something to her the next day, which placed this matter in a still clearer light. Willoughby had spent the preceding evening with them, and Margaret, by being left some time in the parlour with only him and Marianne, had had opportunity for observations, which, with a most important face, she communicated to her eldest sister, when they were next by themselves.
“Oh, Elinor!” she cried, “I have such a secret to tell you about Marianne. I am sure she will be married to Mr. Willoughby very soon.”
“You have said so,” replied Elinor, “almost every day since they first met on High-church Down; and they had not known each other a week, I believe, before you were certain that Marianne wore his picture round her neck; but it turned out to be only the miniature of our great uncle.”
“But indeed this is quite another thing. I am sure they will be married very soon, for he has got a lock of her hair.”
“Take care, Margaret. It may be only the hair of some great uncle of HIS.”
“But, indeed, Elinor, it is Marianne’s. I am almost sure it is, for I saw him cut it off. Last night after tea, when you and mama went out of the room, they were whispering and talking together as fast as could be, and he seemed to be begging something of her, and presently he took up her scissors and cut off a long lock of her hair, for it was all tumbled down her back; and he kissed it, and folded it up in a piece of white paper; and put it into his pocket-book.”
For such particulars, stated on such authority, Elinor could not withhold her credit; nor was she disposed to it, for the circumstance was in perfect unison with what she had heard and seen herself.
Margaret’s sagacity was not always displayed in a way so satisfactory to her sister. When Mrs. Jennings attacked her one evening at the park, to give the name of the young man who was Elinor’s particular favourite, which had been long a matter of great curiosity to her, Margaret answered by looking at her sister, and saying, “I must not tell, may I, Elinor?”
This of course made every body laugh; and Elinor tried to laugh too. But the effort was painful. She was convinced that Margaret had fixed on a person whose name she could not bear with composure to become a standing joke with Mrs. Jennings.
Marianne felt for her most sincerely; but she did more harm than good to the cause, by turning very red and saying in an angry manner to Margaret,
“Remember that whatever your conjectures may be, you have no right to repeat them.”
“I never had any conjectures about it,” replied Margaret; “it was you who told me of it yourself.”
This increased the mirth of the company, and Margaret was eagerly pressed to say something more.
“Oh! pray, Miss Margaret, let us know all about it,” said Mrs. Jennings. “What is the gentleman’s name?”
“I must not tell, ma’am. But I know very well what it is; and I know where he is too.”
“Yes, yes, we can guess where he is; at his own house at Norland to be sure. He is the curate of the parish I dare say.”
“No, THAT he is not. He is of no profession at all.”
“Margaret,” said Marianne with great warmth, “you know that all this is an invention of your own, and that there is no such person in existence.”
“Well, then, he is lately dead, Marianne, for I am sure there was such a man once, and his name begins with an F.”
Most grateful did Elinor feel to Lady Middleton for observing, at this moment, “that it rained very hard,” though she believed the interruption to proceed less from any attention to her, than from her ladyship’s great dislike of all such inelegant subjects of raillery as delighted her husband and mother. The idea however started by her, was immediately pursued by Colonel Brandon, who was on every occasion mindful of the feelings of others; and much was said on the subject of rain by both of them. Willoughby opened the piano-forte, and asked Marianne to sit down to it; and thus amidst the various endeavours of different people to quit the topic, it fell to the ground. But not so easily did Elinor recover from the alarm into which it had thrown her.
A party was formed this evening for going on the following day to see a very fine place about twelve miles
from Barton, belonging to a brother-in-law of Colonel Brandon, without whose interest it could not be seen, as the proprietor, who was then abroad, had left strict orders on that head. The grounds were declared to be highly beautiful, and Sir John, who was particularly warm in their praise, might be allowed to be a tolerable judge, for he had formed parties to visit them, at least, twice every summer for the last ten years. They contained a noble piece of water; a sail on which was to a form a great part of the morning’s amusement; cold provisions were to be taken, open carriages only to be employed, and every thing conducted in the usual style of a complete party of pleasure.
To some few of the company it appeared rather a bold undertaking, considering the time of year, and that it had rained every day for the last fortnight;—and Mrs. Dashwood, who had already a cold, was persuaded by Elinor to stay at home.
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CHAPTER 13
Their intended excursion to Whitwell turned out very different from what Elinor had expected. She was prepared to be wet through, fatigued, and frightened; but the event was still more unfortunate, for they did not go at all.
By ten o’clock the whole party was assembled at the park, where they were to breakfast. The morning was rather favourable, though it had rained all night, as the clouds were then dispersing across the sky, and the sun frequently appeared. They were all in high spirits and good humour, eager to be happy, and determined to submit to the greatest inconveniences and hardships rather than be otherwise.
While they were at breakfast the letters were brought in. Among the rest there was one for Colonel Brandon;—he took it, looked at the direction, changed colour, and immediately left the room.
“What is the matter with Brandon?” said Sir John.
Nobody could tell.
“I hope he has had no bad news,” said Lady Middleton. “It must be something extraordinary that could make Colonel Brandon leave my breakfast table so suddenly.”
In about five minutes he returned.
“No bad news, Colonel, I hope;” said Mrs. Jennings, as soon as he entered the room.
“None at all, ma’am, I thank you.”
“Was it from Avignon? I hope it is not to say that your sister is worse.”
“No, ma’am. It came from town, and is merely a letter of business.”
“But how came the hand to discompose you so much, if it was only a letter of business? Come, come, this won’t do, Colonel; so let us hear the truth of it.”
“My dear madam,” said Lady Middleton, “recollect what you are saying.”
“Perhaps it is to tell you that your cousin Fanny is married?” said Mrs. Jennings, without attending to her daughter’s reproof.
“No, indeed, it is not.”
“Well, then, I know who it is from, Colonel. And I hope she is well.”
“Whom do you mean, ma’am?” said he, colouring a little.
“Oh! you know who I mean.”
“I am particularly sorry, ma’am,” said he, addressing Lady Middleton, “that I should receive this letter today, for it is on business which requires my immediate attendance in town.”
“In town!” cried Mrs. Jennings. “What can you have to do in town at this time of year?”
“My own loss is great,” he continued, “in being obliged to leave so agreeable a party; but I am the more concerned, as I
fear my presence is necessary to gain your admittance at Whitwell.”
What a blow upon them all was this!
“But if you write a note to the housekeeper, Mr. Brandon,” said Marianne, eagerly, “will it not be sufficient?”
He shook his head.
“We must go,” said Sir John.—”It shall not be put off when we are so near it. You cannot go to town till tomorrow, Brandon, that is all.”
“I wish it could be so easily settled. But it is not in my power to delay my journey for one day!”
“If you would but let us know what your business is,” said Mrs. Jennings, “we might see whether it could be put off or not.”
“You would not be six hours later,” said Willoughby, “if you were to defer your journey till our return.”
“I cannot afford to lose ONE hour.”—
Elinor then heard Willoughby say, in a low voice to Marianne, “There are some people who cannot bear a party of pleasure. Brandon is one of them. He was afraid of catching cold I dare say, and invented this trick for getting out of it. I would lay fifty guineas the letter was of his own writing.”
“I have no doubt of it,” replied Marianne.
“There is no persuading you to change your mind, Brandon, I know of old,” said Sir John, “when once you are determined on anything. But, however, I hope you will think
better of it. Consider, here are the two Miss Careys come over from Newton, the three Miss Dashwoods walked up from the cottage, and Mr. Willoughby got up two hours before his usual time, on purpose to go to Whitwell.”
Colonel Brandon again repeated his sorrow at being the cause of disappointing the party; but at the same time declared it to be unavoidable.
“Well, then, when will you come back again?”
“I hope we shall see you at Barton,” added her ladyship, “as soon as you can conveniently leave town; and we must put off the party to Whitwell till you return.”
“You are very obliging. But it is so uncertain, when I may have it in my power to return, that I dare not engage for it at all.”
“Oh! he must and shall come back,” cried Sir John. “If he is not here by the end of the week, I shall go after him.”
“Ay, so do, Sir John,” cried Mrs. Jennings, “and then perhaps you may find out what his business is.”
“I do not want to pry into other men’s concerns. I suppose it is something he is ashamed of.”
Colonel Brandon’s horses were announced.
“You do not go to town on horseback, do you?” added Sir John.
“No. Only to Honiton. I shall then go post.”
“Well, as you are resolved to go, I wish you a good journey. But you had better change your mind.”
“I assure you it is not in my power.”
He then took leave of the whole party.
“Is there no chance of my seeing you and your sisters in town this winter, Miss Dashwood?”
“I am afraid, none at all.”
“Then I must bid you farewell for a longer time than I should wish to do.”
To Marianne, he merely bowed and said nothing.
“Come Colonel,” said Mrs. Jennings, “before you go, do let us know what you are going about.”
He wished her a good morning, and, attended by Sir John, left the room.
The complaints and lamentations which politeness had hitherto restrained, now burst forth universally; and they all agreed again and again how provoking it was to be so disappointed.
“I can guess what his business is, however,” said Mrs. Jennings exultingly.
“Can you, ma’am?” said almost every body.
“Yes; it is about Miss Williams, I am sure.”
“And who is Miss Williams?” asked Marianne.
“What! do not you know who Miss Williams is? I am sure you must have heard of her before. She is a relation of the Colonel’s, my dear; a very near relation. We will not say how near, for fear of shocking the young ladies.” Then, lowering
her voice a little, she said to Elinor, “She is his natural daughter.”
“Indeed!”
“Oh, yes; and as like him as she can stare. I dare say the Colonel will leave her all his fortune.”
When Sir John returned, he joined most heartily in the general regret on so unfortunate an event; concluding however by observing, that as they were all got together, they must do something by way of being happy; and after some consultation it was agreed, that although happiness could only be enjoyed at Whitwell, they might procure a tolerable composure of mind by driving about the country. The carriages were then ordered; Willoughby’s was first, and Marianne never looked happier than when she got into it. He drove through the park very fast, and they were soon out of sight; and nothing more of them was seen till their return, which did not happen till after the return of all the rest. They both seemed delighted with their drive; but said only in general terms that they had kept in the lanes, while the others went on the downs.
It was settled that there should be a dance in the evening, and that every body should be extremely merry all day long. Some more of the Careys came to dinner, and they had the pleasure of sitting down nearly twenty to table, which Sir John observed with great contentment. Willoughby took his usual place between the two elder Miss Dashwoods. Mrs. Jennings sat on Elinor’s right hand; and they had not been long seated, before she leant behind her and Willoughby, and said to Marianne, loud enough for them both to hear, “I have found you out in spite of all your tricks. I know where you spent the morning.”
Marianne coloured, and replied very hastily, “Where, pray?”—
“Did not you know,” said Willoughby, “that we had been out in my curricle?”
“Yes, yes, Mr. Impudence, I know that very well, and I was determined to find out WHERE you had been to.— I hope you like your house, Miss Marianne. It is a very large one, I know; and when I come to see you, I hope you will have new-furnished it, for it wanted it very much when I was there six years ago.”
Marianne turned away in great confusion. Mrs. Jennings laughed heartily; and Elinor found that in her resolution to know where they had been, she had actually made her own woman enquire of Mr. Willoughby’s groom; and that she had by that method been informed that they had gone to Allenham, and spent a considerable time there in walking about the garden and going all over the house.
Elinor could hardly believe this to be true, as it seemed very unlikely that Willoughby should propose, or Marianne consent, to enter the house while Mrs. Smith was in it, with whom Marianne had not the smallest acquaintance.
As soon as they left the dining-room, Elinor enquired of her about it; and great was her surprise when she found that every circumstance related by Mrs. Jennings was perfectly true. Marianne was quite angry with her for doubting it.
“Why should you imagine, Elinor, that we did not go there, or that we did not see the house? Is not it what you have often wished to do yourself?”
“Yes, Marianne, but I would not go while Mrs. Smith was there, and with no other companion than Mr. Willoughby.”
“Mr. Willoughby however is the only person who can have a right to shew that house; and as he went in an open carriage, it was impossible to have any other companion. I never spent a pleasanter morning in my life.”
“I am afraid,” replied Elinor, “that the pleasantness of an employment does not always evince its propriety.”
“On the contrary, nothing can be a stronger proof of it, Elinor; for if there had been any real impropriety in what I did, I should have been sensible of it at the time, for we always know when we are acting wrong, and with such a conviction I could have had no pleasure.”
“But, my dear Marianne, as it has already exposed you to some very impertinent remarks, do you not now begin to doubt the discretion of your own conduct?”
“If the impertinent remarks of Mrs. Jennings are to be the proof of impropriety in conduct, we are all offending every moment of our lives. I value not her censure any more than I should do her commendation. I am not sensible of having done anything wrong in walking over Mrs. Smith’s grounds, or in seeing her house. They will one day be Mr. Willoughby’s, and—”
“If they were one day to be your own, Marianne, you would not be justified in what you have done.”
She blushed at this hint; but it was even visibly gratifying to her; and after a ten minutes’ interval of earnest thought, she came to her sister again, and said with great good humour, “Perhaps, Elinor, it WAS rather ill-judged in me to go to Allenham; but Mr. Willoughby wanted particularly to shew me the place; and it is a charming house, I assure you.—There is one remarkably pretty sitting room up stairs; of a nice comfortable size for constant use, and with modern furniture it would be delightful. It is a
corner room, and has windows on two sides. On one side you look across the bowling-green, behind the house, to a beautiful hanging wood, and on the other you have a view of the church and village, and, beyond them, of those fine bold hills that we have so often admired. I did not see it to advantage, for nothing could be more forlorn than the furniture,—but if it were newly fitted up—a couple of hundred pounds, Willoughby says, would make it one of the pleasantest summer-rooms in England.”
Could Elinor have listened to her without interruption from the others, she would have described every room in the house with equal delight.
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CHAPTER 14
The sudden termination of Colonel Brandon’s visit at the park, with his steadiness in concealing its cause, filled the mind, and raised the wonder of Mrs. Jennings for two or three days; she was a great wonderer, as every one must be who takes a very lively interest in all the comings and goings of all their acquaintance. She wondered, with little intermission what could be the reason of it; was sure there must be some bad news, and thought over every kind of distress that could have befallen him, with a fixed determination that he should not escape them all.
“Something very melancholy must be the matter, I am sure,” said she. “I could see it in his face. Poor man! I am afraid his circumstances may be bad. The estate at Delaford was never reckoned more than two thousand a year, and his brother left everything sadly involved. I do think he must have been sent for about money matters, for what else can it be? I wonder whether it is so. I would give anything to know the truth of it. Perhaps it is about Miss Williams and, by the bye, I dare say it is, because he looked so conscious when I mentioned her. May be she is ill in town; nothing in the world more likely, for I have a notion she is always rather sickly. I would lay any wager it is about Miss Williams. It is not so very likely he should be distressed in his circumstances NOW, for he is a very prudent man, and to be sure must have cleared the estate by this time. I wonder what it can be! May be his sister is worse at Avignon, and has sent for him over. His setting off in such a hurry seems very like it. Well, I wish him out of all his trouble with all my heart, and a good wife into the bargain.”
So wondered, so talked Mrs. Jennings. Her opinion varying with every fresh conjecture, and all seeming equally probable as they arose. Elinor, though she felt really interested in the welfare of Colonel Brandon, could not bestow all the wonder on his going so suddenly away, which Mrs. Jennings was desirous of her feeling; for besides that the circumstance did not in her opinion justify such lasting amazement or variety of speculation, her wonder was otherwise disposed of. It was engrossed by the extraordinary silence of her sister and Willoughby on the subject, which they must know to be peculiarly interesting to them all. As this silence continued, every day made it appear more strange and more incompatible with the disposition of both. Why they should not openly acknowledge to her mother and herself, what their constant behaviour to each other declared to have taken place, Elinor could not imagine.
She could easily conceive that marriage might not be immediately in their power; for though Willoughby was independent, there was no reason to believe him rich. His estate had been rated by Sir John at about six or seven hundred a year; but he lived at an expense to which that income could hardly be equal, and he had himself often complained of his poverty. But for this strange kind of secrecy maintained by them relative to their engagement, which in fact concealed nothing at all, she could not account; and it was so wholly contradictory to their general opinions and practice, that a doubt sometimes entered her mind of their being really engaged, and this doubt was enough to prevent her making any inquiry of Marianne.
Nothing could be more expressive of attachment to them all, than Willoughby’s behaviour. To Marianne it had all the distinguishing tenderness which a lover’s heart could give, and to the rest of the family it was the affectionate attention of a son and a brother. The cottage seemed to be considered and loved by him as his home; many more of his hours were
spent there than at Allenham; and if no general engagement collected them at the park, the exercise which called him out in the morning was almost certain of ending there, where the rest of the day was spent by himself at the side of Marianne, and by his favourite pointer at her feet.
One evening in particular, about a week after Colonel Brandon left the country, his heart seemed more than usually open to every feeling of attachment to the objects around him; and on Mrs. Dashwood’s happening to mention her design of improving the cottage in the spring, he warmly opposed every alteration of a place which affection had established as perfect with him.
“What!” he exclaimed—”Improve this dear cottage! No. THAT I will never consent to. Not a stone must be added to its walls, not an inch to its size, if my feelings are regarded.”
“Do not be alarmed,” said Miss Dashwood, “nothing of the kind will be done; for my mother will never have money enough to attempt it.”
“I am heartily glad of it,” he cried. “May she always be poor, if she can employ her riches no better.”
“Thank you, Willoughby. But you may be assured that I would not sacrifice one sentiment of local attachment of yours, or of any one whom I loved, for all the improvements in the world. Depend upon it that whatever unemployed sum may remain, when I make up my accounts in the spring, I would even rather lay it uselessly by than dispose of it in a manner so painful to you. But are you really so attached to this place as to see no defect in it?”
“I am,” said he. “To me it is faultless. Nay, more, I consider it as the only form of building in which happiness is attainable, and were I rich enough I would instantly pull
Combe down, and build it up again in the exact plan of this cottage.”
“With dark narrow stairs and a kitchen that smokes, I suppose,” said Elinor.
“Yes,” cried he in the same eager tone, “with all and every thing belonging to it;—in no one convenience or INconvenience about it, should the least variation be perceptible. Then, and then only, under such a roof, I might perhaps be as happy at Combe as I have been at Barton.”
“I flatter myself,” replied Elinor, “that even under the disadvantage of better rooms and a broader staircase, you will hereafter find your own house as faultless as you now do this.”
“There certainly are circumstances,” said Willoughby, “which might greatly endear it to me; but this place will always have one claim of my affection, which no other can possibly share.”
Mrs. Dashwood looked with pleasure at Marianne, whose fine eyes were fixed so expressively on Willoughby, as plainly denoted how well she understood him.
“How often did I wish,” added he, “when I was at Allenham this time twelvemonth, that Barton cottage were inhabited! I never passed within view of it without admiring its situation, and grieving that no one should live in it. How little did I then think that the very first news I should hear from Mrs. Smith, when I next came into the country, would be that Barton cottage was taken: and I felt an immediate satisfaction and interest in the event, which nothing but a kind of prescience of what happiness I should experience from it, can account for. Must it not have been so, Marianne?” speaking to her in a lowered voice. Then continuing his former tone, he said, “And yet this house you
would spoil, Mrs. Dashwood? You would rob it of its simplicity by imaginary improvement! and this dear parlour in which our acquaintance first began, and in which so many happy hours have been since spent by us together, you would degrade to the condition of a common entrance, and every body would be eager to pass through the room which has hitherto contained within itself more real accommodation and comfort than any other apartment of the handsomest dimensions in the world could possibly afford.”
Mrs. Dashwood again assured him that no alteration of the kind should be attempted.
“You are a good woman,” he warmly replied. “Your promise makes me easy. Extend it a little farther, and it will make me happy. Tell me that not only your house will remain the same, but that I shall ever find you and yours as unchanged as your dwelling; and that you will always consider me with the kindness which has made everything belonging to you so dear to me.”
The promise was readily given, and Willoughby’s behaviour during the whole of the evening declared at once his affection and happiness.
“Shall we see you tomorrow to dinner?” said Mrs. Dashwood, when he was leaving them. “I do not ask you to come in the morning, for we must walk to the park, to call on Lady Middleton.”
He engaged to be with them by four o’clock.
CHAPTER 15
Mrs. Dashwood’s visit to Lady Middleton took place the next day, and two of her daughters went with her; but Marianne excused herself from being of the party, under some trifling pretext of employment; and her mother, who concluded that a promise had been made by Willoughby the night before of calling on her while they were absent, was perfectly satisfied with her remaining at home.
On their return from the park they found Willoughby’s curricle and servant in waiting at the cottage, and Mrs. Dashwood was convinced that her conjecture had been just. So far it was all as she had foreseen; but on entering the house she beheld what no foresight had taught her to expect. They were no sooner in the passage than Marianne came hastily out of the parlour apparently in violent affliction, with her handkerchief at her eyes; and without noticing them ran up stairs. Surprised and alarmed they proceeded directly into the room she had just quitted, where they found only Willoughby, who was leaning against the mantel-piece with his back towards them. He turned round on their coming in, and his countenance shewed that he strongly partook of the emotion which over-powered Marianne.
“Is anything the matter with her?” cried Mrs. Dashwood as she entered—”is she ill?”
“I hope not,” he replied, trying to look cheerful; and with a forced smile presently added, “It is I who may rather expect to be ill—for I am now suffering under a very heavy disappointment!”
“Disappointment?”
“Yes, for I am unable to keep my engagement with you. Mrs. Smith has this morning exercised the privilege of riches upon a poor dependent cousin, by sending me on business to London. I have just received my dispatches, and taken my farewell of Allenham; and by way of exhilaration I am now come to take my farewell of you.”
“To London!—and are you going this morning?”
“Almost this moment.”
“This is very unfortunate. But Mrs. Smith must be obliged;—and her business will not detain you from us long I hope.”
He coloured as he replied, “You are very kind, but I have no idea of returning into Devonshire immediately. My visits to Mrs. Smith are never repeated within the twelvemonth.”
“And is Mrs. Smith your only friend? Is Allenham the only house in the neighbourhood to which you will be welcome? For shame, Willoughby, can you wait for an invitation here?”
His colour increased; and with his eyes fixed on the ground he only replied, “You are too good.”
Mrs. Dashwood looked at Elinor with surprise. Elinor felt equal amazement. For a few moments every one was silent. Mrs. Dashwood first spoke.
“I have only to add, my dear Willoughby, that at Barton cottage you will always be welcome; for I will not press you to return here immediately, because you only can judge how far THAT might be pleasing to Mrs. Smith; and on this head
I shall be no more disposed to question your judgment than to doubt your inclination.”
“My engagements at present,” replied Willoughby, confusedly, “are of such a nature—that—I dare not flatter myself”—
He stopt. Mrs. Dashwood was too much astonished to speak, and another pause succeeded. This was broken by Willoughby, who said with a faint smile, “It is folly to linger in this manner. I will not torment myself any longer by remaining among friends whose society it is impossible for me now to enjoy.”
He then hastily took leave of them all and left the room. They saw him step into his carriage, and in a minute it was out of sight.
Mrs. Dashwood felt too much for speech, and instantly quitted the parlour to give way in solitude to the concern and alarm which this sudden departure occasioned.
Elinor’s uneasiness was at least equal to her mother’s. She thought of what had just passed with anxiety and distrust. Willoughby’s behaviour in taking leave of them, his embarrassment, and affectation of cheerfulness, and, above all, his unwillingness to accept her mother’s invitation, a backwardness so unlike a lover, so unlike himself, greatly disturbed her. One moment she feared that no serious design had ever been formed on his side; and the next that some unfortunate quarrel had taken place between him and her sister;—the distress in which Marianne had quitted the room was such as a serious quarrel could most reasonably account for, though when she considered what Marianne’s love for him was, a quarrel seemed almost impossible.
But whatever might be the particulars of their separation, her sister’s affliction was indubitable; and she
thought with the tenderest compassion of that violent sorrow which Marianne was in all probability not merely giving way to as a relief, but feeding and encouraging as a duty.
In about half an hour her mother returned, and though her eyes were red, her countenance was not uncheerful.
“Our dear Willoughby is now some miles from Barton, Elinor,” said she, as she sat down to work, “and with how heavy a heart does he travel?”
“It is all very strange. So suddenly to be gone! It seems but the work of a moment. And last night he was with us so happy, so cheerful, so affectionate? And now, after only ten minutes notice—Gone too without intending to return!— Something more than what he owned to us must have happened. He did not speak, he did not behave like himself. YOU must have seen the difference as well as I. What can it be? Can they have quarrelled? Why else should he have shewn such unwillingness to accept your invitation here?”—
“It was not inclination that he wanted, Elinor; I could plainly see THAT. He had not the power of accepting it. I have thought it all over I assure you, and I can perfectly account for every thing that at first seemed strange to me as well as to you.”
“Can you, indeed!”
“Yes. I have explained it to myself in the most satisfactory way;—but you, Elinor, who love to doubt where you can—it will not satisfy YOU, I know; but you shall not talk ME out of my trust in it. I am persuaded that Mrs. Smith suspects his regard for Marianne, disapproves of it, (perhaps because she has other views for him,) and on that account is eager to get him away;—and that the business which she sends him off to transact is invented as an excuse to dismiss him. This is what I believe to have happened. He
is, moreover, aware that she DOES disapprove the connection, he dares not therefore at present confess to her his engagement with Marianne, and he feels himself obliged, from his dependent situation, to give into her schemes, and absent himself from Devonshire for a while. You will tell me, I know, that this may or may NOT have happened; but I will listen to no cavil, unless you can point out any other method of understanding the affair as satisfactory at this. And now, Elinor, what have you to say?”
“Nothing, for you have anticipated my answer.”
“Then you would have told me, that it might or might not have happened. Oh, Elinor, how incomprehensible are your feelings! You had rather take evil upon credit than good. You had rather look out for misery for Marianne, and guilt for poor Willoughby, than an apology for the latter. You are resolved to think him blameable, because he took leave of us with less affection than his usual behaviour has shewn. And is no allowance to be made for inadvertence, or for spirits depressed by recent disappointment? Are no probabilities to be accepted, merely because they are not certainties? Is nothing due to the man whom we have all such reason to love, and no reason in the world to think ill of? To the possibility of motives unanswerable in themselves, though unavoidably secret for a while? And, after all, what is it you suspect him of?”
“I can hardly tell myself. But suspicion of something unpleasant is the inevitable consequence of such an alteration as we just witnessed in him. There is great truth, however, in what you have now urged of the allowances which ought to be made for him, and it is my wish to be candid in my judgment of every body. Willoughby may undoubtedly have very sufficient reasons for his conduct, and I will hope that he has. But it would have been more like Willoughby to acknowledge them at once. Secrecy may be
advisable; but still I cannot help wondering at its being practiced by him.”
“Do not blame him, however, for departing from his character, where the deviation is necessary. But you really do admit the justice of what I have said in his defence?—I am happy—and he is acquitted.”
“Not entirely. It may be proper to conceal their engagement (if they ARE engaged) from Mrs. Smith—and if that is the case, it must be highly expedient for Willoughby to be but little in Devonshire at present. But this is no excuse for their concealing it from us.”
“Concealing it from us! my dear child, do you accuse Willoughby and Marianne of concealment? This is strange indeed, when your eyes have been reproaching them every day for incautiousness.”
“I want no proof of their affection,” said Elinor; “but of their engagement I do.”
“I am perfectly satisfied of both.”
“Yet not a syllable has been said to you on the subject, by either of them.”
“I have not wanted syllables where actions have spoken so plainly. Has not his behaviour to Marianne and to all of us, for at least the last fortnight, declared that he loved and considered her as his future wife, and that he felt for us the attachment of the nearest relation? Have we not perfectly understood each other? Has not my consent been daily asked by his looks, his manner, his attentive and affectionate respect? My Elinor, is it possible to doubt their engagement? How could such a thought occur to you? How is it to be supposed that Willoughby, persuaded as he must be of your sister’s love, should leave her, and leave her perhaps for
months, without telling her of his affection;—that they should part without a mutual exchange of confidence?”
“I confess,” replied Elinor, “that every circumstance except ONE is in favour of their engagement; but that ONE is the total silence of both on the subject, and with me it almost outweighs every other.”
“How strange this is! You must think wretchedly indeed of Willoughby, if, after all that has openly passed between them, you can doubt the nature of the terms on which they are together. Has he been acting a part in his behaviour to your sister all this time? Do you suppose him really indifferent to her?”
“No, I cannot think that. He must and does love her I am sure.”
“But with a strange kind of tenderness, if he can leave her with such indifference, such carelessness of the future, as you attribute to him.”
“You must remember, my dear mother, that I have never considered this matter as certain. I have had my doubts, I confess; but they are fainter than they were, and they may soon be entirely done away. If we find they correspond, every fear of mine will be removed.”
“A mighty concession indeed! If you were to see them at the altar, you would suppose they were going to be married. Ungracious girl! But I require no such proof. Nothing in my opinion has ever passed to justify doubt; no secrecy has been attempted; all has been uniformly open and unreserved. You cannot doubt your sister’s wishes. It must be Willoughby therefore whom you suspect. But why? Is he not a man of honour and feeling? Has there been any inconsistency on his side to create alarm? can he be deceitful?”
“I hope not, I believe not,” cried Elinor. “I love Willoughby, sincerely love him; and suspicion of his integrity cannot be more painful to yourself than to me. It has been involuntary, and I will not encourage it. I was startled, I confess, by the alteration in his manners this morning;—he did not speak like himself, and did not return your kindness with any cordiality. But all this may be explained by such a situation of his affairs as you have supposed. He had just parted from my sister, had seen her leave him in the greatest affliction; and if he felt obliged, from a fear of offending Mrs. Smith, to resist the temptation of returning here soon, and yet aware that by declining your invitation, by saying that he was going away for some time, he should seem to act an ungenerous, a suspicious part by our family, he might well be embarrassed and disturbed. In such a case, a plain and open avowal of his difficulties would have been more to his honour I think, as well as more consistent with his general character;—but I will not raise objections against any one’s conduct on so illiberal a foundation, as a difference in judgment from myself, or a deviation from what I may think right and consistent.”
“You speak very properly. Willoughby certainly does not deserve to be suspected. Though WE have not known him long, he is no stranger in this part of the world; and who has ever spoken to his disadvantage? Had he been in a situation to act independently and marry immediately, it might have been odd that he should leave us without acknowledging everything to me at once: but this is not the case. It is an engagement in some respects not prosperously begun, for their marriage must be at a very uncertain distance; and even secrecy, as far as it can be observed, may now be very advisable.”
They were interrupted by the entrance of Margaret; and Elinor was then at liberty to think over the representations of
her mother, to acknowledge the probability of many, and hope for the justice of all.
They saw nothing of Marianne till dinner time, when she entered the room and took her place at the table without saying a word. Her eyes were red and swollen; and it seemed as if her tears were even then restrained with difficulty. She avoided the looks of them all, could neither eat nor speak, and after some time, on her mother’s silently pressing her hand with tender compassion, her small degree of fortitude was quite overcome, she burst into tears and left the room.
This violent oppression of spirits continued the whole evening. She was without any power, because she was without any desire of command over herself. The slightest mention of anything relative to Willoughby overpowered her in an instant; and though her family were most anxiously attentive to her comfort, it was impossible for them, if they spoke at all, to keep clear of every subject which her feelings connected with him.
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CHAPTER 16
Marianne would have thought herself very inexcusable had she been able to sleep at all the first night after parting from Willoughby. She would have been ashamed to look her family in the face the next morning, had she not risen from her bed in more need of repose than when she lay down in it. But the feelings which made such composure a disgrace, left her in no danger of incurring it. She was awake the whole night, and she wept the greatest part of it. She got up with a headache, was unable to talk, and unwilling to take any nourishment; giving pain every moment to her mother and sisters, and forbidding all attempt at consolation from either. Her sensibility was potent enough!
When breakfast was over she walked out by herself, and wandered about the village of Allenham, indulging the recollection of past enjoyment and crying over the present reverse for the chief of the morning.
The evening passed off in the equal indulgence of feeling. She played over every favourite song that she had been used to play to Willoughby, every air in which their voices had been oftenest joined, and sat at the instrument gazing on every line of music that he had written out for her, till her heart was so heavy that no farther sadness could be gained; and this nourishment of grief was every day applied. She spent whole hours at the pianoforte alternately singing and crying; her voice often totally suspended by her tears. In
books too, as well as in music, she courted the misery which a contrast between the past and present was certain of giving. She read nothing but what they had been used to read together.
Such violence of affliction indeed could not be supported for ever; it sunk within a few days into a calmer melancholy; but these employments, to which she daily recurred, her solitary walks and silent meditations, still produced occasional effusions of sorrow as lively as ever.
No letter from Willoughby came; and none seemed expected by Marianne. Her mother was surprised, and Elinor again became uneasy. But Mrs. Dashwood could find explanations whenever she wanted them, which at least satisfied herself.
“Remember, Elinor,” said she, “how very often Sir John fetches our letters himself from the post, and carries them to it. We have already agreed that secrecy may be necessary, and we must acknowledge that it could not be maintained if their correspondence were to pass through Sir John’s hands.”
Elinor could not deny the truth of this, and she tried to find in it a motive sufficient for their silence. But there was one method so direct, so simple, and in her opinion so eligible of knowing the real state of the affair, and of instantly removing all mystery, that she could not help suggesting it to her mother.
“Why do you not ask Marianne at once,” said she, “whether she is or she is not engaged to Willoughby? From you, her mother, and so kind, so indulgent a mother, the question could not give offence. It would be the natural result of your affection for her. She used to be all unreserve, and to you more especially.”
“I would not ask such a question for the world. Supposing it possible that they are not engaged, what distress would not such an enquiry inflict! At any rate it would be most ungenerous. I should never deserve her confidence again, after forcing from her a confession of what is meant at present to be unacknowledged to any one. I know Marianne’s heart: I know that she dearly loves me, and that I shall not be the last to whom the affair is made known, when circumstances make the revealment of it eligible. I would not attempt to force the confidence of any one; of a child much less; because a sense of duty would prevent the denial which her wishes might direct.”
Elinor thought this generosity overstrained, considering her sister’s youth, and urged the matter farther, but in vain; common sense, common care, common prudence, were all sunk in Mrs. Dashwood’s romantic delicacy.
It was several days before Willoughby’s name was mentioned before Marianne by any of her family; Sir John and Mrs. Jennings, indeed, were not so nice; their witticisms added pain to many a painful hour;—but one evening, Mrs. Dashwood, accidentally taking up a volume of Shakespeare, exclaimed,
“We have never finished Hamlet, Marianne; our dear Willoughby went away before we could get through it. We will put it by, that when he comes again…But it may be months, perhaps, before THAT happens.”
“Months!” cried Marianne, with strong surprise. “No— nor many weeks.”
Mrs. Dashwood was sorry for what she had said; but it gave Elinor pleasure, as it produced a reply from Marianne so expressive of confidence in Willoughby and knowledge of his intentions.
One morning, about a week after his leaving the country, Marianne was prevailed on to join her sisters in their usual walk, instead of wandering away by herself. Hitherto she had carefully avoided every companion in her rambles. If her sisters intended to walk on the downs, she directly stole away towards the lanes; if they talked of the valley, she was as speedy in climbing the hills, and could never be found when the others set off. But at length she was secured by the exertions of Elinor, who greatly disapproved such continual seclusion. They walked along the road through the valley, and chiefly in silence, for Marianne’s MIND could not be controlled, and Elinor, satisfied with gaining one point, would not then attempt more. Beyond the entrance of the valley, where the country, though still rich, was less wild and more open, a long stretch of the road which they had travelled on first coming to Barton, lay before them; and on reaching that point, they stopped to look around them, and examine a prospect which formed the distance of their view from the cottage, from a spot which they had never happened to reach in any of their walks before.
Amongst the objects in the scene, they soon discovered an animated one; it was a man on horseback riding towards them. In a few minutes they could distinguish him to be a gentleman; and in a moment afterwards Marianne rapturously exclaimed,
“It is he; it is indeed;—I know it is!”—and was hastening to meet him, when Elinor cried out,
“Indeed, Marianne, I think you are mistaken. It is not Willoughby. The person is not tall enough for him, and has not his air.”
“He has, he has,” cried Marianne, “I am sure he has. His air, his coat, his horse. I knew how soon he would come.”
She walked eagerly on as she spoke; and Elinor, to screen Marianne from particularity, as she felt almost certain of its not being Willoughby, quickened her pace and kept up with her. They were soon within thirty yards of the gentleman. Marianne looked again; her heart sunk within her; and abruptly turning round, she was hurrying back, when the voices of both her sisters were raised to detain her; a third, almost as well known as Willoughby’s, joined them in begging her to stop, and she turned round with surprise to see and welcome Edward Ferrars.
He was the only person in the world who could at that moment be forgiven for not being Willoughby; the only one who could have gained a smile from her; but she dispersed her tears to smile on HIM, and in her sister’s happiness forgot for a time her own disappointment.
He dismounted, and giving his horse to his servant, walked back with them to Barton, whither he was purposely coming to visit them.
He was welcomed by them all with great cordiality, but especially by Marianne, who showed more warmth of regard in her reception of him than even Elinor herself. To Marianne, indeed, the meeting between Edward and her sister was but a continuation of that unaccountable coldness which she had often observed at Norland in their mutual behaviour. On Edward’s side, more particularly, there was a deficiency of all that a lover ought to look and say on such an occasion. He was confused, seemed scarcely sensible of pleasure in seeing them, looked neither rapturous nor gay, said little but what was forced from him by questions, and distinguished Elinor by no mark of affection. Marianne saw and listened with increasing surprise. She began almost to feel a dislike of Edward; and it ended, as every feeling must end with her, by carrying back her thoughts to Willoughby,
whose manners formed a contrast sufficiently striking to those of his brother elect.
After a short silence which succeeded the first surprise and enquiries of meeting, Marianne asked Edward if he came directly from London. No, he had been in Devonshire a fortnight.
“A fortnight!” she repeated, surprised at his being so long in the same county with Elinor without seeing her before.
He looked rather distressed as he added, that he had been staying with some friends near Plymouth.
“Have you been lately in Sussex?” said Elinor.
“I was at Norland about a month ago.”
“And how does dear, dear Norland look?” cried Marianne.
“Dear, dear Norland,” said Elinor, “probably looks much as it always does at this time of the year. The woods and walks thickly covered with dead leaves.”
“Oh,” cried Marianne, “with what transporting sensation have I formerly seen them fall! How have I delighted, as I walked, to see them driven in showers about me by the wind! What feelings have they, the season, the air altogether inspired! Now there is no one to regard them. They are seen only as a nuisance, swept hastily off, and driven as much as possible from the sight.”
“It is not every one,” said Elinor, “who has your passion for dead leaves.”
“No; my feelings are not often shared, not often understood. But SOMETIMES they are.”—As she said this,
she sunk into a reverie for a few moments;—but rousing herself again, “Now, Edward,” said she, calling his attention to the prospect, “here is Barton valley. Look up to it, and be tranquil if you can. Look at those hills! Did you ever see their equals? To the left is Barton park, amongst those woods and plantations. You may see the end of the house. And there, beneath that farthest hill, which rises with such grandeur, is our cottage.”
“It is a beautiful country,” he replied; “but these bottoms must be dirty in winter.”
“How can you think of dirt, with such objects before you?”
“Because,” replied he, smiling, “among the rest of the objects before me, I see a very dirty lane.”
“How strange!” said Marianne to herself as she walked on.
“Have you an agreeable neighbourhood here? Are the Middletons pleasant people?”
“No, not all,” answered Marianne; “we could not be more unfortunately situated.”
“Marianne,” cried her sister, “how can you say so? How can you be so unjust? They are a very respectable family, Mr. Ferrars; and towards us have behaved in the friendliest manner. Have you forgot, Marianne, how many pleasant days we have owed to them?”
“No,” said Marianne, in a low voice, “nor how many painful moments.”
Elinor took no notice of this; and directing her attention to their visitor, endeavoured to support something like
discourse with him, by talking of their present residence, its conveniences, &c. extorting from him occasional questions and remarks. His coldness and reserve mortified her severely; she was vexed and half angry; but resolving to regulate her behaviour to him by the past rather than the present, she avoided every appearance of resentment or displeasure, and treated him as she thought he ought to be treated from the family connection.
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CHAPTER 17
Mrs. Dashwood was surprised only for a moment at seeing him; for his coming to Barton was, in her opinion, of all things the most natural. Her joy and expression of regard long outlived her wonder. He received the kindest welcome from her; and shyness, coldness, reserve could not stand against such a reception. They had begun to fail him before he entered the house, and they were quite overcome by the captivating manners of Mrs. Dashwood. Indeed a man could not very well be in love with either of her daughters, without extending the passion to her; and Elinor had the satisfaction of seeing him soon become more like himself. His affections seemed to reanimate towards them all, and his interest in their welfare again became perceptible. He was not in spirits, however; he praised their house, admired its prospect, was attentive, and kind; but still he was not in spirits. The whole family perceived it, and Mrs. Dashwood, attributing it to some want of liberality in his mother, sat down to table indignant against all selfish parents.
“What are Mrs. Ferrars’s views for you at present, Edward?” said she, when dinner was over and they had drawn round the fire; “are you still to be a great orator in spite of yourself?”
“No. I hope my mother is now convinced that I have no more talents than inclination for a public life!”
“But how is your fame to be established? for famous you must be to satisfy all your family; and with no inclination for
expense, no affection for strangers, no profession, and no assurance, you may find it a difficult matter.”
“I shall not attempt it. I have no wish to be distinguished; and have every reason to hope I never shall. Thank Heaven! I cannot be forced into genius and eloquence.”
“You have no ambition, I well know. Your wishes are all moderate.”
“As moderate as those of the rest of the world, I believe. I wish as well as every body else to be perfectly happy; but, like every body else it must be in my own way. Greatness will not make me so.”
“Strange that it would!” cried Marianne. “What have wealth or grandeur to do with happiness?”
“Grandeur has but little,” said Elinor, “but wealth has much to do with it.”
“Elinor, for shame!” said Marianne, “money can only give happiness where there is nothing else to give it. Beyond a competence, it can afford no real satisfaction, as far as mere self is concerned.”
“Perhaps,” said Elinor, smiling, “we may come to the same point. YOUR competence and MY wealth are very much alike, I dare say; and without them, as the world goes now, we shall both agree that every kind of external comfort must be wanting. Your ideas are only more noble than mine. Come, what is your competence?”
“About eighteen hundred or two thousand a year; not more than THAT.”
Elinor laughed. “TWO thousand a year! ONE is my wealth! I guessed how it would end.”
“And yet two thousand a-year is a very moderate income,” said Marianne. “A family cannot well be maintained on a smaller. I am sure I am not extravagant in my demands. A proper establishment of servants, a carriage, perhaps two, and hunters, cannot be supported on less.”
Elinor smiled again, to hear her sister describing so accurately their future expenses at Combe Magna.
“Hunters!” repeated Edward—”but why must you have hunters? Every body does not hunt.”
Marianne coloured as she replied, “But most people do.”
“I wish,” said Margaret, striking out a novel thought, “that somebody would give us all a large fortune apiece!”
“Oh that they would!” cried Marianne, her eyes sparkling with animation, and her cheeks glowing with the delight of such imaginary happiness.
“We are all unanimous in that wish, I suppose,” said Elinor, “in spite of the insufficiency of wealth.”
“Oh dear!” cried Margaret, “how happy I should be! I wonder what I should do with it!”
Marianne looked as if she had no doubt on that point.
“I should be puzzled to spend so large a fortune myself,” said Mrs. Dashwood, “if my children were all to be rich my help.”
“You must begin your improvements on this house,” observed Elinor, “and your difficulties will soon vanish.”
“What magnificent orders would travel from this family to London,” said Edward, “in such an event! What a happy day for booksellers, music-sellers, and print-shops! You, Miss Dashwood, would give a general commission for every new print of merit to be sent you—and as for Marianne, I know her greatness of soul, there would not be music enough in London to content her. And books!—Thomson, Cowper, Scott—she would buy them all over and over again: she would buy up every copy, I believe, to prevent their falling into unworthy hands; and she would have every book that tells her how to admire an old twisted tree. Should not you, Marianne? Forgive me, if I am very saucy. But I was willing to shew you that I had not forgot our old disputes.”
“I love to be reminded of the past, Edward—whether it be melancholy or gay, I love to recall it—and you will never offend me by talking of former times. You are very right in supposing how my money would be spent—some of it, at least—my loose cash would certainly be employed in improving my collection of music and books.”
“And the bulk of your fortune would be laid out in annuities on the authors or their heirs.”
“No, Edward, I should have something else to do with it.”
“Perhaps, then, you would bestow it as a reward on that person who wrote the ablest defence of your favourite maxim, that no one can ever be in love more than once in their life—your opinion on that point is unchanged, I presume?”
“Undoubtedly. At my time of life opinions are tolerably fixed. It is not likely that I should now see or hear any thing to change them.”
“Marianne is as steadfast as ever, you see,” said Elinor, “she is not at all altered.”
“She is only grown a little more grave than she was.”
“Nay, Edward,” said Marianne, “you need not reproach me. You are not very gay yourself.”
“Why should you think so!” replied he, with a sigh. “But gaiety never was a part of MY character.”
“Nor do I think it a part of Marianne’s,” said Elinor; “I should hardly call her a lively girl—she is very earnest, very eager in all she does—sometimes talks a great deal and always with animation—but she is not often really merry.”
“I believe you are right,” he replied, “and yet I have always set her down as a lively girl.”
“I have frequently detected myself in such kind of mistakes,” said Elinor, “in a total misapprehension of character in some point or other: fancying people so much more gay or grave, or ingenious or stupid than they really are, and I can hardly tell why or in what the deception originated. Sometimes one is guided by what they say of themselves, and very frequently by what other people say of them, without giving oneself time to deliberate and judge.”
“But I thought it was right, Elinor,” said Marianne, “to be guided wholly by the opinion of other people. I thought our judgments were given us merely to be subservient to those of neighbours. This has always been your doctrine, I am sure.”
“No, Marianne, never. My doctrine has never aimed at the subjection of the understanding. All I have ever attempted to influence has been the behaviour. You must not confound my meaning. I am guilty, I confess, of having often wished you to treat our acquaintance in general with greater attention; but when have I advised you to adopt their sentiments or to conform to their judgment in serious matters?”
“You have not been able to bring your sister over to your plan of general civility,” said Edward to Elinor, “Do you gain no ground?”
“Quite the contrary,” replied Elinor, looking expressively at Marianne.
“My judgment,” he returned, “is all on your side of the question; but I am afraid my practice is much more on your sister’s. I never wish to offend, but I am so foolishly shy, that I often seem negligent, when I am only kept back by my natural awkwardness. I have frequently thought that I must have been intended by nature to be fond of low company, I am so little at my ease among strangers of gentility!”
“Marianne has not shyness to excuse any inattention of hers,” said Elinor.
“She knows her own worth too well for false shame,” replied Edward. “Shyness is only the effect of a sense of inferiority in some way or other. If I could persuade myself that my manners were perfectly easy and graceful, I should not be shy.”
“But you would still be reserved,” said Marianne, “and that is worse.”
Edward started—”Reserved! Am I reserved, Marianne?”
“Yes, very.”
“I do not understand you,” replied he, colouring. “Reserved!—how, in what manner? What am I to tell you? What can you suppose?”
Elinor looked surprised at his emotion; but trying to laugh off the subject, she said to him, “Do not you know my sister well enough to understand what she means? Do not
you know she calls every one reserved who does not talk as fast, and admire what she admires as rapturously as herself?”
Edward made no answer. His gravity and thoughtfulness returned on him in their fullest extent—and he sat for some time silent and dull.
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CHAPTER 18
Elinor saw, with great uneasiness the low spirits of her friend. His visit afforded her but a very partial satisfaction, while his own enjoyment in it appeared so imperfect. It was evident that he was unhappy; she wished it were equally evident that he still distinguished her by the same affection which once she had felt no doubt of inspiring; but hitherto the continuance of his preference seemed very uncertain; and the reservedness of his manner towards her contradicted one moment what a more animated look had intimated the preceding one.
He joined her and Marianne in the breakfast-room the next morning before the others were down; and Marianne, who was always eager to promote their happiness as far as she could, soon left them to themselves. But before she was half way upstairs she heard the parlour door open, and, turning round, was astonished to see Edward himself come out.
“I am going into the village to see my horses,” said he, “as you are not yet ready for breakfast; I shall be back again presently.”
Edward returned to them with fresh admiration of the surrounding country; in his walk to the village, he had seen many parts of the valley to advantage; and the village itself, in a much higher situation than the cottage, afforded a general view of the whole, which had exceedingly pleased him. This was a subject which ensured Marianne’s attention,
and she was beginning to describe her own admiration of these scenes, and to question him more minutely on the objects that had particularly struck him, when Edward interrupted her by saying, “You must not enquire too far, Marianne—remember I have no knowledge in the picturesque, and I shall offend you by my ignorance and want of taste if we come to particulars. I shall call hills steep, which ought to be bold; surfaces strange and uncouth, which ought to be irregular and rugged; and distant objects out of sight, which ought only to be indistinct through the soft medium of a hazy atmosphere. You must be satisfied with such admiration as I can honestly give. I call it a very fine country—the hills are steep, the woods seem full of fine timber, and the valley looks comfortable and snug—with rich meadows and several neat farm houses scattered here and there. It exactly answers my idea of a fine country, because it unites beauty with utility—and I dare say it is a picturesque one too, because you admire it; I can easily believe it to be full of rocks and promontories, grey moss and brush wood, but these are all lost on me. I know nothing of the picturesque.”
“I am afraid it is but too true,” said Marianne; “but why should you boast of it?”
“I suspect,” said Elinor, “that to avoid one kind of affectation, Edward here falls into another. Because he believes many people pretend to more admiration of the beauties of nature than they really feel, and is disgusted with such pretensions, he affects greater indifference and less discrimination in viewing them himself than he possesses. He is fastidious and will have an affectation of his own.”
“It is very true,” said Marianne, “that admiration of landscape scenery is become a mere jargon. Every body pretends to feel and tries to describe with the taste and elegance of him who first defined what picturesque beauty
was. I detest jargon of every kind, and sometimes I have kept my feelings to myself, because I could find no language to describe them in but what was worn and hackneyed out of all sense and meaning.”
“I am convinced,” said Edward, “that you really feel all the delight in a fine prospect which you profess to feel. But, in return, your sister must allow me to feel no more than I profess. I like a fine prospect, but not on picturesque principles. I do not like crooked, twisted, blasted trees. I admire them much more if they are tall, straight, and flourishing. I do not like ruined, tattered cottages. I am not fond of nettles or thistles, or heath blossoms. I have more pleasure in a snug farm-house than a watch-tower—and a troop of tidy, happy villages please me better than the finest banditti in the world.”
Marianne looked with amazement at Edward, with compassion at her sister. Elinor only laughed.
The subject was continued no farther; and Marianne remained thoughtfully silent, till a new object suddenly engaged her attention. She was sitting by Edward, and in taking his tea from Mrs. Dashwood, his hand passed so directly before her, as to make a ring, with a plait of hair in the centre, very conspicuous on one of his fingers.
“I never saw you wear a ring before, Edward,” she cried. “Is that Fanny’s hair? I remember her promising to give you some. But I should have thought her hair had been darker.”
Marianne spoke inconsiderately what she really felt—but when she saw how much she had pained Edward, her own vexation at her want of thought could not be surpassed by his. He coloured very deeply, and giving a momentary glance at Elinor, replied, “Yes; it is my sister’s hair. The setting always casts a different shade on it, you know.”
Elinor had met his eye, and looked conscious likewise. That the hair was her own, she instantaneously felt as well satisfied as Marianne; the only difference in their conclusions was, that what Marianne considered as a free gift from her sister, Elinor was conscious must have been procured by some theft or contrivance unknown to herself. She was not in a humour, however, to regard it as an affront, and affecting to take no notice of what passed, by instantly talking of something else, she internally resolved henceforward to catch every opportunity of eyeing the hair and of satisfying herself, beyond all doubt, that it was exactly the shade of her own.
Edward’s embarrassment lasted some time, and it ended in an absence of mind still more settled. He was particularly grave the whole morning. Marianne severely censured herself for what she had said; but her own forgiveness might have been more speedy, had she known how little offence it had given her sister.
Before the middle of the day, they were visited by Sir John and Mrs. Jennings, who, having heard of the arrival of a gentleman at the cottage, came to take a survey of the guest. With the assistance of his mother-in-law, Sir John was not long in discovering that the name of Ferrars began with an F. and this prepared a future mine of raillery against the devoted Elinor, which nothing but the newness of their acquaintance with Edward could have prevented from being immediately sprung. But, as it was, she only learned, from some very significant looks, how far their penetration, founded on Margaret’s instructions, extended.
Sir John never came to the Dashwoods without either inviting them to dine at the park the next day, or to drink tea with them that evening. On the present occasion, for the better entertainment of their visitor, towards whose
amusement he felt himself bound to contribute, he wished to engage them for both.
“You MUST drink tea with us to night,” said he, “for we shall be quite alone—and tomorrow you must absolutely dine with us, for we shall be a large party.”
Mrs. Jennings enforced the necessity. “And who knows but you may raise a dance,” said she. “And that will tempt YOU, Miss Marianne.”
“A dance!” cried Marianne. “Impossible! Who is to dance?”
“Who! why yourselves, and the Careys, and Whitakers to be sure.—What! you thought nobody could dance because a certain person that shall be nameless is gone!”
“I wish with all my soul,” cried Sir John, “that Willoughby were among us again.”
This, and Marianne’s blushing, gave new suspicions to Edward. “And who is Willoughby?” said he, in a low voice, to Miss Dashwood, by whom he was sitting.
She gave him a brief reply. Marianne’s countenance was more communicative. Edward saw enough to comprehend, not only the meaning of others, but such of Marianne’s expressions as had puzzled him before; and when their visitors left them, he went immediately round her, and said, in a whisper, “I have been guessing. Shall I tell you my guess?”
“What do you mean?”
“Shall I tell you.”
“Certainly.”
“Well then; I guess that Mr. Willoughby hunts.”
Marianne was surprised and confused, yet she could not help smiling at the quiet archness of his manner, and after a moment’s silence, said,
“Oh, Edward! How can you?—But the time will come I hope…I am sure you will like him.”
“I do not doubt it,” replied he, rather astonished at her earnestness and warmth; for had he not imagined it to be a joke for the good of her acquaintance in general, founded only on a something or a nothing between Mr. Willoughby and herself, he would not have ventured to mention it.
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CHAPTER 19
Edward remained a week at the cottage; he was earnestly pressed by Mrs. Dashwood to stay longer; but, as if he were bent only on self-mortification, he seemed resolved to be gone when his enjoyment among his friends was at the height. His spirits, during the last two or three days, though still very unequal, were greatly improved—he grew more and more partial to the house and environs—never spoke of going away without a sigh—declared his time to be wholly disengaged—even doubted to what place he should go when he left them—but still, go he must. Never had any week passed so quickly—he could hardly believe it to be gone. He said so repeatedly; other things he said too, which marked the turn of his feelings and gave the lie to his actions. He had no pleasure at Norland; he detested being in town; but either to Norland or London, he must go. He valued their kindness beyond any thing, and his greatest happiness was in being with them. Yet, he must leave them at the end of a week, in spite of their wishes and his own, and without any restraint on his time.
Elinor placed all that was astonishing in this way of acting to his mother’s account; and it was happy for her that he had a mother whose character was so imperfectly known to her, as to be the general excuse for every thing strange on the part of her son. Disappointed, however, and vexed as she was, and sometimes displeased with his uncertain behaviour to herself, she was very well disposed on the whole to regard his actions with all the candid allowances and generous qualifications, which had been rather more painfully extorted from her, for Willoughby’s service, by her mother. His want
of spirits, of openness, and of consistency, were most usually attributed to his want of independence, and his better knowledge of Mrs. Ferrars’s disposition and designs. The shortness of his visit, the steadiness of his purpose in leaving them, originated in the same fettered inclination, the same inevitable necessity of temporizing with his mother. The old well-established grievance of duty against will, parent against child, was the cause of all. She would have been glad to know when these difficulties were to cease, this opposition was to yield,—when Mrs. Ferrars would be reformed, and her son be at liberty to be happy. But from such vain wishes she was forced to turn for comfort to the renewal of her confidence in Edward’s affection, to the remembrance of every mark of regard in look or word which fell from him while at Barton, and above all to that flattering proof of it which he constantly wore round his finger.
“I think, Edward,” said Mrs. Dashwood, as they were at breakfast the last morning, “you would be a happier man if you had any profession to engage your time and give an interest to your plans and actions. Some inconvenience to your friends, indeed, might result from it—you would not be able to give them so much of your time. But (with a smile) you would be materially benefited in one particular at least— you would know where to go when you left them.”
“I do assure you,” he replied, “that I have long thought on this point, as you think now. It has been, and is, and probably will always be a heavy misfortune to me, that I have had no necessary business to engage me, no profession to give me employment, or afford me any thing like independence. But unfortunately my own nicety, and the nicety of my friends, have made me what I am, an idle, helpless being. We never could agree in our choice of a profession. I always preferred the church, as I still do. But that was not smart enough for my family. They recommended the army. That was a great deal too smart for
me. The law was allowed to be genteel enough; many young men, who had chambers in the Temple, made a very good appearance in the first circles, and drove about town in very knowing gigs. But I had no inclination for the law, even in this less abstruse study of it, which my family approved. As for the navy, it had fashion on its side, but I was too old when the subject was first started to enter it—and, at length, as there was no necessity for my having any profession at all, as I might be as dashing and expensive without a red coat on my back as with one, idleness was pronounced on the whole to be most advantageous and honourable, and a young man of eighteen is not in general so earnestly bent on being busy as to resist the solicitations of his friends to do nothing. I was therefore entered at Oxford and have been properly idle ever since.”
“The consequence of which, I suppose, will be,” said Mrs. Dashwood, “since leisure has not promoted your own happiness, that your sons will be brought up to as many pursuits, employments, professions, and trades as Columella’s.”
“They will be brought up,” said he, in a serious accent, “to be as unlike myself as is possible. In feeling, in action, in condition, in every thing.”
“Come, come; this is all an effusion of immediate want of spirits, Edward. You are in a melancholy humour, and fancy that any one unlike yourself must be happy. But remember that the pain of parting from friends will be felt by every body at times, whatever be their education or state. Know your own happiness. You want nothing but patience—or give it a more fascinating name, call it hope. Your mother will secure to you, in time, that independence you are so anxious for; it is her duty, and it will, it must ere long become her happiness to prevent your whole youth from being wasted in discontent. How much may not a few months do?”
“I think,” replied Edward, “that I may defy many months to produce any good to me.”
This desponding turn of mind, though it could not be communicated to Mrs. Dashwood, gave additional pain to them all in the parting, which shortly took place, and left an uncomfortable impression on Elinor’s feelings especially, which required some trouble and time to subdue. But as it was her determination to subdue it, and to prevent herself from appearing to suffer more than what all her family suffered on his going away, she did not adopt the method so judiciously employed by Marianne, on a similar occasion, to augment and fix her sorrow, by seeking silence, solitude and idleness. Their means were as different as their objects, and equally suited to the advancement of each.
Elinor sat down to her drawing-table as soon as he was out of the house, busily employed herself the whole day, neither sought nor avoided the mention of his name, appeared to interest herself almost as much as ever in the general concerns of the family, and if, by this conduct, she did not lessen her own grief, it was at least prevented from unnecessary increase, and her mother and sisters were spared much solicitude on her account.
Such behaviour as this, so exactly the reverse of her own, appeared no more meritorious to Marianne, than her own had seemed faulty to her. The business of self-command she settled very easily;—with strong affections it was impossible, with calm ones it could have no merit. That her sister’s affections WERE calm, she dared not deny, though she blushed to acknowledge it; and of the strength of her own, she gave a very striking proof, by still loving and respecting that sister, in spite of this mortifying conviction.
Without shutting herself up from her family, or leaving the house in determined solitude to avoid them, or lying
awake the whole night to indulge meditation, Elinor found every day afforded her leisure enough to think of Edward, and of Edward’s behaviour, in every possible variety which the different state of her spirits at different times could produce,—with tenderness, pity, approbation, censure, and doubt. There were moments in abundance, when, if not by the absence of her mother and sisters, at least by the nature of their employments, conversation was forbidden among them, and every effect of solitude was produced. Her mind was inevitably at liberty; her thoughts could not be chained elsewhere; and the past and the future, on a subject so interesting, must be before her, must force her attention, and engross her memory, her reflection, and her fancy.
From a reverie of this kind, as she sat at her drawing-table, she was roused one morning, soon after Edward’s leaving them, by the arrival of company. She happened to be quite alone. The closing of the little gate, at the entrance of the green court in front of the house, drew her eyes to the window, and she saw a large party walking up to the door. Amongst them were Sir John and Lady Middleton and Mrs. Jennings, but there were two others, a gentleman and lady, who were quite unknown to her. She was sitting near the window, and as soon as Sir John perceived her, he left the rest of the party to the ceremony of knocking at the door, and stepping across the turf, obliged her to open the casement to speak to him, though the space was so short between the door and the window, as to make it hardly possible to speak at one without being heard at the other.
“Well,” said he, “we have brought you some strangers. How do you like them?”
“Hush! they will hear you.”
“Never mind if they do. It is only the Palmers. Charlotte is very pretty, I can tell you. You may see her if you look this way.”
As Elinor was certain of seeing her in a couple of minutes, without taking that liberty, she begged to be excused.
“Where is Marianne? Has she run away because we are come? I see her instrument is open.”
“She is walking, I believe.”
They were now joined by Mrs. Jennings, who had not patience enough to wait till the door was opened before she told HER story. She came hallooing to the window, “How do you do, my dear? How does Mrs. Dashwood do? And where are your sisters? What! all alone! you will be glad of a little company to sit with you. I have brought my other son and daughter to see you. Only think of their coming so suddenly! I thought I heard a carriage last night, while we were drinking our tea, but it never entered my head that it could be them. I thought of nothing but whether it might not be Colonel Brandon come back again; so I said to Sir John, I do think I hear a carriage; perhaps it is Colonel Brandon come back again”—
Elinor was obliged to turn from her, in the middle of her story, to receive the rest of the party; Lady Middleton introduced the two strangers; Mrs. Dashwood and Margaret came down stairs at the same time, and they all sat down to look at one another, while Mrs. Jennings continued her story as she walked through the passage into the parlour, attended by Sir John.
Mrs. Palmer was several years younger than Lady Middleton, and totally unlike her in every respect. She was short and plump, had a very pretty face, and the finest
expression of good humour in it that could possibly be. Her manners were by no means so elegant as her sister’s, but they were much more prepossessing. She came in with a smile, smiled all the time of her visit, except when she laughed, and smiled when she went away. Her husband was a grave looking young man of five or six and twenty, with an air of more fashion and sense than his wife, but of less willingness to please or be pleased. He entered the room with a look of self-consequence, slightly bowed to the ladies, without speaking a word, and, after briefly surveying them and their apartments, took up a newspaper from the table, and continued to read it as long as he staid.
Mrs. Palmer, on the contrary, who was strongly endowed by nature with a turn for being uniformly civil and happy, was hardly seated before her admiration of the parlour and every thing in it burst forth.
“Well! what a delightful room this is! I never saw anything so charming! Only think, Mamma, how it is improved since I was here last! I always thought it such a sweet place, ma’am! (turning to Mrs. Dashwood) but you have made it so charming! Only look, sister, how delightful every thing is! How I should like such a house for myself! Should not you, Mr. Palmer?”
Mr. Palmer made her no answer, and did not even raise his eyes from the newspaper.
“Mr. Palmer does not hear me,” said she, laughing; “he never does sometimes. It is so ridiculous!”
This was quite a new idea to Mrs. Dashwood; she had never been used to find wit in the inattention of any one, and could not help looking with surprise at them both.
Mrs. Jennings, in the meantime, talked on as loud as she could, and continued her account of their surprise, the
evening before, on seeing their friends, without ceasing till every thing was told. Mrs. Palmer laughed heartily at the recollection of their astonishment, and every body agreed, two or three times over, that it had been quite an agreeable surprise.
“You may believe how glad we all were to see them,” added Mrs. Jennings, leaning forward towards Elinor, and speaking in a low voice as if she meant to be heard by no one else, though they were seated on different sides of the room; “but, however, I can’t help wishing they had not travelled quite so fast, nor made such a long journey of it, for they came all round by London upon account of some business, for you know (nodding significantly and pointing to her daughter) it was wrong in her situation. I wanted her to stay at home and rest this morning, but she would come with us; she longed so much to see you all!”
Mrs. Palmer laughed, and said it would not do her any harm.
“She expects to be confined in February,” continued Mrs. Jennings.
Lady Middleton could no longer endure such a conversation, and therefore exerted herself to ask Mr. Palmer if there was any news in the paper.
“No, none at all,” he replied, and read on.
“Here comes Marianne,” cried Sir John. “Now, Palmer, you shall see a monstrous pretty girl.”
He immediately went into the passage, opened the front door, and ushered her in himself. Mrs. Jennings asked her, as soon as she appeared, if she had not been to Allenham; and Mrs. Palmer laughed so heartily at the question, as to show she understood it. Mr. Palmer looked up on her
entering the room, stared at her some minutes, and then returned to his newspaper. Mrs. Palmer’s eye was now caught by the drawings which hung round the room. She got up to examine them.
“Oh! dear, how beautiful these are! Well! how delightful! Do but look, mama, how sweet! I declare they are quite charming; I could look at them for ever.” And then sitting down again, she very soon forgot that there were any such things in the room.
When Lady Middleton rose to go away, Mr. Palmer rose also, laid down the newspaper, stretched himself and looked at them all around.
“My love, have you been asleep?” said his wife, laughing.
He made her no answer; and only observed, after again examining the room, that it was very low pitched, and that the ceiling was crooked. He then made his bow, and departed with the rest.
Sir John had been very urgent with them all to spend the next day at the park. Mrs. Dashwood, who did not chuse to dine with them oftener than they dined at the cottage, absolutely refused on her own account; her daughters might do as they pleased. But they had no curiosity to see how Mr. and Mrs. Palmer ate their dinner, and no expectation of pleasure from them in any other way. They attempted, therefore, likewise, to excuse themselves; the weather was uncertain, and not likely to be good. But Sir John would not be satisfied—the carriage should be sent for them and they must come. Lady Middleton too, though she did not press their mother, pressed them. Mrs. Jennings and Mrs. Palmer joined their entreaties, all seemed equally anxious to avoid a family party; and the young ladies were obliged to yield.
“Why should they ask us?” said Marianne, as soon as they were gone. “The rent of this cottage is said to be low; but we have it on very hard terms, if we are to dine at the park whenever any one is staying either with them, or with us.”
“They mean no less to be civil and kind to us now,” said Elinor, “by these frequent invitations, than by those which we received from them a few weeks ago. The alteration is not in them, if their parties are grown tedious and dull. We must look for the change elsewhere.”
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CHAPTER 20
As the Miss Dashwoods entered the drawing-room of the park the next day, at one door, Mrs. Palmer came running in at the other, looking as good humoured and merry as before. She took them all most affectionately by the hand, and expressed great delight in seeing them again.
“I am so glad to see you!” said she, seating herself between Elinor and Marianne, “for it is so bad a day I was afraid you might not come, which would be a shocking thing, as we go away again tomorrow. We must go, for the Westons come to us next week you know. It was quite a sudden thing our coming at all, and I knew nothing of it till the carriage was coming to the door, and then Mr. Palmer asked me if I would go with him to Barton. He is so droll! He never tells me any thing! I am so sorry we cannot stay longer; however we shall meet again in town very soon, I hope.”
They were obliged to put an end to such an expectation.
“Not go to town!” cried Mrs. Palmer, with a laugh, “I shall be quite disappointed if you do not. I could get the nicest house in world for you, next door to ours, in Hanover-square. You must come, indeed. I am sure I shall be very happy to chaperon you at any time till I am confined, if Mrs. Dashwood should not like to go into public.”
They thanked her; but were obliged to resist all her entreaties.
“Oh, my love,” cried Mrs. Palmer to her husband, who just then entered the room—”you must help me to persuade the Miss Dashwoods to go to town this winter.”
Her love made no answer; and after slightly bowing to the ladies, began complaining of the weather.
“How horrid all this is!” said he. “Such weather makes every thing and every body disgusting. Dullness is as much produced within doors as without, by rain. It makes one detest all one’s acquaintance. What the devil does Sir John mean by not having a billiard room in his house? How few people know what comfort is! Sir John is as stupid as the weather.”
The rest of the company soon dropt in.
“I am afraid, Miss Marianne,” said Sir John, “you have not been able to take your usual walk to Allenham today.”
Marianne looked very grave and said nothing.
“Oh, don’t be so sly before us,” said Mrs. Palmer; “for we know all about it, I assure you; and I admire your taste very much, for I think he is extremely handsome. We do not live a great way from him in the country, you know. Not above ten miles, I dare say.”
“Much nearer thirty,” said her husband.
“Ah, well! there is not much difference. I never was at his house; but they say it is a sweet pretty place.”
“As vile a spot as I ever saw in my life,” said Mr. Palmer.
Marianne remained perfectly silent, though her countenance betrayed her interest in what was said.
“Is it very ugly?” continued Mrs. Palmer—”then it must be some other place that is so pretty I suppose.”
When they were seated in the dining room, Sir John observed with regret that they were only eight all together.
“My dear,” said he to his lady, “it is very provoking that we should be so few. Why did not you ask the Gilberts to come to us today?”
“Did not I tell you, Sir John, when you spoke to me about it before, that it could not be done? They dined with us last.”
“You and I, Sir John,” said Mrs. Jennings, “should not stand upon such ceremony.”
“Then you would be very ill-bred,” cried Mr. Palmer.
“My love you contradict every body,” said his wife with her usual laugh. “Do you know that you are quite rude?”
“I did not know I contradicted any body in calling your mother ill-bred.”
“Ay, you may abuse me as you please,” said the good-natured old lady, “you have taken Charlotte off my hands, and cannot give her back again. So there I have the whip hand of you.”
Charlotte laughed heartily to think that her husband could not get rid of her; and exultingly said, she did not care how cross he was to her, as they must live together. It was impossible for any one to be more thoroughly good-natured, or more determined to be happy than Mrs. Palmer. The studied indifference, insolence, and discontent of her husband gave her no pain; and when he scolded or abused her, she was highly diverted.
“Mr. Palmer is so droll!” said she, in a whisper, to Elinor. “He is always out of humour.”
Elinor was not inclined, after a little observation, to give him credit for being so genuinely and unaffectedly ill-natured or ill-bred as he wished to appear. His temper might perhaps be a little soured by finding, like many others of his sex, that through some unaccountable bias in favour of beauty, he was the husband of a very silly woman,—but she knew that this kind of blunder was too common for any sensible man to be lastingly hurt by it.— It was rather a wish of distinction, she believed, which produced his contemptuous treatment of every body, and his general abuse of every thing before him. It was the desire of appearing superior to other people. The motive was too common to be wondered at; but the means, however they might succeed by establishing his superiority in ill-breeding, were not likely to attach any one to him except his wife.
“Oh, my dear Miss Dashwood,” said Mrs. Palmer soon afterwards, “I have got such a favour to ask of you and your sister. Will you come and spend some time at Cleveland this Christmas? Now, pray do,—and come while the Westons are with us. You cannot think how happy I shall be! It will be quite delightful!—My love,” applying to her husband, “don’t you long to have the Miss Dashwoods come to Cleveland?”
“Certainly,” he replied, with a sneer—”I came into Devonshire with no other view.”
“There now,”—said his lady, “you see Mr. Palmer expects you; so you cannot refuse to come.”
They both eagerly and resolutely declined her invitation.
“But indeed you must and shall come. I am sure you will like it of all things. The Westons will be with us, and it will be quite delightful. You cannot think what a sweet place
Cleveland is; and we are so gay now, for Mr. Palmer is always going about the country canvassing against the election; and so many people came to dine with us that I never saw before, it is quite charming! But, poor fellow! it is very fatiguing to him! for he is forced to make every body like him.”
Elinor could hardly keep her countenance as she assented to the hardship of such an obligation.
“How charming it will be,” said Charlotte, “when he is in Parliament!—won’t it? How I shall laugh! It will be so ridiculous to see all his letters directed to him with an M.P.—But do you know, he says, he will never frank for me? He declares he won’t. Don’t you, Mr. Palmer?”
Mr. Palmer took no notice of her.
“He cannot bear writing, you know,” she continued—”he says it is quite shocking.”
“No,” said he, “I never said any thing so irrational. Don’t palm all your abuses of languages upon me.”
“There now; you see how droll he is. This is always the way with him! Sometimes he won’t speak to me for half a day together, and then he comes out with something so droll—all about any thing in the world.”
She surprised Elinor very much as they returned into the drawing-room, by asking her whether she did not like Mr. Palmer excessively.
“Certainly,” said Elinor; “he seems very agreeable.”
“Well—I am so glad you do. I thought you would, he is so pleasant; and Mr. Palmer is excessively pleased with you and your sisters I can tell you, and you can’t think how
disappointed he will be if you don’t come to Cleveland.—I can’t imagine why you should object to it.”
Elinor was again obliged to decline her invitation; and by changing the subject, put a stop to her entreaties. She thought it probable that as they lived in the same county, Mrs. Palmer might be able to give some more particular account of Willoughby’s general character, than could be gathered from the Middletons’ partial acquaintance with him; and she was eager to gain from any one, such a confirmation of his merits as might remove the possibility of fear from Marianne. She began by inquiring if they saw much of Mr. Willoughby at Cleveland, and whether they were intimately acquainted with him.
“Oh dear, yes; I know him extremely well,” replied Mrs. Palmer;—”Not that I ever spoke to him, indeed; but I have seen him for ever in town. Somehow or other I never happened to be staying at Barton while he was at Allenham. Mama saw him here once before;—but I was with my uncle at Weymouth. However, I dare say we should have seen a great deal of him in Somersetshire, if it had not happened very unluckily that we should never have been in the country together. He is very little at Combe, I believe; but if he were ever so much there, I do not think Mr. Palmer would visit him, for he is in the opposition, you know, and besides it is such a way off. I know why you inquire about him, very well; your sister is to marry him. I am monstrous glad of it, for then I shall have her for a neighbour you know.”
“Upon my word,” replied Elinor, “you know much more of the matter than I do, if you have any reason to expect such a match.”
“Don’t pretend to deny it, because you know it is what every body talks of. I assure you I heard of it in my way through town.”
“My dear Mrs. Palmer!”
“Upon my honour I did.—I met Colonel Brandon Monday morning in Bond-street, just before we left town, and he told me of it directly.”
“You surprise me very much. Colonel Brandon tell you of it! Surely you must be mistaken. To give such intelligence to a person who could not be interested in it, even if it were true, is not what I should expect Colonel Brandon to do.”
“But I do assure you it was so, for all that, and I will tell you how it happened. When we met him, he turned back and walked with us; and so we began talking of my brother and sister, and one thing and another, and I said to him, ‘So, Colonel, there is a new family come to Barton cottage, I hear, and mama sends me word they are very pretty, and that one of them is going to be married to Mr. Willoughby of Combe Magna. Is it true, pray? for of course you must know, as you have been in Devonshire so lately.’”
“And what did the Colonel say?”
“Oh—he did not say much; but he looked as if he knew it to be true, so from that moment I set it down as certain. It will be quite delightful, I declare! When is it to take place?”
“Mr. Brandon was very well I hope?”
“Oh! yes, quite well; and so full of your praises, he did nothing but say fine things of you.”
“I am flattered by his commendation. He seems an excellent man; and I think him uncommonly pleasing.”
“So do I.—He is such a charming man, that it is quite a pity he should be so grave and so dull. Mamma says HE was in love with your sister too.— I assure you it was a great
compliment if he was, for he hardly ever falls in love with any body.”
“Is Mr. Willoughby much known in your part of Somersetshire?” said Elinor.
“Oh! yes, extremely well; that is, I do not believe many people are acquainted with him, because Combe Magna is so far off; but they all think him extremely agreeable I assure you. Nobody is more liked than Mr. Willoughby wherever he goes, and so you may tell your sister. She is a monstrous lucky girl to get him, upon my honour; not but that he is much more lucky in getting her, because she is so very handsome and agreeable, that nothing can be good enough for her. However, I don’t think her hardly at all handsomer than you, I assure you; for I think you both excessively pretty, and so does Mr. Palmer too I am sure, though we could not get him to own it last night.”
Mrs. Palmer’s information respecting Willoughby was not very material; but any testimony in his favour, however small, was pleasing to her.
“I am so glad we are got acquainted at last,” continued Charlotte.—”And now I hope we shall always be great friends. You can’t think how much I longed to see you! It is so delightful that you should live at the cottage! Nothing can be like it, to be sure! And I am so glad your sister is going to be well married! I hope you will be a great deal at Combe Magna. It is a sweet place, by all accounts.”
“You have been long acquainted with Colonel Brandon, have not you?”
“Yes, a great while; ever since my sister married.— He was a particular friend of Sir John’s. I believe,” she added in a low voice, “he would have been very glad to have had me, if he could. Sir John and Lady Middleton wished it very
much. But mama did not think the match good enough for me, otherwise Sir John would have mentioned it to the Colonel, and we should have been married immediately.”
“Did not Colonel Brandon know of Sir John’s proposal to your mother before it was made? Had he never owned his affection to yourself?”
“Oh, no; but if mama had not objected to it, I dare say he would have liked it of all things. He had not seen me then above twice, for it was before I left school. However, I am much happier as I am. Mr. Palmer is the kind of man I like.”
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CHAPTER 21
The Palmers returned to Cleveland the next day, and the two families at Barton were again left to entertain each other. But this did not last long; Elinor had hardly got their last visitors out of her head, had hardly done wondering at Charlotte’s being so happy without a cause, at Mr. Palmer’s acting so simply, with good abilities, and at the strange unsuitableness which often existed between husband and wife, before Sir John’s and Mrs. Jennings’s active zeal in the cause of society, procured her some other new acquaintance to see and observe.
In a morning’s excursion to Exeter, they had met with two young ladies, whom Mrs. Jennings had the satisfaction of discovering to be her relations, and this was enough for Sir John to invite them directly to the park, as soon as their present engagements at Exeter were over. Their engagements at Exeter instantly gave way before such an invitation, and Lady Middleton was thrown into no little alarm on the return of Sir John, by hearing that she was very soon to receive a visit from two girls whom she had never seen in her life, and of whose elegance,—whose tolerable gentility even, she could have no proof; for the assurances of her husband and mother on that subject went for nothing at all. Their being her relations too made it so much the worse; and Mrs. Jennings’s attempts at consolation were therefore unfortunately founded, when she advised her daughter not to care about their being so fashionable; because they were all cousins and must put up with one another. As it was impossible, however, now to prevent their coming, Lady Middleton resigned herself to the idea of it, with all the philosophy of a
well-bred woman, contenting herself with merely giving her husband a gentle reprimand on the subject five or six times every day.
The young ladies arrived: their appearance was by no means ungenteel or unfashionable. Their dress was very smart, their manners very civil, they were delighted with the house, and in raptures with the furniture, and they happened to be so doatingly fond of children that Lady Middleton’s good opinion was engaged in their favour before they had been an hour at the Park. She declared them to be very agreeable girls indeed, which for her ladyship was enthusiastic admiration. Sir John’s confidence in his own judgment rose with this animated praise, and he set off directly for the cottage to tell the Miss Dashwoods of the Miss Steeles’ arrival, and to assure them of their being the sweetest girls in the world. From such commendation as this, however, there was not much to be learned; Elinor well knew that the sweetest girls in the world were to be met with in every part of England, under every possible variation of form, face, temper and understanding. Sir John wanted the whole family to walk to the Park directly and look at his guests. Benevolent, philanthropic man! It was painful to him even to keep a third cousin to himself.
“Do come now,” said he—”pray come—you must come—I declare you shall come—You can’t think how you will like them. Lucy is monstrous pretty, and so good humoured and agreeable! The children are all hanging about her already, as if she was an old acquaintance. And they both long to see you of all things, for they have heard at Exeter that you are the most beautiful creatures in the world; and I have told them it is all very true, and a great deal more. You will be delighted with them I am sure. They have brought the whole coach full of playthings for the children. How can you be so cross as not to come? Why they are your cousins, you know,
after a fashion. YOU are my cousins, and they are my wife’s, so you must be related.”
But Sir John could not prevail. He could only obtain a promise of their calling at the Park within a day or two, and then left them in amazement at their indifference, to walk home and boast anew of their attractions to the Miss Steeles, as he had been already boasting of the Miss Steeles to them.
When their promised visit to the Park and consequent introduction to these young ladies took place, they found in the appearance of the eldest, who was nearly thirty, with a very plain and not a sensible face, nothing to admire; but in the other, who was not more than two or three and twenty, they acknowledged considerable beauty; her features were pretty, and she had a sharp quick eye, and a smartness of air, which though it did not give actual elegance or grace, gave distinction to her person.— Their manners were particularly civil, and Elinor soon allowed them credit for some kind of sense, when she saw with what constant and judicious attention they were making themselves agreeable to Lady Middleton. With her children they were in continual raptures, extolling their beauty, courting their notice, and humouring their whims; and such of their time as could be spared from the importunate demands which this politeness made on it, was spent in admiration of whatever her ladyship was doing, if she happened to be doing any thing, or in taking patterns of some elegant new dress, in which her appearance the day before had thrown them into unceasing delight. Fortunately for those who pay their court through such foibles, a fond mother, though, in pursuit of praise for her children, the most rapacious of human beings, is likewise the most credulous; her demands are exorbitant; but she will swallow any thing; and the excessive affection and endurance of the Miss Steeles towards her offspring were viewed therefore by Lady Middleton without the smallest surprise or distrust. She saw with maternal complacency all the
impertinent encroachments and mischievous tricks to which her cousins submitted. She saw their sashes untied, their hair pulled about their ears, their work-bags searched, and their knives and scissors stolen away, and felt no doubt of its being a reciprocal enjoyment. It suggested no other surprise than that Elinor and Marianne should sit so composedly by, without claiming a share in what was passing.
“John is in such spirits today!” said she, on his taking Miss Steeles’s pocket handkerchief, and throwing it out of window—”He is full of monkey tricks.”
And soon afterwards, on the second boy’s violently pinching one of the same lady’s fingers, she fondly observed, “How playful William is!”
“And here is my sweet little Annamaria,” she added, tenderly caressing a little girl of three years old, who had not made a noise for the last two minutes; “And she is always so gentle and quiet—Never was there such a quiet little thing!”
But unfortunately in bestowing these embraces, a pin in her ladyship’s head dress slightly scratching the child’s neck, produced from this pattern of gentleness such violent screams, as could hardly be outdone by any creature professedly noisy. The mother’s consternation was excessive; but it could not surpass the alarm of the Miss Steeles, and every thing was done by all three, in so critical an emergency, which affection could suggest as likely to assuage the agonies of the little sufferer. She was seated in her mother’s lap, covered with kisses, her wound bathed with lavender-water, by one of the Miss Steeles, who was on her knees to attend her, and her mouth stuffed with sugar plums by the other. With such a reward for her tears, the child was too wise to cease crying. She still screamed and sobbed lustily, kicked her two brothers for offering to touch her, and all their united soothings were ineffectual till Lady Middleton
luckily remembering that in a scene of similar distress last week, some apricot marmalade had been successfully applied for a bruised temple, the same remedy was eagerly proposed for this unfortunate scratch, and a slight intermission of screams in the young lady on hearing it, gave them reason to hope that it would not be rejected.— She was carried out of the room therefore in her mother’s arms, in quest of this medicine, and as the two boys chose to follow, though earnestly entreated by their mother to stay behind, the four young ladies were left in a quietness which the room had not known for many hours.
“Poor little creatures!” said Miss Steele, as soon as they were gone. “It might have been a very sad accident.”
“Yet I hardly know how,” cried Marianne, “unless it had been under totally different circumstances. But this is the usual way of heightening alarm, where there is nothing to be alarmed at in reality.”
“What a sweet woman Lady Middleton is!” said Lucy Steele.
Marianne was silent; it was impossible for her to say what she did not feel, however trivial the occasion; and upon Elinor therefore the whole task of telling lies when politeness required it, always fell. She did her best when thus called on, by speaking of Lady Middleton with more warmth than she felt, though with far less than Miss Lucy.
“And Sir John too,” cried the elder sister, “what a charming man he is!”
Here too, Miss Dashwood’s commendation, being only simple and just, came in without any eclat. She merely observed that he was perfectly good humoured and friendly.
“And what a charming little family they have! I never saw such fine children in my life.—I declare I quite doat upon them already, and indeed I am always distractedly fond of children.”
“I should guess so,” said Elinor, with a smile, “from what I have witnessed this morning.”
“I have a notion,” said Lucy, “you think the little Middletons rather too much indulged; perhaps they may be the outside of enough; but it is so natural in Lady Middleton; and for my part, I love to see children full of life and spirits; I cannot bear them if they are tame and quiet.”
“I confess,” replied Elinor, “that while I am at Barton Park, I never think of tame and quiet children with any abhorrence.”
A short pause succeeded this speech, which was first broken by Miss Steele, who seemed very much disposed for conversation, and who now said rather abruptly, “And how do you like Devonshire, Miss Dashwood? I suppose you were very sorry to leave Sussex.”
In some surprise at the familiarity of this question, or at least of the manner in which it was spoken, Elinor replied that she was.
“Norland is a prodigious beautiful place, is not it?” added Miss Steele.
“We have heard Sir John admire it excessively,” said Lucy, who seemed to think some apology necessary for the freedom of her sister.
“I think every one MUST admire it,” replied Elinor, “who ever saw the place; though it is not to be supposed that any one can estimate its beauties as we do.”
“And had you a great many smart beaux there? I suppose you have not so many in this part of the world; for my part, I think they are a vast addition always.”
“But why should you think,” said Lucy, looking ashamed of her sister, “that there are not as many genteel young men in Devonshire as Sussex?”
“Nay, my dear, I’m sure I don’t pretend to say that there an’t. I’m sure there’s a vast many smart beaux in Exeter; but you know, how could I tell what smart beaux there might be about Norland; and I was only afraid the Miss Dashwoods might find it dull at Barton, if they had not so many as they used to have. But perhaps you young ladies may not care about the beaux, and had as lief be without them as with them. For my part, I think they are vastly agreeable, provided they dress smart and behave civil. But I can’t bear to see them dirty and nasty. Now there’s Mr. Rose at Exeter, a prodigious smart young man, quite a beau, clerk to Mr. Simpson, you know, and yet if you do but meet him of a morning, he is not fit to be seen.— I suppose your brother was quite a beau, Miss Dashwood, before he married, as he was so rich?”
“Upon my word,” replied Elinor, “I cannot tell you, for I do not perfectly comprehend the meaning of the word. But this I can say, that if he ever was a beau before he married, he is one still for there is not the smallest alteration in him.”
“Oh! dear! one never thinks of married men’s being beaux—they have something else to do.”
“Lord! Anne,” cried her sister, “you can talk of nothing but beaux;—you will make Miss Dashwood believe you think of nothing else.” And then to turn the discourse, she began admiring the house and the furniture.
This specimen of the Miss Steeles was enough. The vulgar freedom and folly of the eldest left her no recommendation, and as Elinor was not blinded by the beauty, or the shrewd look of the youngest, to her want of real elegance and artlessness, she left the house without any wish of knowing them better.
Not so the Miss Steeles.—They came from Exeter, well provided with admiration for the use of Sir John Middleton, his family, and all his relations, and no niggardly proportion was now dealt out to his fair cousins, whom they declared to be the most beautiful, elegant, accomplished, and agreeable girls they had ever beheld, and with whom they were particularly anxious to be better acquainted.— And to be better acquainted therefore, Elinor soon found was their inevitable lot, for as Sir John was entirely on the side of the Miss Steeles, their party would be too strong for opposition, and that kind of intimacy must be submitted to, which consists of sitting an hour or two together in the same room almost every day. Sir John could do no more; but he did not know that any more was required: to be together was, in his opinion, to be intimate, and while his continual schemes for their meeting were effectual, he had not a doubt of their being established friends.
To do him justice, he did every thing in his power to promote their unreserve, by making the Miss Steeles acquainted with whatever he knew or supposed of his cousins’ situations in the most delicate particulars,—and Elinor had not seen them more than twice, before the eldest of them wished her joy on her sister’s having been so lucky as to make a conquest of a very smart beau since she came to Barton.
“‘Twill be a fine thing to have her married so young to be sure,” said she, “and I hear he is quite a beau, and prodigious handsome. And I hope you may have as good luck yourself
soon,—but perhaps you may have a friend in the corner already.”
Elinor could not suppose that Sir John would be more nice in proclaiming his suspicions of her regard for Edward, than he had been with respect to Marianne; indeed it was rather his favourite joke of the two, as being somewhat newer and more conjectural; and since Edward’s visit, they had never dined together without his drinking to her best affections with so much significancy and so many nods and winks, as to excite general attention. The letter F—had been likewise invariably brought forward, and found productive of such countless jokes, that its character as the wittiest letter in the alphabet had been long established with Elinor.
The Miss Steeles, as she expected, had now all the benefit of these jokes, and in the eldest of them they raised a curiosity to know the name of the gentleman alluded to, which, though often impertinently expressed, was perfectly of a piece with her general inquisitiveness into the concerns of their family. But Sir John did not sport long with the curiosity which he delighted to raise, for he had at least as much pleasure in telling the name, as Miss Steele had in hearing it.
“His name is Ferrars,” said he, in a very audible whisper; “but pray do not tell it, for it’s a great secret.”
“Ferrars!” repeated Miss Steele; “Mr. Ferrars is the happy man, is he? What! your sister-in-law’s brother, Miss Dashwood? a very agreeable young man to be sure; I know him very well.”
“How can you say so, Anne?” cried Lucy, who generally made an amendment to all her sister’s assertions. “Though we have seen him once or twice at my uncle’s, it is rather too much to pretend to know him very well.”
Elinor heard all this with attention and surprise. “And who was this uncle? Where did he live? How came they acquainted?” She wished very much to have the subject continued, though she did not chuse to join in it herself; but nothing more of it was said, and for the first time in her life, she thought Mrs. Jennings deficient either in curiosity after petty information, or in a disposition to communicate it. The manner in which Miss Steele had spoken of Edward, increased her curiosity; for it struck her as being rather ill-natured, and suggested the suspicion of that lady’s knowing, or fancying herself to know something to his disadvantage.— But her curiosity was unavailing, for no farther notice was taken of Mr. Ferrars’s name by Miss Steele when alluded to, or even openly mentioned by Sir John.
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CHAPTER 22
Marianne, who had never much toleration for any thing like impertinence, vulgarity, inferiority of parts, or even difference of taste from herself, was at this time particularly ill-disposed, from the state of her spirits, to be pleased with the Miss Steeles, or to encourage their advances; and to the invariable coldness of her behaviour towards them, which checked every endeavour at intimacy on their side, Elinor principally attributed that preference of herself which soon became evident in the manners of both, but especially of Lucy, who missed no opportunity of engaging her in conversation, or of striving to improve their acquaintance by an easy and frank communication of her sentiments.
Lucy was naturally clever; her remarks were often just and amusing; and as a companion for half an hour Elinor frequently found her agreeable; but her powers had received no aid from education: she was ignorant and illiterate; and her deficiency of all mental improvement, her want of information in the most common particulars, could not be concealed from Miss Dashwood, in spite of her constant endeavour to appear to advantage. Elinor saw, and pitied her for, the neglect of abilities which education might have rendered so respectable; but she saw, with less tenderness of feeling, the thorough want of delicacy, of rectitude, and integrity of mind, which her attentions, her assiduities, her flatteries at the Park betrayed; and she could have no lasting satisfaction in the company of a person who joined insincerity with ignorance; whose want of instruction prevented their meeting in conversation on terms of equality,
and whose conduct toward others made every shew of attention and deference towards herself perfectly valueless.
“You will think my question an odd one, I dare say,” said Lucy to her one day, as they were walking together from the park to the cottage—”but pray, are you personally acquainted with your sister-in-law’s mother, Mrs. Ferrars?”
Elinor DID think the question a very odd one, and her countenance expressed it, as she answered that she had never seen Mrs. Ferrars.
“Indeed!” replied Lucy; “I wonder at that, for I thought you must have seen her at Norland sometimes. Then, perhaps, you cannot tell me what sort of a woman she is?”
“No,” returned Elinor, cautious of giving her real opinion of Edward’s mother, and not very desirous of satisfying what seemed impertinent curiosity— “I know nothing of her.”
“I am sure you think me very strange, for enquiring about her in such a way,” said Lucy, eyeing Elinor attentively as she spoke; “but perhaps there may be reasons—I wish I might venture; but however I hope you will do me the justice of believing that I do not mean to be impertinent.”
Elinor made her a civil reply, and they walked on for a few minutes in silence. It was broken by Lucy, who renewed the subject again by saying, with some hesitation,
“I cannot bear to have you think me impertinently curious. I am sure I would rather do any thing in the world than be thought so by a person whose good opinion is so well worth having as yours. And I am sure I should not have the smallest fear of trusting YOU; indeed, I should be very glad of your advice how to manage in such and uncomfortable situation as I am; but, however, there is no
occasion to trouble YOU. I am sorry you do not happen to know Mrs. Ferrars.”
“I am sorry I do NOT,” said Elinor, in great astonishment, “if it could be of any use to YOU to know my opinion of her. But really I never understood that you were at all connected with that family, and therefore I am a little surprised, I confess, at so serious an inquiry into her character.”
“I dare say you are, and I am sure I do not at all wonder at it. But if I dared tell you all, you would not be so much surprised. Mrs. Ferrars is certainly nothing to me at present—but the time MAY come—how soon it will come must depend upon herself—when we may be very intimately connected.”
She looked down as she said this, amiably bashful, with only one side glance at her companion to observe its effect on her.
“Good heavens!” cried Elinor, “what do you mean? Are you acquainted with Mr. Robert Ferrars? Can you be?” And she did not feel much delighted with the idea of such a sister-in-law.
“No,” replied Lucy, “not to Mr. ROBERT Ferrars—I never saw him in my life; but,” fixing her eyes upon Elinor, “to his eldest brother.”
What felt Elinor at that moment? Astonishment, that would have been as painful as it was strong, had not an immediate disbelief of the assertion attended it. She turned towards Lucy in silent amazement, unable to divine the reason or object of such a declaration; and though her complexion varied, she stood firm in incredulity, and felt in no danger of an hysterical fit, or a swoon.
“You may well be surprised,” continued Lucy; “for to be sure you could have had no idea of it before; for I dare say he never dropped the smallest hint of it to you or any of your family; because it was always meant to be a great secret, and I am sure has been faithfully kept so by me to this hour. Not a soul of all my relations know of it but Anne, and I never should have mentioned it to you, if I had not felt the greatest dependence in the world upon your secrecy; and I really thought my behaviour in asking so many questions about Mrs. Ferrars must seem so odd, that it ought to be explained. And I do not think Mr. Ferrars can be displeased, when he knows I have trusted you, because I know he has the highest opinion in the world of all your family, and looks upon yourself and the other Miss Dashwoods quite as his own sisters.”—She paused.
Elinor for a few moments remained silent. Her astonishment at what she heard was at first too great for words; but at length forcing herself to speak, and to speak cautiously, she said, with calmness of manner, which tolerably well concealed her surprise and solicitude— “May I ask if your engagement is of long standing?”
“We have been engaged these four years.”
“Four years!”
“Yes.”
Elinor, though greatly shocked, still felt unable to believe it.
“I did not know,” said she, “that you were even acquainted till the other day.”
“Our acquaintance, however, is of many years date. He was under my uncle’s care, you know, a considerable while.”
“Your uncle!”
“Yes; Mr. Pratt. Did you never hear him talk of Mr. Pratt?”
“I think I have,” replied Elinor, with an exertion of spirits, which increased with her increase of emotion.
“He was four years with my uncle, who lives at Longstaple, near Plymouth. It was there our acquaintance begun, for my sister and me was often staying with my uncle, and it was there our engagement was formed, though not till a year after he had quitted as a pupil; but he was almost always with us afterwards. I was very unwilling to enter into it, as you may imagine, without the knowledge and approbation of his mother; but I was too young, and loved him too well, to be so prudent as I ought to have been.— Though you do not know him so well as me, Miss Dashwood, you must have seen enough of him to be sensible he is very capable of making a woman sincerely attached to him.”
“Certainly,” answered Elinor, without knowing what she said; but after a moment’s reflection, she added, with revived security of Edward’s honour and love, and her companion’s falsehood—”Engaged to Mr. Edward Ferrars!—I confess myself so totally surprised at what you tell me, that really—I beg your pardon; but surely there must be some mistake of person or name. We cannot mean the same Mr. Ferrars.”
“We can mean no other,” cried Lucy, smiling. “Mr. Edward Ferrars, the eldest son of Mrs. Ferrars, of Park Street, and brother of your sister-in-law, Mrs. John Dashwood, is the person I mean; you must allow that I am not likely to be deceived as to the name of the man on who all my happiness depends.”
“It is strange,” replied Elinor, in a most painful perplexity, “that I should never have heard him even mention your name.”
“No; considering our situation, it was not strange. Our first care has been to keep the matter secret.— You knew nothing of me, or my family, and, therefore, there could be no OCCASION for ever mentioning my name to you; and, as he was always particularly afraid of his sister’s suspecting any thing, THAT was reason enough for his not mentioning it.”
She was silent.—Elinor’s security sunk; but her self-command did not sink with it.
“Four years you have been engaged,” said she with a firm voice.
“Yes; and heaven knows how much longer we may have to wait. Poor Edward! It puts him quite out of heart.” Then taking a small miniature from her pocket, she added, “To prevent the possibility of mistake, be so good as to look at this face. It does not do him justice, to be sure, but yet I think you cannot be deceived as to the person it was drew for.—I have had it above these three years.”
She put it into her hands as she spoke; and when Elinor saw the painting, whatever other doubts her fear of a too hasty decision, or her wish of detecting falsehood might suffer to linger in her mind, she could have none of its being Edward’s face. She returned it almost instantly, acknowledging the likeness.
“I have never been able,” continued Lucy, “to give him my picture in return, which I am very much vexed at, for he has been always so anxious to get it! But I am determined to set for it the very first opportunity.”
“You are quite in the right,” replied Elinor calmly. They then proceeded a few paces in silence. Lucy spoke first.
“I am sure,” said she, “I have no doubt in the world of your faithfully keeping this secret, because you must know of what importance it is to us, not to have it reach his mother; for she would never approve of it, I dare say. I shall have no fortune, and I fancy she is an exceeding proud woman.”
“I certainly did not seek your confidence,” said Elinor; “but you do me no more than justice in imagining that I may be depended on. Your secret is safe with me; but pardon me if I express some surprise at so unnecessary a communication. You must at least have felt that my being acquainted with it could not add to its safety.”
As she said this, she looked earnestly at Lucy, hoping to discover something in her countenance; perhaps the falsehood of the greatest part of what she had been saying; but Lucy’s countenance suffered no change.
“I was afraid you would think I was taking a great liberty with you,” said she, “in telling you all this. I have not known you long to be sure, personally at least, but I have known you and all your family by description a great while; and as soon as I saw you, I felt almost as if you was an old acquaintance. Besides in the present case, I really thought some explanation was due to you after my making such particular inquiries about Edward’s mother; and I am so unfortunate, that I have not a creature whose advice I can ask. Anne is the only person that knows of it, and she has no judgment at all; indeed, she does me a great deal more harm than good, for I am in constant fear of her betraying me. She does not know how to hold her tongue, as you must perceive, and I am sure I was in the greatest fright in the world t’other day, when Edward’s name was mentioned by Sir John, lest she should out with it all. You can’t think how
much I go through in my mind from it altogether. I only wonder that I am alive after what I have suffered for Edward’s sake these last four years. Every thing in such suspense and uncertainty; and seeing him so seldom—we can hardly meet above twice a-year. I am sure I wonder my heart is not quite broke.”
Here she took out her handkerchief; but Elinor did not feel very compassionate.
“Sometimes.” continued Lucy, after wiping her eyes, “I think whether it would not be better for us both to break off the matter entirely.” As she said this, she looked directly at her companion. “But then at other times I have not resolution enough for it.— I cannot bear the thoughts of making him so miserable, as I know the very mention of such a thing would do. And on my own account too—so dear as he is to me—I don’t think I could be equal to it. What would you advise me to do in such a case, Miss Dashwood? What would you do yourself?”
“Pardon me,” replied Elinor, startled by the question; “but I can give you no advice under such circumstances. Your own judgment must direct you.”
“To be sure,” continued Lucy, after a few minutes silence on both sides, “his mother must provide for him sometime or other; but poor Edward is so cast down by it! Did you not think him dreadful low-spirited when he was at Barton? He was so miserable when he left us at Longstaple, to go to you, that I was afraid you would think him quite ill.”
“Did he come from your uncle’s, then, when he visited us?”
“Oh, yes; he had been staying a fortnight with us. Did you think he came directly from town?”
“No,” replied Elinor, most feelingly sensible of every fresh circumstance in favour of Lucy’s veracity; “I remember he told us, that he had been staying a fortnight with some friends near Plymouth.” She remembered too, her own surprise at the time, at his mentioning nothing farther of those friends, at his total silence with respect even to their names.
“Did not you think him sadly out of spirits?” repeated Lucy.
“We did, indeed, particularly so when he first arrived.”
“I begged him to exert himself for fear you should suspect what was the matter; but it made him so melancholy, not being able to stay more than a fortnight with us, and seeing me so much affected.— Poor fellow!—I am afraid it is just the same with him now; for he writes in wretched spirits. I heard from him just before I left Exeter;” taking a letter from her pocket and carelessly showing the direction to Elinor. “You know his hand, I dare say, a charming one it is; but that is not written so well as usual.— He was tired, I dare say, for he had just filled the sheet to me as full as possible.”
Elinor saw that it WAS his hand, and she could doubt no longer. This picture, she had allowed herself to believe, might have been accidentally obtained; it might not have been Edward’s gift; but a correspondence between them by letter, could subsist only under a positive engagement, could be authorised by nothing else; for a few moments, she was almost overcome—her heart sunk within her, and she could hardly stand; but exertion was indispensably necessary; and she struggled so resolutely against the oppression of her feelings, that her success was speedy, and for the time complete.
“Writing to each other,” said Lucy, returning the letter into her pocket, “is the only comfort we have in such long separations. Yes, I have one other comfort in his picture, but poor Edward has not even THAT. If he had but my picture, he says he should be easy. I gave him a lock of my hair set in a ring when he was at Longstaple last, and that was some comfort to him, he said, but not equal to a picture. Perhaps you might notice the ring when you saw him?”
“I did,” said Elinor, with a composure of voice, under which was concealed an emotion and distress beyond any thing she had ever felt before. She was mortified, shocked, confounded.
Fortunately for her, they had now reached the cottage, and the conversation could be continued no farther. After sitting with them a few minutes, the Miss Steeles returned to the Park, and Elinor was then at liberty to think and be wretched.
[At this point in the first and second editions, Volume 1 ends.]
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CHAPTER 23
However small Elinor’s general dependence on Lucy’s veracity might be, it was impossible for her on serious reflection to suspect it in the present case, where no temptation could be answerable to the folly of inventing a falsehood of such a description. What Lucy had asserted to be true, therefore, Elinor could not, dared not longer doubt; supported as it was too on every side by such probabilities and proofs, and contradicted by nothing but her own wishes. Their opportunity of acquaintance in the house of Mr. Pratt was a foundation for the rest, at once indisputable and alarming; and Edward’s visit near Plymouth, his melancholy state of mind, his dissatisfaction at his own prospects, his uncertain behaviour towards herself, the intimate knowledge of the Miss Steeles as to Norland and their family connections, which had often surprised her, the picture, the letter, the ring, formed altogether such a body of evidence, as overcame every fear of condemning him unfairly, and established as a fact, which no partiality could set aside, his ill-treatment of herself.—Her resentment of such behaviour, her indignation at having been its dupe, for a short time made her feel only for herself; but other ideas, other considerations, soon arose. Had Edward been intentionally deceiving her? Had he feigned a regard for her which he did not feel? Was his engagement to Lucy an engagement of the heart? No; whatever it might once have been, she could not believe it such at present. His affection was all her own. She could not be deceived in that. Her mother, sisters, Fanny, all had been conscious of his regard for her at Norland; it was not an illusion of her own vanity. He certainly loved her. What a softener of the heart was this persuasion! How much
could it not tempt her to forgive! He had been blamable, highly blamable, in remaining at Norland after he first felt her influence over him to be more than it ought to be. In that, he could not be defended; but if he had injured her, how much more had he injured himself; if her case were pitiable, his was hopeless. His imprudence had made her miserable for a while; but it seemed to have deprived himself of all chance of ever being otherwise. She might in time regain tranquillity; but HE, what had he to look forward to? Could he ever be tolerably happy with Lucy Steele; could he, were his affection for herself out of the question, with his integrity, his delicacy, and well-informed mind, be satisfied with a wife like her—illiterate, artful, and selfish?
The youthful infatuation of nineteen would naturally blind him to every thing but her beauty and good nature; but the four succeeding years—years, which if rationally spent, give such improvement to the understanding, must have opened his eyes to her defects of education, while the same period of time, spent on her side in inferior society and more frivolous pursuits, had perhaps robbed her of that simplicity which might once have given an interesting character to her beauty.
If in the supposition of his seeking to marry herself, his difficulties from his mother had seemed great, how much greater were they now likely to be, when the object of his engagement was undoubtedly inferior in connections, and probably inferior in fortune to herself. These difficulties, indeed, with a heart so alienated from Lucy, might not press very hard upon his patience; but melancholy was the state of the person by whom the expectation of family opposition and unkindness, could be felt as a relief!
As these considerations occurred to her in painful succession, she wept for him, more than for herself. Supported by the conviction of having done nothing to merit
her present unhappiness, and consoled by the belief that Edward had done nothing to forfeit her esteem, she thought she could even now, under the first smart of the heavy blow, command herself enough to guard every suspicion of the truth from her mother and sisters. And so well was she able to answer her own expectations, that when she joined them at dinner only two hours after she had first suffered the extinction of all her dearest hopes, no one would have supposed from the appearance of the sisters, that Elinor was mourning in secret over obstacles which must divide her for ever from the object of her love, and that Marianne was internally dwelling on the perfections of a man, of whose whole heart she felt thoroughly possessed, and whom she expected to see in every carriage which drove near their house.
The necessity of concealing from her mother and Marianne, what had been entrusted in confidence to herself, though it obliged her to unceasing exertion, was no aggravation of Elinor’s distress. On the contrary it was a relief to her, to be spared the communication of what would give such affliction to them, and to be saved likewise from hearing that condemnation of Edward, which would probably flow from the excess of their partial affection for herself, and which was more than she felt equal to support.
From their counsel, or their conversation, she knew she could receive no assistance, their tenderness and sorrow must add to her distress, while her self-command would neither receive encouragement from their example nor from their praise. She was stronger alone, and her own good sense so well supported her, that her firmness was as unshaken, her appearance of cheerfulness as invariable, as with regrets so poignant and so fresh, it was possible for them to be.
Much as she had suffered from her first conversation with Lucy on the subject, she soon felt an earnest wish of
renewing it; and this for more reasons than one. She wanted to hear many particulars of their engagement repeated again, she wanted more clearly to understand what Lucy really felt for Edward, whether there were any sincerity in her declaration of tender regard for him, and she particularly wanted to convince Lucy, by her readiness to enter on the matter again, and her calmness in conversing on it, that she was no otherwise interested in it than as a friend, which she very much feared her involuntary agitation, in their morning discourse, must have left at least doubtful. That Lucy was disposed to be jealous of her appeared very probable: it was plain that Edward had always spoken highly in her praise, not merely from Lucy’s assertion, but from her venturing to trust her on so short a personal acquaintance, with a secret so confessedly and evidently important. And even Sir John’s joking intelligence must have had some weight. But indeed, while Elinor remained so well assured within herself of being really beloved by Edward, it required no other consideration of probabilities to make it natural that Lucy should be jealous; and that she was so, her very confidence was a proof. What other reason for the disclosure of the affair could there be, but that Elinor might be informed by it of Lucy’s superior claims on Edward, and be taught to avoid him in future? She had little difficulty in understanding thus much of her rival’s intentions, and while she was firmly resolved to act by her as every principle of honour and honesty directed, to combat her own affection for Edward and to see him as little as possible; she could not deny herself the comfort of endeavouring to convince Lucy that her heart was unwounded. And as she could now have nothing more painful to hear on the subject than had already been told, she did not mistrust her own ability of going through a repetition of particulars with composure.
But it was not immediately that an opportunity of doing so could be commanded, though Lucy was as well disposed as herself to take advantage of any that occurred; for the
weather was not often fine enough to allow of their joining in a walk, where they might most easily separate themselves from the others; and though they met at least every other evening either at the park or cottage, and chiefly at the former, they could not be supposed to meet for the sake of conversation. Such a thought would never enter either Sir John or Lady Middleton’s head; and therefore very little leisure was ever given for a general chat, and none at all for particular discourse. They met for the sake of eating, drinking, and laughing together, playing at cards, or consequences, or any other game that was sufficiently noisy.
One or two meetings of this kind had taken place, without affording Elinor any chance of engaging Lucy in private, when Sir John called at the cottage one morning, to beg, in the name of charity, that they would all dine with Lady Middleton that day, as he was obliged to attend the club at Exeter, and she would otherwise be quite alone, except her mother and the two Miss Steeles. Elinor, who foresaw a fairer opening for the point she had in view, in such a party as this was likely to be, more at liberty among themselves under the tranquil and well-bred direction of Lady Middleton than when her husband united them together in one noisy purpose, immediately accepted the invitation; Margaret, with her mother’s permission, was equally compliant, and Marianne, though always unwilling to join any of their parties, was persuaded by her mother, who could not bear to have her seclude herself from any chance of amusement, to go likewise.
The young ladies went, and Lady Middleton was happily preserved from the frightful solitude which had threatened her. The insipidity of the meeting was exactly such as Elinor had expected; it produced not one novelty of thought or expression, and nothing could be less interesting than the whole of their discourse both in the dining parlour and drawing room: to the latter, the children accompanied them,
and while they remained there, she was too well convinced of the impossibility of engaging Lucy’s attention to attempt it. They quitted it only with the removal of the tea-things. The card-table was then placed, and Elinor began to wonder at herself for having ever entertained a hope of finding time for conversation at the park. They all rose up in preparation for a round game.
“I am glad,” said Lady Middleton to Lucy, “you are not going to finish poor little Annamaria’s basket this evening; for I am sure it must hurt your eyes to work filigree by candlelight. And we will make the dear little love some amends for her disappointment to-morrow, and then I hope she will not much mind it.”
This hint was enough, Lucy recollected herself instantly and replied, “Indeed you are very much mistaken, Lady Middleton; I am only waiting to know whether you can make your party without me, or I should have been at my filigree already. I would not disappoint the little angel for all the world: and if you want me at the card-table now, I am resolved to finish the basket after supper.”
“You are very good, I hope it won’t hurt your eyes—will you ring the bell for some working candles? My poor little girl would be sadly disappointed, I know, if the basket was not finished tomorrow, for though I told her it certainly would not, I am sure she depends upon having it done.”
Lucy directly drew her work table near her and reseated herself with an alacrity and cheerfulness which seemed to infer that she could taste no greater delight than in making a filigree basket for a spoilt child.
Lady Middleton proposed a rubber of Casino to the others. No one made any objection but Marianne, who with her usual inattention to the forms of general civility,
exclaimed, “Your Ladyship will have the goodness to excuse ME—you know I detest cards. I shall go to the piano-forte; I have not touched it since it was tuned.” And without farther ceremony, she turned away and walked to the instrument.
Lady Middleton looked as if she thanked heaven that SHE had never made so rude a speech.
“Marianne can never keep long from that instrument you know, ma’am,” said Elinor, endeavouring to smooth away the offence; “and I do not much wonder at it; for it is the very best toned piano-forte I ever heard.”
The remaining five were now to draw their cards.
“Perhaps,” continued Elinor, “if I should happen to cut out, I may be of some use to Miss Lucy Steele, in rolling her papers for her; and there is so much still to be done to the basket, that it must be impossible I think for her labour singly, to finish it this evening. I should like the work exceedingly, if she would allow me a share in it.”
“Indeed I shall be very much obliged to you for your help,” cried Lucy, “for I find there is more to be done to it than I thought there was; and it would be a shocking thing to disappoint dear Annamaria after all.”
“Oh! that would be terrible, indeed,” said Miss Steele— “Dear little soul, how I do love her!”
“You are very kind,” said Lady Middleton to Elinor; “and as you really like the work, perhaps you will be as well pleased not to cut in till another rubber, or will you take your chance now?”
Elinor joyfully profited by the first of these proposals, and thus by a little of that address which Marianne could never condescend to practise, gained her own end, and
pleased Lady Middleton at the same time. Lucy made room for her with ready attention, and the two fair rivals were thus seated side by side at the same table, and, with the utmost harmony, engaged in forwarding the same work. The pianoforte at which Marianne, wrapped up in her own music and her own thoughts, had by this time forgotten that any body was in the room besides herself, was luckily so near them that Miss Dashwood now judged she might safely, under the shelter of its noise, introduce the interesting subject, without any risk of being heard at the card-table.
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CHAPTER 24
In a firm, though cautious tone, Elinor thus began.
“I should be undeserving of the confidence you have honoured me with, if I felt no desire for its continuance, or no farther curiosity on its subject. I will not apologize therefore for bringing it forward again.”
“Thank you,” cried Lucy warmly, “for breaking the ice; you have set my heart at ease by it; for I was somehow or other afraid I had offended you by what I told you that Monday.”
“Offended me! How could you suppose so? Believe me,” and Elinor spoke it with the truest sincerity, “nothing could be farther from my intention than to give you such an idea. Could you have a motive for the trust, that was not honourable and flattering to me?”
“And yet I do assure you,” replied Lucy, her little sharp eyes full of meaning, “there seemed to me to be a coldness and displeasure in your manner that made me quite uncomfortable. I felt sure that you was angry with me; and have been quarrelling with myself ever since, for having took such a liberty as to trouble you with my affairs. But I am very glad to find it was only my own fancy, and that you really do not blame me. If you knew what a consolation it was to me to relieve my heart speaking to you of what I am
always thinking of every moment of my life, your compassion would make you overlook every thing else I am sure.”
“Indeed, I can easily believe that it was a very great relief to you, to acknowledge your situation to me, and be assured that you shall never have reason to repent it. Your case is a very unfortunate one; you seem to me to be surrounded with difficulties, and you will have need of all your mutual affection to support you under them. Mr. Ferrars, I believe, is entirely dependent on his mother.”
“He has only two thousand pounds of his own; it would be madness to marry upon that, though for my own part, I could give up every prospect of more without a sigh. I have been always used to a very small income, and could struggle with any poverty for him; but I love him too well to be the selfish means of robbing him, perhaps, of all that his mother might give him if he married to please her. We must wait, it may be for many years. With almost every other man in the world, it would be an alarming prospect; but Edward’s affection and constancy nothing can deprive me of I know.”
“That conviction must be every thing to you; and he is undoubtedly supported by the same trust in your’s. If the strength of your reciprocal attachment had failed, as between many people, and under many circumstances it naturally would during a four years’ engagement, your situation would have been pitiable, indeed.”
Lucy here looked up; but Elinor was careful in guarding her countenance from every expression that could give her words a suspicious tendency.
“Edward’s love for me,” said Lucy, “has been pretty well put to the test, by our long, very long absence since we were first engaged, and it has stood the trial so well, that I should be unpardonable to doubt it now. I can safely say that he has
never gave me one moment’s alarm on that account from the first.”
Elinor hardly knew whether to smile or sigh at this assertion.
Lucy went on. “I am rather of a jealous temper too by nature, and from our different situations in life, from his being so much more in the world than me, and our continual separation, I was enough inclined for suspicion, to have found out the truth in an instant, if there had been the slightest alteration in his behaviour to me when we met, or any lowness of spirits that I could not account for, or if he had talked more of one lady than another, or seemed in any respect less happy at Longstaple than he used to be. I do not mean to say that I am particularly observant or quick-sighted in general, but in such a case I am sure I could not be deceived.”
“All this,” thought Elinor, “is very pretty; but it can impose upon neither of us.”
“But what,” said she after a short silence, “are your views? or have you none but that of waiting for Mrs. Ferrars’s death, which is a melancholy and shocking extremity?—Is her son determined to submit to this, and to all the tediousness of the many years of suspense in which it may involve you, rather than run the risk of her displeasure for a while by owning the truth?”
“If we could be certain that it would be only for a while! But Mrs. Ferrars is a very headstrong proud woman, and in her first fit of anger upon hearing it, would very likely secure every thing to Robert, and the idea of that, for Edward’s sake, frightens away all my inclination for hasty measures.”
“And for your own sake too, or you are carrying your disinterestedness beyond reason.”
Lucy looked at Elinor again, and was silent.
“Do you know Mr. Robert Ferrars?” asked Elinor.
“Not at all—I never saw him; but I fancy he is very unlike his brother—silly and a great coxcomb.”
“A great coxcomb!” repeated Miss Steele, whose ear had caught those words by a sudden pause in Marianne’s music.— “Oh, they are talking of their favourite beaux, I dare say.”
“No sister,” cried Lucy, “you are mistaken there, our favourite beaux are NOT great coxcombs.”
“I can answer for it that Miss Dashwood’s is not,” said Mrs. Jennings, laughing heartily; “for he is one of the modestest, prettiest behaved young men I ever saw; but as for Lucy, she is such a sly little creature, there is no finding out who SHE likes.”
“Oh,” cried Miss Steele, looking significantly round at them, “I dare say Lucy’s beau is quite as modest and pretty behaved as Miss Dashwood’s.”
Elinor blushed in spite of herself. Lucy bit her lip, and looked angrily at her sister. A mutual silence took place for some time. Lucy first put an end to it by saying in a lower tone, though Marianne was then giving them the powerful protection of a very magnificent concerto—
“I will honestly tell you of one scheme which has lately come into my head, for bringing matters to bear; indeed I am bound to let you into the secret, for you are a party concerned. I dare say you have seen enough of Edward to know that he would prefer the church to every other profession; now my plan is that he should take orders as soon as he can, and then through your interest, which I am
sure you would be kind enough to use out of friendship for him, and I hope out of some regard to me, your brother might be persuaded to give him Norland living; which I understand is a very good one, and the present incumbent not likely to live a great while. That would be enough for us to marry upon, and we might trust to time and chance for the rest.”
“I should always be happy,” replied Elinor, “to show any mark of my esteem and friendship for Mr. Ferrars; but do you not perceive that my interest on such an occasion would be perfectly unnecessary? He is brother to Mrs. John Dashwood—THAT must be recommendation enough to her husband.”
“But Mrs. John Dashwood would not much approve of Edward’s going into orders.”
“Then I rather suspect that my interest would do very little.”
They were again silent for many minutes. At length Lucy exclaimed with a deep sigh,
“I believe it would be the wisest way to put an end to the business at once by dissolving the engagement. We seem so beset with difficulties on every side, that though it would make us miserable for a time, we should be happier perhaps in the end. But you will not give me your advice, Miss Dashwood?”
“No,” answered Elinor, with a smile, which concealed very agitated feelings, “on such a subject I certainly will not. You know very well that my opinion would have no weight with you, unless it were on the side of your wishes.”
“Indeed you wrong me,” replied Lucy, with great solemnity; “I know nobody of whose judgment I think so
highly as I do of yours; and I do really believe, that if you was to say to me, ‘I advise you by all means to put an end to your engagement with Edward Ferrars, it will be more for the happiness of both of you,’ I should resolve upon doing it immediately.”
Elinor blushed for the insincerity of Edward’s future wife, and replied, “This compliment would effectually frighten me from giving any opinion on the subject had I formed one. It raises my influence much too high; the power of dividing two people so tenderly attached is too much for an indifferent person.”
“‘Tis because you are an indifferent person,” said Lucy, with some pique, and laying a particular stress on those words, “that your judgment might justly have such weight with me. If you could be supposed to be biased in any respect by your own feelings, your opinion would not be worth having.”
Elinor thought it wisest to make no answer to this, lest they might provoke each other to an unsuitable increase of ease and unreserve; and was even partly determined never to mention the subject again. Another pause therefore of many minutes’ duration, succeeded this speech, and Lucy was still the first to end it.
“Shall you be in town this winter, Miss Dashwood?” said she with all her accustomary complacency.
“Certainly not.”
“I am sorry for that,” returned the other, while her eyes brightened at the information, “it would have gave me such pleasure to meet you there! But I dare say you will go for all that. To be sure, your brother and sister will ask you to come to them.”
“It will not be in my power to accept their invitation if they do.”
“How unlucky that is! I had quite depended upon meeting you there. Anne and me are to go the latter end of January to some relations who have been wanting us to visit them these several years! But I only go for the sake of seeing Edward. He will be there in February, otherwise London would have no charms for me; I have not spirits for it.”
Elinor was soon called to the card-table by the conclusion of the first rubber, and the confidential discourse of the two ladies was therefore at an end, to which both of them submitted without any reluctance, for nothing had been said on either side to make them dislike each other less than they had done before; and Elinor sat down to the card table with the melancholy persuasion that Edward was not only without affection for the person who was to be his wife; but that he had not even the chance of being tolerably happy in marriage, which sincere affection on HER side would have given, for self-interest alone could induce a woman to keep a man to an engagement, of which she seemed so thoroughly aware that he was weary.
From this time the subject was never revived by Elinor, and when entered on by Lucy, who seldom missed an opportunity of introducing it, and was particularly careful to inform her confidante, of her happiness whenever she received a letter from Edward, it was treated by the former with calmness and caution, and dismissed as soon as civility would allow; for she felt such conversations to be an indulgence which Lucy did not deserve, and which were dangerous to herself.
The visit of the Miss Steeles at Barton Park was lengthened far beyond what the first invitation implied. Their favour increased; they could not be spared; Sir John
would not hear of their going; and in spite of their numerous and long arranged engagements in Exeter, in spite of the absolute necessity of returning to fulfill them immediately, which was in full force at the end of every week, they were prevailed on to stay nearly two months at the park, and to assist in the due celebration of that festival which requires a more than ordinary share of private balls and large dinners to proclaim its importance.
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CHAPTER 25
Though Mrs. Jennings was in the habit of spending a large portion of the year at the houses of her children and friends, she was not without a settled habitation of her own. Since the death of her husband, who had traded with success in a less elegant part of the town, she had resided every winter in a house in one of the streets near Portman Square. Towards this home, she began on the approach of January to turn her thoughts, and thither she one day abruptly, and very unexpectedly by them, asked the elder Misses Dashwood to accompany her. Elinor, without observing the varying complexion of her sister, and the animated look which spoke no indifference to the plan, immediately gave a grateful but absolute denial for both, in which she believed herself to be speaking their united inclinations. The reason alleged was their determined resolution of not leaving their mother at that time of the year. Mrs. Jennings received the refusal with some surprise, and repeated her invitation immediately.
“Oh, Lord! I am sure your mother can spare you very well, and I DO beg you will favour me with your company, for I’ve quite set my heart upon it. Don’t fancy that you will be any inconvenience to me, for I shan’t put myself at all out of my way for you. It will only be sending Betty by the coach, and I hope I can afford THAT. We three shall be able to go very well in my chaise; and when we are in town, if you do not like to go wherever I do, well and good, you may always go with one of my daughters. I am sure your mother
will not object to it; for I have had such good luck in getting my own children off my hands that she will think me a very fit person to have the charge of you; and if I don’t get one of you at least well married before I have done with you, it shall not be my fault. I shall speak a good word for you to all the young men, you may depend upon it.”
“I have a notion,” said Sir John, “that Miss Marianne would not object to such a scheme, if her elder sister would come into it. It is very hard indeed that she should not have a little pleasure, because Miss Dashwood does not wish it. So I would advise you two, to set off for town, when you are tired of Barton, without saying a word to Miss Dashwood about it.”
“Nay,” cried Mrs. Jennings, “I am sure I shall be monstrous glad of Miss Marianne’s company, whether Miss Dashwood will go or not, only the more the merrier say I, and I thought it would be more comfortable for them to be together; because, if they got tired of me, they might talk to one another, and laugh at my old ways behind my back. But one or the other, if not both of them, I must have. Lord bless me! how do you think I can live poking by myself, I who have been always used till this winter to have Charlotte with me. Come, Miss Marianne, let us strike hands upon the bargain, and if Miss Dashwood will change her mind by and bye, why so much the better.”
“I thank you, ma’am, sincerely thank you,” said Marianne, with warmth: “your invitation has insured my gratitude for ever, and it would give me such happiness, yes, almost the greatest happiness I am capable of, to be able to accept it. But my mother, my dearest, kindest mother,—I feel the justice of what Elinor has urged, and if she were to be made less happy, less comfortable by our absence—Oh! no, nothing should tempt me to leave her. It should not, must not be a struggle.”
Mrs. Jennings repeated her assurance that Mrs. Dashwood could spare them perfectly well; and Elinor, who now understood her sister, and saw to what indifference to almost every thing else she was carried by her eagerness to be with Willoughby again, made no farther direct opposition to the plan, and merely referred it to her mother’s decision, from whom however she scarcely expected to receive any support in her endeavour to prevent a visit, which she could not approve of for Marianne, and which on her own account she had particular reasons to avoid. Whatever Marianne was desirous of, her mother would be eager to promote—she could not expect to influence the latter to cautiousness of conduct in an affair respecting which she had never been able to inspire her with distrust; and she dared not explain the motive of her own disinclination for going to London. That Marianne, fastidious as she was, thoroughly acquainted with Mrs. Jennings’ manners, and invariably disgusted by them, should overlook every inconvenience of that kind, should disregard whatever must be most wounding to her irritable feelings, in her pursuit of one object, was such a proof, so strong, so full, of the importance of that object to her, as Elinor, in spite of all that had passed, was not prepared to witness.
On being informed of the invitation, Mrs. Dashwood, persuaded that such an excursion would be productive of much amusement to both her daughters, and perceiving through all her affectionate attention to herself, how much the heart of Marianne was in it, would not hear of their declining the offer upon HER account; insisted on their both accepting it directly; and then began to foresee, with her usual cheerfulness, a variety of advantages that would accrue to them all, from this separation.
“I am delighted with the plan,” she cried, “it is exactly what I could wish. Margaret and I shall be as much benefited by it as yourselves. When you and the Middletons are gone,
we shall go on so quietly and happily together with our books and our music! You will find Margaret so improved when you come back again! I have a little plan of alteration for your bedrooms too, which may now be performed without any inconvenience to any one. It is very right that you SHOULD go to town; I would have every young woman of your condition in life acquainted with the manners and amusements of London. You will be under the care of a motherly good sort of woman, of whose kindness to you I can have no doubt. And in all probability you will see your brother, and whatever may be his faults, or the faults of his wife, when I consider whose son he is, I cannot bear to have you so wholly estranged from each other.”
“Though with your usual anxiety for our happiness,” said Elinor, “you have been obviating every impediment to the present scheme which occurred to you, there is still one objection which, in my opinion, cannot be so easily removed.”
Marianne’s countenance sunk.
“And what,” said Mrs. Dashwood, “is my dear prudent Elinor going to suggest? What formidable obstacle is she now to bring forward? Do let me hear a word about the expense of it.”
“My objection is this; though I think very well of Mrs. Jennings’s heart, she is not a woman whose society can afford us pleasure, or whose protection will give us consequence.”
“That is very true,” replied her mother, “but of her society, separately from that of other people, you will scarcely have any thing at all, and you will almost always appear in public with Lady Middleton.”
“If Elinor is frightened away by her dislike of Mrs. Jennings,” said Marianne, “at least it need not prevent MY accepting her invitation. I have no such scruples, and I am sure I could put up with every unpleasantness of that kind with very little effort.”
Elinor could not help smiling at this display of indifference towards the manners of a person, to whom she had often had difficulty in persuading Marianne to behave with tolerable politeness; and resolved within herself, that if her sister persisted in going, she would go likewise, as she did not think it proper that Marianne should be left to the sole guidance of her own judgment, or that Mrs. Jennings should be abandoned to the mercy of Marianne for all the comfort of her domestic hours. To this determination she was the more easily reconciled, by recollecting that Edward Ferrars, by Lucy’s account, was not to be in town before February; and that their visit, without any unreasonable abridgement, might be previously finished.
“I will have you BOTH go,” said Mrs. Dashwood; “these objections are nonsensical. You will have much pleasure in being in London, and especially in being together; and if Elinor would ever condescend to anticipate enjoyment, she would foresee it there from a variety of sources; she would, perhaps, expect some from improving her acquaintance with her sister-in-law’s family.”
Elinor had often wished for an opportunity of attempting to weaken her mother’s dependence on the attachment of Edward and herself, that the shock might be less when the whole truth were revealed, and now on this attack, though almost hopeless of success, she forced herself to begin her design by saying, as calmly as she could, “I like Edward Ferrars very much, and shall always be glad to see him; but as to the rest of the family, it is a matter of perfect
indifference to me, whether I am ever known to them or not.”
Mrs. Dashwood smiled, and said nothing. Marianne lifted up her eyes in astonishment, and Elinor conjectured that she might as well have held her tongue.
After very little farther discourse, it was finally settled that the invitation should be fully accepted. Mrs. Jennings received the information with a great deal of joy, and many assurances of kindness and care; nor was it a matter of pleasure merely to her. Sir John was delighted; for to a man, whose prevailing anxiety was the dread of being alone, the acquisition of two, to the number of inhabitants in London, was something. Even Lady Middleton took the trouble of being delighted, which was putting herself rather out of her way; and as for the Miss Steeles, especially Lucy, they had never been so happy in their lives as this intelligence made them.
Elinor submitted to the arrangement which counteracted her wishes with less reluctance than she had expected to feel. With regard to herself, it was now a matter of unconcern whether she went to town or not, and when she saw her mother so thoroughly pleased with the plan, and her sister exhilarated by it in look, voice, and manner, restored to all her usual animation, and elevated to more than her usual gaiety, she could not be dissatisfied with the cause, and would hardly allow herself to distrust the consequence.
Marianne’s joy was almost a degree beyond happiness, so great was the perturbation of her spirits and her impatience to be gone. Her unwillingness to quit her mother was her only restorative to calmness; and at the moment of parting her grief on that score was excessive. Her mother’s affliction was hardly less, and Elinor was the only one of the three,
who seemed to consider the separation as any thing short of eternal.
Their departure took place in the first week in January. The Middletons were to follow in about a week. The Miss Steeles kept their station at the park, and were to quit it only with the rest of the family.
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CHAPTER 26
Elinor could not find herself in the carriage with Mrs. Jennings, and beginning a journey to London under her protection, and as her guest, without wondering at her own situation, so short had their acquaintance with that lady been, so wholly unsuited were they in age and disposition, and so many had been her objections against such a measure only a few days before! But these objections had all, with that happy ardour of youth which Marianne and her mother equally shared, been overcome or overlooked; and Elinor, in spite of every occasional doubt of Willoughby’s constancy, could not witness the rapture of delightful expectation which filled the whole soul and beamed in the eyes of Marianne, without feeling how blank was her own prospect, how cheerless her own state of mind in the comparison, and how gladly she would engage in the solicitude of Marianne’s situation to have the same animating object in view, the same possibility of hope. A short, a very short time however must now decide what Willoughby’s intentions were; in all probability he was already in town. Marianne’s eagerness to be gone declared her dependence on finding him there; and Elinor was resolved not only upon gaining every new light as to his character which her own observation or the intelligence of others could give her, but likewise upon watching his behaviour to her sister with such zealous attention, as to ascertain what he was and what he meant, before many meetings had taken place. Should the result of her observations be unfavourable, she was determined at all events to open the eyes of her sister; should it be otherwise, her exertions would be of a different nature—she must then learn to avoid every selfish comparison, and banish every regret which might lessen her satisfaction in the happiness of Marianne.
They were three days on their journey, and Marianne’s behaviour as they travelled was a happy specimen of what
future complaisance and companionableness to Mrs. Jennings might be expected to be. She sat in silence almost all the way, wrapt in her own meditations, and scarcely ever voluntarily speaking, except when any object of picturesque beauty within their view drew from her an exclamation of delight exclusively addressed to her sister. To atone for this conduct therefore, Elinor took immediate possession of the post of civility which she had assigned herself, behaved with the greatest attention to Mrs. Jennings, talked with her, laughed with her, and listened to her whenever she could; and Mrs. Jennings on her side treated them both with all possible kindness, was solicitous on every occasion for their ease and enjoyment, and only disturbed that she could not make them choose their own dinners at the inn, nor extort a confession of their preferring salmon to cod, or boiled fowls to veal cutlets. They reached town by three o’clock the third day, glad to be released, after such a journey, from the confinement of a carriage, and ready to enjoy all the luxury of a good fire.
The house was handsome, and handsomely fitted up, and the young ladies were immediately put in possession of a very comfortable apartment. It had formerly been Charlotte’s, and over the mantelpiece still hung a landscape in coloured silks of her performance, in proof of her having spent seven years at a great school in town to some effect.
As dinner was not to be ready in less than two hours from their arrival, Elinor determined to employ the interval in writing to her mother, and sat down for that purpose. In a few moments Marianne did the same. “I am writing home, Marianne,” said Elinor; “had not you better defer your letter for a day or two?”
“I am NOT going to write to my mother,” replied Marianne, hastily, and as if wishing to avoid any farther inquiry. Elinor said no more; it immediately struck her that
she must then be writing to Willoughby; and the conclusion which as instantly followed was, that, however mysteriously they might wish to conduct the affair, they must be engaged. This conviction, though not entirely satisfactory, gave her pleasure, and she continued her letter with greater alacrity. Marianne’s was finished in a very few minutes; in length it could be no more than a note; it was then folded up, sealed, and directed with eager rapidity. Elinor thought she could distinguish a large W in the direction; and no sooner was it complete than Marianne, ringing the bell, requested the footman who answered it to get that letter conveyed for her to the two-penny post. This decided the matter at once.
Her spirits still continued very high; but there was a flutter in them which prevented their giving much pleasure to her sister, and this agitation increased as the evening drew on. She could scarcely eat any dinner, and when they afterwards returned to the drawing room, seemed anxiously listening to the sound of every carriage.
It was a great satisfaction to Elinor that Mrs. Jennings, by being much engaged in her own room, could see little of what was passing. The tea things were brought in, and already had Marianne been disappointed more than once by a rap at a neighbouring door, when a loud one was suddenly heard which could not be mistaken for one at any other house, Elinor felt secure of its announcing Willoughby’s approach, and Marianne, starting up, moved towards the door. Every thing was silent; this could not be borne many seconds; she opened the door, advanced a few steps towards the stairs, and after listening half a minute, returned into the room in all the agitation which a conviction of having heard him would naturally produce; in the ecstasy of her feelings at that instant she could not help exclaiming, “Oh, Elinor, it is Willoughby, indeed it is!” and seemed almost ready to throw herself into his arms, when Colonel Brandon appeared.
It was too great a shock to be borne with calmness, and she immediately left the room. Elinor was disappointed too; but at the same time her regard for Colonel Brandon ensured his welcome with her; and she felt particularly hurt that a man so partial to her sister should perceive that she experienced nothing but grief and disappointment in seeing him. She instantly saw that it was not unnoticed by him, that he even observed Marianne as she quitted the room, with such astonishment and concern, as hardly left him the recollection of what civility demanded towards herself.
“Is your sister ill?” said he.
Elinor answered in some distress that she was, and then talked of head-aches, low spirits, and over fatigues; and of every thing to which she could decently attribute her sister’s behaviour.
He heard her with the most earnest attention, but seeming to recollect himself, said no more on the subject, and began directly to speak of his pleasure at seeing them in London, making the usual inquiries about their journey, and the friends they had left behind.
In this calm kind of way, with very little interest on either side, they continued to talk, both of them out of spirits, and the thoughts of both engaged elsewhere. Elinor wished very much to ask whether Willoughby were then in town, but she was afraid of giving him pain by any enquiry after his rival; and at length, by way of saying something, she asked if he had been in London ever since she had seen him last. “Yes,” he replied, with some embarrassment, “almost ever since; I have been once or twice at Delaford for a few days, but it has never been in my power to return to Barton.”
This, and the manner in which it was said, immediately brought back to her remembrance all the circumstances of his quitting that place, with the uneasiness and suspicions they had caused to Mrs. Jennings, and she was fearful that her question had implied much more curiosity on the subject than she had ever felt.
Mrs. Jennings soon came in. “Oh! Colonel,” said she, with her usual noisy cheerfulness, “I am monstrous glad to see you—sorry I could not come before—beg your pardon, but I have been forced to look about me a little, and settle my matters; for it is a long while since I have been at home, and you know one has always a world of little odd things to do after one has been away for any time; and then I have had Cartwright to settle with— Lord, I have been as busy as a bee ever since dinner! But pray, Colonel, how came you to conjure out that I should be in town today?”
“I had the pleasure of hearing it at Mr. Palmer’s, where I have been dining.”
“Oh, you did; well, and how do they all do at their house? How does Charlotte do? I warrant you she is a fine size by this time.”
“Mrs. Palmer appeared quite well, and I am commissioned to tell you, that you will certainly see her to-morrow.”
“Ay, to be sure, I thought as much. Well, Colonel, I have brought two young ladies with me, you see—that is, you see but one of them now, but there is another somewhere. Your friend, Miss Marianne, too—which you will not be sorry to hear. I do not know what you and Mr. Willoughby will do between you about her. Ay, it is a fine thing to be young and handsome. Well! I was young once, but I never was very handsome—worse luck for me. However, I got a very good
husband, and I don’t know what the greatest beauty can do more. Ah! poor man! he has been dead these eight years and better. But Colonel, where have you been to since we parted? And how does your business go on? Come, come, let’s have no secrets among friends.”
He replied with his accustomary mildness to all her inquiries, but without satisfying her in any. Elinor now began to make the tea, and Marianne was obliged to appear again.
After her entrance, Colonel Brandon became more thoughtful and silent than he had been before, and Mrs. Jennings could not prevail on him to stay long. No other visitor appeared that evening, and the ladies were unanimous in agreeing to go early to bed.
Marianne rose the next morning with recovered spirits and happy looks. The disappointment of the evening before seemed forgotten in the expectation of what was to happen that day. They had not long finished their breakfast before Mrs. Palmer’s barouche stopped at the door, and in a few minutes she came laughing into the room: so delighted to see them all, that it was hard to say whether she received most pleasure from meeting her mother or the Miss Dashwoods again. So surprised at their coming to town, though it was what she had rather expected all along; so angry at their accepting her mother’s invitation after having declined her own, though at the same time she would never have forgiven them if they had not come!
“Mr. Palmer will be so happy to see you,” said she; “What do you think he said when he heard of your coming with Mamma? I forget what it was now, but it was something so droll!”
After an hour or two spent in what her mother called comfortable chat, or in other words, in every variety of
inquiry concerning all their acquaintance on Mrs. Jennings’s side, and in laughter without cause on Mrs. Palmer’s, it was proposed by the latter that they should all accompany her to some shops where she had business that morning, to which Mrs. Jennings and Elinor readily consented, as having likewise some purchases to make themselves; and Marianne, though declining it at first was induced to go likewise.
Wherever they went, she was evidently always on the watch. In Bond Street especially, where much of their business lay, her eyes were in constant inquiry; and in whatever shop the party were engaged, her mind was equally abstracted from every thing actually before them, from all that interested and occupied the others. Restless and dissatisfied every where, her sister could never obtain her opinion of any article of purchase, however it might equally concern them both: she received no pleasure from anything; was only impatient to be at home again, and could with difficulty govern her vexation at the tediousness of Mrs. Palmer, whose eye was caught by every thing pretty, expensive, or new; who was wild to buy all, could determine on none, and dawdled away her time in rapture and indecision.
It was late in the morning before they returned home; and no sooner had they entered the house than Marianne flew eagerly up stairs, and when Elinor followed, she found her turning from the table with a sorrowful countenance, which declared that no Willoughby had been there.
“Has no letter been left here for me since we went out?” said she to the footman who then entered with the parcels. She was answered in the negative. “Are you quite sure of it?” she replied. “Are you certain that no servant, no porter has left any letter or note?”
The man replied that none had.
“How very odd!” said she, in a low and disappointed voice, as she turned away to the window.
“How odd, indeed!” repeated Elinor within herself, regarding her sister with uneasiness. “If she had not known him to be in town she would not have written to him, as she did; she would have written to Combe Magna; and if he is in town, how odd that he should neither come nor write! Oh! my dear mother, you must be wrong in permitting an engagement between a daughter so young, a man so little known, to be carried on in so doubtful, so mysterious a manner! I long to inquire; and how will MY interference be borne.”
She determined, after some consideration, that if appearances continued many days longer as unpleasant as they now were, she would represent in the strongest manner to her mother the necessity of some serious enquiry into the affair.
Mrs. Palmer and two elderly ladies of Mrs. Jennings’s intimate acquaintance, whom she had met and invited in the morning, dined with them. The former left them soon after tea to fulfill her evening engagements; and Elinor was obliged to assist in making a whist table for the others. Marianne was of no use on these occasions, as she would never learn the game; but though her time was therefore at her own disposal, the evening was by no means more productive of pleasure to her than to Elinor, for it was spent in all the anxiety of expectation and the pain of disappointment. She sometimes endeavoured for a few minutes to read; but the book was soon thrown aside, and she returned to the more interesting employment of walking backwards and forwards across the room, pausing for a moment whenever she came to the window, in hopes of distinguishing the long-expected rap.
CHAPTER 27
“If this open weather holds much longer,” said Mrs. Jennings, when they met at breakfast the following morning, “Sir John will not like leaving Barton next week; ’tis a sad thing for sportsmen to lose a day’s pleasure. Poor souls! I always pity them when they do; they seem to take it so much to heart.”
“That is true,” cried Marianne, in a cheerful voice, and walking to the window as she spoke, to examine the day. “I had not thought of that. This weather will keep many sportsmen in the country.”
It was a lucky recollection, all her good spirits were restored by it. “It is charming weather for THEM indeed,” she continued, as she sat down to the breakfast table with a happy countenance. “How much they must enjoy it! But” (with a little return of anxiety) “it cannot be expected to last long. At this time of the year, and after such a series of rain, we shall certainly have very little more of it. Frosts will soon set in, and in all probability with severity. In another day or two perhaps; this extreme mildness can hardly last longer— nay, perhaps it may freeze tonight!”
“At any rate,” said Elinor, wishing to prevent Mrs. Jennings from seeing her sister’s thoughts as clearly as she did, “I dare say we shall have Sir John and Lady Middleton in town by the end of next week.”
“Ay, my dear, I’ll warrant you we do. Mary always has her own way.”
“And now,” silently conjectured Elinor, “she will write to Combe by this day’s post.”
But if she DID, the letter was written and sent away with a privacy which eluded all her watchfulness to ascertain the fact. Whatever the truth of it might be, and far as Elinor was from feeling thorough contentment about it, yet while she saw Marianne in spirits, she could not be very uncomfortable herself. And Marianne was in spirits; happy in the mildness of the weather, and still happier in her expectation of a frost.
The morning was chiefly spent in leaving cards at the houses of Mrs. Jennings’s acquaintance to inform them of her being in town; and Marianne was all the time busy in observing the direction of the wind, watching the variations of the sky and imagining an alteration in the air.
“Don’t you find it colder than it was in the morning, Elinor? There seems to me a very decided difference. I can hardly keep my hands warm even in my muff. It was not so yesterday, I think. The clouds seem parting too, the sun will be out in a moment, and we shall have a clear afternoon.”
Elinor was alternately diverted and pained; but Marianne persevered, and saw every night in the brightness of the fire, and every morning in the appearance of the atmosphere, the certain symptoms of approaching frost.
The Miss Dashwoods had no greater reason to be dissatisfied with Mrs. Jennings’s style of living, and set of acquaintance, than with her behaviour to themselves, which was invariably kind. Every thing in her household arrangements was conducted on the most liberal plan, and excepting a few old city friends, whom, to Lady Middleton’s regret, she had never dropped, she visited no one to whom an introduction could at all discompose the feelings of her young companions. Pleased to find herself more comfortably situated in that particular than she had expected, Elinor was very willing to compound for the want of much real
enjoyment from any of their evening parties, which, whether at home or abroad, formed only for cards, could have little to amuse her.
Colonel Brandon, who had a general invitation to the house, was with them almost every day; he came to look at Marianne and talk to Elinor, who often derived more satisfaction from conversing with him than from any other daily occurrence, but who saw at the same time with much concern his continued regard for her sister. She feared it was a strengthening regard. It grieved her to see the earnestness with which he often watched Marianne, and his spirits were certainly worse than when at Barton.
About a week after their arrival, it became certain that Willoughby was also arrived. His card was on the table when they came in from the morning’s drive.
“Good God!” cried Marianne, “he has been here while we were out.” Elinor, rejoiced to be assured of his being in London, now ventured to say, “Depend upon it, he will call again tomorrow.” But Marianne seemed hardly to hear her, and on Mrs. Jenning’s entrance, escaped with the precious card.
This event, while it raised the spirits of Elinor, restored to those of her sister all, and more than all, their former agitation. From this moment her mind was never quiet; the expectation of seeing him every hour of the day, made her unfit for any thing. She insisted on being left behind, the next morning, when the others went out.
Elinor’s thoughts were full of what might be passing in Berkeley Street during their absence; but a moment’s glance at her sister when they returned was enough to inform her, that Willoughby had paid no second visit there. A note was just then brought in, and laid on the table,
But Marianne, not convinced, took it instantly up.
“It is indeed for Mrs. Jennings; how provoking!”
“You are expecting a letter, then?” said Elinor, unable to be longer silent.
“Yes, a little—not much.”
After a short pause. “You have no confidence in me, Marianne.”
“Nay, Elinor, this reproach from YOU—you who have confidence in no one!”
“Me!” returned Elinor in some confusion; “indeed, Marianne, I have nothing to tell.”
“Nor I,” answered Marianne with energy, “our situations then are alike. We have neither of us any thing to tell; you, because you do not communicate, and I, because I conceal nothing.”
Elinor, distressed by this charge of reserve in herself, which she was not at liberty to do away, knew not how, under such circumstances, to press for greater openness in Marianne.
Mrs. Jennings soon appeared, and the note being given her, she read it aloud. It was from Lady Middleton, announcing their arrival in Conduit Street the night before, and requesting the company of her mother and cousins the following evening. Business on Sir John’s part, and a violent cold on her own, prevented their calling in Berkeley Street.
The invitation was accepted; but when the hour of appointment drew near, necessary as it was in common civility to Mrs. Jennings, that they should both attend her on such a visit, Elinor had some difficulty in persuading her sister to go, for still she had seen nothing of Willoughby; and therefore was not more indisposed for amusement abroad, than unwilling to run the risk of his calling again in her absence.
Elinor found, when the evening was over, that disposition is not materially altered by a change of abode, for although scarcely settled in town, Sir John had contrived to collect around him, nearly twenty young people, and to amuse them with a ball. This was an affair, however, of which Lady Middleton did not approve. In the country, an unpremeditated dance was very allowable; but in London, where the reputation of elegance was more important and less easily attained, it was risking too much for the gratification of a few girls, to have it known that Lady Middleton had given a small dance of eight or nine couple, with two violins, and a mere side-board collation.
Mr. and Mrs. Palmer were of the party; from the former, whom they had not seen before since their arrival in town, as he was careful to avoid the appearance of any attention to his mother-in-law, and therefore never came near her, they received no mark of recognition on their entrance. He looked at them slightly, without seeming to know who they were, and merely nodded to Mrs. Jennings from the other side of the room. Marianne gave one glance round the apartment as she entered: it was enough—HE was not there—and she sat down, equally ill-disposed to receive or communicate pleasure. After they had been assembled about an hour, Mr. Palmer sauntered towards the Miss Dashwoods to express his surprise on seeing them in town, though Colonel Brandon had been first informed of their arrival at his house, and he
had himself said something very droll on hearing that they were to come.
“I thought you were both in Devonshire,” said he.
“Did you?” replied Elinor.
“When do you go back again?”
“I do not know.” And thus ended their discourse.
Never had Marianne been so unwilling to dance in her life, as she was that evening, and never so much fatigued by the exercise. She complained of it as they returned to Berkeley Street.
“Aye, aye,” said Mrs. Jennings, “we know the reason of all that very well; if a certain person who shall be nameless, had been there, you would not have been a bit tired: and to say the truth it was not very pretty of him not to give you the meeting when he was invited.”
“Invited!” cried Marianne.
“So my daughter Middleton told me, for it seems Sir John met him somewhere in the street this morning.” Marianne said no more, but looked exceedingly hurt. Impatient in this situation to be doing something that might lead to her sister’s relief, Elinor resolved to write the next morning to her mother, and hoped by awakening her fears for the health of Marianne, to procure those inquiries which had been so long delayed; and she was still more eagerly bent on this measure by perceiving after breakfast on the morrow, that Marianne was again writing to Willoughby, for she could not suppose it to be to any other person.
About the middle of the day, Mrs. Jennings went out by herself on business, and Elinor began her letter directly,
while Marianne, too restless for employment, too anxious for conversation, walked from one window to the other, or sat down by the fire in melancholy meditation. Elinor was very earnest in her application to her mother, relating all that had passed, her suspicions of Willoughby’s inconstancy, urging her by every plea of duty and affection to demand from Marianne an account of her real situation with respect to him.
Her letter was scarcely finished, when a rap foretold a visitor, and Colonel Brandon was announced. Marianne, who had seen him from the window, and who hated company of any kind, left the room before he entered it. He looked more than usually grave, and though expressing satisfaction at finding Miss Dashwood alone, as if he had somewhat in particular to tell her, sat for some time without saying a word. Elinor, persuaded that he had some communication to make in which her sister was concerned, impatiently expected its opening. It was not the first time of her feeling the same kind of conviction; for, more than once before, beginning with the observation of “your sister looks unwell to-day,” or “your sister seems out of spirits,” he had appeared on the point, either of disclosing, or of inquiring, something particular about her. After a pause of several minutes, their silence was broken, by his asking her in a voice of some agitation, when he was to congratulate her on the acquisition of a brother? Elinor was not prepared for such a question, and having no answer ready, was obliged to adopt the simple and common expedient, of asking what he meant? He tried to smile as he replied, “your sister’s engagement to Mr. Willoughby is very generally known.”
“It cannot be generally known,” returned Elinor, “for her own family do not know it.”
He looked surprised and said, “I beg your pardon, I am afraid my inquiry has been impertinent; but I had not
supposed any secrecy intended, as they openly correspond, and their marriage is universally talked of.”
“How can that be? By whom can you have heard it mentioned?”
“By many—by some of whom you know nothing, by others with whom you are most intimate, Mrs. Jennings, Mrs. Palmer, and the Middletons. But still I might not have believed it, for where the mind is perhaps rather unwilling to be convinced, it will always find something to support its doubts, if I had not, when the servant let me in today, accidentally seen a letter in his hand, directed to Mr. Willoughby in your sister’s writing. I came to inquire, but I was convinced before I could ask the question. Is every thing finally settled? Is it impossible to-? But I have no right, and I could have no chance of succeeding. Excuse me, Miss Dashwood. I believe I have been wrong in saying so much, but I hardly know what to do, and on your prudence I have the strongest dependence. Tell me that it is all absolutely resolved on, that any attempt, that in short concealment, if concealment be possible, is all that remains.”
These words, which conveyed to Elinor a direct avowal of his love for her sister, affected her very much. She was not immediately able to say anything, and even when her spirits were recovered, she debated for a short time, on the answer it would be most proper to give. The real state of things between Willoughby and her sister was so little known to herself, that in endeavouring to explain it, she might be as liable to say too much as too little. Yet as she was convinced that Marianne’s affection for Willoughby, could leave no hope of Colonel Brandon’s success, whatever the event of that affection might be, and at the same time wished to shield her conduct from censure, she thought it most prudent and kind, after some consideration, to say more than she really knew or believed. She acknowledged, therefore, that
though she had never been informed by themselves of the terms on which they stood with each other, of their mutual affection she had no doubt, and of their correspondence she was not astonished to hear.
He listened to her with silent attention, and on her ceasing to speak, rose directly from his seat, and after saying in a voice of emotion, “to your sister I wish all imaginable happiness; to Willoughby that he may endeavour to deserve her,”—took leave, and went away.
Elinor derived no comfortable feelings from this conversation, to lessen the uneasiness of her mind on other points; she was left, on the contrary, with a melancholy impression of Colonel Brandon’s unhappiness, and was prevented even from wishing it removed, by her anxiety for the very event that must confirm it.
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CHAPTER 28
Nothing occurred during the next three or four days, to make Elinor regret what she had done, in applying to her mother; for Willoughby neither came nor wrote. They were engaged about the end of that time to attend Lady Middleton to a party, from which Mrs. Jennings was kept away by the indisposition of her youngest daughter; and for this party, Marianne, wholly dispirited, careless of her appearance, and seeming equally indifferent whether she went or staid, prepared, without one look of hope or one expression of pleasure. She sat by the drawing-room fire after tea, till the moment of Lady Middleton’s arrival, without once stirring from her seat, or altering her attitude, lost in her own thoughts, and insensible of her sister’s presence; and when at last they were told that Lady Middleton waited for them at the door, she started as if she had forgotten that any one was expected.
They arrived in due time at the place of destination, and as soon as the string of carriages before them would allow, alighted, ascended the stairs, heard their names announced from one landing-place to another in an audible voice, and entered a room splendidly lit up, quite full of company, and insufferably hot. When they had paid their tribute of politeness by curtsying to the lady of the house, they were permitted to mingle in the crowd, and take their share of the heat and inconvenience, to which their arrival must necessarily add. After some time spent in saying little or doing less, Lady Middleton sat down to Cassino, and as Marianne was not in spirits for moving about, she and Elinor
luckily succeeding to chairs, placed themselves at no great distance from the table.
They had not remained in this manner long, before Elinor perceived Willoughby, standing within a few yards of them, in earnest conversation with a very fashionable looking young woman. She soon caught his eye, and he immediately bowed, but without attempting to speak to her, or to approach Marianne, though he could not but see her; and then continued his discourse with the same lady. Elinor turned involuntarily to Marianne, to see whether it could be unobserved by her. At that moment she first perceived him, and her whole countenance glowing with sudden delight, she would have moved towards him instantly, had not her sister caught hold of her.
“Good heavens!” she exclaimed, “he is there—he is there—Oh! why does he not look at me? why cannot I speak to him?”
“Pray, pray be composed,” cried Elinor, “and do not betray what you feel to every body present. Perhaps he has not observed you yet.”
This however was more than she could believe herself; and to be composed at such a moment was not only beyond the reach of Marianne, it was beyond her wish. She sat in an agony of impatience which affected every feature.
At last he turned round again, and regarded them both; she started up, and pronouncing his name in a tone of affection, held out her hand to him. He approached, and addressing himself rather to Elinor than Marianne, as if wishing to avoid her eye, and determined not to observe her attitude, inquired in a hurried manner after Mrs. Dashwood, and asked how long they had been in town. Elinor was robbed of all presence of mind by such an address, and was
unable to say a word. But the feelings of her sister were instantly expressed. Her face was crimsoned over, and she exclaimed, in a voice of the greatest emotion, “Good God! Willoughby, what is the meaning of this? Have you not received my letters? Will you not shake hands with me?”
He could not then avoid it, but her touch seemed painful to him, and he held her hand only for a moment. During all this time he was evidently struggling for composure. Elinor watched his countenance and saw its expression becoming more tranquil. After a moment’s pause, he spoke with calmness.
“I did myself the honour of calling in Berkeley Street last Tuesday, and very much regretted that I was not fortunate enough to find yourselves and Mrs. Jennings at home. My card was not lost, I hope.”
“But have you not received my notes?” cried Marianne in the wildest anxiety. “Here is some mistake I am sure—some dreadful mistake. What can be the meaning of it? Tell me, Willoughby; for heaven’s sake tell me, what is the matter?”
He made no reply; his complexion changed and all his embarrassment returned; but as if, on catching the eye of the young lady with whom he had been previously talking, he felt the necessity of instant exertion, he recovered himself again, and after saying, “Yes, I had the pleasure of receiving the information of your arrival in town, which you were so good as to send me,” turned hastily away with a slight bow and joined his friend.
Marianne, now looking dreadfully white, and unable to stand, sunk into her chair, and Elinor, expecting every moment to see her faint, tried to screen her from the observation of others, while reviving her with lavender water.
“Go to him, Elinor,” she cried, as soon as she could speak, “and force him to come to me. Tell him I must see him again—must speak to him instantly.— I cannot rest—I shall not have a moment’s peace till this is explained—some dreadful misapprehension or other.— Oh go to him this moment.”
“How can that be done? No, my dearest Marianne, you must wait. This is not the place for explanations. Wait only till tomorrow.”
With difficulty however could she prevent her from following him herself; and to persuade her to check her agitation, to wait, at least, with the appearance of composure, till she might speak to him with more privacy and more effect, was impossible; for Marianne continued incessantly to give way in a low voice to the misery of her feelings, by exclamations of wretchedness. In a short time Elinor saw Willoughby quit the room by the door towards the staircase, and telling Marianne that he was gone, urged the impossibility of speaking to him again that evening, as a fresh argument for her to be calm. She instantly begged her sister would entreat Lady Middleton to take them home, as she was too miserable to stay a minute longer.
Lady Middleton, though in the middle of a rubber, on being informed that Marianne was unwell, was too polite to object for a moment to her wish of going away, and making over her cards to a friend, they departed as soon the carriage could be found. Scarcely a word was spoken during their return to Berkeley Street. Marianne was in a silent agony, too much oppressed even for tears; but as Mrs. Jennings was luckily not come home, they could go directly to their own room, where hartshorn restored her a little to herself. She was soon undressed and in bed, and as she seemed desirous of being alone, her sister then left her, and while she waited
the return of Mrs. Jennings, had leisure enough for thinking over the past.
That some kind of engagement had subsisted between Willoughby and Marianne she could not doubt, and that Willoughby was weary of it, seemed equally clear; for however Marianne might still feed her own wishes, SHE could not attribute such behaviour to mistake or misapprehension of any kind. Nothing but a thorough change of sentiment could account for it. Her indignation would have been still stronger than it was, had she not witnessed that embarrassment which seemed to speak a consciousness of his own misconduct, and prevented her from believing him so unprincipled as to have been sporting with the affections of her sister from the first, without any design that would bear investigation. Absence might have weakened his regard, and convenience might have determined him to overcome it, but that such a regard had formerly existed she could not bring herself to doubt.
As for Marianne, on the pangs which so unhappy a meeting must already have given her, and on those still more severe which might await her in its probable consequence, she could not reflect without the deepest concern. Her own situation gained in the comparison; for while she could ESTEEM Edward as much as ever, however they might be divided in future, her mind might be always supported. But every circumstance that could embitter such an evil seemed uniting to heighten the misery of Marianne in a final separation from Willoughby—in an immediate and irreconcilable rupture with him.
CHAPTER 29
Before the house-maid had lit their fire the next day, or the sun gained any power over a cold, gloomy morning in January, Marianne, only half dressed, was kneeling against one of the window-seats for the sake of all the little light she could command from it, and writing as fast as a continual flow of tears would permit her. In this situation, Elinor, roused from sleep by her agitation and sobs, first perceived her; and after observing her for a few moments with silent anxiety, said, in a tone of the most considerate gentleness,
“Marianne, may I ask-?”
“No, Elinor,” she replied, “ask nothing; you will soon know all.”
The sort of desperate calmness with which this was said, lasted no longer than while she spoke, and was immediately followed by a return of the same excessive affliction. It was some minutes before she could go on with her letter, and the frequent bursts of grief which still obliged her, at intervals, to withhold her pen, were proofs enough of her feeling how more than probable it was that she was writing for the last time to Willoughby.
Elinor paid her every quiet and unobtrusive attention in her power; and she would have tried to sooth and tranquilize her still more, had not Marianne entreated her, with all the eagerness of the most nervous irritability, not to speak to her for the world. In such circumstances, it was better for both that they should not be long together; and the restless state of Marianne’s mind not only prevented her from remaining in
the room a moment after she was dressed, but requiring at once solitude and continual change of place, made her wander about the house till breakfast time, avoiding the sight of every body.
At breakfast she neither ate, nor attempted to eat any thing; and Elinor’s attention was then all employed, not in urging her, not in pitying her, nor in appearing to regard her, but in endeavouring to engage Mrs. Jenning’s notice entirely to herself.
As this was a favourite meal with Mrs. Jennings, it lasted a considerable time, and they were just setting themselves, after it, round the common working table, when a letter was delivered to Marianne, which she eagerly caught from the servant, and, turning of a death-like paleness, instantly ran out of the room. Elinor, who saw as plainly by this, as if she had seen the direction, that it must come from Willoughby, felt immediately such a sickness at heart as made her hardly able to hold up her head, and sat in such a general tremour as made her fear it impossible to escape Mrs. Jenning’s notice. That good lady, however, saw only that Marianne had received a letter from Willoughby, which appeared to her a very good joke, and which she treated accordingly, by hoping, with a laugh, that she would find it to her liking. Of Elinor’s distress, she was too busily employed in measuring lengths of worsted for her rug, to see any thing at all; and calmly continuing her talk, as soon as Marianne disappeared, she said,
“Upon my word, I never saw a young woman so desperately in love in my life! MY girls were nothing to her, and yet they used to be foolish enough; but as for Miss Marianne, she is quite an altered creature. I hope, from the bottom of my heart, he won’t keep her waiting much longer, for it is quite grievous to see her look so ill and forlorn. Pray, when are they to be married?”
Elinor, though never less disposed to speak than at that moment, obliged herself to answer such an attack as this, and, therefore, trying to smile, replied, “And have you really, Ma’am, talked yourself into a persuasion of my sister’s being engaged to Mr. Willoughby? I thought it had been only a joke, but so serious a question seems to imply more; and I must beg, therefore, that you will not deceive yourself any longer. I do assure you that nothing would surprise me more than to hear of their being going to be married.”
“For shame, for shame, Miss Dashwood! how can you talk so? Don’t we all know that it must be a match, that they were over head and ears in love with each other from the first moment they met? Did not I see them together in Devonshire every day, and all day long; and did not I know that your sister came to town with me on purpose to buy wedding clothes? Come, come, this won’t do. Because you are so sly about it yourself, you think nobody else has any senses; but it is no such thing, I can tell you, for it has been known all over town this ever so long. I tell every body of it and so does Charlotte.”
“Indeed, Ma’am,” said Elinor, very seriously, “you are mistaken. Indeed, you are doing a very unkind thing in spreading the report, and you will find that you have though you will not believe me now.”
Mrs. Jennings laughed again, but Elinor had not spirits to say more, and eager at all events to know what Willoughby had written, hurried away to their room, where, on opening the door, she saw Marianne stretched on the bed, almost choked by grief, one letter in her hand, and two or three others laying by her. Elinor drew near, but without saying a word; and seating herself on the bed, took her hand, kissed her affectionately several times, and then gave way to a burst of tears, which at first was scarcely less violent than Marianne’s. The latter, though unable to speak, seemed to
feel all the tenderness of this behaviour, and after some time thus spent in joint affliction, she put all the letters into Elinor’s hands; and then covering her face with her handkerchief, almost screamed with agony. Elinor, who knew that such grief, shocking as it was to witness it, must have its course, watched by her till this excess of suffering had somewhat spent itself, and then turning eagerly to Willoughby’s letter, read as follows:
“Bond Street, January. “MY DEAR MADAM,
“I have just had the honour of receiving your letter, for which I beg to return my sincere acknowledgments. I am much concerned to find there was anything in my behaviour last night that did not meet your approbation; and though I am quite at a loss to discover in what point I could be so unfortunate as to offend you, I entreat your forgiveness of what I can assure you to have been perfectly unintentional. I shall never reflect on my former acquaintance with your family in Devonshire without the most grateful pleasure, and flatter myself it will not be broken by any mistake or misapprehension of my actions. My esteem for your whole family is very sincere; but if I have been so unfortunate as to give rise to a belief of more than I felt, or meant to express, I shall reproach myself for not having been more guarded in my professions of that esteem. That I should ever have meant more you will allow to be impossible, when you understand that my affections have been long engaged elsewhere, and it will not be many weeks, I believe, before this engagement is fulfilled. It is with great regret that I obey your commands in returning the letters with which I have been honoured from you, and the lock
With what indignation such a letter as this must be read by Miss Dashwood, may be imagined. Though aware, before she began it, that it must bring a confession of his inconstancy, and confirm their separation for ever, she was not aware that such language could be suffered to announce it; nor could she have supposed Willoughby capable of departing so far from the appearance of every honourable and delicate feeling—so far from the common decorum of a gentleman, as to send a letter so impudently cruel: a letter which, instead of bringing with his desire of a release any professions of regret, acknowledged no breach of faith, denied all peculiar affection whatever—a letter of which every line was an insult, and which proclaimed its writer to be deep in hardened villainy.
She paused over it for some time with indignant astonishment; then read it again and again; but every perusal only served to increase her abhorrence of the man, and so bitter were her feelings against him, that she dared not trust herself to speak, lest she might wound Marianne still deeper by treating their disengagement, not as a loss to her of any possible good but as an escape from the worst and most irremediable of all evils, a connection, for life, with an unprincipled man, as a deliverance the most real, a blessing the most important.
In her earnest meditations on the contents of the letter, on the depravity of that mind which could dictate it, and
probably, on the very different mind of a very different person, who had no other connection whatever with the affair than what her heart gave him with every thing that passed, Elinor forgot the immediate distress of her sister, forgot that she had three letters on her lap yet unread, and so entirely forgot how long she had been in the room, that when on hearing a carriage drive up to the door, she went to the window to see who could be coming so unreasonably early, she was all astonishment to perceive Mrs. Jennings’s chariot, which she knew had not been ordered till one. Determined not to quit Marianne, though hopeless of contributing, at present, to her ease, she hurried away to excuse herself from attending Mrs. Jennings, on account of her sister being indisposed. Mrs. Jennings, with a thoroughly good-humoured concern for its cause, admitted the excuse most readily, and Elinor, after seeing her safe off, returned to Marianne, whom she found attempting to rise from the bed, and whom she reached just in time to prevent her from falling on the floor, faint and giddy from a long want of proper rest and food; for it was many days since she had any appetite, and many nights since she had really slept; and now, when her mind was no longer supported by the fever of suspense, the consequence of all this was felt in an aching head, a weakened stomach, and a general nervous faintness. A glass of wine, which Elinor procured for her directly, made her more comfortable, and she was at last able to express some sense of her kindness, by saying,
“Poor Elinor! how unhappy I make you!”
“I only wish,” replied her sister, “there were any thing I COULD do, which might be of comfort to you.”
This, as every thing else would have been, was too much for Marianne, who could only exclaim, in the anguish of her heart, “Oh! Elinor, I am miserable, indeed,” before her voice was entirely lost in sobs.
Elinor could no longer witness this torrent of unresisted grief in silence.
“Exert yourself, dear Marianne,” she cried, “if you would not kill yourself and all who love you. Think of your mother; think of her misery while YOU suffer: for her sake you must exert yourself.”
“I cannot, I cannot,” cried Marianne; “leave me, leave me, if I distress you; leave me, hate me, forget me! but do not torture me so. Oh! how easy for those, who have no sorrow of their own to talk of exertion! Happy, happy Elinor, YOU cannot have an idea of what I suffer.”
“Do you call ME happy, Marianne? Ah! if you knew!— And can you believe me to be so, while I see you so wretched!”
“Forgive me, forgive me,” throwing her arms round her sister’s neck; “I know you feel for me; I know what a heart you have; but yet you are—you must be happy; Edward loves you—what, oh what, can do away such happiness as that?”
“Many, many circumstances,” said Elinor, solemnly.
“No, no, no,” cried Marianne wildly, “he loves you, and only you. You CAN have no grief.”
“I can have no pleasure while I see you in this state.”
“And you will never see me otherwise. Mine is a misery which nothing can do away.”
“You must not talk so, Marianne. Have you no comforts? no friends? Is your loss such as leaves no opening for consolation? Much as you suffer now, think of what you would have suffered if the discovery of his character had been delayed to a later period—if your engagement had been
carried on for months and months, as it might have been, before he chose to put an end to it. Every additional day of unhappy confidence, on your side, would have made the blow more dreadful.”
“Engagement!” cried Marianne, “there has been no engagement.”
“No engagement!”
“No, he is not so unworthy as you believe him. He has broken no faith with me.”
“But he told you that he loved you.”
“Yes—no—never absolutely. It was every day implied, but never professedly declared. Sometimes I thought it had been—but it never was.”
“Yet you wrote to him?”—
“Yes—could that be wrong after all that had passed?— But I cannot talk.”
Elinor said no more, and turning again to the three letters which now raised a much stronger curiosity than before, directly ran over the contents of all. The first, which was what her sister had sent him on their arrival in town, was to this effect.
Berkeley Street, January.
“How surprised you will be, Willoughby, on receiving this; and I think you will feel something more than surprise, when you know that I am in town. An opportunity of coming hither, though with Mrs. Jennings, was a temptation we could not resist. I wish you may receive this in time to come here to-
night, but I will not depend on it. At any rate I shall expect you to-morrow. For the present, adieu.
“M.D.”
Her second note, which had been written on the morning after the dance at the Middletons’, was in these words:—
“I cannot express my disappointment in having missed you the day before yesterday, nor my astonishment at not having received any answer to a note which I sent you above a week ago. I have been expecting to hear from you, and still more to see you, every hour of the day. Pray call again as soon as possible, and explain the reason of my having expected this in vain. You had better come earlier another time, because we are generally out by one. We were last night at Lady Middleton’s, where there was a dance. I have been told that you were asked to be of the party. But could it be so? You must be very much altered indeed since we parted, if that could be the case, and you not there. But I will not suppose this possible, and I hope very soon to receive your personal assurance of its being otherwise.
“M.D.”
The contents of her last note to him were these:—
“What am I to imagine, Willoughby, by your behaviour last night? Again I demand an explanation of it. I was prepared to meet you with the pleasure which our separation
naturally produced, with the familiarity which our intimacy at Barton appeared to me to justify. I was repulsed indeed! I have passed a wretched night in endeavouring to excuse a conduct which can scarcely be called less than insulting; but though I have not yet been able to form any reasonable apology for your behaviour, I am perfectly ready to hear your justification of it. You have perhaps been misinformed, or purposely deceived, in something concerning me, which may have lowered me in your opinion. Tell me what it is, explain the grounds on which you acted, and I shall be satisfied, in being able to satisfy you. It would grieve me indeed to be obliged to think ill of you; but if I am to do it, if I am to learn that you are not what we have hitherto believed you, that your regard for us all was insincere, that your behaviour to me was intended only to deceive, let it be told as soon as possible. My feelings are at present in a state of dreadful indecision; I wish to acquit you, but certainty on either side will be ease to what I now suffer. If your sentiments are no longer what they were, you will return my notes, and the lock of my hair which is in your possession.
“M.D.”
That such letters, so full of affection and confidence, could have been so answered, Elinor, for Willoughby’s sake, would have been unwilling to believe. But her condemnation of him did not blind her to the impropriety of their having been written at all; and she was silently grieving over the imprudence which had hazarded such unsolicited proofs of tenderness, not warranted by anything preceding, and most severely condemned by the event, when Marianne,
perceiving that she had finished the letters, observed to her that they contained nothing but what any one would have written in the same situation.
“I felt myself,” she added, “to be as solemnly engaged to him, as if the strictest legal covenant had bound us to each other.”
“I can believe it,” said Elinor; “but unfortunately he did not feel the same.”
“He DID feel the same, Elinor—for weeks and weeks he felt it. I know he did. Whatever may have changed him now, (and nothing but the blackest art employed against me can have done it), I was once as dear to him as my own soul could wish. This lock of hair, which now he can so readily give up, was begged of me with the most earnest supplication. Had you seen his look, his manner, had you heard his voice at that moment! Have you forgot the last evening of our being together at Barton? The morning that we parted too! When he told me that it might be many weeks before we met again—his distress—can I ever forget his distress?”
For a moment or two she could say no more; but when this emotion had passed away, she added, in a firmer tone,
“Elinor, I have been cruelly used; but not by Willoughby.”
“Dearest Marianne, who but himself? By whom can he have been instigated?”
“By all the world, rather than by his own heart. I could rather believe every creature of my acquaintance leagued together to ruin me in his opinion, than believe his nature capable of such cruelty. This woman of whom he writes— whoever she be—or any one, in short, but your own dear self, mama, and Edward, may have been so barbarous to bely
me. Beyond you three, is there a creature in the world whom I would not rather suspect of evil than Willoughby, whose heart I know so well?”
Elinor would not contend, and only replied, “Whoever may have been so detestably your enemy, let them be cheated of their malignant triumph, my dear sister, by seeing how nobly the consciousness of your own innocence and good intentions supports your spirits. It is a reasonable and laudable pride which resists such malevolence.”
“No, no,” cried Marianne, “misery such as mine has no pride. I care not who knows that I am wretched. The triumph of seeing me so may be open to all the world. Elinor, Elinor, they who suffer little may be proud and independent as they like—may resist insult, or return mortification—but I cannot. I must feel—I must be wretched—and they are welcome to enjoy the consciousness of it that can.”
“But for my mother’s sake and mine—”
“I would do more than for my own. But to appear happy when I am so miserable—Oh! who can require it?”
Again they were both silent. Elinor was employed in walking thoughtfully from the fire to the window, from the window to the fire, without knowing that she received warmth from one, or discerning objects through the other; and Marianne, seated at the foot of the bed, with her head leaning against one of its posts, again took up Willoughby’s letter, and, after shuddering over every sentence, exclaimed—
“It is too much! Oh, Willoughby, Willoughby, could this be yours! Cruel, cruel—nothing can acquit you. Elinor, nothing can. Whatever he might have heard against me— ought he not to have suspended his belief? ought he not to have told me of it, to have given me the power of clearing
myself? ‘The lock of hair, (repeating it from the letter,) which you so obligingly bestowed on me’—That is unpardonable. Willoughby, where was your heart when you wrote those words? Oh, barbarously insolent!—Elinor, can he be justified?”
“No, Marianne, in no possible way.”
“And yet this woman—who knows what her art may have been?—how long it may have been premeditated, and how deeply contrived by her!—Who is she?—Who can she be?— Whom did I ever hear him talk of as young and attractive among his female acquaintance?—Oh! no one, no one—he talked to me only of myself.”
Another pause ensued; Marianne was greatly agitated, and it ended thus.
“Elinor, I must go home. I must go and comfort mama. Can not we be gone to-morrow?”
“To-morrow, Marianne!”
“Yes, why should I stay here? I came only for Willoughby’s sake—and now who cares for me? Who regards me?”
“It would be impossible to go to-morrow. We owe Mrs. Jennings much more than civility; and civility of the commonest kind must prevent such a hasty removal as that.”
“Well then, another day or two, perhaps; but I cannot stay here long, I cannot stay to endure the questions and remarks of all these people. The Middletons and Palmers— how am I to bear their pity? The pity of such a woman as Lady Middleton! Oh, what would HE say to that!”
Elinor advised her to lie down again, and for a moment she did so; but no attitude could give her ease; and in restless pain of mind and body she moved from one posture to another, till growing more and more hysterical, her sister could with difficulty keep her on the bed at all, and for some time was fearful of being constrained to call for assistance. Some lavender drops, however, which she was at length persuaded to take, were of use; and from that time till Mrs. Jennings returned, she continued on the bed quiet and motionless.
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CHAPTER 30
Mrs. Jennings came immediately to their room on her return, and without waiting to have her request of admittance answered, opened the door and walked in with a look of real concern.
“How do you do my dear?”—said she in a voice of great compassion to Marianne, who turned away her face without attempting to answer.
“How is she, Miss Dashwood?—Poor thing! she looks very bad.— No wonder. Ay, it is but too true. He is to be married very soon—a good-for-nothing fellow! I have no patience with him. Mrs. Taylor told me of it half an hour ago, and she was told it by a particular friend of Miss Grey herself, else I am sure I should not have believed it; and I was almost ready to sink as it was. Well, said I, all I can say is, that if this be true, he has used a young lady of my acquaintance abominably ill, and I wish with all my soul his wife may plague his heart out. And so I shall always say, my dear, you may depend on it. I have no notion of men’s going on in this way; and if ever I meet him again, I will give him such a dressing as he has not had this many a day. But there is one comfort, my dear Miss Marianne; he is not the only young man in the world worth having; and with your pretty face you will never want admirers. Well, poor thing! I won’t disturb her any longer, for she had better have her cry out at once and have done with. The Parrys and Sandersons luckily are coming tonight you know, and that will amuse her.”
She then went away, walking on tiptoe out of the room, as if she supposed her young friend’s affliction could be increased by noise.
Marianne, to the surprise of her sister, determined on dining with them. Elinor even advised her against it. But “no, she would go down; she could bear it very well, and the bustle about her would be less.” Elinor, pleased to have her governed for a moment by such a motive, though believing it hardly possible that she could sit out the dinner, said no more; and adjusting her dress for her as well as she could, while Marianne still remained on the bed, was ready to assist her into the dining room as soon as they were summoned to it.
When there, though looking most wretchedly, she ate more and was calmer than her sister had expected. Had she tried to speak, or had she been conscious of half Mrs. Jennings’s well-meant but ill-judged attentions to her, this calmness could not have been maintained; but not a syllable escaped her lips; and the abstraction of her thoughts preserved her in ignorance of every thing that was passing before her.
Elinor, who did justice to Mrs. Jennings’s kindness, though its effusions were often distressing, and sometimes almost ridiculous, made her those acknowledgments, and returned her those civilities, which her sister could not make or return for herself. Their good friend saw that Marianne was unhappy, and felt that every thing was due to her which might make her at all less so. She treated her therefore, with all the indulgent fondness of a parent towards a favourite child on the last day of its holidays. Marianne was to have the best place by the fire, was to be tempted to eat by every delicacy in the house, and to be amused by the relation of all the news of the day. Had not Elinor, in the sad countenance of her sister, seen a check to all mirth, she could have been
entertained by Mrs. Jennings’s endeavours to cure a disappointment in love, by a variety of sweetmeats and olives, and a good fire. As soon, however, as the consciousness of all this was forced by continual repetition on Marianne, she could stay no longer. With a hasty exclamation of Misery, and a sign to her sister not to follow her, she directly got up and hurried out of the room.
“Poor soul!” cried Mrs. Jennings, as soon as she was gone, “how it grieves me to see her! And I declare if she is not gone away without finishing her wine! And the dried cherries too! Lord! nothing seems to do her any good. I am sure if I knew of any thing she would like, I would send all over the town for it. Well, it is the oddest thing to me, that a man should use such a pretty girl so ill! But when there is plenty of money on one side, and next to none on the other, Lord bless you! they care no more about such things!—”
“The lady then—Miss Grey I think you called her—is very rich?”
“Fifty thousand pounds, my dear. Did you ever see her? a smart, stylish girl they say, but not handsome. I remember her aunt very well, Biddy Henshawe; she married a very wealthy man. But the family are all rich together. Fifty thousand pounds! and by all accounts, it won’t come before it’s wanted; for they say he is all to pieces. No wonder! dashing about with his curricle and hunters! Well, it don’t signify talking; but when a young man, be who he will, comes and makes love to a pretty girl, and promises marriage, he has no business to fly off from his word only because he grows poor, and a richer girl is ready to have him. Why don’t he, in such a case, sell his horses, let his house, turn off his servants, and make a thorough reform at once? I warrant you, Miss Marianne would have been ready to wait till matters came round. But that won’t do now-a-
days; nothing in the way of pleasure can ever be given up by the young men of this age.”
“Do you know what kind of a girl Miss Grey is? Is she said to be amiable?”
“I never heard any harm of her; indeed I hardly ever heard her mentioned; except that Mrs. Taylor did say this morning, that one day Miss Walker hinted to her, that she believed Mr. and Mrs. Ellison would not be sorry to have Miss Grey married, for she and Mrs. Ellison could never agree.”—
“And who are the Ellisons?”
“Her guardians, my dear. But now she is of age and may choose for herself; and a pretty choice she has made!—What now,” after pausing a moment—”your poor sister is gone to her own room, I suppose, to moan by herself. Is there nothing one can get to comfort her? Poor dear, it seems quite cruel to let her be alone. Well, by-and-by we shall have a few friends, and that will amuse her a little. What shall we play at? She hates whist I know; but is there no round game she cares for?”
“Dear ma’am, this kindness is quite unnecessary. Marianne, I dare say, will not leave her room again this evening. I shall persuade her if I can to go early to bed, for I am sure she wants rest.”
“Aye, I believe that will be best for her. Let her name her own supper, and go to bed. Lord! no wonder she has been looking so bad and so cast down this last week or two, for this matter I suppose has been hanging over her head as long as that. And so the letter that came today finished it! Poor soul! I am sure if I had had a notion of it, I would not have joked her about it for all my money. But then you know, how should I guess such a thing? I made sure of its being nothing
but a common love letter, and you know young people like to be laughed at about them. Lord! how concerned Sir John and my daughters will be when they hear it! If I had my senses about me I might have called in Conduit Street in my way home, and told them of it. But I shall see them tomorrow.”
“It would be unnecessary I am sure, for you to caution Mrs. Palmer and Sir John against ever naming Mr. Willoughby, or making the slightest allusion to what has passed, before my sister. Their own good-nature must point out to them the real cruelty of appearing to know any thing about it when she is present; and the less that may ever be said to myself on the subject, the more my feelings will be spared, as you my dear madam will easily believe.”
“Oh! Lord! yes, that I do indeed. It must be terrible for you to hear it talked of; and as for your sister, I am sure I would not mention a word about it to her for the world. You saw I did not all dinner time. No more would Sir John, nor my daughters, for they are all very thoughtful and considerate; especially if I give them a hint, as I certainly will. For my part, I think the less that is said about such things, the better, the sooner ’tis blown over and forgot. And what does talking ever do you know?”
“In this affair it can only do harm; more so perhaps than in many cases of a similar kind, for it has been attended by circumstances which, for the sake of every one concerned in it, make it unfit to become the public conversation. I must do THIS justice to Mr. Willoughby—he has broken no positive engagement with my sister.”
“Law, my dear! Don’t pretend to defend him. No positive engagement indeed! after taking her all over Allenham House, and fixing on the very rooms they were to live in hereafter!”
Elinor, for her sister’s sake, could not press the subject farther, and she hoped it was not required of her for Willoughby’s; since, though Marianne might lose much, he could gain very little by the enforcement of the real truth. After a short silence on both sides, Mrs. Jennings, with all her natural hilarity, burst forth again.
“Well, my dear, ’tis a true saying about an ill-wind, for it will be all the better for Colonel Brandon. He will have her at last; aye, that he will. Mind me, now, if they an’t married by Mid-summer. Lord! how he’ll chuckle over this news! I hope he will come tonight. It will be all to one a better match for your sister. Two thousand a year without debt or drawback—except the little love-child, indeed; aye, I had forgot her; but she may be ‘prenticed out at a small cost, and then what does it signify? Delaford is a nice place, I can tell you; exactly what I call a nice old fashioned place, full of comforts and conveniences; quite shut in with great garden walls that are covered with the best fruit-trees in the country; and such a mulberry tree in one corner! Lord! how Charlotte and I did stuff the only time we were there! Then, there is a dove-cote, some delightful stew-ponds, and a very pretty canal; and every thing, in short, that one could wish for; and, moreover, it is close to the church, and only a quarter of a mile from the turnpike-road, so ’tis never dull, for if you only go and sit up in an old yew arbour behind the house, you may see all the carriages that pass along. Oh! ’tis a nice place! A butcher hard by in the village, and the parsonage-house within a stone’s throw. To my fancy, a thousand times prettier than Barton Park, where they are forced to send three miles for their meat, and have not a neighbour nearer than your mother. Well, I shall spirit up the Colonel as soon as I can. One shoulder of mutton, you know, drives another down. If we CAN but put Willoughby out of her head!”
“Ay, if we can do THAT, Ma’am,” said Elinor, “we shall do very well with or without Colonel Brandon.” And then rising, she went away to join Marianne, whom she found, as she expected, in her own room, leaning, in silent misery, over the small remains of a fire, which, till Elinor’s entrance, had been her only light.
“You had better leave me,” was all the notice that her sister received from her.
“I will leave you,” said Elinor, “if you will go to bed.” But this, from the momentary perverseness of impatient suffering, she at first refused to do. Her sister’s earnest, though gentle persuasion, however, soon softened her to compliance, and Elinor saw her lay her aching head on the pillow, and as she hoped, in a way to get some quiet rest before she left her.
In the drawing-room, whither she then repaired, she was soon joined by Mrs. Jennings, with a wine-glass, full of something, in her hand.
“My dear,” said she, entering, “I have just recollected that I have some of the finest old Constantia wine in the house that ever was tasted, so I have brought a glass of it for your sister. My poor husband! how fond he was of it! Whenever he had a touch of his old colicky gout, he said it did him more good than any thing else in the world. Do take it to your sister.”
“Dear Ma’am,” replied Elinor, smiling at the difference of the complaints for which it was recommended, “how good you are! But I have just left Marianne in bed, and, I hope, almost asleep; and as I think nothing will be of so much service to her as rest, if you will give me leave, I will drink the wine myself.”
Mrs. Jennings, though regretting that she had not been five minutes earlier, was satisfied with the compromise; and Elinor, as she swallowed the chief of it, reflected, that though its effects on a colicky gout were, at present, of little importance to her, its healing powers, on a disappointed heart might be as reasonably tried on herself as on her sister.
Colonel Brandon came in while the party were at tea, and by his manner of looking round the room for Marianne, Elinor immediately fancied that he neither expected nor wished to see her there, and, in short, that he was already aware of what occasioned her absence. Mrs. Jennings was not struck by the same thought; for soon after his entrance, she walked across the room to the tea-table where Elinor presided, and whispered— “The Colonel looks as grave as ever you see. He knows nothing of it; do tell him, my dear.”
He shortly afterwards drew a chair close to her’s, and, with a look which perfectly assured her of his good information, inquired after her sister.
“Marianne is not well,” said she. “She has been indisposed all day, and we have persuaded her to go to bed.”
“Perhaps, then,” he hesitatingly replied, “what I heard this morning may be—there may be more truth in it than I could believe possible at first.”
“What did you hear?”
“That a gentleman, whom I had reason to think—in short, that a man, whom I KNEW to be engaged—but how shall I tell you? If you know it already, as surely you must, I may be spared.”
“You mean,” answered Elinor, with forced calmness, “Mr. Willoughby’s marriage with Miss Grey. Yes, we DO know it all. This seems to have been a day of general elucidation, for
this very morning first unfolded it to us. Mr. Willoughby is unfathomable! Where did you hear it?”
“In a stationer’s shop in Pall Mall, where I had business. Two ladies were waiting for their carriage, and one of them was giving the other an account of the intended match, in a voice so little attempting concealment, that it was impossible for me not to hear all. The name of Willoughby, John Willoughby, frequently repeated, first caught my attention; and what followed was a positive assertion that every thing was now finally settled respecting his marriage with Miss Grey—it was no longer to be a secret—it would take place even within a few weeks, with many particulars of preparations and other matters. One thing, especially, I remember, because it served to identify the man still more:— as soon as the ceremony was over, they were to go to Combe Magna, his seat in Somersetshire. My astonishment!—but it would be impossible to describe what I felt. The communicative lady I learnt, on inquiry, for I stayed in the shop till they were gone, was a Mrs. Ellison, and that, as I have been since informed, is the name of Miss Grey’s guardian.”
“It is. But have you likewise heard that Miss Grey has fifty thousand pounds? In that, if in any thing, we may find an explanation.”
“It may be so; but Willoughby is capable—at least I think”—he stopped a moment; then added in a voice which seemed to distrust itself, “And your sister—how did she—”
“Her sufferings have been very severe. I have only to hope that they may be proportionately short. It has been, it is a most cruel affliction. Till yesterday, I believe, she never doubted his regard; and even now, perhaps—but I am almost convinced that he never was really attached to her. He has
been very deceitful! and, in some points, there seems a hardness of heart about him.”
“Ah!” said Colonel Brandon, “there is, indeed! But your sister does not—I think you said so—she does not consider quite as you do?”
“You know her disposition, and may believe how eagerly she would still justify him if she could.”
He made no answer; and soon afterwards, by the removal of the tea-things, and the arrangement of the card parties, the subject was necessarily dropped. Mrs. Jennings, who had watched them with pleasure while they were talking, and who expected to see the effect of Miss Dashwood’s communication, in such an instantaneous gaiety on Colonel Brandon’s side, as might have become a man in the bloom of youth, of hope and happiness, saw him, with amazement, remain the whole evening more serious and thoughtful than usual.
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CHAPTER 31
From a night of more sleep than she had expected, Marianne awoke the next morning to the same consciousness of misery in which she had closed her eyes.
Elinor encouraged her as much as possible to talk of what she felt; and before breakfast was ready, they had gone through the subject again and again; and with the same steady conviction and affectionate counsel on Elinor’s side, the same impetuous feelings and varying opinions on Marianne’s, as before. Sometimes she could believe Willoughby to be as unfortunate and as innocent as herself, and at others, lost every consolation in the impossibility of acquitting him. At one moment she was absolutely indifferent to the observation of all the world, at another she would seclude herself from it for ever, and at a third could resist it with energy. In one thing, however, she was uniform, when it came to the point, in avoiding, where it was possible, the presence of Mrs. Jennings, and in a determined silence when obliged to endure it. Her heart was hardened against the belief of Mrs. Jennings’s entering into her sorrows with any compassion.
“No, no, no, it cannot be,” she cried; “she cannot feel. Her kindness is not sympathy; her good-nature is not tenderness. All that she wants is gossip, and she only likes me now because I supply it.”
Elinor had not needed this to be assured of the injustice to which her sister was often led in her opinion of others, by the irritable refinement of her own mind, and the too great importance placed by her on the delicacies of a strong
sensibility, and the graces of a polished manner. Like half the rest of the world, if more than half there be that are clever and good, Marianne, with excellent abilities and an excellent disposition, was neither reasonable nor candid. She expected from other people the same opinions and feelings as her own, and she judged of their motives by the immediate effect of their actions on herself. Thus a circumstance occurred, while the sisters were together in their own room after breakfast, which sunk the heart of Mrs. Jennings still lower in her estimation; because, through her own weakness, it chanced to prove a source of fresh pain to herself, though Mrs. Jennings was governed in it by an impulse of the utmost goodwill.
With a letter in her outstretched hand, and countenance gaily smiling, from the persuasion of bringing comfort, she entered their room, saying,
“Now, my dear, I bring you something that I am sure will do you good.”
Marianne heard enough. In one moment her imagination placed before her a letter from Willoughby, full of tenderness and contrition, explanatory of all that had passed, satisfactory, convincing; and instantly followed by Willoughby himself, rushing eagerly into the room to inforce, at her feet, by the eloquence of his eyes, the assurances of his letter. The work of one moment was destroyed by the next. The hand writing of her mother, never till then unwelcome, was before her; and, in the acuteness of the disappointment which followed such an ecstasy of more than hope, she felt as if, till that instant, she had never suffered.
The cruelty of Mrs. Jennings no language, within her reach in her moments of happiest eloquence, could have expressed; and now she could reproach her only by the tears which streamed from her eyes with passionate violence—a
reproach, however, so entirely lost on its object, that after many expressions of pity, she withdrew, still referring her to the letter of comfort. But the letter, when she was calm enough to read it, brought little comfort. Willoughby filled every page. Her mother, still confident of their engagement, and relying as warmly as ever on his constancy, had only been roused by Elinor’s application, to intreat from Marianne greater openness towards them both; and this, with such tenderness towards her, such affection for Willoughby, and such a conviction of their future happiness in each other, that she wept with agony through the whole of it.
All her impatience to be at home again now returned; her mother was dearer to her than ever; dearer through the very excess of her mistaken confidence in Willoughby, and she was wildly urgent to be gone. Elinor, unable herself to determine whether it were better for Marianne to be in London or at Barton, offered no counsel of her own except of patience till their mother’s wishes could be known; and at length she obtained her sister’s consent to wait for that knowledge.
Mrs. Jennings left them earlier than usual; for she could not be easy till the Middletons and Palmers were able to grieve as much as herself; and positively refusing Elinor’s offered attendance, went out alone for the rest of the morning. Elinor, with a very heavy heart, aware of the pain she was going to communicate, and perceiving, by Marianne’s letter, how ill she had succeeded in laying any foundation for it, then sat down to write her mother an account of what had passed, and entreat her directions for the future; while Marianne, who came into the drawing-room on Mrs. Jennings’s going away, remained fixed at the table where Elinor wrote, watching the advancement of her pen, grieving over her for the hardship of such a task, and grieving still more fondly over its effect on her mother.
In this manner they had continued about a quarter of an hour, when Marianne, whose nerves could not then bear any sudden noise, was startled by a rap at the door.
“Who can this be?” cried Elinor. “So early too! I thought we HAD been safe.”
Marianne moved to the window—
“It is Colonel Brandon!” said she, with vexation. “We are never safe from HIM.”
“He will not come in, as Mrs. Jennings is from home.”
“I will not trust to THAT,” retreating to her own room. “A man who has nothing to do with his own time has no conscience in his intrusion on that of others.”
The event proved her conjecture right, though it was founded on injustice and error; for Colonel Brandon DID come in; and Elinor, who was convinced that solicitude for Marianne brought him thither, and who saw THAT solicitude in his disturbed and melancholy look, and in his anxious though brief inquiry after her, could not forgive her sister for esteeming him so lightly.
“I met Mrs. Jennings in Bond Street,” said he, after the first salutation, “and she encouraged me to come on; and I was the more easily encouraged, because I thought it probable that I might find you alone, which I was very desirous of doing. My object—my wish—my sole wish in desiring it—I hope, I believe it is—is to be a means of giving comfort;—no, I must not say comfort—not present comfort— but conviction, lasting conviction to your sister’s mind. My regard for her, for yourself, for your mother—will you allow me to prove it, by relating some circumstances which nothing but a VERY sincere regard—nothing but an earnest desire of being useful—I think I am justified—though where so many
hours have been spent in convincing myself that I am right, is there not some reason to fear I may be wrong?” He stopped.
“I understand you,” said Elinor. “You have something to tell me of Mr. Willoughby, that will open his character farther. Your telling it will be the greatest act of friendship that can be shewn Marianne. MY gratitude will be insured immediately by any information tending to that end, and HERS must be gained by it in time. Pray, pray let me hear it.”
“You shall; and, to be brief, when I quitted Barton last October,—but this will give you no idea—I must go farther back. You will find me a very awkward narrator, Miss Dashwood; I hardly know where to begin. A short account of myself, I believe, will be necessary, and it SHALL be a short one. On such a subject,” sighing heavily, “can I have little temptation to be diffuse.”
He stopt a moment for recollection, and then, with another sigh, went on.
“You have probably entirely forgotten a conversation—(it is not to be supposed that it could make any impression on you)—a conversation between us one evening at Barton Park—it was the evening of a dance—in which I alluded to a lady I had once known, as resembling, in some measure, your sister Marianne.”
“Indeed,” answered Elinor, “I have NOT forgotten it.” He looked pleased by this remembrance, and added,
“If I am not deceived by the uncertainty, the partiality of tender recollection, there is a very strong resemblance between them, as well in mind as person. The same warmth of heart, the same eagerness of fancy and spirits. This lady was one of my nearest relations, an orphan from her infancy,
and under the guardianship of my father. Our ages were nearly the same, and from our earliest years we were playfellows and friends. I cannot remember the time when I did not love Eliza; and my affection for her, as we grew up, was such, as perhaps, judging from my present forlorn and cheerless gravity, you might think me incapable of having ever felt. Her’s, for me, was, I believe, fervent as the attachment of your sister to Mr. Willoughby and it was, though from a different cause, no less unfortunate. At seventeen she was lost to me for ever. She was married— married against her inclination to my brother. Her fortune was large, and our family estate much encumbered. And this, I fear, is all that can be said for the conduct of one, who was at once her uncle and guardian. My brother did not deserve her; he did not even love her. I had hoped that her regard for me would support her under any difficulty, and for some time it did; but at last the misery of her situation, for she experienced great unkindness, overcame all her resolution, and though she had promised me that nothing—but how blindly I relate! I have never told you how this was brought on. We were within a few hours of eloping together for Scotland. The treachery, or the folly, of my cousin’s maid betrayed us. I was banished to the house of a relation far distant, and she was allowed no liberty, no society, no amusement, till my father’s point was gained. I had depended on her fortitude too far, and the blow was a severe one—but had her marriage been happy, so young as I then was, a few months must have reconciled me to it, or at least I should not have now to lament it. This however was not the case. My brother had no regard for her; his pleasures were not what they ought to have been, and from the first he treated her unkindly. The consequence of this, upon a mind so young, so lively, so inexperienced as Mrs. Brandon’s, was but too natural. She resigned herself at first to all the misery of her situation; and happy had it been if she had not lived to overcome those regrets which the remembrance of me occasioned. But can we wonder that, with such a husband to
provoke inconstancy, and without a friend to advise or restrain her (for my father lived only a few months after their marriage, and I was with my regiment in the East Indies) she should fall? Had I remained in England, perhaps—but I meant to promote the happiness of both by removing from her for years, and for that purpose had procured my exchange. The shock which her marriage had given me,” he continued, in a voice of great agitation, “was of trifling weight—was nothing to what I felt when I heard, about two years afterwards, of her divorce. It was THAT which threw this gloom,—even now the recollection of what I suffered—”
He could say no more, and rising hastily walked for a few minutes about the room. Elinor, affected by his relation, and still more by his distress, could not speak. He saw her concern, and coming to her, took her hand, pressed it, and kissed it with grateful respect. A few minutes more of silent exertion enabled him to proceed with composure.
“It was nearly three years after this unhappy period before I returned to England. My first care, when I DID arrive, was of course to seek for her; but the search was as fruitless as it was melancholy. I could not trace her beyond her first seducer, and there was every reason to fear that she had removed from him only to sink deeper in a life of sin. Her legal allowance was not adequate to her fortune, nor sufficient for her comfortable maintenance, and I learnt from my brother that the power of receiving it had been made over some months before to another person. He imagined, and calmly could he imagine it, that her extravagance, and consequent distress, had obliged her to dispose of it for some immediate relief. At last, however, and after I had been six months in England, I DID find her. Regard for a former servant of my own, who had since fallen into misfortune, carried me to visit him in a spunging-house, where he was confined for debt; and there, the same house, under a similar confinement, was my unfortunate sister. So altered—so
faded—worn down by acute suffering of every kind! hardly could I believe the melancholy and sickly figure before me, to be the remains of the lovely, blooming, healthful girl, on whom I had once doted. What I endured in so beholding her—but I have no right to wound your feelings by attempting to describe it—I have pained you too much already. That she was, to all appearance, in the last stage of a consumption, was—yes, in such a situation it was my greatest comfort. Life could do nothing for her, beyond giving time for a better preparation for death; and that was given. I saw her placed in comfortable lodgings, and under proper attendants; I visited her every day during the rest of her short life: I was with her in her last moments.”
Again he stopped to recover himself; and Elinor spoke her feelings in an exclamation of tender concern, at the fate of his unfortunate friend.
“Your sister, I hope, cannot be offended,” said he, “by the resemblance I have fancied between her and my poor disgraced relation. Their fates, their fortunes, cannot be the same; and had the natural sweet disposition of the one been guarded by a firmer mind, or a happier marriage, she might have been all that you will live to see the other be. But to what does all this lead? I seem to have been distressing you for nothing. Ah! Miss Dashwood—a subject such as this— untouched for fourteen years—it is dangerous to handle it at all! I WILL be more collected—more concise. She left to my care her only child, a little girl, the offspring of her first guilty connection, who was then about three years old. She loved the child, and had always kept it with her. It was a valued, a precious trust to me; and gladly would I have discharged it in the strictest sense, by watching over her education myself, had the nature of our situations allowed it; but I had no family, no home; and my little Eliza was therefore placed at school. I saw her there whenever I could, and after the death of my brother, (which happened about
five years ago, and which left to me the possession of the family property,) she visited me at Delaford. I called her a distant relation; but I am well aware that I have in general been suspected of a much nearer connection with her. It is now three years ago (she had just reached her fourteenth year,) that I removed her from school, to place her under the care of a very respectable woman, residing in Dorsetshire, who had the charge of four or five other girls of about the same time of life; and for two years I had every reason to be pleased with her situation. But last February, almost a twelvemonth back, she suddenly disappeared. I had allowed her, (imprudently, as it has since turned out,) at her earnest desire, to go to Bath with one of her young friends, who was attending her father there for his health. I knew him to be a very good sort of man, and I thought well of his daughter— better than she deserved, for, with a most obstinate and ill-judged secrecy, she would tell nothing, would give no clue, though she certainly knew all. He, her father, a well-meaning, but not a quick-sighted man, could really, I believe, give no information; for he had been generally confined to the house, while the girls were ranging over the town and making what acquaintance they chose; and he tried to convince me, as thoroughly as he was convinced himself, of his daughter’s being entirely unconcerned in the business. In short, I could learn nothing but that she was gone; all the rest, for eight long months, was left to conjecture. What I thought, what I feared, may be imagined; and what I suffered too.”
“Good heavens!” cried Elinor, “could it be—could Willoughby!”—
“The first news that reached me of her,” he continued, “came in a letter from herself, last October. It was forwarded to me from Delaford, and I received it on the very morning of our intended party to Whitwell; and this was the reason of my leaving Barton so suddenly, which I am sure must at the
time have appeared strange to every body, and which I believe gave offence to some. Little did Mr. Willoughby imagine, I suppose, when his looks censured me for incivility in breaking up the party, that I was called away to the relief of one whom he had made poor and miserable; but HAD he known it, what would it have availed? Would he have been less gay or less happy in the smiles of your sister? No, he had already done that, which no man who CAN feel for another would do. He had left the girl whose youth and innocence he had seduced, in a situation of the utmost distress, with no creditable home, no help, no friends, ignorant of his address! He had left her, promising to return; he neither returned, nor wrote, nor relieved her.”
“This is beyond every thing!” exclaimed Elinor.
“His character is now before you; expensive, dissipated, and worse than both. Knowing all this, as I have now known it many weeks, guess what I must have felt on seeing your sister as fond of him as ever, and on being assured that she was to marry him: guess what I must have felt for all your sakes. When I came to you last week and found you alone, I came determined to know the truth; though irresolute what to do when it WAS known. My behaviour must have seemed strange to you then; but now you will comprehend it. To suffer you all to be so deceived; to see your sister—but what could I do? I had no hope of interfering with success; and sometimes I thought your sister’s influence might yet reclaim him. But now, after such dishonorable usage, who can tell what were his designs on her. Whatever they may have been, however, she may now, and hereafter doubtless WILL turn with gratitude towards her own condition, when she compares it with that of my poor Eliza, when she considers the wretched and hopeless situation of this poor girl, and pictures her to herself, with an affection for him so strong, still as strong as her own, and with a mind tormented by self-reproach, which must attend her through life. Surely this
comparison must have its use with her. She will feel her own sufferings to be nothing. They proceed from no misconduct, and can bring no disgrace. On the contrary, every friend must be made still more her friend by them. Concern for her unhappiness, and respect for her fortitude under it, must strengthen every attachment. Use your own discretion, however, in communicating to her what I have told you. You must know best what will be its effect; but had I not seriously, and from my heart believed it might be of service, might lessen her regrets, I would not have suffered myself to trouble you with this account of my family afflictions, with a recital which may seem to have been intended to raise myself at the expense of others.”
Elinor’s thanks followed this speech with grateful earnestness; attended too with the assurance of her expecting material advantage to Marianne, from the communication of what had passed.
“I have been more pained,” said she, “by her endeavors to acquit him than by all the rest; for it irritates her mind more than the most perfect conviction of his unworthiness can do. Now, though at first she will suffer much, I am sure she will soon become easier. Have you,” she continued, after a short silence, “ever seen Mr. Willoughby since you left him at Barton?”
“Yes,” he replied gravely, “once I have. One meeting was unavoidable.”
Elinor, startled by his manner, looked at him anxiously, saying,
“What? have you met him to—”
“I could meet him no other way. Eliza had confessed to me, though most reluctantly, the name of her lover; and when he returned to town, which was within a fortnight after
myself, we met by appointment, he to defend, I to punish his conduct. We returned unwounded, and the meeting, therefore, never got abroad.”
Elinor sighed over the fancied necessity of this; but to a man and a soldier she presumed not to censure it.
“Such,” said Colonel Brandon, after a pause, “has been the unhappy resemblance between the fate of mother and daughter! and so imperfectly have I discharged my trust!”
“Is she still in town?”
“No; as soon as she recovered from her lying-in, for I found her near her delivery, I removed her and her child into the country, and there she remains.”
Recollecting, soon afterwards, that he was probably dividing Elinor from her sister, he put an end to his visit, receiving from her again the same grateful acknowledgments, and leaving her full of compassion and esteem for him.
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CHAPTER 32
When the particulars of this conversation were repeated by Miss Dashwood to her sister, as they very soon were, the effect on her was not entirely such as the former had hoped to see. Not that Marianne appeared to distrust the truth of any part of it, for she listened to it all with the most steady and submissive attention, made neither objection nor remark, attempted no vindication of Willoughby, and seemed to shew by her tears that she felt it to be impossible. But though this behaviour assured Elinor that the conviction of this guilt WAS carried home to her mind, though she saw with satisfaction the effect of it, in her no longer avoiding Colonel Brandon when he called, in her speaking to him, even voluntarily speaking, with a kind of compassionate respect, and though she saw her spirits less violently irritated than before, she did not see her less wretched. Her mind did become settled, but it was settled in a gloomy dejection. She felt the loss of Willoughby’s character yet more heavily than she had felt the loss of his heart; his seduction and desertion of Miss Williams, the misery of that poor girl, and the doubt of what his designs might ONCE have been on herself, preyed altogether so much on her spirits, that she could not bring herself to speak of what she felt even to Elinor; and, brooding over her sorrows in silence, gave more pain to her sister than could have been communicated by the most open and most frequent confession of them.
To give the feelings or the language of Mrs. Dashwood on receiving and answering Elinor’s letter would be only to give a repetition of what her daughters had already felt and said; of a disappointment hardly less painful than
Marianne’s, and an indignation even greater than Elinor’s. Long letters from her, quickly succeeding each other, arrived to tell all that she suffered and thought; to express her anxious solicitude for Marianne, and entreat she would bear up with fortitude under this misfortune. Bad indeed must the nature of Marianne’s affliction be, when her mother could talk of fortitude! mortifying and humiliating must be the origin of those regrets, which SHE could wish her not to indulge!
Against the interest of her own individual comfort, Mrs. Dashwood had determined that it would be better for Marianne to be any where, at that time, than at Barton, where every thing within her view would be bringing back the past in the strongest and most afflicting manner, by constantly placing Willoughby before her, such as she had always seen him there. She recommended it to her daughters, therefore, by all means not to shorten their visit to Mrs. Jennings; the length of which, though never exactly fixed, had been expected by all to comprise at least five or six weeks. A variety of occupations, of objects, and of company, which could not be procured at Barton, would be inevitable there, and might yet, she hoped, cheat Marianne, at times, into some interest beyond herself, and even into some amusement, much as the ideas of both might now be spurned by her.
From all danger of seeing Willoughby again, her mother considered her to be at least equally safe in town as in the country, since his acquaintance must now be dropped by all who called themselves her friends. Design could never bring them in each other’s way: negligence could never leave them exposed to a surprise; and chance had less in its favour in the crowd of London than even in the retirement of Barton, where it might force him before her while paying that visit at Allenham on his marriage, which Mrs. Dashwood, from
foreseeing at first as a probable event, had brought herself to expect as a certain one.
She had yet another reason for wishing her children to remain where they were; a letter from her son-in-law had told her that he and his wife were to be in town before the middle of February, and she judged it right that they should sometimes see their brother.
Marianne had promised to be guided by her mother’s opinion, and she submitted to it therefore without opposition, though it proved perfectly different from what she wished and expected, though she felt it to be entirely wrong, formed on mistaken grounds, and that by requiring her longer continuance in London it deprived her of the only possible alleviation of her wretchedness, the personal sympathy of her mother, and doomed her to such society and such scenes as must prevent her ever knowing a moment’s rest.
But it was a matter of great consolation to her, that what brought evil to herself would bring good to her sister; and Elinor, on the other hand, suspecting that it would not be in her power to avoid Edward entirely, comforted herself by thinking, that though their longer stay would therefore militate against her own happiness, it would be better for Marianne than an immediate return into Devonshire.
Her carefulness in guarding her sister from ever hearing Willoughby’s name mentioned, was not thrown away. Marianne, though without knowing it herself, reaped all its advantage; for neither Mrs. Jennings, nor Sir John, nor even Mrs. Palmer herself, ever spoke of him before her. Elinor wished that the same forbearance could have extended towards herself, but that was impossible, and she was obliged to listen day after day to the indignation of them all.
Sir John, could not have thought it possible. “A man of whom he had always had such reason to think well! Such a good-natured fellow! He did not believe there was a bolder rider in England! It was an unaccountable business. He wished him at the devil with all his heart. He would not speak another word to him, meet him where he might, for all the world! No, not if it were to be by the side of Barton covert, and they were kept watching for two hours together. Such a scoundrel of a fellow! such a deceitful dog! It was only the last time they met that he had offered him one of Folly’s puppies! and this was the end of it!”
Mrs. Palmer, in her way, was equally angry. “She was determined to drop his acquaintance immediately, and she was very thankful that she had never been acquainted with him at all. She wished with all her heart Combe Magna was not so near Cleveland; but it did not signify, for it was a great deal too far off to visit; she hated him so much that she was resolved never to mention his name again, and she should tell everybody she saw, how good-for-nothing he was.”
The rest of Mrs. Palmer’s sympathy was shewn in procuring all the particulars in her power of the approaching marriage, and communicating them to Elinor. She could soon tell at what coachmaker’s the new carriage was building, by what painter Mr. Willoughby’s portrait was drawn, and at what warehouse Miss Grey’s clothes might be seen.
The calm and polite unconcern of Lady Middleton on the occasion was a happy relief to Elinor’s spirits, oppressed as they often were by the clamorous kindness of the others. It was a great comfort to her to be sure of exciting no interest in ONE person at least among their circle of friends: a great comfort to know that there was ONE who would meet her without feeling any curiosity after particulars, or any anxiety for her sister’s health.
Every qualification is raised at times, by the circumstances of the moment, to more than its real value; and she was sometimes worried down by officious condolence to rate good-breeding as more indispensable to comfort than good-nature.
Lady Middleton expressed her sense of the affair about once every day, or twice, if the subject occurred very often, by saying, “It is very shocking, indeed!” and by the means of this continual though gentle vent, was able not only to see the Miss Dashwoods from the first without the smallest emotion, but very soon to see them without recollecting a word of the matter; and having thus supported the dignity of her own sex, and spoken her decided censure of what was wrong in the other, she thought herself at liberty to attend to the interest of her own assemblies, and therefore determined (though rather against the opinion of Sir John) that as Mrs. Willoughby would at once be a woman of elegance and fortune, to leave her card with her as soon as she married.
Colonel Brandon’s delicate, unobtrusive enquiries were never unwelcome to Miss Dashwood. He had abundantly earned the privilege of intimate discussion of her sister’s disappointment, by the friendly zeal with which he had endeavoured to soften it, and they always conversed with confidence. His chief reward for the painful exertion of disclosing past sorrows and present humiliations, was given in the pitying eye with which Marianne sometimes observed him, and the gentleness of her voice whenever (though it did not often happen) she was obliged, or could oblige herself to speak to him. THESE assured him that his exertion had produced an increase of good-will towards himself, and THESE gave Elinor hopes of its being farther augmented hereafter; but Mrs. Jennings, who knew nothing of all this, who knew only that the Colonel continued as grave as ever, and that she could neither prevail on him to make the offer himself, nor commission her to make it for him, began, at the
end of two days, to think that, instead of Midsummer, they would not be married till Michaelmas, and by the end of a week that it would not be a match at all. The good understanding between the Colonel and Miss Dashwood seemed rather to declare that the honours of the mulberry-tree, the canal, and the yew arbour, would all be made over to HER; and Mrs. Jennings had, for some time ceased to think at all of Mrs. Ferrars.
Early in February, within a fortnight from the receipt of Willoughby’s letter, Elinor had the painful office of informing her sister that he was married. She had taken care to have the intelligence conveyed to herself, as soon as it was known that the ceremony was over, as she was desirous that Marianne should not receive the first notice of it from the public papers, which she saw her eagerly examining every morning.
She received the news with resolute composure; made no observation on it, and at first shed no tears; but after a short time they would burst out, and for the rest of the day, she was in a state hardly less pitiable than when she first learnt to expect the event.
The Willoughbys left town as soon as they were married; and Elinor now hoped, as there could be no danger of her seeing either of them, to prevail on her sister, who had never yet left the house since the blow first fell, to go out again by degrees as she had done before.
About this time the two Miss Steeles, lately arrived at their cousin’s house in Bartlett’s Buildings, Holburn, presented themselves again before their more grand relations in Conduit and Berkeley Streets; and were welcomed by them all with great cordiality.
Elinor only was sorry to see them. Their presence always gave her pain, and she hardly knew how to make a very gracious return to the overpowering delight of Lucy in finding her STILL in town.
“I should have been quite disappointed if I had not found you here STILL,” said she repeatedly, with a strong emphasis on the word. “But I always thought I SHOULD. I was almost sure you would not leave London yet awhile; though you TOLD me, you know, at Barton, that you should not stay above a MONTH. But I thought, at the time, that you would most likely change your mind when it came to the point. It would have been such a great pity to have went away before your brother and sister came. And now to be sure you will be in no hurry to be gone. I am amazingly glad you did not keep to YOUR WORD.”
Elinor perfectly understood her, and was forced to use all her self-command to make it appear that she did NOT.
“Well, my dear,” said Mrs. Jennings, “and how did you travel?”
“Not in the stage, I assure you,” replied Miss Steele, with quick exultation; “we came post all the way, and had a very smart beau to attend us. Dr. Davies was coming to town, and so we thought we’d join him in a post-chaise; and he behaved very genteelly, and paid ten or twelve shillings more than we did.”
“Oh, oh!” cried Mrs. Jennings; “very pretty, indeed! and the Doctor is a single man, I warrant you.”
“There now,” said Miss Steele, affectedly simpering, “everybody laughs at me so about the Doctor, and I cannot think why. My cousins say they are sure I have made a conquest; but for my part I declare I never think about him from one hour’s end to another. ‘Lord! here comes your beau,
Nancy,’ my cousin said t’other day, when she saw him crossing the street to the house. My beau, indeed! said I—I cannot think who you mean. The Doctor is no beau of mine.”
“Aye, aye, that is very pretty talking—but it won’t do— the Doctor is the man, I see.”
“No, indeed!” replied her cousin, with affected earnestness, “and I beg you will contradict it, if you ever hear it talked of.”
Mrs. Jennings directly gave her the gratifying assurance that she certainly would NOT, and Miss Steele was made completely happy.
“I suppose you will go and stay with your brother and sister, Miss Dashwood, when they come to town,” said Lucy, returning, after a cessation of hostile hints, to the charge.
“No, I do not think we shall.”
“Oh, yes, I dare say you will.”
Elinor would not humour her by farther opposition.
“What a charming thing it is that Mrs. Dashwood can spare you both for so long a time together!”
“Long a time, indeed!” interposed Mrs. Jennings. “Why, their visit is but just begun!”
Lucy was silenced.
“I am sorry we cannot see your sister, Miss Dashwood,” said Miss Steele. “I am sorry she is not well—” for Marianne had left the room on their arrival.
“You are very good. My sister will be equally sorry to miss the pleasure of seeing you; but she has been very much plagued lately with nervous head-aches, which make her unfit for company or conversation.”
“Oh, dear, that is a great pity! but such old friends as Lucy and me!—I think she might see US; and I am sure we would not speak a word.”
Elinor, with great civility, declined the proposal. Her sister was perhaps laid down upon the bed, or in her dressing gown, and therefore not able to come to them.
“Oh, if that’s all,” cried Miss Steele, “we can just as well go and see HER.”
Elinor began to find this impertinence too much for her temper; but she was saved the trouble of checking it, by Lucy’s sharp reprimand, which now, as on many occasions, though it did not give much sweetness to the manners of one sister, was of advantage in governing those of the other.
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CHAPTER 33
After some opposition, Marianne yielded to her sister’s entreaties, and consented to go out with her and Mrs. Jennings one morning for half an hour. She expressly conditioned, however, for paying no visits, and would do no more than accompany them to Gray’s in Sackville Street, where Elinor was carrying on a negotiation for the exchange of a few old-fashioned jewels of her mother.
When they stopped at the door, Mrs. Jennings recollected that there was a lady at the other end of the street on whom she ought to call; and as she had no business at Gray’s, it was resolved, that while her young friends transacted their’s, she should pay her visit and return for them.
On ascending the stairs, the Miss Dashwoods found so many people before them in the room, that there was not a person at liberty to tend to their orders; and they were obliged to wait. All that could be done was, to sit down at that end of the counter which seemed to promise the quickest succession; one gentleman only was standing there, and it is probable that Elinor was not without hope of exciting his politeness to a quicker despatch. But the correctness of his eye, and the delicacy of his taste, proved to be beyond his politeness. He was giving orders for a toothpick-case for himself, and till its size, shape, and ornaments were determined, all of which, after examining and debating for a quarter of an hour over every toothpick-case in the shop, were finally arranged by his own inventive fancy, he had no leisure to bestow any other attention on the two ladies, than what was comprised in three or four very
broad stares; a kind of notice which served to imprint on Elinor the remembrance of a person and face, of strong, natural, sterling insignificance, though adorned in the first style of fashion.
Marianne was spared from the troublesome feelings of contempt and resentment, on this impertinent examination of their features, and on the puppyism of his manner in deciding on all the different horrors of the different toothpick-cases presented to his inspection, by remaining unconscious of it all; for she was as well able to collect her thoughts within herself, and be as ignorant of what was passing around her, in Mr. Gray’s shop, as in her own bedroom.
At last the affair was decided. The ivory, the gold, and the pearls, all received their appointment, and the gentleman having named the last day on which his existence could be continued without the possession of the toothpick-case, drew on his gloves with leisurely care, and bestowing another glance on the Miss Dashwoods, but such a one as seemed rather to demand than express admiration, walked off with a happy air of real conceit and affected indifference.
Elinor lost no time in bringing her business forward, was on the point of concluding it, when another gentleman presented himself at her side. She turned her eyes towards his face, and found him with some surprise to be her brother.
Their affection and pleasure in meeting was just enough to make a very creditable appearance in Mr. Gray’s shop. John Dashwood was really far from being sorry to see his sisters again; it rather gave them satisfaction; and his inquiries after their mother were respectful and attentive.
Elinor found that he and Fanny had been in town two days.
“I wished very much to call upon you yesterday,” said he, “but it was impossible, for we were obliged to take Harry to see the wild beasts at Exeter Exchange; and we spent the rest of the day with Mrs. Ferrars. Harry was vastly pleased. THIS morning I had fully intended to call on you, if I could possibly find a spare half hour, but one has always so much to do on first coming to town. I am come here to bespeak Fanny a seal. But tomorrow I think I shall certainly be able to call in Berkeley Street, and be introduced to your friend Mrs. Jennings. I understand she is a woman of very good fortune. And the Middletons too, you must introduce me to THEM. As my mother-in-law’s relations, I shall be happy to show them every respect. They are excellent neighbours to you in the country, I understand.”
“Excellent indeed. Their attention to our comfort, their friendliness in every particular, is more than I can express.”
“I am extremely glad to hear it, upon my word; extremely glad indeed. But so it ought to be; they are people of large fortune, they are related to you, and every civility and accommodation that can serve to make your situation pleasant might be reasonably expected. And so you are most comfortably settled in your little cottage and want for nothing! Edward brought us a most charming account of the place: the most complete thing of its kind, he said, that ever was, and you all seemed to enjoy it beyond any thing. It was a great satisfaction to us to hear it, I assure you.”
Elinor did feel a little ashamed of her brother; and was not sorry to be spared the necessity of answering him, by the arrival of Mrs. Jennings’s servant, who came to tell her that his mistress waited for them at the door.
Mr. Dashwood attended them down stairs, was introduced to Mrs. Jennings at the door of her carriage, and repeating his hope of being able to call on them the next day, took leave.
His visit was duly paid. He came with a pretence at an apology from their sister-in-law, for not coming too; “but she was so much engaged with her mother, that really she had no leisure for going any where.” Mrs. Jennings, however, assured him directly, that she should not stand upon ceremony, for they were all cousins, or something like it, and she should certainly wait on Mrs. John Dashwood very soon, and bring her sisters to see her. His manners to THEM, though calm, were perfectly kind; to Mrs. Jennings, most attentively civil; and on Colonel Brandon’s coming in soon after himself, he eyed him with a curiosity which seemed to say, that he only wanted to know him to be rich, to be equally civil to HIM.
After staying with them half an hour, he asked Elinor to walk with him to Conduit Street, and introduce him to Sir John and Lady Middleton. The weather was remarkably fine, and she readily consented. As soon as they were out of the house, his enquiries began.
“Who is Colonel Brandon? Is he a man of fortune?”
“Yes; he has very good property in Dorsetshire.”
“I am glad of it. He seems a most gentlemanlike man; and I think, Elinor, I may congratulate you on the prospect of a very respectable establishment in life.”
“Me, brother! what do you mean?”
“He likes you. I observed him narrowly, and am convinced of it. What is the amount of his fortune?”
“I believe about two thousand a year.”
“Two thousand a-year;” and then working himself up to a pitch of enthusiastic generosity, he added, “Elinor, I wish with all my heart it were TWICE as much, for your sake.”
“Indeed I believe you,” replied Elinor; “but I am very sure that Colonel Brandon has not the smallest wish of marrying ME.”
“You are mistaken, Elinor; you are very much mistaken. A very little trouble on your side secures him. Perhaps just at present he may be undecided; the smallness of your fortune may make him hang back; his friends may all advise him against it. But some of those little attentions and encouragements which ladies can so easily give will fix him, in spite of himself. And there can be no reason why you should not try for him. It is not to be supposed that any prior attachment on your side—in short, you know as to an attachment of that kind, it is quite out of the question, the objections are insurmountable—you have too much sense not to see all that. Colonel Brandon must be the man; and no civility shall be wanting on my part to make him pleased with you and your family. It is a match that must give universal satisfaction. In short, it is a kind of thing that”— lowering his voice to an important whisper—”will be exceedingly welcome to ALL PARTIES.” Recollecting himself, however, he added, “That is, I mean to say—your friends are all truly anxious to see you well settled; Fanny particularly, for she has your interest very much at heart, I assure you. And her mother too, Mrs. Ferrars, a very good-natured woman, I am sure it would give her great pleasure; she said as much the other day.”
Elinor would not vouchsafe any answer.
“It would be something remarkable, now,” he continued, “something droll, if Fanny should have a brother and I a sister settling at the same time. And yet it is not very unlikely.”
“Is Mr. Edward Ferrars,” said Elinor, with resolution, “going to be married?”
“It is not actually settled, but there is such a thing in agitation. He has a most excellent mother. Mrs. Ferrars, with the utmost liberality, will come forward, and settle on him a thousand a year, if the match takes place. The lady is the Hon. Miss Morton, only daughter of the late Lord Morton, with thirty thousand pounds. A very desirable connection on both sides, and I have not a doubt of its taking place in time. A thousand a-year is a great deal for a mother to give away, to make over for ever; but Mrs. Ferrars has a noble spirit. To give you another instance of her liberality:—The other day, as soon as we came to town, aware that money could not be very plenty with us just now, she put bank-notes into Fanny’s hands to the amount of two hundred pounds. And extremely acceptable it is, for we must live at a great expense while we are here.”
He paused for her assent and compassion; and she forced herself to say,
“Your expenses both in town and country must certainly be considerable; but your income is a large one.”
“Not so large, I dare say, as many people suppose. I do not mean to complain, however; it is undoubtedly a comfortable one, and I hope will in time be better. The enclosure of Norland Common, now carrying on, is a most serious drain. And then I have made a little purchase within this half year; East Kingham Farm, you must remember the place, where old Gibson used to live. The land was so very
desirable for me in every respect, so immediately adjoining my own property, that I felt it my duty to buy it. I could not have answered it to my conscience to let it fall into any other hands. A man must pay for his convenience; and it HAS cost me a vast deal of money.”
“More than you think it really and intrinsically worth.”
“Why, I hope not that. I might have sold it again, the next day, for more than I gave: but, with regard to the purchase-money, I might have been very unfortunate indeed; for the stocks were at that time so low, that if I had not happened to have the necessary sum in my banker’s hands, I must have sold out to very great loss.”
Elinor could only smile.
“Other great and inevitable expenses too we have had on first coming to Norland. Our respected father, as you well know, bequeathed all the Stanhill effects that remained at Norland (and very valuable they were) to your mother. Far be it from me to repine at his doing so; he had an undoubted right to dispose of his own property as he chose, but, in consequence of it, we have been obliged to make large purchases of linen, china, &c. to supply the place of what was taken away. You may guess, after all these expenses, how very far we must be from being rich, and how acceptable Mrs. Ferrars’s kindness is.”
“Certainly,” said Elinor; “and assisted by her liberality, I hope you may yet live to be in easy circumstances.”
“Another year or two may do much towards it,” he gravely replied; “but however there is still a great deal to be done. There is not a stone laid of Fanny’s green-house, and nothing but the plan of the flower-garden marked out.”
“Where is the green-house to be?”
“Upon the knoll behind the house. The old walnut trees are all come down to make room for it. It will be a very fine object from many parts of the park, and the flower-garden will slope down just before it, and be exceedingly pretty. We have cleared away all the old thorns that grew in patches over the brow.”
Elinor kept her concern and her censure to herself; and was very thankful that Marianne was not present, to share the provocation.
Having now said enough to make his poverty clear, and to do away the necessity of buying a pair of ear-rings for each of his sisters, in his next visit at Gray’s his thoughts took a cheerfuller turn, and he began to congratulate Elinor on having such a friend as Mrs. Jennings.
“She seems a most valuable woman indeed—Her house, her style of living, all bespeak an exceeding good income; and it is an acquaintance that has not only been of great use to you hitherto, but in the end may prove materially advantageous.—Her inviting you to town is certainly a vast thing in your favour; and indeed, it speaks altogether so great a regard for you, that in all probability when she dies you will not be forgotten.— She must have a great deal to leave.”
“Nothing at all, I should rather suppose; for she has only her jointure, which will descend to her children.”
“But it is not to be imagined that she lives up to her income. Few people of common prudence will do THAT; and whatever she saves, she will be able to dispose of.”
“And do you not think it more likely that she should leave it to her daughters, than to us?”
“Her daughters are both exceedingly well married, and therefore I cannot perceive the necessity of her remembering them farther. Whereas, in my opinion, by her taking so much notice of you, and treating you in this kind of way, she has given you a sort of claim on her future consideration, which a conscientious woman would not disregard. Nothing can be kinder than her behaviour; and she can hardly do all this, without being aware of the expectation it raises.”
“But she raises none in those most concerned. Indeed, brother, your anxiety for our welfare and prosperity carries you too far.”
“Why, to be sure,” said he, seeming to recollect himself, “people have little, have very little in their power. But, my dear Elinor, what is the matter with Marianne?— she looks very unwell, has lost her colour, and is grown quite thin. Is she ill?”
“She is not well, she has had a nervous complaint on her for several weeks.”
“I am sorry for that. At her time of life, any thing of an illness destroys the bloom for ever! Her’s has been a very short one! She was as handsome a girl last September, as I ever saw; and as likely to attract the man. There was something in her style of beauty, to please them particularly. I remember Fanny used to say that she would marry sooner and better than you did; not but what she is exceedingly fond of YOU, but so it happened to strike her. She will be mistaken, however. I question whether Marianne NOW, will marry a man worth more than five or six hundred a-year, at the utmost, and I am very much deceived if YOU do not do better. Dorsetshire! I know very little of Dorsetshire; but, my dear Elinor, I shall be exceedingly glad to know more of it; and I think I can answer for your having Fanny and myself among the earliest and best pleased of your visitors.”
Elinor tried very seriously to convince him that there was no likelihood of her marrying Colonel Brandon; but it was an expectation of too much pleasure to himself to be relinquished, and he was really resolved on seeking an intimacy with that gentleman, and promoting the marriage by every possible attention. He had just compunction enough for having done nothing for his sisters himself, to be exceedingly anxious that everybody else should do a great deal; and an offer from Colonel Brandon, or a legacy from Mrs. Jennings, was the easiest means of atoning for his own neglect.
They were lucky enough to find Lady Middleton at home, and Sir John came in before their visit ended. Abundance of civilities passed on all sides. Sir John was ready to like anybody, and though Mr. Dashwood did not seem to know much about horses, he soon set him down as a very good-natured fellow: while Lady Middleton saw enough of fashion in his appearance to think his acquaintance worth having; and Mr. Dashwood went away delighted with both.
“I shall have a charming account to carry to Fanny,” said he, as he walked back with his sister. “Lady Middleton is really a most elegant woman! Such a woman as I am sure Fanny will be glad to know. And Mrs. Jennings too, an exceedingly well-behaved woman, though not so elegant as her daughter. Your sister need not have any scruple even of visiting HER, which, to say the truth, has been a little the case, and very naturally; for we only knew that Mrs. Jennings was the widow of a man who had got all his money in a low way; and Fanny and Mrs. Ferrars were both strongly prepossessed, that neither she nor her daughters were such kind of women as Fanny would like to associate with. But now I can carry her a most satisfactory account of both.”
CHAPTER 34
Mrs. John Dashwood had so much confidence in her husband’s judgment, that she waited the very next day both on Mrs. Jennings and her daughter; and her confidence was rewarded by finding even the former, even the woman with whom her sisters were staying, by no means unworthy her notice; and as for Lady Middleton, she found her one of the most charming women in the world!
Lady Middleton was equally pleased with Mrs. Dashwood. There was a kind of cold hearted selfishness on both sides, which mutually attracted them; and they sympathised with each other in an insipid propriety of demeanor, and a general want of understanding.
The same manners, however, which recommended Mrs. John Dashwood to the good opinion of Lady Middleton did not suit the fancy of Mrs. Jennings, and to HER she appeared nothing more than a little proud-looking woman of uncordial address, who met her husband’s sisters without any affection, and almost without having anything to say to them; for of the quarter of an hour bestowed on Berkeley Street, she sat at least seven minutes and a half in silence.
Elinor wanted very much to know, though she did not chuse to ask, whether Edward was then in town; but nothing would have induced Fanny voluntarily to mention his name before her, till able to tell her that his marriage with Miss Morton was resolved on, or till her husband’s expectations on Colonel Brandon were answered; because she believed them still so very much attached to each other, that they could not be too sedulously divided in word and deed on
every occasion. The intelligence however, which SHE would not give, soon flowed from another quarter. Lucy came very shortly to claim Elinor’s compassion on being unable to see Edward, though he had arrived in town with Mr. and Mrs. Dashwood. He dared not come to Bartlett’s Buildings for fear of detection, and though their mutual impatience to meet, was not to be told, they could do nothing at present but write.
Edward assured them himself of his being in town, within a very short time, by twice calling in Berkeley Street. Twice was his card found on the table, when they returned from their morning’s engagements. Elinor was pleased that he had called; and still more pleased that she had missed him.
The Dashwoods were so prodigiously delighted with the Middletons, that, though not much in the habit of giving anything, they determined to give them—a dinner; and soon after their acquaintance began, invited them to dine in Harley Street, where they had taken a very good house for three months. Their sisters and Mrs. Jennings were invited likewise, and John Dashwood was careful to secure Colonel Brandon, who, always glad to be where the Miss Dashwoods were, received his eager civilities with some surprise, but much more pleasure. They were to meet Mrs. Ferrars; but Elinor could not learn whether her sons were to be of the party. The expectation of seeing HER, however, was enough to make her interested in the engagement; for though she could now meet Edward’s mother without that strong anxiety which had once promised to attend such an introduction, though she could now see her with perfect indifference as to her opinion of herself, her desire of being in company with Mrs. Ferrars, her curiosity to know what she was like, was as lively as ever.
The interest with which she thus anticipated the party, was soon afterwards increased, more powerfully than
pleasantly, by her hearing that the Miss Steeles were also to be at it.
So well had they recommended themselves to Lady Middleton, so agreeable had their assiduities made them to her, that though Lucy was certainly not so elegant, and her sister not even genteel, she was as ready as Sir John to ask them to spend a week or two in Conduit Street; and it happened to be particularly convenient to the Miss Steeles, as soon as the Dashwoods’ invitation was known, that their visit should begin a few days before the party took place.
Their claims to the notice of Mrs. John Dashwood, as the nieces of the gentleman who for many years had had the care of her brother, might not have done much, however, towards procuring them seats at her table; but as Lady Middleton’s guests they must be welcome; and Lucy, who had long wanted to be personally known to the family, to have a nearer view of their characters and her own difficulties, and to have an opportunity of endeavouring to please them, had seldom been happier in her life, than she was on receiving Mrs. John Dashwood’s card.
On Elinor its effect was very different. She began immediately to determine, that Edward who lived with his mother, must be asked as his mother was, to a party given by his sister; and to see him for the first time, after all that passed, in the company of Lucy!—she hardly knew how she could bear it!
These apprehensions, perhaps, were not founded entirely on reason, and certainly not at all on truth. They were relieved however, not by her own recollection, but by the good will of Lucy, who believed herself to be inflicting a severe disappointment when she told her that Edward certainly would not be in Harley Street on Tuesday, and even hoped to be carrying the pain still farther by persuading her
that he was kept away by the extreme affection for herself, which he could not conceal when they were together.
The important Tuesday came that was to introduce the two young ladies to this formidable mother-in-law.
“Pity me, dear Miss Dashwood!” said Lucy, as they walked up the stairs together—for the Middletons arrived so directly after Mrs. Jennings, that they all followed the servant at the same time—”There is nobody here but you, that can feel for me.—I declare I can hardly stand. Good gracious!—In a moment I shall see the person that all my happiness depends on—that is to be my mother!”—
Elinor could have given her immediate relief by suggesting the possibility of its being Miss Morton’s mother, rather than her own, whom they were about to behold; but instead of doing that, she assured her, and with great sincerity, that she did pity her—to the utter amazement of Lucy, who, though really uncomfortable herself, hoped at least to be an object of irrepressible envy to Elinor.
Mrs. Ferrars was a little, thin woman, upright, even to formality, in her figure, and serious, even to sourness, in her aspect. Her complexion was sallow; and her features small, without beauty, and naturally without expression; but a lucky contraction of the brow had rescued her countenance from the disgrace of insipidity, by giving it the strong characters of pride and ill nature. She was not a woman of many words; for, unlike people in general, she proportioned them to the number of her ideas; and of the few syllables that did escape her, not one fell to the share of Miss Dashwood, whom she eyed with the spirited determination of disliking her at all events.
Elinor could not NOW be made unhappy by this behaviour.— A few months ago it would have hurt her
exceedingly; but it was not in Mrs. Ferrars’ power to distress her by it now;—and the difference of her manners to the Miss Steeles, a difference which seemed purposely made to humble her more, only amused her. She could not but smile to see the graciousness of both mother and daughter towards the very person— for Lucy was particularly distinguished— whom of all others, had they known as much as she did, they would have been most anxious to mortify; while she herself, who had comparatively no power to wound them, sat pointedly slighted by both. But while she smiled at a graciousness so misapplied, she could not reflect on the mean-spirited folly from which it sprung, nor observe the studied attentions with which the Miss Steeles courted its continuance, without thoroughly despising them all four.
Lucy was all exultation on being so honorably distinguished; and Miss Steele wanted only to be teazed about Dr. Davies to be perfectly happy.
The dinner was a grand one, the servants were numerous, and every thing bespoke the Mistress’s inclination for show, and the Master’s ability to support it. In spite of the improvements and additions which were making to the Norland estate, and in spite of its owner having once been within some thousand pounds of being obliged to sell out at a loss, nothing gave any symptom of that indigence which he had tried to infer from it;—no poverty of any kind, except of conversation, appeared—but there, the deficiency was considerable. John Dashwood had not much to say for himself that was worth hearing, and his wife had still less. But there was no peculiar disgrace in this; for it was very much the case with the chief of their visitors, who almost all laboured under one or other of these disqualifications for being agreeable—Want of sense, either natural or improved— want of elegance—want of spirits—or want of temper.
When the ladies withdrew to the drawing-room after dinner, this poverty was particularly evident, for the gentlemen HAD supplied the discourse with some variety— the variety of politics, inclosing land, and breaking horses— but then it was all over; and one subject only engaged the ladies till coffee came in, which was the comparative heights of Harry Dashwood, and Lady Middleton’s second son William, who were nearly of the same age.
Had both the children been there, the affair might have been determined too easily by measuring them at once; but as Harry only was present, it was all conjectural assertion on both sides; and every body had a right to be equally positive in their opinion, and to repeat it over and over again as often as they liked.
The parties stood thus:
The two mothers, though each really convinced that her own son was the tallest, politely decided in favour of the other.
The two grandmothers, with not less partiality, but more sincerity, were equally earnest in support of their own descendant.
Lucy, who was hardly less anxious to please one parent than the other, thought the boys were both remarkably tall for their age, and could not conceive that there could be the smallest difference in the world between them; and Miss Steele, with yet greater address gave it, as fast as she could, in favour of each.
Elinor, having once delivered her opinion on William’s side, by which she offended Mrs. Ferrars and Fanny still more, did not see the necessity of enforcing it by any farther assertion; and Marianne, when called on for her’s, offended
them all, by declaring that she had no opinion to give, as she had never thought about it.
Before her removing from Norland, Elinor had painted a very pretty pair of screens for her sister-in-law, which being now just mounted and brought home, ornamented her present drawing room; and these screens, catching the eye of John Dashwood on his following the other gentlemen into the room, were officiously handed by him to Colonel Brandon for his admiration.
“These are done by my eldest sister,” said he; “and you, as a man of taste, will, I dare say, be pleased with them. I do not know whether you have ever happened to see any of her performances before, but she is in general reckoned to draw extremely well.”
The Colonel, though disclaiming all pretensions to connoisseurship, warmly admired the screens, as he would have done any thing painted by Miss Dashwood; and on the curiosity of the others being of course excited, they were handed round for general inspection. Mrs. Ferrars, not aware of their being Elinor’s work, particularly requested to look at them; and after they had received gratifying testimony of Lady Middletons’s approbation, Fanny presented them to her mother, considerately informing her, at the same time, that they were done by Miss Dashwood.
“Hum”—said Mrs. Ferrars—”very pretty,”—and without regarding them at all, returned them to her daughter.
Perhaps Fanny thought for a moment that her mother had been quite rude enough,—for, colouring a little, she immediately said,
“They are very pretty, ma’am—an’t they?” But then again, the dread of having been too civil, too encouraging herself, probably came over her, for she presently added,
“Do you not think they are something in Miss Morton’s style of painting, Ma’am?—She DOES paint most delightfully!—How beautifully her last landscape is done!”
“Beautifully indeed! But SHE does every thing well.”
Marianne could not bear this.—She was already greatly displeased with Mrs. Ferrars; and such ill-timed praise of another, at Elinor’s expense, though she had not any notion of what was principally meant by it, provoked her immediately to say with warmth,
“This is admiration of a very particular kind!—what is Miss Morton to us?—who knows, or who cares, for her?—it is Elinor of whom WE think and speak.”
And so saying, she took the screens out of her sister-in-law’s hands, to admire them herself as they ought to be admired.
Mrs. Ferrars looked exceedingly angry, and drawing herself up more stiffly than ever, pronounced in retort this bitter philippic, “Miss Morton is Lord Morton’s daughter.”
Fanny looked very angry too, and her husband was all in a fright at his sister’s audacity. Elinor was much more hurt by Marianne’s warmth than she had been by what produced it; but Colonel Brandon’s eyes, as they were fixed on Marianne, declared that he noticed only what was amiable in it, the affectionate heart which could not bear to see a sister slighted in the smallest point.
Marianne’s feelings did not stop here. The cold insolence of Mrs. Ferrars’s general behaviour to her sister, seemed, to her, to foretell such difficulties and distresses to Elinor, as her own wounded heart taught her to think of with horror; and urged by a strong impulse of affectionate sensibility, she moved after a moment, to her sister’s chair, and putting one
arm round her neck, and one cheek close to hers, said in a low, but eager, voice,
“Dear, dear Elinor, don’t mind them. Don’t let them make YOU unhappy.”
She could say no more; her spirits were quite overcome, and hiding her face on Elinor’s shoulder, she burst into tears. Every body’s attention was called, and almost every body was concerned.—Colonel Brandon rose up and went to them without knowing what he did.—Mrs. Jennings, with a very intelligent “Ah! poor dear,” immediately gave her her salts; and Sir John felt so desperately enraged against the author of this nervous distress, that he instantly changed his seat to one close by Lucy Steele, and gave her, in a whisper, a brief account of the whole shocking affair.
In a few minutes, however, Marianne was recovered enough to put an end to the bustle, and sit down among the rest; though her spirits retained the impression of what had passed, the whole evening.
“Poor Marianne!” said her brother to Colonel Brandon, in a low voice, as soon as he could secure his attention,— “She has not such good health as her sister,—she is very nervous,—she has not Elinor’s constitution;—and one must allow that there is something very trying to a young woman who HAS BEEN a beauty in the loss of her personal attractions. You would not think it perhaps, but Marianne WAS remarkably handsome a few months ago; quite as handsome as Elinor.— Now you see it is all gone.”
CHAPTER 35
Elinor’s curiosity to see Mrs. Ferrars was satisfied.— She had found in her every thing that could tend to make a farther connection between the families undesirable.— She had seen enough of her pride, her meanness, and her determined prejudice against herself, to comprehend all the difficulties that must have perplexed the engagement, and retarded the marriage, of Edward and herself, had he been otherwise free;—and she had seen almost enough to be thankful for her OWN sake, that one greater obstacle preserved her from suffering under any other of Mrs. Ferrars’s creation, preserved her from all dependence upon her caprice, or any solicitude for her good opinion. Or at least, if she did not bring herself quite to rejoice in Edward’s being fettered to Lucy, she determined, that had Lucy been more amiable, she OUGHT to have rejoiced.
She wondered that Lucy’s spirits could be so very much elevated by the civility of Mrs. Ferrars;—that her interest and her vanity should so very much blind her as to make the attention which seemed only paid her because she was NOT ELINOR, appear a compliment to herself—or to allow her to derive encouragement from a preference only given her, because her real situation was unknown. But that it was so, had not only been declared by Lucy’s eyes at the time, but was declared over again the next morning more openly, for at her particular desire, Lady Middleton set her down in Berkeley Street on the chance of seeing Elinor alone, to tell her how happy she was.
The chance proved a lucky one, for a message from Mrs. Palmer soon after she arrived, carried Mrs. Jennings away.
“My dear friend,” cried Lucy, as soon as they were by themselves, “I come to talk to you of my happiness. Could anything be so flattering as Mrs. Ferrars’s way of treating me yesterday? So exceeding affable as she was!—You know how I dreaded the thoughts of seeing her;—but the very moment I was introduced, there was such an affability in her behaviour as really should seem to say, she had quite took a fancy to me. Now was not it so?— You saw it all; and was not you quite struck with it?”
“She was certainly very civil to you.”
“Civil!—Did you see nothing but only civility?— I saw a vast deal more. Such kindness as fell to the share of nobody but me!—No pride, no hauteur, and your sister just the same—all sweetness and affability!”
Elinor wished to talk of something else, but Lucy still pressed her to own that she had reason for her happiness; and Elinor was obliged to go on.—
“Undoubtedly, if they had known your engagement,” said she, “nothing could be more flattering than their treatment of you;—but as that was not the case”—
“I guessed you would say so”—replied Lucy quickly—”but there was no reason in the world why Mrs. Ferrars should seem to like me, if she did not, and her liking me is every thing. You shan’t talk me out of my satisfaction. I am sure it will all end well, and there will be no difficulties at all, to what I used to think. Mrs. Ferrars is a charming woman, and so is your sister. They are both delightful women, indeed!—I wonder I should never hear you say how agreeable Mrs. Dashwood was!”
To this Elinor had no answer to make, and did not attempt any.
“Are you ill, Miss Dashwood?—you seem low—you don’t speak;—sure you an’t well.”
“I never was in better health.”
“I am glad of it with all my heart; but really you did not look it. I should be sorry to have YOU ill; you, that have been the greatest comfort to me in the world!—Heaven knows what I should have done without your friendship.”—
Elinor tried to make a civil answer, though doubting her own success. But it seemed to satisfy Lucy, for she directly replied,
“Indeed I am perfectly convinced of your regard for me, and next to Edward’s love, it is the greatest comfort I have.— Poor Edward!—But now there is one good thing, we shall be able to meet, and meet pretty often, for Lady Middleton’s delighted with Mrs. Dashwood, so we shall be a good deal in Harley Street, I dare say, and Edward spends half his time with his sister—besides, Lady Middleton and Mrs. Ferrars will visit now;—and Mrs. Ferrars and your sister were both so good to say more than once, they should always be glad to see me.— They are such charming women!—I am sure if ever you tell your sister what I think of her, you cannot speak too high.”
But Elinor would not give her any encouragement to hope that she SHOULD tell her sister. Lucy continued.
“I am sure I should have seen it in a moment, if Mrs. Ferrars had took a dislike to me. If she had only made me a formal courtesy, for instance, without saying a word, and never after had took any notice of me, and never looked at me in a pleasant way—you know what I mean—if I had been treated in that forbidding sort of way, I should have gave it all up in despair. I could not have stood it. For where she DOES dislike, I know it is most violent.”
Elinor was prevented from making any reply to this civil triumph, by the door’s being thrown open, the servant’s announcing Mr. Ferrars, and Edward’s immediately walking in.
It was a very awkward moment; and the countenance of each shewed that it was so. They all looked exceedingly foolish; and Edward seemed to have as great an inclination to walk out of the room again, as to advance farther into it. The very circumstance, in its unpleasantest form, which they would each have been most anxious to avoid, had fallen on them.—They were not only all three together, but were together without the relief of any other person. The ladies recovered themselves first. It was not Lucy’s business to put herself forward, and the appearance of secrecy must still be kept up. She could therefore only LOOK her tenderness, and after slightly addressing him, said no more.
But Elinor had more to do; and so anxious was she, for his sake and her own, to do it well, that she forced herself, after a moment’s recollection, to welcome him, with a look and manner that were almost easy, and almost open; and another struggle, another effort still improved them. She would not allow the presence of Lucy, nor the consciousness of some injustice towards herself, to deter her from saying that she was happy to see him, and that she had very much regretted being from home, when he called before in Berkeley Street. She would not be frightened from paying him those attentions which, as a friend and almost a relation, were his due, by the observant eyes of Lucy, though she soon perceived them to be narrowly watching her.
Her manners gave some re-assurance to Edward, and he had courage enough to sit down; but his embarrassment still exceeded that of the ladies in a proportion, which the case rendered reasonable, though his sex might make it rare; for
his heart had not the indifference of Lucy’s, nor could his conscience have quite the ease of Elinor’s.
Lucy, with a demure and settled air, seemed determined to make no contribution to the comfort of the others, and would not say a word; and almost every thing that WAS said, proceeded from Elinor, who was obliged to volunteer all the information about her mother’s health, their coming to town, &c. which Edward ought to have inquired about, but never did.
Her exertions did not stop here; for she soon afterwards felt herself so heroically disposed as to determine, under pretence of fetching Marianne, to leave the others by themselves; and she really did it, and THAT in the handsomest manner, for she loitered away several minutes on the landing-place, with the most high-minded fortitude, before she went to her sister. When that was once done, however, it was time for the raptures of Edward to cease; for Marianne’s joy hurried her into the drawing-room immediately. Her pleasure in seeing him was like every other of her feelings, strong in itself, and strongly spoken. She met him with a hand that would be taken, and a voice that expressed the affection of a sister.
“Dear Edward!” she cried, “this is a moment of great happiness!—This would almost make amends for every thing?”
Edward tried to return her kindness as it deserved, but before such witnesses he dared not say half what he really felt. Again they all sat down, and for a moment or two all were silent; while Marianne was looking with the most speaking tenderness, sometimes at Edward and sometimes at Elinor, regretting only that their delight in each other should be checked by Lucy’s unwelcome presence. Edward was the first to speak, and it was to notice Marianne’s altered looks,
and express his fear of her not finding London agree with her.
“Oh, don’t think of me!” she replied with spirited earnestness, though her eyes were filled with tears as she spoke, “don’t think of MY health. Elinor is well, you see. That must be enough for us both.”
This remark was not calculated to make Edward or Elinor more easy, nor to conciliate the good will of Lucy, who looked up at Marianne with no very benignant expression.
“Do you like London?” said Edward, willing to say any thing that might introduce another subject.
“Not at all. I expected much pleasure in it, but I have found none. The sight of you, Edward, is the only comfort it has afforded; and thank Heaven! you are what you always were!”
She paused—no one spoke.
“I think, Elinor,” she presently added, “we must employ Edward to take care of us in our return to Barton. In a week or two, I suppose, we shall be going; and, I trust, Edward will not be very unwilling to accept the charge.”
Poor Edward muttered something, but what it was, nobody knew, not even himself. But Marianne, who saw his agitation, and could easily trace it to whatever cause best pleased herself, was perfectly satisfied, and soon talked of something else.
“We spent such a day, Edward, in Harley Street yesterday! So dull, so wretchedly dull!—But I have much to say to you on that head, which cannot be said now.”
And with this admirable discretion did she defer the assurance of her finding their mutual relatives more disagreeable than ever, and of her being particularly disgusted with his mother, till they were more in private.
“But why were you not there, Edward?—Why did you not come?”
“I was engaged elsewhere.”
“Engaged! But what was that, when such friends were to be met?”
“Perhaps, Miss Marianne,” cried Lucy, eager to take some revenge on her, “you think young men never stand upon engagements, if they have no mind to keep them, little as well as great.”
Elinor was very angry, but Marianne seemed entirely insensible of the sting; for she calmly replied,
“Not so, indeed; for, seriously speaking, I am very sure that conscience only kept Edward from Harley Street. And I really believe he HAS the most delicate conscience in the world; the most scrupulous in performing every engagement, however minute, and however it may make against his interest or pleasure. He is the most fearful of giving pain, of wounding expectation, and the most incapable of being selfish, of any body I ever saw. Edward, it is so, and I will say it. What! are you never to hear yourself praised!—Then you must be no friend of mine; for those who will accept of my love and esteem, must submit to my open commendation.”
The nature of her commendation, in the present case, however, happened to be particularly ill-suited to the feelings of two thirds of her auditors, and was so very unexhilarating to Edward, that he very soon got up to go away.
“Going so soon!” said Marianne; “my dear Edward, this must not be.”
And drawing him a little aside, she whispered her persuasion that Lucy could not stay much longer. But even this encouragement failed, for he would go; and Lucy, who would have outstaid him, had his visit lasted two hours, soon afterwards went away.
“What can bring her here so often?” said Marianne, on her leaving them. “Could not she see that we wanted her gone!—how teazing to Edward!”
“Why so?—we were all his friends, and Lucy has been the longest known to him of any. It is but natural that he should like to see her as well as ourselves.”
Marianne looked at her steadily, and said, “You know, Elinor, that this is a kind of talking which I cannot bear. If you only hope to have your assertion contradicted, as I must suppose to be the case, you ought to recollect that I am the last person in the world to do it. I cannot descend to be tricked out of assurances, that are not really wanted.”
She then left the room; and Elinor dared not follow her to say more, for bound as she was by her promise of secrecy to Lucy, she could give no information that would convince Marianne; and painful as the consequences of her still continuing in an error might be, she was obliged to submit to it. All that she could hope, was that Edward would not often expose her or himself to the distress of hearing Marianne’s mistaken warmth, nor to the repetition of any other part of the pain that had attended their recent meeting—and this she had every reason to expect.
CHAPTER 36
Within a few days after this meeting, the newspapers announced to the world, that the lady of Thomas Palmer, Esq. was safely delivered of a son and heir; a very interesting and satisfactory paragraph, at least to all those intimate connections who knew it before.
This event, highly important to Mrs. Jennings’s happiness, produced a temporary alteration in the disposal of her time, and influenced, in a like degree, the engagements of her young friends; for as she wished to be as much as possible with Charlotte, she went thither every morning as soon as she was dressed, and did not return till late in the evening; and the Miss Dashwoods, at the particular request of the Middletons, spent the whole of every day, in every day in Conduit Street. For their own comfort they would much rather have remained, at least all the morning, in Mrs. Jennings’s house; but it was not a thing to be urged against the wishes of everybody. Their hours were therefore made over to Lady Middleton and the two Miss Steeles, by whom their company, in fact was as little valued, as it was professedly sought.
They had too much sense to be desirable companions to the former; and by the latter they were considered with a jealous eye, as intruding on THEIR ground, and sharing the kindness which they wanted to monopolize. Though nothing could be more polite than Lady Middleton’s behaviour to Elinor and Marianne, she did not really like them at all. Because they neither flattered herself nor her children, she could not believe them good-natured; and because they were
fond of reading, she fancied them satirical: perhaps without exactly knowing what it was to be satirical; but THAT did not signify. It was censure in common use, and easily given.
Their presence was a restraint both on her and on Lucy. It checked the idleness of one, and the business of the other. Lady Middleton was ashamed of doing nothing before them, and the flattery which Lucy was proud to think of and administer at other times, she feared they would despise her for offering. Miss Steele was the least discomposed of the three, by their presence; and it was in their power to reconcile her to it entirely. Would either of them only have given her a full and minute account of the whole affair between Marianne and Mr. Willoughby, she would have thought herself amply rewarded for the sacrifice of the best place by the fire after dinner, which their arrival occasioned. But this conciliation was not granted; for though she often threw out expressions of pity for her sister to Elinor, and more than once dropt a reflection on the inconstancy of beaux before Marianne, no effect was produced, but a look of indifference from the former, or of disgust in the latter. An effort even yet lighter might have made her their friend. Would they only have laughed at her about the Doctor! But so little were they, anymore than the others, inclined to oblige her, that if Sir John dined from home, she might spend a whole day without hearing any other raillery on the subject, than what she was kind enough to bestow on herself.
All these jealousies and discontents, however, were so totally unsuspected by Mrs. Jennings, that she thought it a delightful thing for the girls to be together; and generally congratulated her young friends every night, on having escaped the company of a stupid old woman so long. She joined them sometimes at Sir John’s, sometimes at her own house; but wherever it was, she always came in excellent spirits, full of delight and importance, attributing Charlotte’s
well doing to her own care, and ready to give so exact, so minute a detail of her situation, as only Miss Steele had curiosity enough to desire. One thing DID disturb her; and of that she made her daily complaint. Mr. Palmer maintained the common, but unfatherly opinion among his sex, of all infants being alike; and though she could plainly perceive, at different times, the most striking resemblance between this baby and every one of his relations on both sides, there was no convincing his father of it; no persuading him to believe that it was not exactly like every other baby of the same age; nor could he even be brought to acknowledge the simple proposition of its being the finest child in the world.
I come now to the relation of a misfortune, which about this time befell Mrs. John Dashwood. It so happened that while her two sisters with Mrs. Jennings were first calling on her in Harley Street, another of her acquaintance had dropt in—a circumstance in itself not apparently likely to produce evil to her. But while the imaginations of other people will carry them away to form wrong judgments of our conduct, and to decide on it by slight appearances, one’s happiness must in some measure be always at the mercy of chance. In the present instance, this last-arrived lady allowed her fancy to so far outrun truth and probability, that on merely hearing the name of the Miss Dashwoods, and understanding them to be Mr. Dashwood’s sisters, she immediately concluded them to be staying in Harley Street; and this misconstruction produced within a day or two afterwards, cards of invitation for them as well as for their brother and sister, to a small musical party at her house. The consequence of which was, that Mrs. John Dashwood was obliged to submit not only to the exceedingly great inconvenience of sending her carriage for the Miss Dashwoods, but, what was still worse, must be subject to all the unpleasantness of appearing to treat them with attention: and who could tell that they might not expect to go out with her a second time? The power of disappointing them, it was true, must always be her’s. But
that was not enough; for when people are determined on a mode of conduct which they know to be wrong, they feel injured by the expectation of any thing better from them.
Marianne had now been brought by degrees, so much into the habit of going out every day, that it was become a matter of indifference to her, whether she went or not: and she prepared quietly and mechanically for every evening’s engagement, though without expecting the smallest amusement from any, and very often without knowing, till the last moment, where it was to take her.
To her dress and appearance she was grown so perfectly indifferent, as not to bestow half the consideration on it, during the whole of her toilet, which it received from Miss Steele in the first five minutes of their being together, when it was finished. Nothing escaped HER minute observation and general curiosity; she saw every thing, and asked every thing; was never easy till she knew the price of every part of Marianne’s dress; could have guessed the number of her gowns altogether with better judgment than Marianne herself, and was not without hopes of finding out before they parted, how much her washing cost per week, and how much she had every year to spend upon herself. The impertinence of these kind of scrutinies, moreover, was generally concluded with a compliment, which though meant as its douceur, was considered by Marianne as the greatest impertinence of all; for after undergoing an examination into the value and make of her gown, the colour of her shoes, and the arrangement of her hair, she was almost sure of being told that upon “her word she looked vastly smart, and she dared to say she would make a great many conquests.”
With such encouragement as this, was she dismissed on the present occasion, to her brother’s carriage; which they were ready to enter five minutes after it stopped at the door, a punctuality not very agreeable to their sister-in-law, who
had preceded them to the house of her acquaintance, and was there hoping for some delay on their part that might inconvenience either herself or her coachman.
The events of this evening were not very remarkable. The party, like other musical parties, comprehended a great many people who had real taste for the performance, and a great many more who had none at all; and the performers themselves were, as usual, in their own estimation, and that of their immediate friends, the first private performers in England.
As Elinor was neither musical, nor affecting to be so, she made no scruple of turning her eyes from the grand pianoforte, whenever it suited her, and unrestrained even by the presence of a harp, and violoncello, would fix them at pleasure on any other object in the room. In one of these excursive glances she perceived among a group of young men, the very he, who had given them a lecture on toothpick-cases at Gray’s. She perceived him soon afterwards looking at herself, and speaking familiarly to her brother; and had just determined to find out his name from the latter, when they both came towards her, and Mr. Dashwood introduced him to her as Mr. Robert Ferrars.
He addressed her with easy civility, and twisted his head into a bow which assured her as plainly as words could have done, that he was exactly the coxcomb she had heard him described to be by Lucy. Happy had it been for her, if her regard for Edward had depended less on his own merit, than on the merit of his nearest relations! For then his brother’s bow must have given the finishing stroke to what the ill-humour of his mother and sister would have begun. But while she wondered at the difference of the two young men, she did not find that the emptiness of conceit of the one, put her out of all charity with the modesty and worth of the other. Why they WERE different, Robert exclaimed to her
himself in the course of a quarter of an hour’s conversation; for, talking of his brother, and lamenting the extreme GAUCHERIE which he really believed kept him from mixing in proper society, he candidly and generously attributed it much less to any natural deficiency, than to the misfortune of a private education; while he himself, though probably without any particular, any material superiority by nature, merely from the advantage of a public school, was as well fitted to mix in the world as any other man.
“Upon my soul,” he added, “I believe it is nothing more; and so I often tell my mother, when she is grieving about it. ‘My dear Madam,’ I always say to her, ‘you must make yourself easy. The evil is now irremediable, and it has been entirely your own doing. Why would you be persuaded by my uncle, Sir Robert, against your own judgment, to place Edward under private tuition, at the most critical time of his life? If you had only sent him to Westminster as well as myself, instead of sending him to Mr. Pratt’s, all this would have been prevented.’ This is the way in which I always consider the matter, and my mother is perfectly convinced of her error.”
Elinor would not oppose his opinion, because, whatever might be her general estimation of the advantage of a public school, she could not think of Edward’s abode in Mr. Pratt’s family, with any satisfaction.
“You reside in Devonshire, I think,”—was his next observation, “in a cottage near Dawlish.”
Elinor set him right as to its situation; and it seemed rather surprising to him that anybody could live in Devonshire, without living near Dawlish. He bestowed his hearty approbation however on their species of house.
“For my own part,” said he, “I am excessively fond of a cottage; there is always so much comfort, so much elegance about them. And I protest, if I had any money to spare, I should buy a little land and build one myself, within a short distance of London, where I might drive myself down at any time, and collect a few friends about me, and be happy. I advise every body who is going to build, to build a cottage. My friend Lord Courtland came to me the other day on purpose to ask my advice, and laid before me three different plans of Bonomi’s. I was to decide on the best of them. ‘My dear Courtland,’ said I, immediately throwing them all into the fire, ‘do not adopt either of them, but by all means build a cottage.’ And that I fancy, will be the end of it.
“Some people imagine that there can be no accommodations, no space in a cottage; but this is all a mistake. I was last month at my friend Elliott’s, near Dartford. Lady Elliott wished to give a dance. ‘But how can it be done?’ said she; ‘my dear Ferrars, do tell me how it is to be managed. There is not a room in this cottage that will hold ten couple, and where can the supper be?’ I immediately saw that there could be no difficulty in it, so I said, ‘My dear Lady Elliott, do not be uneasy. The dining parlour will admit eighteen couple with ease; card-tables may be placed in the drawing-room; the library may be open for tea and other refreshments; and let the supper be set out in the saloon.’ Lady Elliott was delighted with the thought. We measured the dining-room, and found it would hold exactly eighteen couple, and the affair was arranged precisely after my plan. So that, in fact, you see, if people do but know how to set about it, every comfort may be as well enjoyed in a cottage as in the most spacious dwelling.”
Elinor agreed to it all, for she did not think he deserved the compliment of rational opposition.
As John Dashwood had no more pleasure in music than his eldest sister, his mind was equally at liberty to fix on any thing else; and a thought struck him during the evening, which he communicated to his wife, for her approbation, when they got home. The consideration of Mrs. Dennison’s mistake, in supposing his sisters their guests, had suggested the propriety of their being really invited to become such, while Mrs. Jenning’s engagements kept her from home. The expense would be nothing, the inconvenience not more; and it was altogether an attention which the delicacy of his conscience pointed out to be requisite to its complete enfranchisement from his promise to his father. Fanny was startled at the proposal.
“I do not see how it can be done,” said she, “without affronting Lady Middleton, for they spend every day with her; otherwise I should be exceedingly glad to do it. You know I am always ready to pay them any attention in my power, as my taking them out this evening shews. But they are Lady Middleton’s visitors. How can I ask them away from her?”
Her husband, but with great humility, did not see the force of her objection. “They had already spent a week in this manner in Conduit Street, and Lady Middleton could not be displeased at their giving the same number of days to such near relations.”
Fanny paused a moment, and then, with fresh vigor, said,
“My love I would ask them with all my heart, if it was in my power. But I had just settled within myself to ask the Miss Steeles to spend a few days with us. They are very well behaved, good kind of girls; and I think the attention is due to them, as their uncle did so very well by Edward. We can ask your sisters some other year, you know; but the Miss
Steeles may not be in town any more. I am sure you will like them; indeed, you DO like them, you know, very much already, and so does my mother; and they are such favourites with Harry!”
Mr. Dashwood was convinced. He saw the necessity of inviting the Miss Steeles immediately, and his conscience was pacified by the resolution of inviting his sisters another year; at the same time, however, slyly suspecting that another year would make the invitation needless, by bringing Elinor to town as Colonel Brandon’s wife, and Marianne as THEIR visitor.
Fanny, rejoicing in her escape, and proud of the ready wit that had procured it, wrote the next morning to Lucy, to request her company and her sister’s, for some days, in Harley Street, as soon as Lady Middleton could spare them. This was enough to make Lucy really and reasonably happy. Mrs. Dashwood seemed actually working for her, herself; cherishing all her hopes, and promoting all her views! Such an opportunity of being with Edward and his family was, above all things, the most material to her interest, and such an invitation the most gratifying to her feelings! It was an advantage that could not be too gratefully acknowledged, nor too speedily made use of; and the visit to Lady Middleton, which had not before had any precise limits, was instantly discovered to have been always meant to end in two days’ time.
When the note was shown to Elinor, as it was within ten minutes after its arrival, it gave her, for the first time, some share in the expectations of Lucy; for such a mark of uncommon kindness, vouchsafed on so short an acquaintance, seemed to declare that the good-will towards her arose from something more than merely malice against herself; and might be brought, by time and address, to do every thing that Lucy wished. Her flattery had already
subdued the pride of Lady Middleton, and made an entry into the close heart of Mrs. John Dashwood; and these were effects that laid open the probability of greater.
The Miss Steeles removed to Harley Street, and all that reached Elinor of their influence there, strengthened her expectation of the event. Sir John, who called on them more than once, brought home such accounts of the favour they were in, as must be universally striking. Mrs. Dashwood had never been so much pleased with any young women in her life, as she was with them; had given each of them a needle book made by some emigrant; called Lucy by her Christian name; and did not know whether she should ever be able to part with them.
[At this point in the first and second editions, Volume II ended.]
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CHAPTER 37
Mrs. Palmer was so well at the end of a fortnight, that her mother felt it no longer necessary to give up the whole of her time to her; and, contenting herself with visiting her once or twice a day, returned from that period to her own home, and her own habits, in which she found the Miss Dashwoods very ready to resume their former share.
About the third or fourth morning after their being thus resettled in Berkeley Street, Mrs. Jennings, on returning from her ordinary visit to Mrs. Palmer, entered the drawing-room, where Elinor was sitting by herself, with an air of such hurrying importance as prepared her to hear something wonderful; and giving her time only to form that idea, began directly to justify it, by saying,
“Lord! my dear Miss Dashwood! have you heard the news?”
“No, ma’am. What is it?”
“Something so strange! But you shall hear it all.— When I got to Mr. Palmer’s, I found Charlotte quite in a fuss about the child. She was sure it was very ill—it cried, and fretted, and was all over pimples. So I looked at it directly, and, ‘Lord! my dear,’ says I, ‘it is nothing in the world, but the red gum—’ and nurse said just the same. But Charlotte, she would not be satisfied, so Mr. Donavan was sent for; and luckily he happened to just come in from Harley Street, so he stepped over directly, and as soon as ever he saw the child, be said just as we did, that it was nothing in the world but the red gum, and then Charlotte was easy. And so, just as he
was going away again, it came into my head, I am sure I do not know how I happened to think of it, but it came into my head to ask him if there was any news. So upon that, he smirked, and simpered, and looked grave, and seemed to know something or other, and at last he said in a whisper, ‘For fear any unpleasant report should reach the young ladies under your care as to their sister’s indisposition, I think it advisable to say, that I believe there is no great reason for alarm; I hope Mrs. Dashwood will do very well.’”
“What! is Fanny ill?”
“That is exactly what I said, my dear. ‘Lord!’ says I, ‘is Mrs. Dashwood ill?’ So then it all came out; and the long and the short of the matter, by all I can learn, seems to be this. Mr. Edward Ferrars, the very young man I used to joke with you about (but however, as it turns out, I am monstrous glad there was never any thing in it), Mr. Edward Ferrars, it seems, has been engaged above this twelvemonth to my cousin Lucy!—There’s for you, my dear!—And not a creature knowing a syllable of the matter, except Nancy!—Could you have believed such a thing possible?— There is no great wonder in their liking one another; but that matters should be brought so forward between them, and nobody suspect it!—THAT is strange!—I never happened to see them together, or I am sure I should have found it out directly. Well, and so this was kept a great secret, for fear of Mrs. Ferrars, and neither she nor your brother or sister suspected a word of the matter;—till this very morning, poor Nancy, who, you know, is a well-meaning creature, but no conjurer, popt it all out. ‘Lord!’ thinks she to herself, ‘they are all so fond of Lucy, to be sure they will make no difficulty about it;’ and so, away she went to your sister, who was sitting all alone at her carpet-work, little suspecting what was to come—for she had just been saying to your brother, only five minutes before, that she thought to make a match between Edward and some Lord’s daughter or other, I forget who. So
you may think what a blow it was to all her vanity and pride. She fell into violent hysterics immediately, with such screams as reached your brother’s ears, as he was sitting in his own dressing-room down stairs, thinking about writing a letter to his steward in the country. So up he flew directly, and a terrible scene took place, for Lucy was come to them by that time, little dreaming what was going on. Poor soul! I pity HER. And I must say, I think she was used very hardly; for your sister scolded like any fury, and soon drove her into a fainting fit. Nancy, she fell upon her knees, and cried bitterly; and your brother, he walked about the room, and said he did not know what to do. Mrs. Dashwood declared they should not stay a minute longer in the house, and your brother was forced to go down upon HIS knees too, to persuade her to let them stay till they had packed up their clothes. THEN she fell into hysterics again, and he was so frightened that he would send for Mr. Donavan, and Mr. Donavan found the house in all this uproar. The carriage was at the door ready to take my poor cousins away, and they were just stepping in as he came off; poor Lucy in such a condition, he says, she could hardly walk; and Nancy, she was almost as bad. I declare, I have no patience with your sister; and I hope, with all my heart, it will be a match in spite of her. Lord! what a taking poor Mr. Edward will be in when he hears of it! To have his love used so scornfully! for they say he is monstrous fond of her, as well he may. I should not wonder, if he was to be in the greatest passion!— and Mr. Donavan thinks just the same. He and I had a great deal of talk about it; and the best of all is, that he is gone back again to Harley Street, that he may be within call when Mrs. Ferrars is told of it, for she was sent for as soon as ever my cousins left the house, for your sister was sure SHE would be in hysterics too; and so she may, for what I care. I have no pity for either of them. I have no notion of people’s making such a to-do about money and greatness. There is no reason on earth why Mr. Edward and Lucy should not marry; for I am sure Mrs. Ferrars may afford to do very well by her
son, and though Lucy has next to nothing herself, she knows better than any body how to make the most of every thing; I dare say, if Mrs. Ferrars would only allow him five hundred a-year, she would make as good an appearance with it as any body else would with eight. Lord! how snug they might live in such another cottage as yours—or a little bigger—with two maids, and two men; and I believe I could help them to a housemaid, for my Betty has a sister out of place, that would fit them exactly.”
Here Mrs. Jennings ceased, and as Elinor had had time enough to collect her thoughts, she was able to give such an answer, and make such observations, as the subject might naturally be supposed to produce. Happy to find that she was not suspected of any extraordinary interest in it; that Mrs. Jennings (as she had of late often hoped might be the case) had ceased to imagine her at all attached to Edward; and happy above all the rest, in the absence of Marianne, she felt very well able to speak of the affair without embarrassment, and to give her judgment, as she believed, with impartiality on the conduct of every one concerned in it.
She could hardly determine what her own expectation of its event really was; though she earnestly tried to drive away the notion of its being possible to end otherwise at last, than in the marriage of Edward and Lucy. What Mrs. Ferrars would say and do, though there could not be a doubt of its nature, she was anxious to hear; and still more anxious to know how Edward would conduct himself. For HIM she felt much compassion;—for Lucy very little—and it cost her some pains to procure that little;—for the rest of the party none at all.
As Mrs. Jennings could talk on no other subject, Elinor soon saw the necessity of preparing Marianne for its discussion. No time was to be lost in undeceiving her, in
making her acquainted with the real truth, and in endeavouring to bring her to hear it talked of by others, without betraying that she felt any uneasiness for her sister, or any resentment against Edward.
Elinor’s office was a painful one.—She was going to remove what she really believed to be her sister’s chief consolation,—to give such particulars of Edward as she feared would ruin him for ever in her good opinion,-and to make Marianne, by a resemblance in their situations, which to HER fancy would seem strong, feel all her own disappointment over again. But unwelcome as such a task must be, it was necessary to be done, and Elinor therefore hastened to perform it.
She was very far from wishing to dwell on her own feelings, or to represent herself as suffering much, any otherwise than as the self-command she had practised since her first knowledge of Edward’s engagement, might suggest a hint of what was practicable to Marianne. Her narration was clear and simple; and though it could not be given without emotion, it was not accompanied by violent agitation, nor impetuous grief.—THAT belonged rather to the hearer, for Marianne listened with horror, and cried excessively. Elinor was to be the comforter of others in her own distresses, no less than in theirs; and all the comfort that could be given by assurances of her own composure of mind, and a very earnest vindication of Edward from every charge but of imprudence, was readily offered.
But Marianne for some time would give credit to neither. Edward seemed a second Willoughby; and acknowledging as Elinor did, that she HAD loved him most sincerely, could she feel less than herself! As for Lucy Steele, she considered her so totally unamiable, so absolutely incapable of attaching a sensible man, that she could not be persuaded at first to believe, and afterwards to pardon, any former affection of
Edward for her. She would not even admit it to have been natural; and Elinor left her to be convinced that it was so, by that which only could convince her, a better knowledge of mankind.
Her first communication had reached no farther than to state the fact of the engagement, and the length of time it had existed.—Marianne’s feelings had then broken in, and put an end to all regularity of detail; and for some time all that could be done was to soothe her distress, lessen her alarms, and combat her resentment. The first question on her side, which led to farther particulars, was,
“How long has this been known to you, Elinor? has he written to you?”
“I have known it these four months. When Lucy first came to Barton Park last November, she told me in confidence of her engagement.”
At these words, Marianne’s eyes expressed the astonishment which her lips could not utter. After a pause of wonder, she exclaimed—
“Four months!—Have you known of this four months?”
Elinor confirmed it.
“What!—while attending me in all my misery, has this been on your heart?—And I have reproached you for being happy!”—
“It was not fit that you should then know how much I was the reverse!”
“Four months!”—cried Marianne again.—”So calm!—so cheerful!—how have you been supported?”—
“By feeling that I was doing my duty.—My promise to Lucy, obliged me to be secret. I owed it to her, therefore, to avoid giving any hint of the truth; and I owed it to my family and friends, not to create in them a solicitude about me, which it could not be in my power to satisfy.”
Marianne seemed much struck.
“I have very often wished to undeceive yourself and my mother,” added Elinor; “and once or twice I have attempted it;—but without betraying my trust, I never could have convinced you.”
“Four months!—and yet you loved him!”—
“Yes. But I did not love only him;—and while the comfort of others was dear to me, I was glad to spare them from knowing how much I felt. Now, I can think and speak of it with little emotion. I would not have you suffer on my account; for I assure you I no longer suffer materially myself. I have many things to support me. I am not conscious of having provoked the disappointment by any imprudence of my own, I have borne it as much as possible without spreading it farther. I acquit Edward of essential misconduct. I wish him very happy; and I am so sure of his always doing his duty, that though now he may harbour some regret, in the end he must become so. Lucy does not want sense, and that is the foundation on which every thing good may be built.—And after all, Marianne, after all that is bewitching in the idea of a single and constant attachment, and all that can be said of one’s happiness depending entirely on any particular person, it is not meant—it is not fit—it is not possible that it should be so.— Edward will marry Lucy; he will marry a woman superior in person and understanding to half her sex; and time and habit will teach him to forget that he ever thought another superior to HER.”—
“If such is your way of thinking,” said Marianne, “if the loss of what is most valued is so easily to be made up by something else, your resolution, your self-command, are, perhaps, a little less to be wondered at.—They are brought more within my comprehension.”
“I understand you.—You do not suppose that I have ever felt much.—For four months, Marianne, I have had all this hanging on my mind, without being at liberty to speak of it to a single creature; knowing that it would make you and my mother most unhappy whenever it were explained to you, yet unable to prepare you for it in the least.— It was told me,— it was in a manner forced on me by the very person herself, whose prior engagement ruined all my prospects; and told me, as I thought, with triumph.— This person’s suspicions, therefore, I have had to oppose, by endeavouring to appear indifferent where I have been most deeply interested;—and it has not been only once;—I have had her hopes and exultation to listen to again and again.— I have known myself to be divided from Edward for ever, without hearing one circumstance that could make me less desire the connection.—Nothing has proved him unworthy; nor has anything declared him indifferent to me.— I have had to contend against the unkindness of his sister, and the insolence of his mother; and have suffered the punishment of an attachment, without enjoying its advantages.— And all this has been going on at a time, when, as you know too well, it has not been my only unhappiness.— If you can think me capable of ever feeling—surely you may suppose that I have suffered NOW. The composure of mind with which I have brought myself at present to consider the matter, the consolation that I have been willing to admit, have been the effect of constant and painful exertion;—they did not spring up of themselves;—they did not occur to relieve my spirits at first.— No, Marianne.—THEN, if I had not been bound to silence, perhaps nothing could have kept
me entirely—not even what I owed to my dearest friends— from openly shewing that I was VERY unhappy.”—
Marianne was quite subdued.—
“Oh! Elinor,” she cried, “you have made me hate myself for ever.—How barbarous have I been to you!—you, who have been my only comfort, who have borne with me in all my misery, who have seemed to be only suffering for me!—Is this my gratitude?—Is this the only return I can make you?— Because your merit cries out upon myself, I have been trying to do it away.”
The tenderest caresses followed this confession. In such a frame of mind as she was now in, Elinor had no difficulty in obtaining from her whatever promise she required; and at her request, Marianne engaged never to speak of the affair to any one with the least appearance of bitterness;—to meet Lucy without betraying the smallest increase of dislike to her;—and even to see Edward himself, if chance should bring them together, without any diminution of her usual cordiality.— These were great concessions;—but where Marianne felt that she had injured, no reparation could be too much for her to make.
She performed her promise of being discreet, to admiration.—She attended to all that Mrs. Jennings had to say upon the subject, with an unchanging complexion, dissented from her in nothing, and was heard three times to say, “Yes, ma’am.”—She listened to her praise of Lucy with only moving from one chair to another, and when Mrs. Jennings talked of Edward’s affection, it cost her only a spasm in her throat.—Such advances towards heroism in her sister, made Elinor feel equal to any thing herself.
The next morning brought a farther trial of it, in a visit from their brother, who came with a most serious aspect to
talk over the dreadful affair, and bring them news of his wife.
“You have heard, I suppose,” said he with great solemnity, as soon as he was seated, “of the very shocking discovery that took place under our roof yesterday.”
They all looked their assent; it seemed too awful a moment for speech.
“Your sister,” he continued, “has suffered dreadfully. Mrs. Ferrars too—in short it has been a scene of such complicated distress—but I will hope that the storm may be weathered without our being any of us quite overcome. Poor Fanny! she was in hysterics all yesterday. But I would not alarm you too much. Donavan says there is nothing materially to be apprehended; her constitution is a good one, and her resolution equal to any thing. She has borne it all, with the fortitude of an angel! She says she never shall think well of anybody again; and one cannot wonder at it, after being so deceived!—meeting with such ingratitude, where so much kindness had been shewn, so much confidence had been placed! It was quite out of the benevolence of her heart, that she had asked these young women to her house; merely because she thought they deserved some attention, were harmless, well-behaved girls, and would be pleasant companions; for otherwise we both wished very much to have invited you and Marianne to be with us, while your kind friend there, was attending her daughter. And now to be so rewarded! ‘I wish, with all my heart,’ says poor Fanny in her affectionate way, ‘that we had asked your sisters instead of them.’”
Here he stopped to be thanked; which being done, he went on.
“What poor Mrs. Ferrars suffered, when first Fanny broke it to her, is not to be described. While she with the truest affection had been planning a most eligible connection for him, was it to be supposed that he could be all the time secretly engaged to another person!—such a suspicion could never have entered her head! If she suspected ANY prepossession elsewhere, it could not be in THAT quarter. ‘THERE, to be sure,’ said she, ‘I might have thought myself safe.’ She was quite in an agony. We consulted together, however, as to what should be done, and at last she determined to send for Edward. He came. But I am sorry to relate what ensued. All that Mrs. Ferrars could say to make him put an end to the engagement, assisted too as you may well suppose by my arguments, and Fanny’s entreaties, was of no avail. Duty, affection, every thing was disregarded. I never thought Edward so stubborn, so unfeeling before. His mother explained to him her liberal designs, in case of his marrying Miss Morton; told him she would settle on him the Norfolk estate, which, clear of land-tax, brings in a good thousand a-year; offered even, when matters grew desperate, to make it twelve hundred; and in opposition to this, if he still persisted in this low connection, represented to him the certain penury that must attend the match. His own two thousand pounds she protested should be his all; she would never see him again; and so far would she be from affording him the smallest assistance, that if he were to enter into any profession with a view of better support, she would do all in her power to prevent him advancing in it.”
Here Marianne, in an ecstasy of indignation, clapped her hands together, and cried, “Gracious God! can this be possible!”
“Well may you wonder, Marianne,” replied her brother, “at the obstinacy which could resist such arguments as these. Your exclamation is very natural.”
Marianne was going to retort, but she remembered her promises, and forbore.
“All this, however,” he continued, “was urged in vain. Edward said very little; but what he did say, was in the most determined manner. Nothing should prevail on him to give up his engagement. He would stand to it, cost him what it might.”
“Then,” cried Mrs. Jennings with blunt sincerity, no longer able to be silent, “he has acted like an honest man! I beg your pardon, Mr. Dashwood, but if he had done otherwise, I should have thought him a rascal. I have some little concern in the business, as well as yourself, for Lucy Steele is my cousin, and I believe there is not a better kind of girl in the world, nor one who more deserves a good husband.”
John Dashwood was greatly astonished; but his nature was calm, not open to provocation, and he never wished to offend anybody, especially anybody of good fortune. He therefore replied, without any resentment,
“I would by no means speak disrespectfully of any relation of yours, madam. Miss Lucy Steele is, I dare say, a very deserving young woman, but in the present case you know, the connection must be impossible. And to have entered into a secret engagement with a young man under her uncle’s care, the son of a woman especially of such very large fortune as Mrs. Ferrars, is perhaps, altogether a little extraordinary. In short, I do not mean to reflect upon the behaviour of any person whom you have a regard for, Mrs. Jennings. We all wish her extremely happy; and Mrs. Ferrars’s conduct throughout the whole, has been such as every conscientious, good mother, in like circumstances, would adopt. It has been dignified and liberal. Edward has drawn his own lot, and I fear it will be a bad one.”
Marianne sighed out her similar apprehension; and Elinor’s heart wrung for the feelings of Edward, while braving his mother’s threats, for a woman who could not reward him.
“Well, sir,” said Mrs. Jennings, “and how did it end?”
“I am sorry to say, ma’am, in a most unhappy rupture:— Edward is dismissed for ever from his mother’s notice. He left her house yesterday, but where he is gone, or whether he is still in town, I do not know; for WE of course can make no inquiry.”
“Poor young man!—and what is to become of him?”
“What, indeed, ma’am! It is a melancholy consideration. Born to the prospect of such affluence! I cannot conceive a situation more deplorable. The interest of two thousand pounds—how can a man live on it?—and when to that is added the recollection, that he might, but for his own folly, within three months have been in the receipt of two thousand, five hundred a-year (for Miss Morton has thirty thousand pounds,) I cannot picture to myself a more wretched condition. We must all feel for him; and the more so, because it is totally out of our power to assist him.”
“Poor young man!” cried Mrs. Jennings, “I am sure he should be very welcome to bed and board at my house; and so I would tell him if I could see him. It is not fit that he should be living about at his own charge now, at lodgings and taverns.”
Elinor’s heart thanked her for such kindness towards Edward, though she could not forbear smiling at the form of it.
“If he would only have done as well by himself,” said John Dashwood, “as all his friends were disposed to do by him, he might now have been in his proper situation, and
would have wanted for nothing. But as it is, it must be out of anybody’s power to assist him. And there is one thing more preparing against him, which must be worse than all—his mother has determined, with a very natural kind of spirit, to settle THAT estate upon Robert immediately, which might have been Edward’s, on proper conditions. I left her this morning with her lawyer, talking over the business.”
“Well!” said Mrs. Jennings, “that is HER revenge. Everybody has a way of their own. But I don’t think mine would be, to make one son independent, because another had plagued me.”
Marianne got up and walked about the room.
“Can anything be more galling to the spirit of a man,” continued John, “than to see his younger brother in possession of an estate which might have been his own? Poor Edward! I feel for him sincerely.”
A few minutes more spent in the same kind of effusion, concluded his visit; and with repeated assurances to his sisters that he really believed there was no material danger in Fanny’s indisposition, and that they need not therefore be very uneasy about it, he went away; leaving the three ladies unanimous in their sentiments on the present occasion, as far at least as it regarded Mrs. Ferrars’s conduct, the Dashwoods’, and Edward’s.
Marianne’s indignation burst forth as soon as he quitted the room; and as her vehemence made reserve impossible in Elinor, and unnecessary in Mrs. Jennings, they all joined in a very spirited critique upon the party.
CHAPTER 38
Mrs. Jennings was very warm in her praise of Edward’s conduct, but only Elinor and Marianne understood its true merit. THEY only knew how little he had had to tempt him to be disobedient, and how small was the consolation, beyond the consciousness of doing right, that could remain to him in the loss of friends and fortune. Elinor gloried in his integrity; and Marianne forgave all his offences in compassion for his punishment. But though confidence between them was, by this public discovery, restored to its proper state, it was not a subject on which either of them were fond of dwelling when alone. Elinor avoided it upon principle, as tending to fix still more upon her thoughts, by the too warm, too positive assurances of Marianne, that belief of Edward’s continued affection for herself which she rather wished to do away; and Marianne’s courage soon failed her, in trying to converse upon a topic which always left her more dissatisfied with herself than ever, by the comparison it necessarily produced between Elinor’s conduct and her own.
She felt all the force of that comparison; but not as her sister had hoped, to urge her to exertion now; she felt it with all the pain of continual self-reproach, regretted most bitterly that she had never exerted herself before; but it brought only the torture of penitence, without the hope of amendment. Her mind was so much weakened that she still fancied present exertion impossible, and therefore it only dispirited her more.
Nothing new was heard by them, for a day or two afterwards, of affairs in Harley Street, or Bartlett’s Buildings. But though so much of the matter was known to them already, that Mrs. Jennings might have had enough to do in spreading that knowledge farther, without seeking after more, she had resolved from the first to pay a visit of comfort and inquiry to her cousins as soon as she could; and nothing but the hindrance of more visitors than usual, had prevented her going to them within that time.
The third day succeeding their knowledge of the particulars, was so fine, so beautiful a Sunday as to draw many to Kensington Gardens, though it was only the second week in March. Mrs. Jennings and Elinor were of the number; but Marianne, who knew that the Willoughbys were again in town, and had a constant dread of meeting them, chose rather to stay at home, than venture into so public a place.
An intimate acquaintance of Mrs. Jennings joined them soon after they entered the Gardens, and Elinor was not sorry that by her continuing with them, and engaging all Mrs. Jennings’s conversation, she was herself left to quiet reflection. She saw nothing of the Willoughbys, nothing of Edward, and for some time nothing of anybody who could by any chance whether grave or gay, be interesting to her. But at last she found herself with some surprise, accosted by Miss Steele, who, though looking rather shy, expressed great satisfaction in meeting them, and on receiving encouragement from the particular kindness of Mrs. Jennings, left her own party for a short time, to join their’s. Mrs. Jennings immediately whispered to Elinor,
“Get it all out of her, my dear. She will tell you any thing if you ask. You see I cannot leave Mrs. Clarke.”
It was lucky, however, for Mrs. Jennings’s curiosity and Elinor’s too, that she would tell any thing WITHOUT being asked; for nothing would otherwise have been learnt.
“I am so glad to meet you;” said Miss Steele, taking her familiarly by the arm—”for I wanted to see you of all things in the world.” And then lowering her voice, “I suppose Mrs. Jennings has heard all about it. Is she angry?”
“Not at all, I believe, with you.”
“That is a good thing. And Lady Middleton, is SHE angry?”
“I cannot suppose it possible that she should.”
“I am monstrous glad of it. Good gracious! I have had such a time of it! I never saw Lucy in such a rage in my life. She vowed at first she would never trim me up a new bonnet, nor do any thing else for me again, so long as she lived; but now she is quite come to, and we are as good friends as ever. Look, she made me this bow to my hat, and put in the feather last night. There now, YOU are going to laugh at me too. But why should not I wear pink ribbons? I do not care if it IS the Doctor’s favourite colour. I am sure, for my part, I should never have known he DID like it better than any other colour, if he had not happened to say so. My cousins have been so plaguing me! I declare sometimes I do not know which way to look before them.”
She had wandered away to a subject on which Elinor had nothing to say, and therefore soon judged it expedient to find her way back again to the first.
“Well, but Miss Dashwood,” speaking triumphantly, “people may say what they chuse about Mr. Ferrars’s declaring he would not have Lucy, for it is no such thing I can tell you; and it is quite a shame for such ill-natured
reports to be spread abroad. Whatever Lucy might think about it herself, you know, it was no business of other people to set it down for certain.”
“I never heard any thing of the kind hinted at before, I assure you,” said Elinor.
“Oh, did not you? But it WAS said, I know, very well, and by more than one; for Miss Godby told Miss Sparks, that nobody in their senses could expect Mr. Ferrars to give up a woman like Miss Morton, with thirty thousand pounds to her fortune, for Lucy Steele that had nothing at all; and I had it from Miss Sparks myself. And besides that, my cousin Richard said himself, that when it came to the point he was afraid Mr. Ferrars would be off; and when Edward did not come near us for three days, I could not tell what to think myself; and I believe in my heart Lucy gave it up all for lost; for we came away from your brother’s Wednesday, and we saw nothing of him not all Thursday, Friday, and Saturday, and did not know what was become of him. Once Lucy thought to write to him, but then her spirits rose against that. However this morning he came just as we came home from church; and then it all came out, how he had been sent for Wednesday to Harley Street, and been talked to by his mother and all of them, and how he had declared before them all that he loved nobody but Lucy, and nobody but Lucy would he have. And how he had been so worried by what passed, that as soon as he had went away from his mother’s house, he had got upon his horse, and rid into the country, some where or other; and how he had stayed about at an inn all Thursday and Friday, on purpose to get the better of it. And after thinking it all over and over again, he said, it seemed to him as if, now he had no fortune, and no nothing at all, it would be quite unkind to keep her on to the engagement, because it must be for her loss, for he had nothing but two thousand pounds, and no hope of any thing else; and if he was to go into orders, as he had some
thoughts, he could get nothing but a curacy, and how was they to live upon that?—He could not bear to think of her doing no better, and so he begged, if she had the least mind for it, to put an end to the matter directly, and leave him shift for himself. I heard him say all this as plain as could possibly be. And it was entirely for HER sake, and upon HER account, that he said a word about being off, and not upon his own. I will take my oath he never dropt a syllable of being tired of her, or of wishing to marry Miss Morton, or any thing like it. But, to be sure, Lucy would not give ear to such kind of talking; so she told him directly (with a great deal about sweet and love, you know, and all that—Oh, la! one can’t repeat such kind of things you know)—she told him directly, she had not the least mind in the world to be off, for she could live with him upon a trifle, and how little so ever he might have, she should be very glad to have it all, you know, or something of the kind. So then he was monstrous happy, and talked on some time about what they should do, and they agreed he should take orders directly, and they must wait to be married till he got a living. And just then I could not hear any more, for my cousin called from below to tell me Mrs. Richardson was come in her coach, and would take one of us to Kensington Gardens; so I was forced to go into the room and interrupt them, to ask Lucy if she would like to go, but she did not care to leave Edward; so I just run up stairs and put on a pair of silk stockings and came off with the Richardsons.”
“I do not understand what you mean by interrupting them,” said Elinor; “you were all in the same room together, were not you?”
“No, indeed, not us. La! Miss Dashwood, do you think people make love when any body else is by? Oh, for shame!—To be sure you must know better than that. (Laughing affectedly.)—No, no; they were shut up in the
drawing-room together, and all I heard was only by listening at the door.”
“How!” cried Elinor; “have you been repeating to me what you only learnt yourself by listening at the door? I am sorry I did not know it before; for I certainly would not have suffered you to give me particulars of a conversation which you ought not to have known yourself. How could you behave so unfairly by your sister?”
“Oh, la! there is nothing in THAT. I only stood at the door, and heard what I could. And I am sure Lucy would have done just the same by me; for a year or two back, when Martha Sharpe and I had so many secrets together, she never made any bones of hiding in a closet, or behind a chimney-board, on purpose to hear what we said.”
Elinor tried to talk of something else; but Miss Steele could not be kept beyond a couple of minutes, from what was uppermost in her mind.
“Edward talks of going to Oxford soon,” said she; “but now he is lodging at No. —, Pall Mall. What an ill-natured woman his mother is, an’t she? And your brother and sister were not very kind! However, I shan’t say anything against them to YOU; and to be sure they did send us home in their own chariot, which was more than I looked for. And for my part, I was all in a fright for fear your sister should ask us for the huswifes she had gave us a day or two before; but, however, nothing was said about them, and I took care to keep mine out of sight. Edward have got some business at Oxford, he says; so he must go there for a time; and after THAT, as soon as he can light upon a Bishop, he will be ordained. I wonder what curacy he will get!—Good gracious! (giggling as she spoke) I’d lay my life I know what my cousins will say, when they hear of it. They will tell me I should write to the Doctor, to get Edward the curacy of his
new living. I know they will; but I am sure I would not do such a thing for all the world.— ‘La!’ I shall say directly, ‘I wonder how you could think of such a thing? I write to the Doctor, indeed!’”
“Well,” said Elinor, “it is a comfort to be prepared against the worst. You have got your answer ready.”
Miss Steele was going to reply on the same subject, but the approach of her own party made another more necessary.
“Oh, la! here come the Richardsons. I had a vast deal more to say to you, but I must not stay away from them not any longer. I assure you they are very genteel people. He makes a monstrous deal of money, and they keep their own coach. I have not time to speak to Mrs. Jennings about it myself, but pray tell her I am quite happy to hear she is not in anger against us, and Lady Middleton the same; and if anything should happen to take you and your sister away, and Mrs. Jennings should want company, I am sure we should be very glad to come and stay with her for as long a time as she likes. I suppose Lady Middleton won’t ask us any more this bout. Good-by; I am sorry Miss Marianne was not here. Remember me kindly to her. La! if you have not got your spotted muslin on!—I wonder you was not afraid of its being torn.”
Such was her parting concern; for after this, she had time only to pay her farewell compliments to Mrs. Jennings, before her company was claimed by Mrs. Richardson; and Elinor was left in possession of knowledge which might feed her powers of reflection some time, though she had learnt very little more than what had been already foreseen and foreplanned in her own mind. Edward’s marriage with Lucy was as firmly determined on, and the time of its taking place remained as absolutely uncertain, as she had concluded it would be;—every thing depended, exactly after her
expectation, on his getting that preferment, of which, at present, there seemed not the smallest chance.
As soon as they returned to the carriage, Mrs. Jennings was eager for information; but as Elinor wished to spread as little as possible intelligence that had in the first place been so unfairly obtained, she confined herself to the brief repetition of such simple particulars, as she felt assured that Lucy, for the sake of her own consequence, would choose to have known. The continuance of their engagement, and the means that were able to be taken for promoting its end, was all her communication; and this produced from Mrs. Jennings the following natural remark.
“Wait for his having a living!—ay, we all know how THAT will end:—they will wait a twelvemonth, and finding no good comes of it, will set down upon a curacy of fifty pounds a-year, with the interest of his two thousand pounds, and what little matter Mr. Steele and Mr. Pratt can give her.—Then they will have a child every year! and Lord help ’em! how poor they will be!—I must see what I can give them towards furnishing their house. Two maids and two men, indeed!—as I talked of t’other day.—No, no, they must get a stout girl of all works.— Betty’s sister would never do for them NOW.”
The next morning brought Elinor a letter by the two-penny post from Lucy herself. It was as follows:
“Bartlett’s Building, March.
“I hope my dear Miss Dashwood will excuse the liberty I take of writing to her; but I know your friendship for me will make you pleased to hear such a good account of myself and my dear Edward, after all the troubles we have went through lately, therefore will make no more apologies, but proceed to say that,
thank God! though we have suffered dreadfully, we are both quite well now, and as happy as we must always be in one another’s love. We have had great trials, and great persecutions, but however, at the same time, gratefully acknowledge many friends, yourself not the least among them, whose great kindness I shall always thankfully remember, as will Edward too, who I have told of it. I am sure you will be glad to hear, as likewise dear Mrs. Jennings, I spent two happy hours with him yesterday afternoon, he would not hear of our parting, though earnestly did I, as I thought my duty required, urge him to it for prudence sake, and would have parted for ever on the spot, would he consent to it; but he said it should never be, he did not regard his mother’s anger, while he could have my affections; our prospects are not very bright, to be sure, but we must wait, and hope for the best; he will be ordained shortly; and should it ever be in your power to recommend him to any body that has a living to bestow, am very sure you will not forget us, and dear Mrs. Jennings too, trust she will speak a good word for us to Sir John, or Mr. Palmer, or any friend that may be able to assist us.—Poor Anne was much to blame for what she did, but she did it for the best, so I say nothing; hope Mrs. Jennings won’t think it too much trouble to give us a call, should she come this way any morning, ‘twould be a great kindness, and my cousins would be proud to know her.—My paper reminds me to conclude; and begging to be most gratefully and respectfully remembered to her, and to Sir John, and Lady Middleton, and the dear children, when you chance to see them, and love to Miss Marianne,
“I am, &c.”
As soon as Elinor had finished it, she performed what she concluded to be its writer’s real design, by placing it in the hands of Mrs. Jennings, who read it aloud with many comments of satisfaction and praise.
“Very well indeed!—how prettily she writes!—aye, that was quite proper to let him be off if he would. That was just like Lucy.—Poor soul! I wish I COULD get him a living, with all my heart.—She calls me dear Mrs. Jennings, you see. She is a good-hearted girl as ever lived.—Very well upon my word. That sentence is very prettily turned. Yes, yes, I will go and see her, sure enough. How attentive she is, to think of every body!—Thank you, my dear, for shewing it me. It is as pretty a letter as ever I saw, and does Lucy’s head and heart great credit.”
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CHAPTER 39
The Miss Dashwoods had now been rather more than two months in town, and Marianne’s impatience to be gone increased every day. She sighed for the air, the liberty, the quiet of the country; and fancied that if any place could give her ease, Barton must do it. Elinor was hardly less anxious than herself for their removal, and only so much less bent on its being effected immediately, as that she was conscious of the difficulties of so long a journey, which Marianne could not be brought to acknowledge. She began, however, seriously to turn her thoughts towards its accomplishment, and had already mentioned their wishes to their kind hostess, who resisted them with all the eloquence of her good-will, when a plan was suggested, which, though detaining them from home yet a few weeks longer, appeared to Elinor altogether much more eligible than any other. The Palmers were to remove to Cleveland about the end of March, for the Easter holidays; and Mrs. Jennings, with both her friends, received a very warm invitation from Charlotte to go with them. This would not, in itself, have been sufficient for the delicacy of Miss Dashwood;—but it was inforced with so much real politeness by Mr. Palmer himself, as, joined to the very great amendment of his manners towards them since her sister had been known to be unhappy, induced her to accept it with pleasure.
When she told Marianne what she had done, however, her first reply was not very auspicious.
“Cleveland!”—she cried, with great agitation. “No, I cannot go to Cleveland.”—
“You forget,” said Elinor gently, “that its situation is not…that it is not in the neighbourhood of…”
“But it is in Somersetshire.—I cannot go into Somersetshire.—There, where I looked forward to going…No, Elinor, you cannot expect me to go there.”
Elinor would not argue upon the propriety of overcoming such feelings;—she only endeavoured to counteract them by working on others;—represented it, therefore, as a measure which would fix the time of her returning to that dear mother, whom she so much wished to see, in a more eligible, more comfortable manner, than any other plan could do, and perhaps without any greater delay. From Cleveland, which was within a few miles of Bristol, the distance to Barton was not beyond one day, though a long day’s journey; and their mother’s servant might easily come there to attend them down; and as there could be no occasion of their staying above a week at Cleveland, they might now be at home in little more than three weeks’ time. As Marianne’s affection for her mother was sincere, it must triumph with little difficulty, over the imaginary evils she had started.
Mrs. Jennings was so far from being weary of her guest, that she pressed them very earnestly to return with her again from Cleveland. Elinor was grateful for the attention, but it could not alter her design; and their mother’s concurrence being readily gained, every thing relative to their return was arranged as far as it could be;—and Marianne found some relief in drawing up a statement of the hours that were yet to divide her from Barton.
“Ah! Colonel, I do not know what you and I shall do without the Miss Dashwoods;”—was Mrs. Jennings’s address to him when he first called on her, after their leaving her was settled—”for they are quite resolved upon going home from the Palmers;—and how forlorn we shall be, when I come
back!—Lord! we shall sit and gape at one another as dull as two cats.”
Perhaps Mrs. Jennings was in hopes, by this vigorous sketch of their future ennui, to provoke him to make that offer, which might give himself an escape from it;—and if so, she had soon afterwards good reason to think her object gained; for, on Elinor’s moving to the window to take more expeditiously the dimensions of a print, which she was going to copy for her friend, he followed her to it with a look of particular meaning, and conversed with her there for several minutes. The effect of his discourse on the lady too, could not escape her observation, for though she was too honorable to listen, and had even changed her seat, on purpose that she might NOT hear, to one close by the piano forte on which Marianne was playing, she could not keep herself from seeing that Elinor changed colour, attended with agitation, and was too intent on what he said to pursue her employment.— Still farther in confirmation of her hopes, in the interval of Marianne’s turning from one lesson to another, some words of the Colonel’s inevitably reached her ear, in which he seemed to be apologising for the badness of his house. This set the matter beyond a doubt. She wondered, indeed, at his thinking it necessary to do so; but supposed it to be the proper etiquette. What Elinor said in reply she could not distinguish, but judged from the motion of her lips, that she did not think THAT any material objection;—and Mrs. Jennings commended her in her heart for being so honest. They then talked on for a few minutes longer without her catching a syllable, when another lucky stop in Marianne’s performance brought her these words in the Colonel’s calm voice,—
“I am afraid it cannot take place very soon.”
Astonished and shocked at so unlover-like a speech, she was almost ready to cry out, “Lord! what should hinder it?”—
but checking her desire, confined herself to this silent ejaculation.
“This is very strange!—sure he need not wait to be older.”
This delay on the Colonel’s side, however, did not seem to offend or mortify his fair companion in the least, for on their breaking up the conference soon afterwards, and moving different ways, Mrs. Jennings very plainly heard Elinor say, and with a voice which shewed her to feel what she said,
“I shall always think myself very much obliged to you.”
Mrs. Jennings was delighted with her gratitude, and only wondered that after hearing such a sentence, the Colonel should be able to take leave of them, as he immediately did, with the utmost sang-froid, and go away without making her any reply!—She had not thought her old friend could have made so indifferent a suitor.
What had really passed between them was to this effect.
“I have heard,” said he, with great compassion, “of the injustice your friend Mr. Ferrars has suffered from his family; for if I understand the matter right, he has been entirely cast off by them for persevering in his engagement with a very deserving young woman.— Have I been rightly informed?—Is it so?—”
Elinor told him that it was.
“The cruelty, the impolitic cruelty,”—he replied, with great feeling,—”of dividing, or attempting to divide, two young people long attached to each other, is terrible.— Mrs. Ferrars does not know what she may be doing—what she may drive her son to. I have seen Mr. Ferrars two or three
times in Harley Street, and am much pleased with him. He is not a young man with whom one can be intimately acquainted in a short time, but I have seen enough of him to wish him well for his own sake, and as a friend of yours, I wish it still more. I understand that he intends to take orders. Will you be so good as to tell him that the living of Delaford, now just vacant, as I am informed by this day’s post, is his, if he think it worth his acceptance—but THAT, perhaps, so unfortunately circumstanced as he is now, it may be nonsense to appear to doubt; I only wish it were more valuable.— It is a rectory, but a small one; the late incumbent, I believe, did not make more than 200 L per annum, and though it is certainly capable of improvement, I fear, not to such an amount as to afford him a very comfortable income. Such as it is, however, my pleasure in presenting him to it, will be very great. Pray assure him of it.”
Elinor’s astonishment at this commission could hardly have been greater, had the Colonel been really making her an offer of his hand. The preferment, which only two days before she had considered as hopeless for Edward, was already provided to enable him to marry;—and SHE, of all people in the world, was fixed on to bestow it!—Her emotion was such as Mrs. Jennings had attributed to a very different cause;—but whatever minor feelings less pure, less pleasing, might have a share in that emotion, her esteem for the general benevolence, and her gratitude for the particular friendship, which together prompted Colonel Brandon to this act, were strongly felt, and warmly expressed. She thanked him for it with all her heart, spoke of Edward’s principles and disposition with that praise which she knew them to deserve; and promised to undertake the commission with pleasure, if it were really his wish to put off so agreeable an office to another. But at the same time, she could not help thinking that no one could so well perform it as himself. It was an office in short, from which, unwilling to give Edward
the pain of receiving an obligation from HER, she would have been very glad to be spared herself;— but Colonel Brandon, on motives of equal delicacy, declining it likewise, still seemed so desirous of its being given through her means, that she would not on any account make farther opposition. Edward, she believed, was still in town, and fortunately she had heard his address from Miss Steele. She could undertake therefore to inform him of it, in the course of the day. After this had been settled, Colonel Brandon began to talk of his own advantage in securing so respectable and agreeable a neighbour, and THEN it was that he mentioned with regret, that the house was small and indifferent;—an evil which Elinor, as Mrs. Jennings had supposed her to do, made very light of, at least as far as regarded its size.
“The smallness of the house,” said she, “I cannot imagine any inconvenience to them, for it will be in proportion to their family and income.”
By which the Colonel was surprised to find that SHE was considering Mr. Ferrars’s marriage as the certain consequence of the presentation; for he did not suppose it possible that Delaford living could supply such an income, as anybody in his style of life would venture to settle on—and he said so.
“This little rectory CAN do no more than make Mr. Ferrars comfortable as a bachelor; it cannot enable him to marry. I am sorry to say that my patronage ends with this; and my interest is hardly more extensive. If, however, by an unforeseen chance it should be in my power to serve him farther, I must think very differently of him from what I now do, if I am not as ready to be useful to him then as I sincerely wish I could be at present. What I am now doing indeed, seems nothing at all, since it can advance him so little towards what must be his principal, his only object of
happiness. His marriage must still be a distant good;—at least, I am afraid it cannot take place very soon.—”
Such was the sentence which, when misunderstood, so justly offended the delicate feelings of Mrs. Jennings; but after this narration of what really passed between Colonel Brandon and Elinor, while they stood at the window, the gratitude expressed by the latter on their parting, may perhaps appear in general, not less reasonably excited, nor less properly worded than if it had arisen from an offer of marriage.
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CHAPTER 40
“Well, Miss Dashwood,” said Mrs. Jennings, sagaciously smiling, as soon as the gentleman had withdrawn, “I do not ask you what the Colonel has been saying to you; for though, upon my honour, I TRIED to keep out of hearing, I could not help catching enough to understand his business. And I assure you I never was better pleased in my life, and I wish you joy of it with all my heart.”
“Thank you, ma’am,” said Elinor. “It is a matter of great joy to me; and I feel the goodness of Colonel Brandon most sensibly. There are not many men who would act as he has done. Few people who have so compassionate a heart! I never was more astonished in my life.”
“Lord! my dear, you are very modest. I an’t the least astonished at it in the world, for I have often thought of late, there was nothing more likely to happen.”
“You judged from your knowledge of the Colonel’s general benevolence; but at least you could not foresee that the opportunity would so very soon occur.”
“Opportunity!” repeated Mrs. Jennings—”Oh! as to that, when a man has once made up his mind to such a thing, somehow or other he will soon find an opportunity. Well, my dear, I wish you joy of it again and again; and if ever there was a happy couple in the world, I think I shall soon know where to look for them.”
“You mean to go to Delaford after them I suppose,” said Elinor, with a faint smile.
“Aye, my dear, that I do, indeed. And as to the house being a bad one, I do not know what the Colonel would be at, for it is as good a one as ever I saw.”
“He spoke of its being out of repair.”
“Well, and whose fault is that? why don’t he repair it?— who should do it but himself?”
They were interrupted by the servant’s coming in to announce the carriage being at the door; and Mrs. Jennings immediately preparing to go, said,—
“Well, my dear, I must be gone before I have had half my talk out. But, however, we may have it all over in the evening; for we shall be quite alone. I do not ask you to go with me, for I dare say your mind is too full of the matter to care for company; and besides, you must long to tell your sister all about it.”
Marianne had left the room before the conversation began.
“Certainly, ma’am, I shall tell Marianne of it; but I shall not mention it at present to any body else.”
“Oh! very well,” said Mrs. Jennings rather disappointed. “Then you would not have me tell it to Lucy, for I think of going as far as Holborn to-day.”
“No, ma’am, not even Lucy if you please. One day’s delay will not be very material; and till I have written to Mr. Ferrars, I think it ought not to be mentioned to any body else. I shall do THAT directly. It is of importance that no time should be lost with him, for he will of course have much to do relative to his ordination.”
This speech at first puzzled Mrs. Jennings exceedingly. Why Mr. Ferrars was to have been written to about it in such a hurry, she could not immediately comprehend. A few moments’ reflection, however, produced a very happy idea, and she exclaimed;—
“Oh, ho!—I understand you. Mr. Ferrars is to be the man. Well, so much the better for him. Ay, to be sure, he must be ordained in readiness; and I am very glad to find things are so forward between you. But, my dear, is not this rather out of character? Should not the Colonel write himself?—sure, he is the proper person.”
Elinor did not quite understand the beginning of Mrs. Jennings’s speech, neither did she think it worth inquiring into; and therefore only replied to its conclusion.
“Colonel Brandon is so delicate a man, that he rather wished any one to announce his intentions to Mr. Ferrars than himself.”
“And so YOU are forced to do it. Well THAT is an odd kind of delicacy! However, I will not disturb you (seeing her preparing to write.) You know your own concerns best. So goodby, my dear. I have not heard of any thing to please me so well since Charlotte was brought to bed.”
And away she went; but returning again in a moment,
“I have just been thinking of Betty’s sister, my dear. I should be very glad to get her so good a mistress. But whether she would do for a lady’s maid, I am sure I can’t tell. She is an excellent housemaid, and works very well at her needle. However, you will think of all that at your leisure.”
“Certainly, ma’am,” replied Elinor, not hearing much of what she said, and more anxious to be alone, than to be mistress of the subject.
How she should begin—how she should express herself in her note to Edward, was now all her concern. The particular circumstances between them made a difficulty of that which to any other person would have been the easiest thing in the world; but she equally feared to say too much or too little, and sat deliberating over her paper, with the pen in her hand, till broken in on by the entrance of Edward himself.
He had met Mrs. Jennings at the door in her way to the carriage, as he came to leave his farewell card; and she, after apologising for not returning herself, had obliged him to enter, by saying that Miss Dashwood was above, and wanted to speak with him on very particular business.
Elinor had just been congratulating herself, in the midst of her perplexity, that however difficult it might be to express herself properly by letter, it was at least preferable to giving the information by word of mouth, when her visitor entered, to force her upon this greatest exertion of all. Her astonishment and confusion were very great on his so sudden appearance. She had not seen him before since his engagement became public, and therefore not since his knowing her to be acquainted with it; which, with the consciousness of what she had been thinking of, and what she had to tell him, made her feel particularly uncomfortable for some minutes. He too was much distressed; and they sat down together in a most promising state of embarrassment.—Whether he had asked her pardon for his intrusion on first coming into the room, he could not recollect; but determining to be on the safe side, he made his apology in form as soon as he could say any thing, after taking a chair.
“Mrs. Jennings told me,” said he, “that you wished to speak with me, at least I understood her so—or I certainly should not have intruded on you in such a manner; though at
the same time, I should have been extremely sorry to leave London without seeing you and your sister; especially as it will most likely be some time—it is not probable that I should soon have the pleasure of meeting you again. I go to Oxford tomorrow.”
“You would not have gone, however,” said Elinor, recovering herself, and determined to get over what she so much dreaded as soon as possible, “without receiving our good wishes, even if we had not been able to give them in person. Mrs. Jennings was quite right in what she said. I have something of consequence to inform you of, which I was on the point of communicating by paper. I am charged with a most agreeable office (breathing rather faster than usual as she spoke.) Colonel Brandon, who was here only ten minutes ago, has desired me to say, that understanding you mean to take orders, he has great pleasure in offering you the living of Delaford now just vacant, and only wishes it were more valuable. Allow me to congratulate you on having so respectable and well-judging a friend, and to join in his wish that the living—it is about two hundred a-year—were much more considerable, and such as might better enable you to— as might be more than a temporary accommodation to yourself—such, in short, as might establish all your views of happiness.”
What Edward felt, as he could not say it himself, it cannot be expected that any one else should say for him. He LOOKED all the astonishment which such unexpected, such unthought-of information could not fail of exciting; but he said only these two words,
“Colonel Brandon!”
“Yes,” continued Elinor, gathering more resolution, as some of the worst was over, “Colonel Brandon means it as a testimony of his concern for what has lately passed—for the
cruel situation in which the unjustifiable conduct of your family has placed you—a concern which I am sure Marianne, myself, and all your friends, must share; and likewise as a proof of his high esteem for your general character, and his particular approbation of your behaviour on the present occasion.”
“Colonel Brandon give ME a living!—Can it be possible?”
“The unkindness of your own relations has made you astonished to find friendship any where.”
“No,” replied be, with sudden consciousness, “not to find it in YOU; for I cannot be ignorant that to you, to your goodness, I owe it all.—I feel it—I would express it if I could—but, as you well know, I am no orator.”
“You are very much mistaken. I do assure you that you owe it entirely, at least almost entirely, to your own merit, and Colonel Brandon’s discernment of it. I have had no hand in it. I did not even know, till I understood his design, that the living was vacant; nor had it ever occurred to me that he might have had such a living in his gift. As a friend of mine, of my family, he may, perhaps—indeed I know he HAS, still greater pleasure in bestowing it; but, upon my word, you owe nothing to my solicitation.”
Truth obliged her to acknowledge some small share in the action, but she was at the same time so unwilling to appear as the benefactress of Edward, that she acknowledged it with hesitation; which probably contributed to fix that suspicion in his mind which had recently entered it. For a short time he sat deep in thought, after Elinor had ceased to speak;—at last, and as if it were rather an effort, he said,
“Colonel Brandon seems a man of great worth and respectability. I have always heard him spoken of as such, and your brother I know esteems him highly. He is
undoubtedly a sensible man, and in his manners perfectly the gentleman.”
“Indeed,” replied Elinor, “I believe that you will find him, on farther acquaintance, all that you have heard him to be, and as you will be such very near neighbours (for I understand the parsonage is almost close to the mansion-house,) it is particularly important that he SHOULD be all this.”
Edward made no answer; but when she had turned away her head, gave her a look so serious, so earnest, so uncheerful, as seemed to say, that he might hereafter wish the distance between the parsonage and the mansion-house much greater.
“Colonel Brandon, I think, lodges in St. James Street,” said he, soon afterwards, rising from his chair.
Elinor told him the number of the house.
“I must hurry away then, to give him those thanks which you will not allow me to give YOU; to assure him that he has made me a very—an exceedingly happy man.”
Elinor did not offer to detain him; and they parted, with a very earnest assurance on HER side of her unceasing good wishes for his happiness in every change of situation that might befall him; on HIS, with rather an attempt to return the same good will, than the power of expressing it.
“When I see him again,” said Elinor to herself, as the door shut him out, “I shall see him the husband of Lucy.”
And with this pleasing anticipation, she sat down to reconsider the past, recall the words and endeavour to comprehend all the feelings of Edward; and, of course, to reflect on her own with discontent.
When Mrs. Jennings came home, though she returned from seeing people whom she had never seen before, and of whom therefore she must have a great deal to say, her mind was so much more occupied by the important secret in her possession, than by anything else, that she reverted to it again as soon as Elinor appeared.
“Well, my dear,” she cried, “I sent you up to the young man. Did not I do right?—And I suppose you had no great difficulty—You did not find him very unwilling to accept your proposal?”
“No, ma’am; THAT was not very likely.”
“Well, and how soon will he be ready?—For it seems all to depend upon that.”
“Really,” said Elinor, “I know so little of these kind of forms, that I can hardly even conjecture as to the time, or the preparation necessary; but I suppose two or three months will complete his ordination.”
“Two or three months!” cried Mrs. Jennings; “Lord! my dear, how calmly you talk of it; and can the Colonel wait two or three months! Lord bless me!—I am sure it would put ME quite out of patience!—And though one would be very glad to do a kindness by poor Mr. Ferrars, I do think it is not worth while to wait two or three months for him. Sure somebody else might be found that would do as well; somebody that is in orders already.”
“My dear ma’am,” said Elinor, “what can you be thinking of?— Why, Colonel Brandon’s only object is to be of use to Mr. Ferrars.”
“Lord bless you, my dear!—Sure you do not mean to persuade me that the Colonel only marries you for the sake of giving ten guineas to Mr. Ferrars!”
The deception could not continue after this; and an explanation immediately took place, by which both gained considerable amusement for the moment, without any material loss of happiness to either, for Mrs. Jennings only exchanged one form of delight for another, and still without forfeiting her expectation of the first.
“Aye, aye, the parsonage is but a small one,” said she, after the first ebullition of surprise and satisfaction was over, “and very likely MAY be out of repair; but to hear a man apologising, as I thought, for a house that to my knowledge has five sitting rooms on the ground-floor, and I think the housekeeper told me could make up fifteen beds!—and to you too, that had been used to live in Barton cottage!— It seems quite ridiculous. But, my dear, we must touch up the Colonel to do some thing to the parsonage, and make it comfortable for them, before Lucy goes to it.”
“But Colonel Brandon does not seem to have any idea of the living’s being enough to allow them to marry.”
“The Colonel is a ninny, my dear; because he has two thousand a-year himself, he thinks that nobody else can marry on less. Take my word for it, that, if I am alive, I shall be paying a visit at Delaford Parsonage before Michaelmas; and I am sure I shan’t go if Lucy an’t there.”
Elinor was quite of her opinion, as to the probability of their not waiting for any thing more.
CHAPTER 41
Edward, having carried his thanks to Colonel Brandon, proceeded with his happiness to Lucy; and such was the excess of it by the time he reached Bartlett’s Buildings, that she was able to assure Mrs. Jennings, who called on her again the next day with her congratulations, that she had never seen him in such spirits before in her life.
Her own happiness, and her own spirits, were at least very certain; and she joined Mrs. Jennings most heartily in her expectation of their being all comfortably together in Delaford Parsonage before Michaelmas. So far was she, at the same time, from any backwardness to give Elinor that credit which Edward WOULD give her, that she spoke of her friendship for them both with the most grateful warmth, was ready to own all their obligation to her, and openly declared that no exertion for their good on Miss Dashwood’s part, either present or future, would ever surprise her, for she believed her capable of doing any thing in the world for those she really valued. As for Colonel Brandon, she was not only ready to worship him as a saint, but was moreover truly anxious that he should be treated as one in all worldly concerns; anxious that his tithes should be raised to the utmost; and scarcely resolved to avail herself, at Delaford, as far as she possibly could, of his servants, his carriage, his cows, and his poultry.
It was now above a week since John Dashwood had called in Berkeley Street, and as since that time no notice had been taken by them of his wife’s indisposition, beyond one verbal enquiry, Elinor began to feel it necessary to pay
her a visit.—This was an obligation, however, which not only opposed her own inclination, but which had not the assistance of any encouragement from her companions. Marianne, not contented with absolutely refusing to go herself, was very urgent to prevent her sister’s going at all; and Mrs. Jennings, though her carriage was always at Elinor’s service, so very much disliked Mrs. John Dashwood, that not even her curiosity to see how she looked after the late discovery, nor her strong desire to affront her by taking Edward’s part, could overcome her unwillingness to be in her company again. The consequence was, that Elinor set out by herself to pay a visit, for which no one could really have less inclination, and to run the risk of a tete-a-tete with a woman, whom neither of the others had so much reason to dislike.
Mrs. Dashwood was denied; but before the carriage could turn from the house, her husband accidentally came out. He expressed great pleasure in meeting Elinor, told her that he had been just going to call in Berkeley Street, and, assuring her that Fanny would be very glad to see her, invited her to come in.
They walked up stairs in to the drawing-room.—Nobody was there.
“Fanny is in her own room, I suppose,” said he:—”I will go to her presently, for I am sure she will not have the least objection in the world to seeing YOU.— Very far from it, indeed. NOW especially there cannot be—but however, you and Marianne were always great favourites.—Why would not Marianne come?”—
Elinor made what excuse she could for her.
“I am not sorry to see you alone,” he replied, “for I have a good deal to say to you. This living of Colonel Brandon’s— can it be true?—has he really given it to Edward?—I heard it
yesterday by chance, and was coming to you on purpose to enquire farther about it.”
“It is perfectly true.—Colonel Brandon has given the living of Delaford to Edward.”
“Really!—Well, this is very astonishing!—no relationship!—no connection between them!—and now that livings fetch such a price!—what was the value of this?”
“About two hundred a year.”
“Very well—and for the next presentation to a living of that value—supposing the late incumbent to have been old and sickly, and likely to vacate it soon—he might have got I dare say—fourteen hundred pounds. And how came he not to have settled that matter before this person’s death?—NOW indeed it would be too late to sell it, but a man of Colonel Brandon’s sense!—I wonder he should be so improvident in a point of such common, such natural, concern!—Well, I am convinced that there is a vast deal of inconsistency in almost every human character. I suppose, however—on recollection—that the case may probably be THIS. Edward is only to hold the living till the person to whom the Colonel has really sold the presentation, is old enough to take it.— Aye, aye, that is the fact, depend upon it.”
Elinor contradicted it, however, very positively; and by relating that she had herself been employed in conveying the offer from Colonel Brandon to Edward, and, therefore, must understand the terms on which it was given, obliged him to submit to her authority.
“It is truly astonishing!”—he cried, after hearing what she said—”what could be the Colonel’s motive?”
“A very simple one—to be of use to Mr. Ferrars.”
“Well, well; whatever Colonel Brandon may be, Edward is a very lucky man.—You will not mention the matter to Fanny, however, for though I have broke it to her, and she bears it vastly well,—she will not like to hear it much talked of.”
Elinor had some difficulty here to refrain from observing, that she thought Fanny might have borne with composure, an acquisition of wealth to her brother, by which neither she nor her child could be possibly impoverished.
“Mrs. Ferrars,” added he, lowering his voice to the tone becoming so important a subject, “knows nothing about it at present, and I believe it will be best to keep it entirely concealed from her as long as may be.— When the marriage takes place, I fear she must hear of it all.”
“But why should such precaution be used?—Though it is not to be supposed that Mrs. Ferrars can have the smallest satisfaction in knowing that her son has money enough to live upon,—for THAT must be quite out of the question; yet why, upon her late behaviour, is she supposed to feel at all?—She has done with her son, she cast him off for ever, and has made all those over whom she had any influence, cast him off likewise. Surely, after doing so, she cannot be imagined liable to any impression of sorrow or of joy on his account—she cannot be interested in any thing that befalls him.— She would not be so weak as to throw away the comfort of a child, and yet retain the anxiety of a parent!”
“Ah! Elinor,” said John, “your reasoning is very good, but it is founded on ignorance of human nature. When Edward’s unhappy match takes place, depend upon it his mother will feel as much as if she had never discarded him; and, therefore every circumstance that may accelerate that dreadful event, must be concealed from her as much as
possible. Mrs. Ferrars can never forget that Edward is her son.”
“You surprise me; I should think it must nearly have escaped her memory by THIS time.”
“You wrong her exceedingly. Mrs. Ferrars is one of the most affectionate mothers in the world.”
Elinor was silent.
“We think NOW,”—said Mr. Dashwood, after a short pause, “of ROBERT’S marrying Miss Morton.”
Elinor, smiling at the grave and decisive importance of her brother’s tone, calmly replied,
“The lady, I suppose, has no choice in the affair.”
“Choice!—how do you mean?”
“I only mean that I suppose, from your manner of speaking, it must be the same to Miss Morton whether she marry Edward or Robert.”
“Certainly, there can be no difference; for Robert will now to all intents and purposes be considered as the eldest son;—and as to any thing else, they are both very agreeable young men: I do not know that one is superior to the other.”
Elinor said no more, and John was also for a short time silent.—His reflections ended thus.
“Of ONE thing, my dear sister,” kindly taking her hand, and speaking in an awful whisper,—”I may assure you;—and I WILL do it, because I know it must gratify you. I have good reason to think—indeed I have it from the best authority, or I should not repeat it, for otherwise it would be very wrong
to say any thing about it—but I have it from the very best authority—not that I ever precisely heard Mrs. Ferrars say it herself—but her daughter DID, and I have it from her—That in short, whatever objections there might be against a certain—a certain connection—you understand me—it would have been far preferable to her, it would not have given her half the vexation that THIS does. I was exceedingly pleased to hear that Mrs. Ferrars considered it in that light—a very gratifying circumstance you know to us all. ‘It would have been beyond comparison,’ she said, ‘the least evil of the two, and she would be glad to compound NOW for nothing worse.’ But however, all that is quite out of the question— not to be thought of or mentioned—as to any attachment you know—it never could be—all that is gone by. But I thought I would just tell you of this, because I knew how much it must please you. Not that you have any reason to regret, my dear Elinor. There is no doubt of your doing exceedingly well— quite as well, or better, perhaps, all things considered. Has Colonel Brandon been with you lately?”
Elinor had heard enough, if not to gratify her vanity, and raise her self-importance, to agitate her nerves and fill her mind;—and she was therefore glad to be spared from the necessity of saying much in reply herself, and from the danger of hearing any thing more from her brother, by the entrance of Mr. Robert Ferrars. After a few moments’ chat, John Dashwood, recollecting that Fanny was yet uninformed of her sister’s being there, quitted the room in quest of her; and Elinor was left to improve her acquaintance with Robert, who, by the gay unconcern, the happy self-complacency of his manner while enjoying so unfair a division of his mother’s love and liberality, to the prejudice of his banished brother, earned only by his own dissipated course of life, and that brother’s integrity, was confirming her most unfavourable opinion of his head and heart.
They had scarcely been two minutes by themselves, before he began to speak of Edward; for he, too, had heard of the living, and was very inquisitive on the subject. Elinor repeated the particulars of it, as she had given them to John; and their effect on Robert, though very different, was not less striking than it had been on HIM. He laughed most immoderately. The idea of Edward’s being a clergyman, and living in a small parsonage-house, diverted him beyond measure;—and when to that was added the fanciful imagery of Edward reading prayers in a white surplice, and publishing the banns of marriage between John Smith and Mary Brown, he could conceive nothing more ridiculous.
Elinor, while she waited in silence and immovable gravity, the conclusion of such folly, could not restrain her eyes from being fixed on him with a look that spoke all the contempt it excited. It was a look, however, very well bestowed, for it relieved her own feelings, and gave no intelligence to him. He was recalled from wit to wisdom, not by any reproof of her’s, but by his own sensibility.
“We may treat it as a joke,” said he, at last, recovering from the affected laugh which had considerably lengthened out the genuine gaiety of the moment—”but, upon my soul, it is a most serious business. Poor Edward! he is ruined for ever. I am extremely sorry for it—for I know him to be a very good-hearted creature; as well-meaning a fellow perhaps, as any in the world. You must not judge of him, Miss Dashwood, from YOUR slight acquaintance.—Poor Edward!—His manners are certainly not the happiest in nature.—But we are not all born, you know, with the same powers,—the same address.— Poor fellow!—to see him in a circle of strangers!—to be sure it was pitiable enough!—but upon my soul, I believe he has as good a heart as any in the kingdom; and I declare and protest to you I never was so shocked in my life, as when it all burst forth. I could not believe it.— My mother was the first person who told me of
it; and I, feeling myself called on to act with resolution, immediately said to her, ‘My dear madam, I do not know what you may intend to do on the occasion, but as for myself, I must say, that if Edward does marry this young woman, I never will see him again.’ That was what I said immediately.— I was most uncommonly shocked, indeed!— Poor Edward!—he has done for himself completely—shut himself out for ever from all decent society!—but, as I directly said to my mother, I am not in the least surprised at it; from his style of education, it was always to be expected. My poor mother was half frantic.”
“Have you ever seen the lady?”
“Yes; once, while she was staying in this house, I happened to drop in for ten minutes; and I saw quite enough of her. The merest awkward country girl, without style, or elegance, and almost without beauty.— I remember her perfectly. Just the kind of girl I should suppose likely to captivate poor Edward. I offered immediately, as soon as my mother related the affair to me, to talk to him myself, and dissuade him from the match; but it was too late THEN, I found, to do any thing, for unluckily, I was not in the way at first, and knew nothing of it till after the breach had taken place, when it was not for me, you know, to interfere. But had I been informed of it a few hours earlier—I think it is most probable—that something might have been hit on. I certainly should have represented it to Edward in a very strong light. ‘My dear fellow,’ I should have said, ‘consider what you are doing. You are making a most disgraceful connection, and such a one as your family are unanimous in disapproving.’ I cannot help thinking, in short, that means might have been found. But now it is all too late. He must be starved, you know;—that is certain; absolutely starved.”
He had just settled this point with great composure, when the entrance of Mrs. John Dashwood put an end to the
subject. But though SHE never spoke of it out of her own family, Elinor could see its influence on her mind, in the something like confusion of countenance with which she entered, and an attempt at cordiality in her behaviour to herself. She even proceeded so far as to be concerned to find that Elinor and her sister were so soon to leave town, as she had hoped to see more of them;—an exertion in which her husband, who attended her into the room, and hung enamoured over her accents, seemed to distinguish every thing that was most affectionate and graceful.
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CHAPTER 42
One other short call in Harley Street, in which Elinor received her brother’s congratulations on their travelling so far towards Barton without any expense, and on Colonel Brandon’s being to follow them to Cleveland in a day or two, completed the intercourse of the brother and sisters in town;—and a faint invitation from Fanny, to come to Norland whenever it should happen to be in their way, which of all things was the most unlikely to occur, with a more warm, though less public, assurance, from John to Elinor, of the promptitude with which he should come to see her at Delaford, was all that foretold any meeting in the country.
It amused her to observe that all her friends seemed determined to send her to Delaford;—a place, in which, of all others, she would now least chuse to visit, or wish to reside; for not only was it considered as her future home by her brother and Mrs. Jennings, but even Lucy, when they parted, gave her a pressing invitation to visit her there.
Very early in April, and tolerably early in the day, the two parties from Hanover Square and Berkeley Street set out from their respective homes, to meet, by appointment, on the road. For the convenience of Charlotte and her child, they were to be more than two days on their journey, and Mr. Palmer, travelling more expeditiously with Colonel Brandon, was to join them at Cleveland soon after their arrival.
Marianne, few as had been her hours of comfort in London, and eager as she had long been to quit it, could not, when it came to the point, bid adieu to the house in which
she had for the last time enjoyed those hopes, and that confidence, in Willoughby, which were now extinguished for ever, without great pain. Nor could she leave the place in which Willoughby remained, busy in new engagements, and new schemes, in which SHE could have no share, without shedding many tears.
Elinor’s satisfaction, at the moment of removal, was more positive. She had no such object for her lingering thoughts to fix on, she left no creature behind, from whom it would give her a moment’s regret to be divided for ever, she was pleased to be free herself from the persecution of Lucy’s friendship, she was grateful for bringing her sister away unseen by Willoughby since his marriage, and she looked forward with hope to what a few months of tranquility at Barton might do towards restoring Marianne’s peace of mind, and confirming her own.
Their journey was safely performed. The second day brought them into the cherished, or the prohibited, county of Somerset, for as such was it dwelt on by turns in Marianne’s imagination; and in the forenoon of the third they drove up to Cleveland.
Cleveland was a spacious, modern-built house, situated on a sloping lawn. It had no park, but the pleasure-grounds were tolerably extensive; and like every other place of the same degree of importance, it had its open shrubbery, and closer wood walk, a road of smooth gravel winding round a plantation, led to the front, the lawn was dotted over with timber, the house itself was under the guardianship of the fir, the mountain-ash, and the acacia, and a thick screen of them altogether, interspersed with tall Lombardy poplars, shut out the offices.
Marianne entered the house with a heart swelling with emotion from the consciousness of being only eighty miles
from Barton, and not thirty from Combe Magna; and before she had been five minutes within its walls, while the others were busily helping Charlotte to show her child to the housekeeper, she quitted it again, stealing away through the winding shrubberies, now just beginning to be in beauty, to gain a distant eminence; where, from its Grecian temple, her eye, wandering over a wide tract of country to the south-east, could fondly rest on the farthest ridge of hills in the horizon, and fancy that from their summits Combe Magna might be seen.
In such moments of precious, invaluable misery, she rejoiced in tears of agony to be at Cleveland; and as she returned by a different circuit to the house, feeling all the happy privilege of country liberty, of wandering from place to place in free and luxurious solitude, she resolved to spend almost every hour of every day while she remained with the Palmers, in the indulgence of such solitary rambles.
She returned just in time to join the others as they quitted the house, on an excursion through its more immediate premises; and the rest of the morning was easily whiled away, in lounging round the kitchen garden, examining the bloom upon its walls, and listening to the gardener’s lamentations upon blights, in dawdling through the green-house, where the loss of her favourite plants, unwarily exposed, and nipped by the lingering frost, raised the laughter of Charlotte,—and in visiting her poultry-yard, where, in the disappointed hopes of her dairy-maid, by hens forsaking their nests, or being stolen by a fox, or in the rapid decrease of a promising young brood, she found fresh sources of merriment.
The morning was fine and dry, and Marianne, in her plan of employment abroad, had not calculated for any change of weather during their stay at Cleveland. With great surprise therefore, did she find herself prevented by a settled
rain from going out again after dinner. She had depended on a twilight walk to the Grecian temple, and perhaps all over the grounds, and an evening merely cold or damp would not have deterred her from it; but a heavy and settled rain even SHE could not fancy dry or pleasant weather for walking.
Their party was small, and the hours passed quietly away. Mrs. Palmer had her child, and Mrs. Jennings her carpet-work; they talked of the friends they had left behind, arranged Lady Middleton’s engagements, and wondered whether Mr. Palmer and Colonel Brandon would get farther than Reading that night. Elinor, however little concerned in it, joined in their discourse; and Marianne, who had the knack of finding her way in every house to the library, however it might be avoided by the family in general, soon procured herself a book.
Nothing was wanting on Mrs. Palmer’s side that constant and friendly good humour could do, to make them feel themselves welcome. The openness and heartiness of her manner more than atoned for that want of recollection and elegance which made her often deficient in the forms of politeness; her kindness, recommended by so pretty a face, was engaging; her folly, though evident was not disgusting, because it was not conceited; and Elinor could have forgiven every thing but her laugh.
The two gentlemen arrived the next day to a very late dinner, affording a pleasant enlargement of the party, and a very welcome variety to their conversation, which a long morning of the same continued rain had reduced very low.
Elinor had seen so little of Mr. Palmer, and in that little had seen so much variety in his address to her sister and herself, that she knew not what to expect to find him in his own family. She found him, however, perfectly the gentleman in his behaviour to all his visitors, and only
occasionally rude to his wife and her mother; she found him very capable of being a pleasant companion, and only prevented from being so always, by too great an aptitude to fancy himself as much superior to people in general, as he must feel himself to be to Mrs. Jennings and Charlotte. For the rest of his character and habits, they were marked, as far as Elinor could perceive, with no traits at all unusual in his sex and time of life. He was nice in his eating, uncertain in his hours; fond of his child, though affecting to slight it; and idled away the mornings at billiards, which ought to have been devoted to business. She liked him, however, upon the whole, much better than she had expected, and in her heart was not sorry that she could like him no more;—not sorry to be driven by the observation of his Epicurism, his selfishness, and his conceit, to rest with complacency on the remembrance of Edward’s generous temper, simple taste, and diffident feelings.
Of Edward, or at least of some of his concerns, she now received intelligence from Colonel Brandon, who had been into Dorsetshire lately; and who, treating her at once as the disinterested friend of Mr. Ferrars, and the kind of confidant of himself, talked to her a great deal of the parsonage at Delaford, described its deficiencies, and told her what he meant to do himself towards removing them.—His behaviour to her in this, as well as in every other particular, his open pleasure in meeting her after an absence of only ten days, his readiness to converse with her, and his deference for her opinion, might very well justify Mrs. Jennings’s persuasion of his attachment, and would have been enough, perhaps, had not Elinor still, as from the first, believed Marianne his real favourite, to make her suspect it herself. But as it was, such a notion had scarcely ever entered her head, except by Mrs. Jennings’s suggestion; and she could not help believing herself the nicest observer of the two;—she watched his eyes, while Mrs. Jennings thought only of his behaviour;—and while his looks of anxious solicitude on Marianne’s feeling, in
her head and throat, the beginning of a heavy cold, because unexpressed by words, entirely escaped the latter lady’s observation;—SHE could discover in them the quick feelings, and needless alarm of a lover.
Two delightful twilight walks on the third and fourth evenings of her being there, not merely on the dry gravel of the shrubbery, but all over the grounds, and especially in the most distant parts of them, where there was something more of wildness than in the rest, where the trees were the oldest, and the grass was the longest and wettest, had—assisted by the still greater imprudence of sitting in her wet shoes and stockings—given Marianne a cold so violent as, though for a day or two trifled with or denied, would force itself by increasing ailments on the concern of every body, and the notice of herself. Prescriptions poured in from all quarters, and as usual, were all declined. Though heavy and feverish, with a pain in her limbs, and a cough, and a sore throat, a good night’s rest was to cure her entirely; and it was with difficulty that Elinor prevailed on her, when she went to bed, to try one or two of the simplest of the remedies.
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CHAPTER 43
Marianne got up the next morning at her usual time; to every inquiry replied that she was better, and tried to prove herself so, by engaging in her accustomary employments. But a day spent in sitting shivering over the fire with a book in her hand, which she was unable to read, or in lying, weary and languid, on a sofa, did not speak much in favour of her amendment; and when, at last, she went early to bed, more and more indisposed, Colonel Brandon was only astonished at her sister’s composure, who, though attending and nursing her the whole day, against Marianne’s inclination, and forcing proper medicines on her at night, trusted, like Marianne, to the certainty and efficacy of sleep, and felt no real alarm.
A very restless and feverish night, however, disappointed the expectation of both; and when Marianne, after persisting in rising, confessed herself unable to sit up, and returned voluntarily to her bed, Elinor was very ready to adopt Mrs. Jennings’s advice, of sending for the Palmers’ apothecary.
He came, examined his patient, and though encouraging Miss Dashwood to expect that a very few days would restore her sister to health, yet, by pronouncing her disorder to have a putrid tendency, and allowing the word “infection” to pass his lips, gave instant alarm to Mrs. Palmer, on her baby’s account. Mrs. Jennings, who had been inclined from the first to think Marianne’s complaint more serious than Elinor, now looked very grave on Mr. Harris’s report, and confirming Charlotte’s fears and caution, urged the necessity of her immediate removal with her infant; and Mr. Palmer, though
treating their apprehensions as idle, found the anxiety and importunity of his wife too great to be withstood. Her departure, therefore, was fixed on; and within an hour after Mr. Harris’s arrival, she set off, with her little boy and his nurse, for the house of a near relation of Mr. Palmer’s, who lived a few miles on the other side of Bath; whither her husband promised, at her earnest entreaty, to join her in a day or two; and whither she was almost equally urgent with her mother to accompany her. Mrs. Jennings, however, with a kindness of heart which made Elinor really love her, declared her resolution of not stirring from Cleveland as long as Marianne remained ill, and of endeavouring, by her own attentive care, to supply to her the place of the mother she had taken her from; and Elinor found her on every occasion a most willing and active helpmate, desirous to share in all her fatigues, and often by her better experience in nursing, of material use.
Poor Marianne, languid and low from the nature of her malady, and feeling herself universally ill, could no longer hope that tomorrow would find her recovered; and the idea of what tomorrow would have produced, but for this unlucky illness, made every ailment severe; for on that day they were to have begun their journey home; and, attended the whole way by a servant of Mrs. Jennings, were to have taken their mother by surprise on the following forenoon. The little she said was all in lamentation of this inevitable delay; though Elinor tried to raise her spirits, and make her believe, as she THEN really believed herself, that it would be a very short one.
The next day produced little or no alteration in the state of the patient; she certainly was not better, and, except that there was no amendment, did not appear worse. Their party was now farther reduced; for Mr. Palmer, though very unwilling to go as well from real humanity and good-nature, as from a dislike of appearing to be frightened away by his
wife, was persuaded at last by Colonel Brandon to perform his promise of following her; and while he was preparing to go, Colonel Brandon himself, with a much greater exertion, began to talk of going likewise.—Here, however, the kindness of Mrs. Jennings interposed most acceptably; for to send the Colonel away while his love was in so much uneasiness on her sister’s account, would be to deprive them both, she thought, of every comfort; and therefore telling him at once that his stay at Cleveland was necessary to herself, that she should want him to play at piquet of an evening, while Miss Dashwood was above with her sister, &c. she urged him so strongly to remain, that he, who was gratifying the first wish of his own heart by a compliance, could not long even affect to demur; especially as Mrs. Jennings’s entreaty was warmly seconded by Mr. Palmer, who seemed to feel a relief to himself, in leaving behind him a person so well able to assist or advise Miss Dashwood in any emergence.
Marianne was, of course, kept in ignorance of all these arrangements. She knew not that she had been the means of sending the owners of Cleveland away, in about seven days from the time of their arrival. It gave her no surprise that she saw nothing of Mrs. Palmer; and as it gave her likewise no concern, she never mentioned her name.
Two days passed away from the time of Mr. Palmer’s departure, and her situation continued, with little variation, the same. Mr. Harris, who attended her every day, still talked boldly of a speedy recovery, and Miss Dashwood was equally sanguine; but the expectation of the others was by no means so cheerful. Mrs. Jennings had determined very early in the seizure that Marianne would never get over it, and Colonel Brandon, who was chiefly of use in listening to Mrs. Jennings’s forebodings, was not in a state of mind to resist their influence. He tried to reason himself out of fears, which the different judgment of the apothecary seemed to render
absurd; but the many hours of each day in which he was left entirely alone, were but too favourable for the admission of every melancholy idea, and he could not expel from his mind the persuasion that he should see Marianne no more.
On the morning of the third day however, the gloomy anticipations of both were almost done away; for when Mr. Harris arrived, he declared his patient materially better. Her pulse was much stronger, and every symptom more favourable than on the preceding visit. Elinor, confirmed in every pleasant hope, was all cheerfulness; rejoicing that in her letters to her mother, she had pursued her own judgment rather than her friend’s, in making very light of the indisposition which delayed them at Cleveland; and almost fixing on the time when Marianne would be able to travel.
But the day did not close so auspiciously as it began.— Towards the evening Marianne became ill again, growing more heavy, restless, and uncomfortable than before. Her sister, however, still sanguine, was willing to attribute the change to nothing more than the fatigue of having sat up to have her bed made; and carefully administering the cordials prescribed, saw her, with satisfaction, sink at last into a slumber, from which she expected the most beneficial effects. Her sleep, though not so quiet as Elinor wished to see it, lasted a considerable time; and anxious to observe the result of it herself, she resolved to sit with her during the whole of it. Mrs. Jennings, knowing nothing of any change in the patient, went unusually early to bed; her maid, who was one of the principal nurses, was recreating herself in the housekeeper’s room, and Elinor remained alone with Marianne.
The repose of the latter became more and more disturbed; and her sister, who watched, with unremitting attention her continual change of posture, and heard the frequent but inarticulate sounds of complaint which passed
her lips, was almost wishing to rouse her from so painful a slumber, when Marianne, suddenly awakened by some accidental noise in the house, started hastily up, and, with feverish wildness, cried out,—
“Is mama coming?—”
“Not yet,” cried the other, concealing her terror, and assisting Marianne to lie down again, “but she will be here, I hope, before it is long. It is a great way, you know, from hence to Barton.”
“But she must not go round by London,” cried Marianne, in the same hurried manner. “I shall never see her, if she goes by London.”
Elinor perceived with alarm that she was not quite herself, and, while attempting to soothe her, eagerly felt her pulse. It was lower and quicker than ever! and Marianne, still talking wildly of mama, her alarm increased so rapidly, as to determine her on sending instantly for Mr. Harris, and despatching a messenger to Barton for her mother. To consult with Colonel Brandon on the best means of effecting the latter, was a thought which immediately followed the resolution of its performance; and as soon she had rung up the maid to take her place by her sister, she hastened down to the drawing-room, where she knew he was generally to be found at a much later hour than the present.
It was no time for hesitation. Her fears and her difficulties were immediately before him. Her fears, he had no courage, no confidence to attempt the removal of:—he listened to them in silent despondence;—but her difficulties were instantly obviated, for with a readiness that seemed to speak the occasion, and the service pre-arranged in his mind, he offered himself as the messenger who should fetch Mrs. Dashwood. Elinor made no resistance that was not easily
overcome. She thanked him with brief, though fervent gratitude, and while he went to hurry off his servant with a message to Mr. Harris, and an order for post-horses directly, she wrote a few lines to her mother.
The comfort of such a friend at that moment as Colonel Brandon—or such a companion for her mother,—how gratefully was it felt!—a companion whose judgment would guide, whose attendance must relieve, and whose friendship might soothe her!—as far as the shock of such a summons COULD be lessened to her, his presence, his manners, his assistance, would lessen it.
HE, meanwhile, whatever he might feel, acted with all the firmness of a collected mind, made every necessary arrangement with the utmost despatch, and calculated with exactness the time in which she might look for his return. Not a moment was lost in delay of any kind. The horses arrived, even before they were expected, and Colonel Brandon only pressing her hand with a look of solemnity, and a few words spoken too low to reach her ear, hurried into the carriage. It was then about twelve o’clock, and she returned to her sister’s apartment to wait for the arrival of the apothecary, and to watch by her the rest of the night. It was a night of almost equal suffering to both. Hour after hour passed away in sleepless pain and delirium on Marianne’s side, and in the most cruel anxiety on Elinor’s, before Mr. Harris appeared. Her apprehensions once raised, paid by their excess for all her former security; and the servant who sat up with her, for she would not allow Mrs. Jennings to be called, only tortured her more, by hints of what her mistress had always thought.
Marianne’s ideas were still, at intervals, fixed incoherently on her mother, and whenever she mentioned her name, it gave a pang to the heart of poor Elinor, who, reproaching herself for having trifled with so many days of
illness, and wretched for some immediate relief, fancied that all relief might soon be in vain, that every thing had been delayed too long, and pictured to herself her suffering mother arriving too late to see this darling child, or to see her rational.
She was on the point of sending again for Mr. Harris, or if HE could not come, for some other advice, when the former—but not till after five o’clock—arrived. His opinion, however, made some little amends for his delay, for though acknowledging a very unexpected and unpleasant alteration in his patient, he would not allow the danger to be material, and talked of the relief which a fresh mode of treatment must procure, with a confidence which, in a lesser degree, was communicated to Elinor. He promised to call again in the course of three or four hours, and left both the patient and her anxious attendant more composed than he had found them.
With strong concern, and with many reproaches for not being called to their aid, did Mrs. Jennings hear in the morning of what had passed. Her former apprehensions, now with greater reason restored, left her no doubt of the event; and though trying to speak comfort to Elinor, her conviction of her sister’s danger would not allow her to offer the comfort of hope. Her heart was really grieved. The rapid decay, the early death of a girl so young, so lovely as Marianne, must have struck a less interested person with concern. On Mrs. Jennings’s compassion she had other claims. She had been for three months her companion, was still under her care, and she was known to have been greatly injured, and long unhappy. The distress of her sister too, particularly a favourite, was before her;—and as for their mother, when Mrs. Jennings considered that Marianne might probably be to HER what Charlotte was to herself, her sympathy in HER sufferings was very sincere.
Mr. Harris was punctual in his second visit;—but he came to be disappointed in his hopes of what the last would produce. His medicines had failed;—the fever was unabated; and Marianne only more quiet—not more herself—remained in a heavy stupor. Elinor, catching all, and more than all, his fears in a moment, proposed to call in further advice. But he judged it unnecessary: he had still something more to try, some more fresh application, of whose success he was as confident as the last, and his visit concluded with encouraging assurances which reached the ear, but could not enter the heart of Miss Dashwood. She was calm, except when she thought of her mother; but she was almost hopeless; and in this state she continued till noon, scarcely stirring from her sister’s bed, her thoughts wandering from one image of grief, one suffering friend to another, and her spirits oppressed to the utmost by the conversation of Mrs. Jennings, who scrupled not to attribute the severity and danger of this attack to the many weeks of previous indisposition which Marianne’s disappointment had brought on. Elinor felt all the reasonableness of the idea, and it gave fresh misery to her reflections.
About noon, however, she began—but with a caution—a dread of disappointment which for some time kept her silent, even to her friend—to fancy, to hope she could perceive a slight amendment in her sister’s pulse;—she waited, watched, and examined it again and again;—and at last, with an agitation more difficult to bury under exterior calmness, than all her foregoing distress, ventured to communicate her hopes. Mrs. Jennings, though forced, on examination, to acknowledge a temporary revival, tried to keep her young friend from indulging a thought of its continuance;—and Elinor, conning over every injunction of distrust, told herself likewise not to hope. But it was too late. Hope had already entered; and feeling all its anxious flutter, she bent over her sister to watch—she hardly knew for what. Half an hour passed away, and the favourable symptom yet blessed her.
Others even arose to confirm it. Her breath, her skin, her lips, all flattered Elinor with signs of amendment; and Marianne fixed her eyes on her with a rational, though languid, gaze. Anxiety and hope now oppressed her in equal degrees, and left her no moment of tranquillity till the arrival of Mr. Harris at four o’clock;—when his assurances, his felicitations on a recovery in her sister even surpassing his expectation, gave her confidence, comfort, and tears of joy.
Marianne was in every respect materially better, and he declared her entirely out of danger. Mrs. Jennings, perhaps satisfied with the partial justification of her forebodings which had been found in their late alarm, allowed herself to trust in his judgment, and admitted, with unfeigned joy, and soon with unequivocal cheerfulness, the probability of an entire recovery.
Elinor could not be cheerful. Her joy was of a different kind, and led to any thing rather than to gaiety. Marianne restored to life, health, friends, and to her doting mother, was an idea to fill her heart with sensations of exquisite comfort, and expand it in fervent gratitude;—but it lead to no outward demonstrations of joy, no words, no smiles. All within Elinor’s breast was satisfaction, silent and strong.
She continued by the side of her sister, with little intermission the whole afternoon, calming every fear, satisfying every inquiry of her enfeebled spirits, supplying every succour, and watching almost every look and every breath. The possibility of a relapse would of course, in some moments, occur to remind her of what anxiety was—but when she saw, on her frequent and minute examination, that every symptom of recovery continued, and saw Marianne at six o’clock sink into a quiet, steady, and to all appearance comfortable, sleep, she silenced every doubt.
The time was now drawing on, when Colonel Brandon might be expected back. At ten o’clock, she trusted, or at least not much later her mother would be relieved from the dreadful suspense in which she must now be travelling towards them. The Colonel, too!—perhaps scarcely less an object of pity!—Oh!—how slow was the progress of time which yet kept them in ignorance!
At seven o’clock, leaving Marianne still sweetly asleep, she joined Mrs. Jennings in the drawing-room to tea. Of breakfast she had been kept by her fears, and of dinner by their sudden reverse, from eating much;—and the present refreshment, therefore, with such feelings of content as she brought to it, was particularly welcome. Mrs. Jennings would have persuaded her, at its conclusion, to take some rest before her mother’s arrival, and allow HER to take her place by Marianne; but Elinor had no sense of fatigue, no capability of sleep at that moment about her, and she was not to be kept away from her sister an unnecessary instant. Mrs. Jennings therefore attending her up stairs into the sick chamber, to satisfy herself that all continued right, left her there again to her charge and her thoughts, and retired to her own room to write letters and sleep.
The night was cold and stormy. The wind roared round the house, and the rain beat against the windows; but Elinor, all happiness within, regarded it not. Marianne slept through every blast; and the travellers—they had a rich reward in store, for every present inconvenience.
The clock struck eight. Had it been ten, Elinor would have been convinced that at that moment she heard a carriage driving up to the house; and so strong was the persuasion that she DID, in spite of the ALMOST impossibility of their being already come, that she moved into the adjoining dressing-closet and opened a window shutter, to be satisfied of the truth. She instantly saw that
her ears had not deceived her. The flaring lamps of a carriage were immediately in view. By their uncertain light she thought she could discern it to be drawn by four horses; and this, while it told the excess of her poor mother’s alarm, gave some explanation to such unexpected rapidity.
Never in her life had Elinor found it so difficult to be calm, as at that moment. The knowledge of what her mother must be feeling as the carriage stopt at the door—of her doubt—her dread—perhaps her despair!—and of what SHE had to tell!—with such knowledge it was impossible to be calm. All that remained to be done was to be speedy; and, therefore staying only till she could leave Mrs. Jennings’s maid with her sister, she hurried down stairs.
The bustle in the vestibule, as she passed along an inner lobby, assured her that they were already in the house. She rushed to the drawing-room,—she entered it,—and saw only Willoughby.
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CHAPTER 44
Elinor, starting back with a look of horror at the sight of him, obeyed the first impulse of her heart in turning instantly to quit the room, and her hand was already on the lock, when its action was suspended by his hastily advancing, and saying, in a voice rather of command than supplication,
“Miss Dashwood, for half an hour—for ten minutes—I entreat you to stay.”
“No, sir,” she replied with firmness, “I shall NOT stay. Your business cannot be with ME. The servants, I suppose, forgot to tell you that Mr. Palmer was not in the house.”
“Had they told me,” he cried with vehemence, “that Mr. Palmer and all his relations were at the devil, it would not have turned me from the door. My business is with you, and only you.”
“With me!”—in the utmost amazement—”well, sir,—be quick—and if you can—less violent.”
“Sit down, and I will be both.”
She hesitated; she knew not what to do. The possibility of Colonel Brandon’s arriving and finding her there, came across her. But she had promised to hear him, and her curiosity no less than her honor was engaged. After a moment’s recollection, therefore, concluding that prudence required dispatch, and that her acquiescence would best promote it, she walked silently towards the table, and sat
down. He took the opposite chair, and for half a minute not a word was said by either.
“Pray be quick, sir,”—said Elinor, impatiently;—”I have no time to spare.”
He was sitting in an attitude of deep meditation, and seemed not to hear her.
“Your sister,” said he, with abruptness, a moment afterwards—”is out of danger. I heard it from the servant. God be praised!—But is it true? is it really true?”
Elinor would not speak. He repeated the inquiry with yet greater eagerness.
“For God’s sake tell me, is she out of danger, or is she not?”
“We hope she is.”
He rose up, and walked across the room.
“Had I known as much half an hour ago—But since I AM here,”—speaking with a forced vivacity as he returned to his seat—”what does it signify?—For once, Miss Dashwood—it will be the last time, perhaps—let us be cheerful together.—I am in a fine mood for gaiety.— Tell me honestly”—a deeper glow overspreading his cheeks—”do you think me most a knave or a fool?”
Elinor looked at him with greater astonishment than ever. She began to think that he must be in liquor;—the strangeness of such a visit, and of such manners, seemed no otherwise intelligible; and with this impression she immediately rose, saying,
“Mr. Willoughby, I advise you at present to return to Combe—I am not at leisure to remain with you longer.— Whatever your business may be with me, will it be better recollected and explained to-morrow.”
“I understand you,” he replied, with an expressive smile, and a voice perfectly calm; “yes, I am very drunk.— A pint of porter with my cold beef at Marlborough was enough to over-set me.”
“At Marlborough!”—cried Elinor, more and more at a loss to understand what he would be at.
“Yes,—I left London this morning at eight o’clock, and the only ten minutes I have spent out of my chaise since that time procured me a nuncheon at Marlborough.”
The steadiness of his manner, and the intelligence of his eye as he spoke, convincing Elinor, that whatever other unpardonable folly might bring him to Cleveland, he was not brought there by intoxication, she said, after a moment’s recollection,
“Mr. Willoughby, you OUGHT to feel, and I certainly DO—that after what has passed—your coming here in this manner, and forcing yourself upon my notice, requires a very particular excuse.—What is it, that you mean by it?”—
“I mean,”—said he, with serious energy—”if I can, to make you hate me one degree less than you do NOW. I mean to offer some kind of explanation, some kind of apology, for the past; to open my whole heart to you, and by convincing you, that though I have been always a blockhead, I have not been always a rascal, to obtain something like forgiveness from Ma—from your sister.”
“Is this the real reason of your coming?”
“Upon my soul it is,”—was his answer, with a warmth which brought all the former Willoughby to her remembrance, and in spite of herself made her think him sincere.
“If that is all, you may be satisfied already,— for Marianne DOES—she has LONG forgiven you.”
“Has she?”—he cried, in the same eager tone.— “Then she has forgiven me before she ought to have done it. But she shall forgive me again, and on more reasonable grounds.—NOW will you listen to me?”
Elinor bowed her assent.
“I do not know,” said he, after a pause of expectation on her side, and thoughtfulness on his own,—”how YOU may have accounted for my behaviour to your sister, or what diabolical motive you may have imputed to me.— Perhaps you will hardly think the better of me,—it is worth the trial however, and you shall hear every thing. When I first became intimate in your family, I had no other intention, no other view in the acquaintance than to pass my time pleasantly while I was obliged to remain in Devonshire, more pleasantly than I had ever done before. Your sister’s lovely person and interesting manners could not but please me; and her behaviour to me almost from the first, was of a kind—It is astonishing, when I reflect on what it was, and what SHE was, that my heart should have been so insensible! But at first I must confess, my vanity only was elevated by it. Careless of her happiness, thinking only of my own amusement, giving way to feelings which I had always been too much in the habit of indulging, I endeavoured, by every means in my power, to make myself pleasing to her, without any design of returning her affection.”
Miss Dashwood, at this point, turning her eyes on him with the most angry contempt, stopped him, by saying,
“It is hardly worth while, Mr. Willoughby, for you to relate, or for me to listen any longer. Such a beginning as this cannot be followed by any thing.— Do not let me be pained by hearing any thing more on the subject.”
“I insist on you hearing the whole of it,” he replied, “My fortune was never large, and I had always been expensive, always in the habit of associating with people of better income than myself. Every year since my coming of age, or even before, I believe, had added to my debts; and though the death of my old cousin, Mrs. Smith, was to set me free; yet that event being uncertain, and possibly far distant, it had been for some time my intention to re-establish my circumstances by marrying a woman of fortune. To attach myself to your sister, therefore, was not a thing to be thought of;—and with a meanness, selfishness, cruelty— which no indignant, no contemptuous look, even of yours, Miss Dashwood, can ever reprobate too much—I was acting in this manner, trying to engage her regard, without a thought of returning it.—But one thing may be said for me: even in that horrid state of selfish vanity, I did not know the extent of the injury I meditated, because I did not THEN know what it was to love. But have I ever known it?—Well may it be doubted; for, had I really loved, could I have sacrificed my feelings to vanity, to avarice?—or, what is more, could I have sacrificed hers?— But I have done it. To avoid a comparative poverty, which her affection and her society would have deprived of all its horrors, I have, by raising myself to affluence, lost every thing that could make it a blessing.”
“You did then,” said Elinor, a little softened, “believe yourself at one time attached to her?”
“To have resisted such attractions, to have withstood such tenderness!—Is there a man on earth who could have done it?—Yes, I found myself, by insensible degrees, sincerely fond of her; and the happiest hours of my life were what I spent with her when I felt my intentions were strictly honourable, and my feelings blameless. Even THEN, however, when fully determined on paying my addresses to her, I allowed myself most improperly to put off, from day to day, the moment of doing it, from an unwillingness to enter into an engagement while my circumstances were so greatly embarrassed. I will not reason here—nor will I stop for YOU to expatiate on the absurdity, and the worse than absurdity, of scrupling to engage my faith where my honour was already bound. The event has proved, that I was a cunning fool, providing with great circumspection for a possible opportunity of making myself contemptible and wretched for ever. At last, however, my resolution was taken, and I had determined, as soon as I could engage her alone, to justify the attentions I had so invariably paid her, and openly assure her of an affection which I had already taken such pains to display. But in the interim—in the interim of the very few hours that were to pass, before I could have an opportunity of speaking with her in private—a circumstance occurred— an unlucky circumstance, to ruin all my resolution, and with it all my comfort. A discovery took place,”—here he hesitated and looked down.—”Mrs. Smith had somehow or other been informed, I imagine by some distant relation, whose interest it was to deprive me of her favour, of an affair, a connection—but I need not explain myself farther,” he added, looking at her with an heightened colour and an enquiring eye—”your particular intimacy—you have probably heard the whole story long ago.”
“I have,” returned Elinor, colouring likewise, and hardening her heart anew against any compassion for him, “I have heard it all. And how you will explain away any part of
your guilt in that dreadful business, I confess is beyond my comprehension.”
“Remember,” cried Willoughby, “from whom you received the account. Could it be an impartial one? I acknowledge that her situation and her character ought to have been respected by me. I do not mean to justify myself, but at the same time cannot leave you to suppose that I have nothing to urge—that because she was injured she was irreproachable, and because I was a libertine, SHE must be a saint. If the violence of her passions, the weakness of her understanding—I do not mean, however, to defend myself. Her affection for me deserved better treatment, and I often, with great self-reproach, recall the tenderness which, for a very short time, had the power of creating any return. I wish—I heartily wish it had never been. But I have injured more than herself; and I have injured one, whose affection for me—(may I say it?) was scarcely less warm than hers; and whose mind—Oh! how infinitely superior!”—
“Your indifference, however, towards that unfortunate girl—I must say it, unpleasant to me as the discussion of such a subject may well be—your indifference is no apology for your cruel neglect of her. Do not think yourself excused by any weakness, any natural defect of understanding on her side, in the wanton cruelty so evident on yours. You must have known, that while you were enjoying yourself in Devonshire pursuing fresh schemes, always gay, always happy, she was reduced to the extremest indigence.”
“But, upon my soul, I did NOT know it,” he warmly replied; “I did not recollect that I had omitted to give her my direction; and common sense might have told her how to find it out.”
“Well, sir, and what said Mrs. Smith?”
“She taxed me with the offence at once, and my confusion may be guessed. The purity of her life, the formality of her notions, her ignorance of the world—every thing was against me. The matter itself I could not deny, and vain was every endeavour to soften it. She was previously disposed, I believe, to doubt the morality of my conduct in general, and was moreover discontented with the very little attention, the very little portion of my time that I had bestowed on her, in my present visit. In short, it ended in a total breach. By one measure I might have saved myself. In the height of her morality, good woman! she offered to forgive the past, if I would marry Eliza. That could not be— and I was formally dismissed from her favour and her house. The night following this affair—I was to go the next morning—was spent by me in deliberating on what my future conduct should be. The struggle was great—but it ended too soon. My affection for Marianne, my thorough conviction of her attachment to me—it was all insufficient to outweigh that dread of poverty, or get the better of those false ideas of the necessity of riches, which I was naturally inclined to feel, and expensive society had increased. I had reason to believe myself secure of my present wife, if I chose to address her, and I persuaded myself to think that nothing else in common prudence remained for me to do. A heavy scene however awaited me, before I could leave Devonshire;—I was engaged to dine with you on that very day; some apology was therefore necessary for my breaking this engagement. But whether I should write this apology, or deliver it in person, was a point of long debate. To see Marianne, I felt, would be dreadful, and I even doubted whether I could see her again, and keep to my resolution. In that point, however, I undervalued my own magnanimity, as the event declared; for I went, I saw her, and saw her miserable, and left her miserable—and left her hoping never to see her again.”
“Why did you call, Mr. Willoughby?” said Elinor, reproachfully; “a note would have answered every purpose.— Why was it necessary to call?”
“It was necessary to my own pride. I could not bear to leave the country in a manner that might lead you, or the rest of the neighbourhood, to suspect any part of what had really passed between Mrs. Smith and myself—and I resolved therefore on calling at the cottage, in my way to Honiton. The sight of your dear sister, however, was really dreadful; and, to heighten the matter, I found her alone. You were all gone I do not know where. I had left her only the evening before, so fully, so firmly resolved within my self on doing right! A few hours were to have engaged her to me for ever; and I remember how happy, how gay were my spirits, as I walked from the cottage to Allenham, satisfied with myself, delighted with every body! But in this, our last interview of friendship, I approached her with a sense of guilt that almost took from me the power of dissembling. Her sorrow, her disappointment, her deep regret, when I told her that I was obliged to leave Devonshire so immediately—I never shall forget it—united too with such reliance, such confidence in me!—Oh, God!—what a hard-hearted rascal I was!”
They were both silent for a few moments. Elinor first spoke.
“Did you tell her that you should soon return?”
“I do not know what I told her,” he replied, impatiently; “less than was due to the past, beyond a doubt, and in all likelihood much more than was justified by the future. I cannot think of it.—It won’t do.—Then came your dear mother to torture me farther, with all her kindness and confidence. Thank Heaven! it DID torture me. I was miserable. Miss Dashwood, you cannot have an idea of the
comfort it gives me to look back on my own misery. I owe such a grudge to myself for the stupid, rascally folly of my own heart, that all my past sufferings under it are only triumph and exultation to me now. Well, I went, left all that I loved, and went to those to whom, at best, I was only indifferent. My journey to town—travelling with my own horses, and therefore so tediously—no creature to speak to— my own reflections so cheerful—when I looked forward every thing so inviting!—when I looked back at Barton, the picture so soothing!—oh, it was a blessed journey!”
He stopped.
“Well, sir,” said Elinor, who, though pitying him, grew impatient for his departure, “and this is all?”
“Ah!—no,—have you forgot what passed in town?— That infamous letter—Did she shew it you?”
“Yes, I saw every note that passed.”
“When the first of hers reached me (as it immediately did, for I was in town the whole time,) what I felt is—in the common phrase, not to be expressed; in a more simple one— perhaps too simple to raise any emotion—my feelings were very, very painful.—Every line, every word was—in the hackneyed metaphor which their dear writer, were she here, would forbid—a dagger to my heart. To know that Marianne was in town was—in the same language—a thunderbolt.— Thunderbolts and daggers!—what a reproof would she have given me!—her taste, her opinions—I believe they are better known to me than my own,—and I am sure they are dearer.”
Elinor’s heart, which had undergone many changes in the course of this extraordinary conversation, was now softened again;—yet she felt it her duty to check such ideas in her companion as the last.
“This is not right, Mr. Willoughby.—Remember that you are married. Relate only what in your conscience you think necessary for me to hear.”
“Marianne’s note, by assuring me that I was still as dear to her as in former days, that in spite of the many, many weeks we had been separated, she was as constant in her own feelings, and as full of faith in the constancy of mine as ever, awakened all my remorse. I say awakened, because time and London, business and dissipation, had in some measure quieted it, and I had been growing a fine hardened villain, fancying myself indifferent to her, and chusing to fancy that she too must have become indifferent to me; talking to myself of our past attachment as a mere idle, trifling business, shrugging up my shoulders in proof of its being so, and silencing every reproach, overcoming every scruple, by secretly saying now and then, ‘I shall be heartily glad to hear she is well married.’— But this note made me know myself better. I felt that she was infinitely dearer to me than any other woman in the world, and that I was using her infamously. But every thing was then just settled between Miss Grey and me. To retreat was impossible. All that I had to do, was to avoid you both. I sent no answer to Marianne, intending by that to preserve myself from her farther notice; and for some time I was even determined not to call in Berkeley Street;—but at last, judging it wiser to affect the air of a cool, common acquaintance than anything else, I watched you all safely out of the house one morning, and left my name.”
“Watched us out of the house!”
“Even so. You would be surprised to hear how often I watched you, how often I was on the point of falling in with you. I have entered many a shop to avoid your sight, as the carriage drove by. Lodging as I did in Bond Street, there was hardly a day in which I did not catch a glimpse of one or
other of you; and nothing but the most constant watchfulness on my side, a most invariably prevailing desire to keep out of your sight, could have separated us so long. I avoided the Middletons as much as possible, as well as everybody else who was likely to prove an acquaintance in common. Not aware of their being in town, however, I blundered on Sir John, I believe, the first day of his coming, and the day after I had called at Mrs. Jennings’s. He asked me to a party, a dance at his house in the evening.—Had he NOT told me as an inducement that you and your sister were to be there, I should have felt it too certain a thing, to trust myself near him. The next morning brought another short note from Marianne—still affectionate, open, artless, confiding—everything that could make MY conduct most hateful. I could not answer it. I tried—but could not frame a sentence. But I thought of her, I believe, every moment of the day. If you CAN pity me, Miss Dashwood, pity my situation as it was THEN. With my head and heart full of your sister, I was forced to play the happy lover to another woman!—Those three or four weeks were worse than all. Well, at last, as I need not tell you, you were forced on me; and what a sweet figure I cut!—what an evening of agony it was!— Marianne, beautiful as an angel on one side, calling me Willoughby in such a tone!—Oh, God!—holding out her hand to me, asking me for an explanation, with those bewitching eyes fixed in such speaking solicitude on my face!—and Sophia, jealous as the devil on the other hand, looking all that was—Well, it does not signify; it is over now.— Such an evening!—I ran away from you all as soon as I could; but not before I had seen Marianne’s sweet face as white as death.—THAT was the last, last look I ever had of her;—the last manner in which she appeared to me. It was a horrid sight!—yet when I thought of her to-day as really dying, it was a kind of comfort to me to imagine that I knew exactly how she would appear to those, who saw her last in this world. She was before me, constantly before me, as I travelled, in the same look and hue.”
A short pause of mutual thoughtfulness succeeded. Willoughby first rousing himself, broke it thus:
“Well, let me make haste and be gone. Your sister is certainly better, certainly out of danger?”
“We are assured of it.”
“Your poor mother, too!—doting on Marianne.”
“But the letter, Mr. Willoughby, your own letter; have you any thing to say about that?”
“Yes, yes, THAT in particular. Your sister wrote to me again, you know, the very next morning. You saw what she said. I was breakfasting at the Ellisons,—and her letter, with some others, was brought to me there from my lodgings. It happened to catch Sophia’s eye before it caught mine—and its size, the elegance of the paper, the hand-writing altogether, immediately gave her a suspicion. Some vague report had reached her before of my attachment to some young lady in Devonshire, and what had passed within her observation the preceding evening had marked who the young lady was, and made her more jealous than ever. Affecting that air of playfulness, therefore, which is delightful in a woman one loves, she opened the letter directly, and read its contents. She was well paid for her impudence. She read what made her wretched. Her wretchedness I could have borne, but her passion—her malice—At all events it must be appeased. And, in short— what do you think of my wife’s style of letter-writing?— delicate—tender—truly feminine—was it not?”
“Your wife!—The letter was in your own hand-writing.”
“Yes, but I had only the credit of servilely copying such sentences as I was ashamed to put my name to. The original was all her own—her own happy thoughts and gentle
diction. But what could I do!—we were engaged, every thing in preparation, the day almost fixed—But I am talking like a fool. Preparation!—day!—In honest words, her money was necessary to me, and in a situation like mine, any thing was to be done to prevent a rupture. And after all, what did it signify to my character in the opinion of Marianne and her friends, in what language my answer was couched?—It must have been only to one end. My business was to declare myself a scoundrel, and whether I did it with a bow or a bluster was of little importance.— ‘I am ruined for ever in their opinion—’ said I to myself—’I am shut out for ever from their society, they already think me an unprincipled fellow, this letter will only make them think me a blackguard one.’ Such were my reasonings, as, in a sort of desperate carelessness, I copied my wife’s words, and parted with the last relics of Marianne. Her three notes—unluckily they were all in my pocketbook, or I should have denied their existence, and hoarded them for ever—I was forced to put them up, and could not even kiss them. And the lock of hair—that too I had always carried about me in the same pocket-book, which was now searched by Madam with the most ingratiating virulence,—the dear lock—all, every memento was torn from me.”
“You are very wrong, Mr. Willoughby, very blamable,” said Elinor, while her voice, in spite of herself, betrayed her compassionate emotion; “you ought not to speak in this way, either of Mrs. Willoughby or my sister. You had made your own choice. It was not forced on you. Your wife has a claim to your politeness, to your respect, at least. She must be attached to you, or she would not have married you. To treat her with unkindness, to speak of her slightingly is no atonement to Marianne—nor can I suppose it a relief to your own conscience.”
“Do not talk to me of my wife,” said he with a heavy sigh.— “She does not deserve your compassion.—She knew I
had no regard for her when we married.—Well, married we were, and came down to Combe Magna to be happy, and afterwards returned to town to be gay.—And now do you pity me, Miss Dashwood?—or have I said all this to no purpose?— Am I—be it only one degree—am I less guilty in your opinion than I was before?—My intentions were not always wrong. Have I explained away any part of my guilt?”
“Yes, you have certainly removed something—a little.— You have proved yourself, on the whole, less faulty than I had believed you. You have proved your heart less wicked, much less wicked. But I hardly know—the misery that you have inflicted—I hardly know what could have made it worse.”
“Will you repeat to your sister when she is recovered, what I have been telling you?—Let me be a little lightened too in her opinion as well as in yours. You tell me that she has forgiven me already. Let me be able to fancy that a better knowledge of my heart, and of my present feelings, will draw from her a more spontaneous, more natural, more gentle, less dignified, forgiveness. Tell her of my misery and my penitence—tell her that my heart was never inconstant to her, and if you will, that at this moment she is dearer to me than ever.”
“I will tell her all that is necessary to what may comparatively be called, your justification. But you have not explained to me the particular reason of your coming now, nor how you heard of her illness.”
“Last night, in Drury Lane lobby, I ran against Sir John Middleton, and when he saw who I was—for the first time these two months—he spoke to me.—That he had cut me ever since my marriage, I had seen without surprise or resentment. Now, however, his good-natured, honest, stupid soul, full of indignation against me, and concern for your
sister, could not resist the temptation of telling me what he knew ought to—though probably he did not think it WOULD—vex me horridly. As bluntly as he could speak it, therefore, he told me that Marianne Dashwood was dying of a putrid fever at Cleveland—a letter that morning received from Mrs. Jennings declared her danger most imminent—the Palmers are all gone off in a fright, &c.—I was too much shocked to be able to pass myself off as insensible even to the undiscerning Sir John. His heart was softened in seeing mine suffer; and so much of his ill-will was done away, that when we parted, he almost shook me by the hand while he reminded me of an old promise about a pointer puppy. What I felt on hearing that your sister was dying—and dying too, believing me the greatest villain upon earth, scorning, hating me in her latest moments—for how could I tell what horrid projects might not have been imputed? ONE person I was sure would represent me as capable of any thing— What I felt was dreadful!—My resolution was soon made, and at eight o’clock this morning I was in my carriage. Now you know all.”
Elinor made no answer. Her thoughts were silently fixed on the irreparable injury which too early an independence and its consequent habits of idleness, dissipation, and luxury, had made in the mind, the character, the happiness, of a man who, to every advantage of person and talents, united a disposition naturally open and honest, and a feeling, affectionate temper. The world had made him extravagant and vain—Extravagance and vanity had made him cold-hearted and selfish. Vanity, while seeking its own guilty triumph at the expense of another, had involved him in a real attachment, which extravagance, or at least its offspring, necessity, had required to be sacrificed. Each faulty propensity in leading him to evil, had led him likewise to punishment. The attachment, from which against honour, against feeling, against every better interest he had outwardly torn himself, now, when no longer allowable,
governed every thought; and the connection, for the sake of which he had, with little scruple, left her sister to misery, was likely to prove a source of unhappiness to himself of a far more incurable nature. From a reverie of this kind she was recalled at the end of some minutes by Willoughby, who, rousing himself from a reverie at least equally painful, started up in preparation for going, and said—
“There is no use in staying here; I must be off.”
“Are you going back to town?”
“No—to Combe Magna. I have business there; from thence to town in a day or two. Good bye.”
He held out his hand. She could not refuse to give him hers’s;—he pressed it with affection.
“And you DO think something better of me than you did?”—said he, letting it fall, and leaning against the mantel-piece as if forgetting he was to go.
Elinor assured him that she did;—that she forgave, pitied, wished him well—was even interested in his happiness—and added some gentle counsel as to the behaviour most likely to promote it. His answer was not very encouraging.
“As to that,” said he, “I must rub through the world as well as I can. Domestic happiness is out of the question. If, however, I am allowed to think that you and yours feel an interest in my fate and actions, it may be the means—it may put me on my guard—at least, it may be something to live for. Marianne to be sure is lost to me for ever. Were I even by any blessed chance at liberty again—”
Elinor stopped him with a reproof.
“Well,”—he replied—”once more good bye. I shall now go away and live in dread of one event.”
“What do you mean?”
“Your sister’s marriage.”
“You are very wrong. She can never be more lost to you than she is now.”
“But she will be gained by some one else. And if that some one should be the very he whom, of all others, I could least bear—but I will not stay to rob myself of all your compassionate goodwill, by shewing that where I have most injured I can least forgive. Good bye,—God bless you!”
And with these words, he almost ran out of the room.
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CHAPTER 45
Elinor, for some time after he left her, for some time even after the sound of his carriage had died away, remained too much oppressed by a crowd of ideas, widely differing in themselves, but of which sadness was the general result, to think even of her sister.
Willoughby, he, whom only half an hour ago she had abhorred as the most worthless of men, Willoughby, in spite of all his faults, excited a degree of commiseration for the sufferings produced by them, which made her think of him as now separated for ever from her family, with a tenderness, a regret, rather in proportion, as she soon acknowledged within herself—to his wishes than to his merits. She felt that his influence over her mind was heightened by circumstances which ought not in reason to have weight; by that person of uncommon attraction, that open, affectionate, and lively manner which it was no merit to possess; and by that still ardent love for Marianne, which it was not even innocent to indulge. But she felt that it was so, long, long before she could feel his influence less.
When at last she returned to the unconscious Marianne, she found her just awaking, refreshed by so long and sweet a sleep to the extent of her hopes. Elinor’s heart was full. The past, the present, the future, Willoughby’s visit, Marianne’s safety, and her mother’s expected arrival, threw her altogether into an agitation of spirits which kept off every indication of fatigue, and made her only fearful of betraying herself to her sister. Short was the time, however, in which that fear could affect her, for within half an hour after
Willoughby’s leaving the house, she was again called down stairs by the sound of another carriage.—Eager to save her mother from every unnecessary moment’s horrible suspense, she ran immediately into the hall, and reached the outward door just in time to receive and support her as she entered it.
Mrs. Dashwood, whose terror as they drew near the house had produced almost the conviction of Marianne’s being no more, had no voice to inquire after her, no voice even for Elinor; but SHE, waiting neither for salutation nor inquiry, instantly gave the joyful relief;—and her mother, catching it with all her usual warmth, was in a moment as much overcome by her happiness, as she had been before by her fears. She was supported into the drawing-room between her daughter and her friend;—and there, shedding tears of joy, though still unable to speak, embraced Elinor again and again, turning from her at intervals to press Colonel Brandon’s hand, with a look which spoke at once her gratitude, and her conviction of his sharing with herself in the bliss of the moment. He shared it, however, in a silence even greater than her own.
As soon as Mrs. Dashwood had recovered herself, to see Marianne was her first desire; and in two minutes she was with her beloved child, rendered dearer to her than ever by absence, unhappiness, and danger. Elinor’s delight, as she saw what each felt in the meeting, was only checked by an apprehension of its robbing Marianne of farther sleep;—but Mrs. Dashwood could be calm, could be even prudent, when the life of a child was at stake, and Marianne, satisfied in knowing her mother was near her, and conscious of being too weak for conversation, submitted readily to the silence and quiet prescribed by every nurse around her. Mrs. Dashwood WOULD sit up with her all night; and Elinor, in compliance with her mother’s entreaty, went to bed. But the rest, which one night entirely sleepless, and many hours of the most wearing anxiety seemed to make requisite, was kept
off by irritation of spirits. Willoughby, “poor Willoughby,” as she now allowed herself to call him, was constantly in her thoughts; she would not but have heard his vindication for the world, and now blamed, now acquitted herself for having judged him so harshly before. But her promise of relating it to her sister was invariably painful. She dreaded the performance of it, dreaded what its effect on Marianne might be; doubted whether after such an explanation she could ever be happy with another; and for a moment wished Willoughby a widower. Then, remembering Colonel Brandon, reproved herself, felt that to HIS sufferings and his constancy far more than to his rival’s, the reward of her sister was due, and wished any thing rather than Mrs. Willoughby’s death.
The shock of Colonel Brandon’s errand at Barton had been much softened to Mrs. Dashwood by her own previous alarm; for so great was her uneasiness about Marianne, that she had already determined to set out for Cleveland on that very day, without waiting for any further intelligence, and had so far settled her journey before his arrival, that the Careys were then expected every moment to fetch Margaret away, as her mother was unwilling to take her where there might be infection.
Marianne continued to mend every day, and the brilliant cheerfulness of Mrs. Dashwood’s looks and spirits proved her to be, as she repeatedly declared herself, one of the happiest women in the world. Elinor could not hear the declaration, nor witness its proofs without sometimes wondering whether her mother ever recollected Edward. But Mrs. Dashwood, trusting to the temperate account of her own disappointment which Elinor had sent her, was led away by the exuberance of her joy to think only of what would increase it. Marianne was restored to her from a danger in which, as she now began to feel, her own mistaken judgment in encouraging the unfortunate attachment to Willoughby, had contributed to
place her;—and in her recovery she had yet another source of joy unthought of by Elinor. It was thus imparted to her, as soon as any opportunity of private conference between them occurred.
“At last we are alone. My Elinor, you do not yet know all my happiness. Colonel Brandon loves Marianne. He has told me so himself.”
Her daughter, feeling by turns both pleased and pained, surprised and not surprised, was all silent attention.
“You are never like me, dear Elinor, or I should wonder at your composure now. Had I sat down to wish for any possible good to my family, I should have fixed on Colonel Brandon’s marrying one of you as the object most desirable. And I believe Marianne will be the most happy with him of the two.”
Elinor was half inclined to ask her reason for thinking so, because satisfied that none founded on an impartial consideration of their age, characters, or feelings, could be given;—but her mother must always be carried away by her imagination on any interesting subject, and therefore instead of an inquiry, she passed it off with a smile.
“He opened his whole heart to me yesterday as we travelled. It came out quite unawares, quite undesignedly. I, you may well believe, could talk of nothing but my child;— he could not conceal his distress; I saw that it equalled my own, and he perhaps, thinking that mere friendship, as the world now goes, would not justify so warm a sympathy—or rather, not thinking at all, I suppose—giving way to irresistible feelings, made me acquainted with his earnest, tender, constant, affection for Marianne. He has loved her, my Elinor, ever since the first moment of seeing her.”
Here, however, Elinor perceived,—not the language, not the professions of Colonel Brandon, but the natural embellishments of her mother’s active fancy, which fashioned every thing delightful to her as it chose.
“His regard for her, infinitely surpassing anything that Willoughby ever felt or feigned, as much more warm, as more sincere or constant—which ever we are to call it—has subsisted through all the knowledge of dear Marianne’s unhappy prepossession for that worthless young man!—and without selfishness—without encouraging a hope!—could he have seen her happy with another—Such a noble mind!— such openness, such sincerity!—no one can be deceived in HIM.”
“Colonel Brandon’s character,” said Elinor, “as an excellent man, is well established.”
“I know it is”—replied her mother seriously, “or after such a warning, I should be the last to encourage such affection, or even to be pleased by it. But his coming for me as he did, with such active, such ready friendship, is enough to prove him one of the worthiest of men.”
“His character, however,” answered Elinor, “does not rest on ONE act of kindness, to which his affection for Marianne, were humanity out of the case, would have prompted him. To Mrs. Jennings, to the Middletons, he has been long and intimately known; they equally love and respect him; and even my own knowledge of him, though lately acquired, is very considerable; and so highly do I value and esteem him, that if Marianne can be happy with him, I shall be as ready as yourself to think our connection the greatest blessing to us in the world. What answer did you give him?—Did you allow him to hope?”
“Oh! my love, I could not then talk of hope to him or to myself. Marianne might at that moment be dying. But he did not ask for hope or encouragement. His was an involuntary confidence, an irrepressible effusion to a soothing friend— not an application to a parent. Yet after a time I DID say, for at first I was quite overcome—that if she lived, as I trusted she might, my greatest happiness would lie in promoting their marriage; and since our arrival, since our delightful security, I have repeated it to him more fully, have given him every encouragement in my power. Time, a very little time, I tell him, will do everything;—Marianne’s heart is not to be wasted for ever on such a man as Willoughby.— His own merits must soon secure it.”
“To judge from the Colonel’s spirits, however, you have not yet made him equally sanguine.”
“No.—He thinks Marianne’s affection too deeply rooted for any change in it under a great length of time, and even supposing her heart again free, is too diffident of himself to believe, that with such a difference of age and disposition he could ever attach her. There, however, he is quite mistaken. His age is only so much beyond hers as to be an advantage, as to make his character and principles fixed;—and his disposition, I am well convinced, is exactly the very one to make your sister happy. And his person, his manners too, are all in his favour. My partiality does not blind me; he certainly is not so handsome as Willoughby—but at the same time, there is something much more pleasing in his countenance.— There was always a something,—if you remember,—in Willoughby’s eyes at times, which I did not like.”
Elinor could NOT remember it;—but her mother, without waiting for her assent, continued,
“And his manners, the Colonel’s manners are not only more pleasing to me than Willoughby’s ever were, but they are of a kind I well know to be more solidly attaching to Marianne. Their gentleness, their genuine attention to other people, and their manly unstudied simplicity is much more accordant with her real disposition, than the liveliness— often artificial, and often ill-timed of the other. I am very sure myself, that had Willoughby turned out as really amiable, as he has proved himself the contrary, Marianne would yet never have been so happy with HIM, as she will be with Colonel Brandon.”
She paused.—Her daughter could not quite agree with her, but her dissent was not heard, and therefore gave no offence.
“At Delaford, she will be within an easy distance of me,” added Mrs. Dashwood, “even if I remain at Barton; and in all probability,—for I hear it is a large village,—indeed there certainly MUST be some small house or cottage close by, that would suit us quite as well as our present situation.”
Poor Elinor!—here was a new scheme for getting her to Delaford!—but her spirit was stubborn.
“His fortune too!—for at my time of life you know, everybody cares about THAT;—and though I neither know nor desire to know, what it really is, I am sure it must be a good one.”
Here they were interrupted by the entrance of a third person, and Elinor withdrew to think it all over in private, to wish success to her friend, and yet in wishing it, to feel a pang for Willoughby.
CHAPTER 46
Marianne’s illness, though weakening in its kind, had not been long enough to make her recovery slow; and with youth, natural strength, and her mother’s presence in aid, it proceeded so smoothly as to enable her to remove, within four days after the arrival of the latter, into Mrs. Palmer’s dressing-room. When there, at her own particular request, for she was impatient to pour forth her thanks to him for fetching her mother, Colonel Brandon was invited to visit her.
His emotion on entering the room, in seeing her altered looks, and in receiving the pale hand which she immediately held out to him, was such, as, in Elinor’s conjecture, must arise from something more than his affection for Marianne, or the consciousness of its being known to others; and she soon discovered in his melancholy eye and varying complexion as he looked at her sister, the probable recurrence of many past scenes of misery to his mind, brought back by that resemblance between Marianne and Eliza already acknowledged, and now strengthened by the hollow eye, the sickly skin, the posture of reclining weakness, and the warm acknowledgment of peculiar obligation.
Mrs. Dashwood, not less watchful of what passed than her daughter, but with a mind very differently influenced, and therefore watching to very different effect, saw nothing
in the Colonel’s behaviour but what arose from the most simple and self-evident sensations, while in the actions and words of Marianne she persuaded herself to think that something more than gratitude already dawned.
At the end of another day or two, Marianne growing visibly stronger every twelve hours, Mrs. Dashwood, urged equally by her own and her daughter’s wishes, began to talk of removing to Barton. On HER measures depended those of her two friends; Mrs. Jennings could not quit Cleveland during the Dashwoods’ stay; and Colonel Brandon was soon brought, by their united request, to consider his own abode there as equally determinate, if not equally indispensable. At his and Mrs. Jennings’s united request in return, Mrs. Dashwood was prevailed on to accept the use of his carriage on her journey back, for the better accommodation of her sick child; and the Colonel, at the joint invitation of Mrs. Dashwood and Mrs. Jennings, whose active good-nature made her friendly and hospitable for other people as well as herself, engaged with pleasure to redeem it by a visit at the cottage, in the course of a few weeks.
The day of separation and departure arrived; and Marianne, after taking so particular and lengthened a leave of Mrs. Jennings, one so earnestly grateful, so full of respect and kind wishes as seemed due to her own heart from a secret acknowledgment of past inattention, and bidding Colonel Brandon farewell with a cordiality of a friend, was carefully assisted by him into the carriage, of which he seemed anxious that she should engross at least half. Mrs. Dashwood and Elinor then followed, and the others were left by themselves, to talk of the travellers, and feel their own dullness, till Mrs. Jennings was summoned to her chaise to take comfort in the gossip of her maid for the loss of her two young companions; and Colonel Brandon immediately afterwards took his solitary way to Delaford.
The Dashwoods were two days on the road, and Marianne bore her journey on both, without essential fatigue. Every thing that the most zealous affection, the most solicitous care could do to render her comfortable, was the office of each watchful companion, and each found their reward in her bodily ease, and her calmness of spirits. To Elinor, the observation of the latter was particularly grateful. She, who had seen her week after week so constantly suffering, oppressed by anguish of heart which she had neither courage to speak of, nor fortitude to conceal, now saw with a joy, which no other could equally share, an apparent composure of mind, which, in being the result as she trusted of serious reflection, must eventually lead her to contentment and cheerfulness.
As they approached Barton, indeed, and entered on scenes of which every field and every tree brought some peculiar, some painful recollection, she grew silent and thoughtful, and turning away her face from their notice, sat earnestly gazing through the window. But here, Elinor could neither wonder nor blame; and when she saw, as she assisted Marianne from the carriage, that she had been crying, she saw only an emotion too natural in itself to raise any thing less tender than pity, and in its unobtrusiveness entitled to praise. In the whole of her subsequent manner, she traced the direction of a mind awakened to reasonable exertion; for no sooner had they entered their common sitting-room, than Marianne turned her eyes around it with a look of resolute firmness, as if determined at once to accustom herself to the sight of every object with which the remembrance of Willoughby could be connected.—She said little, but every sentence aimed at cheerfulness, and though a sigh sometimes escaped her, it never passed away without the atonement of a smile. After dinner she would try her piano-forte. She went to it; but the music on which her eye first rested was an opera, procured for her by Willoughby, containing some of their favourite duets, and bearing on its
outward leaf her own name in his hand-writing.—That would not do.—She shook her head, put the music aside, and after running over the keys for a minute, complained of feebleness in her fingers, and closed the instrument again; declaring however with firmness as she did so, that she should in future practice much.
The next morning produced no abatement in these happy symptoms. On the contrary, with a mind and body alike strengthened by rest, she looked and spoke with more genuine spirit, anticipating the pleasure of Margaret’s return, and talking of the dear family party which would then be restored, of their mutual pursuits and cheerful society, as the only happiness worth a wish.
“When the weather is settled, and I have recovered my strength,” said she, “we will take long walks together every day. We will walk to the farm at the edge of the down, and see how the children go on; we will walk to Sir John’s new plantations at Barton Cross, and the Abbeyland; and we will often go the old ruins of the Priory, and try to trace its foundations as far as we are told they once reached. I know we shall be happy. I know the summer will pass happily away. I mean never to be later in rising than six, and from that time till dinner I shall divide every moment between music and reading. I have formed my plan, and am determined to enter on a course of serious study. Our own library is too well known to me, to be resorted to for any thing beyond mere amusement. But there are many works well worth reading at the Park; and there are others of more modern production which I know I can borrow of Colonel Brandon. By reading only six hours a-day, I shall gain in the course of a twelve-month a great deal of instruction which I now feel myself to want.”
Elinor honoured her for a plan which originated so nobly as this; though smiling to see the same eager fancy which
had been leading her to the extreme of languid indolence and selfish repining, now at work in introducing excess into a scheme of such rational employment and virtuous self-control. Her smile however changed to a sigh when she remembered that promise to Willoughby was yet unfulfilled, and feared she had that to communicate which might again unsettle the mind of Marianne, and ruin at least for a time this fair prospect of busy tranquillity. Willing therefore to delay the evil hour, she resolved to wait till her sister’s health were more secure, before she appointed it. But the resolution was made only to be broken.
Marianne had been two or three days at home, before the weather was fine enough for an invalid like herself to venture out. But at last a soft, genial morning appeared; such as might tempt the daughter’s wishes and the mother’s confidence; and Marianne, leaning on Elinor’s arm, was authorised to walk as long as she could without fatigue, in the lane before the house.
The sisters set out at a pace, slow as the feebleness of Marianne in an exercise hitherto untried since her illness required;—and they had advanced only so far beyond the house as to admit a full view of the hill, the important hill behind, when pausing with her eyes turned towards it, Marianne calmly said,
“There, exactly there,”—pointing with one hand, “on that projecting mound,—there I fell; and there I first saw Willoughby.”
Her voice sunk with the word, but presently reviving she added,
“I am thankful to find that I can look with so little pain on the spot!—shall we ever talk on that subject, Elinor?”—
hesitatingly it was said.—”Or will it be wrong?—I can talk of it now, I hope, as I ought to do.”—
Elinor tenderly invited her to be open.
“As for regret,” said Marianne, “I have done with that, as far as HE is concerned. I do not mean to talk to you of what my feelings have been for him, but what they are NOW.—At present, if I could be satisfied on one point, if I could be allowed to think that he was not ALWAYS acting a part, not ALWAYS deceiving me;—but above all, if I could be assured that he never was so VERY wicked as my fears have sometimes fancied him, since the story of that unfortunate girl”—
She stopt. Elinor joyfully treasured her words as she answered,
“If you could be assured of that, you think you should be easy.”
“Yes. My peace of mind is doubly involved in it;—for not only is it horrible to suspect a person, who has been what HE has been to ME, of such designs,—but what must it make me appear to myself?—What in a situation like mine, but a most shamefully unguarded affection could expose me to”—
“How then,” asked her sister, “would you account for his behaviour?”
“I would suppose him,—Oh, how gladly would I suppose him, only fickle, very, very fickle.”
Elinor said no more. She was debating within herself on the eligibility of beginning her story directly, or postponing it till Marianne were in stronger health;—and they crept on for a few minutes in silence.
“I am not wishing him too much good,” said Marianne at last with a sigh, “when I wish his secret reflections may be no more unpleasant than my own. He will suffer enough in them.”
“Do you compare your conduct with his?”
“No. I compare it with what it ought to have been; I compare it with yours.”
“Our situations have borne little resemblance.”
“They have borne more than our conduct.—Do not, my dearest Elinor, let your kindness defend what I know your judgment must censure. My illness has made me think— It has given me leisure and calmness for serious recollection. Long before I was enough recovered to talk, I was perfectly able to reflect. I considered the past: I saw in my own behaviour, since the beginning of our acquaintance with him last autumn, nothing but a series of imprudence towards myself, and want of kindness to others. I saw that my own feelings had prepared my sufferings, and that my want of fortitude under them had almost led me to the grave. My illness, I well knew, had been entirely brought on by myself by such negligence of my own health, as I had felt even at the time to be wrong. Had I died,—it would have been self-destruction. I did not know my danger till the danger was removed; but with such feelings as these reflections gave me, I wonder at my recovery,—wonder that the very eagerness of my desire to live, to have time for atonement to my God, and to you all, did not kill me at once. Had I died,— in what peculiar misery should I have left you, my nurse, my friend, my sister!—You, who had seen all the fretful selfishness of my latter days; who had known all the murmurings of my heart!—How should I have lived in YOUR remembrance!— My mother too! How could you have consoled her!—I cannot express my own abhorrence of myself. Whenever I looked
towards the past, I saw some duty neglected, or some failing indulged. Every body seemed injured by me. The kindness, the unceasing kindness of Mrs. Jennings, I had repaid with ungrateful contempt. To the Middletons, to the Palmers, the Steeles, to every common acquaintance even, I had been insolent and unjust; with a heart hardened against their merits, and a temper irritated by their very attention.—To John, to Fanny,—yes, even to them, little as they deserve, I had given less than their due. But you,—you above all, above my mother, had been wronged by me. I, and only I, knew your heart and its sorrows; yet to what did it influence me?—not to any compassion that could benefit you or myself.—Your example was before me; but to what avail?— Was I more considerate of you and your comfort? Did I imitate your forbearance, or lessen your restraints, by taking any part in those offices of general complaisance or particular gratitude which you had hitherto been left to discharge alone?—No;—not less when I knew you to be unhappy, than when I had believed you at ease, did I turn away from every exertion of duty or friendship; scarcely allowing sorrow to exist but with me, regretting only THAT heart which had deserted and wronged me, and leaving you, for or I professed an unbounded affection, to be miserable for my sake.”
Here ceased the rapid flow of her self-reproving spirit; and Elinor, impatient to soothe, though too honest to flatter, gave her instantly that praise and support which her frankness and her contrition so well deserved. Marianne pressed her hand and replied,
“You are very good.—The future must be my proof. I have laid down my plan, and if I am capable of adhering to it—my feelings shall be governed and my temper improved. They shall no longer worry others, nor torture myself. I shall now live solely for my family. You, my mother, and Margaret, must henceforth be all the world to me; you will
share my affections entirely between you. From you, from my home, I shall never again have the smallest incitement to move; and if I do mix in other society, it will be only to shew that my spirit is humbled, my heart amended, and that I can practise the civilities, the lesser duties of life, with gentleness and forbearance. As for Willoughby—to say that I shall soon or that I shall ever forget him, would be idle. His remembrance can be overcome by no change of circumstances or opinions. But it shall be regulated, it shall be checked by religion, by reason, by constant employment.”
She paused—and added in a low voice, “If I could but know HIS heart, everything would become easy.”
Elinor, who had now been for some time reflecting on the propriety or impropriety of speedily hazarding her narration, without feeling at all nearer decision than at first, heard this; and perceiving that as reflection did nothing, resolution must do all, soon found herself leading to the fact.
She managed the recital, as she hoped, with address; prepared her anxious listener with caution; related simply and honestly the chief points on which Willoughby grounded his apology; did justice to his repentance, and softened only his protestations of present regard. Marianne said not a word.—She trembled, her eyes were fixed on the ground, and her lips became whiter than even sickness had left them. A thousand inquiries sprung up from her heart, but she dared not urge one. She caught every syllable with panting eagerness; her hand, unknowingly to herself, closely pressed her sister’s, and tears covered her cheeks.
Elinor, dreading her being tired, led her towards home; and till they reached the door of the cottage, easily conjecturing what her curiosity must be though no question was suffered to speak it, talked of nothing but Willoughby, and their conversation together; and was carefully minute in
every particular of speech and look, where minuteness could be safely indulged. As soon as they entered the house, Marianne with a kiss of gratitude and these two words just articulate through her tears, “Tell mama,” withdrew from her sister and walked slowly up stairs. Elinor would not attempt to disturb a solitude so reasonable as what she now sought; and with a mind anxiously pre-arranging its result, and a resolution of reviving the subject again, should Marianne fail to do it, she turned into the parlour to fulfill her parting injunction.
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CHAPTER 47
Mrs. Dashwood did not hear unmoved the vindication of her former favourite. She rejoiced in his being cleared from some part of his imputed guilt;—she was sorry for him;—she wished him happy. But the feelings of the past could not be recalled.—Nothing could restore him with a faith unbroken— a character unblemished, to Marianne. Nothing could do away the knowledge of what the latter had suffered through his means, nor remove the guilt of his conduct towards Eliza. Nothing could replace him, therefore, in her former esteem, nor injure the interests of Colonel Brandon.
Had Mrs. Dashwood, like her daughter, heard Willoughby’s story from himself—had she witnessed his distress, and been under the influence of his countenance and his manner, it is probable that her compassion would have been greater. But it was neither in Elinor’s power, nor in her wish, to rouse such feelings in another, by her retailed explanation, as had at first been called forth in herself. Reflection had given calmness to her judgment, and sobered her own opinion of Willoughby’s deserts;—she wished, therefore, to declare only the simple truth, and lay open such facts as were really due to his character, without any embellishment of tenderness to lead the fancy astray.
In the evening, when they were all three together, Marianne began voluntarily to speak of him again;—but that it was not without an effort, the restless, unquiet thoughtfulness in which she had been for some time
previously sitting—her rising colour, as she spoke,—and her unsteady voice, plainly shewed.
“I wish to assure you both,” said she, “that I see every thing—as you can desire me to do.”
Mrs. Dashwood would have interrupted her instantly with soothing tenderness, had not Elinor, who really wished to hear her sister’s unbiased opinion, by an eager sign, engaged her silence. Marianne slowly continued—
“It is a great relief to me—what Elinor told me this morning—I have now heard exactly what I wished to hear.”— For some moments her voice was lost; but recovering herself, she added, and with greater calmness than before—”I am now perfectly satisfied, I wish for no change. I never could have been happy with him, after knowing, as sooner or later I must have known, all this.—I should have had no confidence, no esteem. Nothing could have done it away to my feelings.”
“I know it—I know it,” cried her mother. “Happy with a man of libertine practices!—With one who so injured the peace of the dearest of our friends, and the best of men!— No—my Marianne has not a heart to be made happy with such a man!—Her conscience, her sensitive conscience, would have felt all that the conscience of her husband ought to have felt.”
Marianne sighed, and repeated, “I wish for no change.”
“You consider the matter,” said Elinor, “exactly as a good mind and a sound understanding must consider it; and I dare say you perceive, as well as myself, not only in this, but in many other circumstances, reason enough to be convinced that your marriage must have involved you in many certain troubles and disappointments, in which you would have been poorly supported by an affection, on his side, much less
certain. Had you married, you must have been always poor. His expensiveness is acknowledged even by himself, and his whole conduct declares that self-denial is a word hardly understood by him. His demands and your inexperience together, on a small, very small income, must have brought on distresses which would not be the LESS grievous to you, from having been entirely unknown and unthought of before. YOUR sense of honour and honesty would have led you, I know, when aware of your situation, to attempt all the economy that would appear to you possible: and, perhaps, as long as your frugality retrenched only on your own comfort, you might have been suffered to practice it, but beyond that—and how little could the utmost of your single management do to stop the ruin which had begun before your marriage?— Beyond THAT, had you endeavoured, however reasonably, to abridge HIS enjoyments, is it not to be feared, that instead of prevailing on feelings so selfish to consent to it, you would have lessened your own influence on his heart, and made him regret the connection which had involved him in such difficulties?”
Marianne’s lips quivered, and she repeated the word “Selfish?” in a tone that implied—”do you really think him selfish?”
“The whole of his behaviour,” replied Elinor, “from the beginning to the end of the affair, has been grounded on selfishness. It was selfishness which first made him sport with your affections; which afterwards, when his own were engaged, made him delay the confession of it, and which finally carried him from Barton. His own enjoyment, or his own ease, was, in every particular, his ruling principle.”
“It is very true. MY happiness never was his object.”
“At present,” continued Elinor, “he regrets what he has done. And why does he regret it?—Because he finds it has
not answered towards himself. It has not made him happy. His circumstances are now unembarrassed—he suffers from no evil of that kind; and he thinks only that he has married a woman of a less amiable temper than yourself. But does it follow that had he married you, he would have been happy?—The inconveniences would have been different. He would then have suffered under the pecuniary distresses which, because they are removed, he now reckons as nothing. He would have had a wife of whose temper he could make no complaint, but he would have been always necessitous—always poor; and probably would soon have learned to rank the innumerable comforts of a clear estate and good income as of far more importance, even to domestic happiness, than the mere temper of a wife.”
“I have not a doubt of it,” said Marianne; “and I have nothing to regret—nothing but my own folly.”
“Rather say your mother’s imprudence, my child,” said Mrs. Dashwood; “SHE must be answerable.”
Marianne would not let her proceed;—and Elinor, satisfied that each felt their own error, wished to avoid any survey of the past that might weaken her sister’s spirits; she, therefore, pursuing the first subject, immediately continued,
“One observation may, I think, be fairly drawn from the whole of the story—that all Willoughby’s difficulties have arisen from the first offence against virtue, in his behaviour to Eliza Williams. That crime has been the origin of every lesser one, and of all his present discontents.”
Marianne assented most feelingly to the remark; and her mother was led by it to an enumeration of Colonel Brandon’s injuries and merits, warm as friendship and design could unitedly dictate. Her daughter did not look, however, as if much of it were heard by her.
Elinor, according to her expectation, saw on the two or three following days, that Marianne did not continue to gain strength as she had done; but while her resolution was unsubdued, and she still tried to appear cheerful and easy, her sister could safely trust to the effect of time upon her health.
Margaret returned, and the family were again all restored to each other, again quietly settled at the cottage; and if not pursuing their usual studies with quite so much vigour as when they first came to Barton, at least planning a vigorous prosecution of them in future.
Elinor grew impatient for some tidings of Edward. She had heard nothing of him since her leaving London, nothing new of his plans, nothing certain even of his present abode. Some letters had passed between her and her brother, in consequence of Marianne’s illness; and in the first of John’s, there had been this sentence:— “We know nothing of our unfortunate Edward, and can make no enquiries on so prohibited a subject, but conclude him to be still at Oxford;” which was all the intelligence of Edward afforded her by the correspondence, for his name was not even mentioned in any of the succeeding letters. She was not doomed, however, to be long in ignorance of his measures.
Their man-servant had been sent one morning to Exeter on business; and when, as he waited at table, he had satisfied the inquiries of his mistress as to the event of his errand, this was his voluntary communication—
“I suppose you know, ma’am, that Mr. Ferrars is married.”
Marianne gave a violent start, fixed her eyes upon Elinor, saw her turning pale, and fell back in her chair in hysterics. Mrs. Dashwood, whose eyes, as she answered the servant’s
inquiry, had intuitively taken the same direction, was shocked to perceive by Elinor’s countenance how much she really suffered, and a moment afterwards, alike distressed by Marianne’s situation, knew not on which child to bestow her principal attention.
The servant, who saw only that Miss Marianne was taken ill, had sense enough to call one of the maids, who, with Mrs. Dashwood’s assistance, supported her into the other room. By that time, Marianne was rather better, and her mother leaving her to the care of Margaret and the maid, returned to Elinor, who, though still much disordered, had so far recovered the use of her reason and voice as to be just beginning an inquiry of Thomas, as to the source of his intelligence. Mrs. Dashwood immediately took all that trouble on herself; and Elinor had the benefit of the information without the exertion of seeking it.
“Who told you that Mr. Ferrars was married, Thomas?”
“I see Mr. Ferrars myself, ma’am, this morning in Exeter, and his lady too, Miss Steele as was. They was stopping in a chaise at the door of the New London Inn, as I went there with a message from Sally at the Park to her brother, who is one of the post-boys. I happened to look up as I went by the chaise, and so I see directly it was the youngest Miss Steele; so I took off my hat, and she knew me and called to me, and inquired after you, ma’am, and the young ladies, especially Miss Marianne, and bid me I should give her compliments and Mr. Ferrars’s, their best compliments and service, and how sorry they was they had not time to come on and see you, but they was in a great hurry to go forwards, for they was going further down for a little while, but howsever, when they come back, they’d make sure to come and see you.”
“But did she tell you she was married, Thomas?”
“Yes, ma’am. She smiled, and said how she had changed her name since she was in these parts. She was always a very affable and free-spoken young lady, and very civil behaved. So, I made free to wish her joy.”
“Was Mr. Ferrars in the carriage with her?”
“Yes, ma’am, I just see him leaning back in it, but he did not look up;—he never was a gentleman much for talking.”
Elinor’s heart could easily account for his not putting himself forward; and Mrs. Dashwood probably found the same explanation.
“Was there no one else in the carriage?”
“No, ma’am, only they two.”
“Do you know where they came from?”
“They come straight from town, as Miss Lucy— Mrs. Ferrars told me.”
“And are they going farther westward?”
“Yes, ma’am—but not to bide long. They will soon be back again, and then they’d be sure and call here.”
Mrs. Dashwood now looked at her daughter; but Elinor knew better than to expect them. She recognised the whole of Lucy in the message, and was very confident that Edward would never come near them. She observed in a low voice, to her mother, that they were probably going down to Mr. Pratt’s, near Plymouth.
Thomas’s intelligence seemed over. Elinor looked as if she wished to hear more.
“Did you see them off, before you came away?”
“No, ma’am—the horses were just coming out, but I could not bide any longer; I was afraid of being late.”
“Did Mrs. Ferrars look well?”
“Yes, ma’am, she said how she was very well; and to my mind she was always a very handsome young lady—and she seemed vastly contented.”
Mrs. Dashwood could think of no other question, and Thomas and the tablecloth, now alike needless, were soon afterwards dismissed. Marianne had already sent to say, that she should eat nothing more. Mrs. Dashwood’s and Elinor’s appetites were equally lost, and Margaret might think herself very well off, that with so much uneasiness as both her sisters had lately experienced, so much reason as they had often had to be careless of their meals, she had never been obliged to go without her dinner before.
When the dessert and the wine were arranged, and Mrs. Dashwood and Elinor were left by themselves, they remained long together in a similarity of thoughtfulness and silence. Mrs. Dashwood feared to hazard any remark, and ventured not to offer consolation. She now found that she had erred in relying on Elinor’s representation of herself; and justly concluded that every thing had been expressly softened at the time, to spare her from an increase of unhappiness, suffering as she then had suffered for Marianne. She found that she had been misled by the careful, the considerate attention of her daughter, to think the attachment, which once she had so well understood, much slighter in reality, than she had been wont to believe, or than it was now proved to be. She feared that under this persuasion she had been unjust, inattentive, nay, almost unkind, to her Elinor;—
that Marianne’s affliction, because more acknowledged, more immediately before her, had too much engrossed her tenderness, and led her away to forget that in Elinor she might have a daughter suffering almost as much, certainly with less self-provocation, and greater fortitude.
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CHAPTER 48
Elinor now found the difference between the expectation of an unpleasant event, however certain the mind may be told to consider it, and certainty itself. She now found, that in spite of herself, she had always admitted a hope, while Edward remained single, that something would occur to prevent his marrying Lucy; that some resolution of his own, some mediation of friends, or some more eligible opportunity of establishment for the lady, would arise to assist the happiness of all. But he was now married; and she condemned her heart for the lurking flattery, which so much heightened the pain of the intelligence.
That he should be married soon, before (as she imagined) he could be in orders, and consequently before he could be in possession of the living, surprised her a little at first. But she soon saw how likely it was that Lucy, in her self-provident care, in her haste to secure him, should overlook every thing but the risk of delay. They were married, married in town, and now hastening down to her uncle’s. What had Edward felt on being within four miles from Barton, on seeing her mother’s servant, on hearing Lucy’s message!
They would soon, she supposed, be settled at Delaford.—Delaford,—that place in which so much conspired to give her an interest; which she wished to be acquainted with, and yet desired to avoid. She saw them in an instant in their parsonage-house; saw in Lucy, the active, contriving manager, uniting at once a desire of smart appearance with the utmost frugality, and ashamed to be suspected of half her economical practices;—pursuing her
own interest in every thought, courting the favour of Colonel Brandon, of Mrs. Jennings, and of every wealthy friend. In Edward—she knew not what she saw, nor what she wished to see;—happy or unhappy,—nothing pleased her; she turned away her head from every sketch of him.
Elinor flattered herself that some one of their connections in London would write to them to announce the event, and give farther particulars,—but day after day passed off, and brought no letter, no tidings. Though uncertain that any one were to blame, she found fault with every absent friend. They were all thoughtless or indolent.
“When do you write to Colonel Brandon, ma’am?” was an inquiry which sprung from the impatience of her mind to have something going on.
“I wrote to him, my love, last week, and rather expect to see, than to hear from him again. I earnestly pressed his coming to us, and should not be surprised to see him walk in today or tomorrow, or any day.”
This was gaining something, something to look forward to. Colonel Brandon must have some information to give.
Scarcely had she so determined it, when the figure of a man on horseback drew her eyes to the window. He stopt at their gate. It was a gentleman, it was Colonel Brandon himself. Now she could hear more; and she trembled in expectation of it. But—it was NOT Colonel Brandon—neither his air—nor his height. Were it possible, she must say it must be Edward. She looked again. He had just dismounted;—she could not be mistaken,—it WAS Edward. She moved away and sat down. “He comes from Mr. Pratt’s purposely to see us. I WILL be calm; I WILL be mistress of myself.”
In a moment she perceived that the others were likewise aware of the mistake. She saw her mother and Marianne change colour; saw them look at herself, and whisper a few sentences to each other. She would have given the world to be able to speak—and to make them understand that she hoped no coolness, no slight, would appear in their behaviour to him;—but she had no utterance, and was obliged to leave all to their own discretion.
Not a syllable passed aloud. They all waited in silence for the appearance of their visitor. His footsteps were heard along the gravel path; in a moment he was in the passage, and in another he was before them.
His countenance, as he entered the room, was not too happy, even for Elinor. His complexion was white with agitation, and he looked as if fearful of his reception, and conscious that he merited no kind one. Mrs. Dashwood, however, conforming, as she trusted, to the wishes of that daughter, by whom she then meant in the warmth of her heart to be guided in every thing, met with a look of forced complacency, gave him her hand, and wished him joy.
He coloured, and stammered out an unintelligible reply. Elinor’s lips had moved with her mother’s, and, when the moment of action was over, she wished that she had shaken hands with him too. But it was then too late, and with a countenance meaning to be open, she sat down again and talked of the weather.
Marianne had retreated as much as possible out of sight, to conceal her distress; and Margaret, understanding some part, but not the whole of the case, thought it incumbent on her to be dignified, and therefore took a seat as far from him as she could, and maintained a strict silence.
When Elinor had ceased to rejoice in the dryness of the season, a very awful pause took place. It was put an end to by Mrs. Dashwood, who felt obliged to hope that he had left Mrs. Ferrars very well. In a hurried manner, he replied in the affirmative.
Another pause.
Elinor resolving to exert herself, though fearing the sound of her own voice, now said,
“Is Mrs. Ferrars at Longstaple?”
“At Longstaple!” he replied, with an air of surprise.— “No, my mother is in town.”
“I meant,” said Elinor, taking up some work from the table, “to inquire for Mrs. EDWARD Ferrars.”
She dared not look up;—but her mother and Marianne both turned their eyes on him. He coloured, seemed perplexed, looked doubtingly, and, after some hesitation, said,—
“Perhaps you mean—my brother—you mean Mrs.—Mrs. ROBERT Ferrars.”
“Mrs. Robert Ferrars!”—was repeated by Marianne and her mother in an accent of the utmost amazement;—and though Elinor could not speak, even HER eyes were fixed on him with the same impatient wonder. He rose from his seat, and walked to the window, apparently from not knowing what to do; took up a pair of scissors that lay there, and while spoiling both them and their sheath by cutting the latter to pieces as he spoke, said, in a hurried voice,
“Perhaps you do not know—you may not have heard that my brother is lately married to—to the youngest—to Miss Lucy Steele.”
His words were echoed with unspeakable astonishment by all but Elinor, who sat with her head leaning over her work, in a state of such agitation as made her hardly know where she was.
“Yes,” said he, “they were married last week, and are now at Dawlish.”
Elinor could sit it no longer. She almost ran out of the room, and as soon as the door was closed, burst into tears of joy, which at first she thought would never cease. Edward, who had till then looked any where, rather than at her, saw her hurry away, and perhaps saw—or even heard, her emotion; for immediately afterwards he fell into a reverie, which no remarks, no inquiries, no affectionate address of Mrs. Dashwood could penetrate, and at last, without saying a word, quitted the room, and walked out towards the village—leaving the others in the greatest astonishment and perplexity on a change in his situation, so wonderful and so sudden;—a perplexity which they had no means of lessening but by their own conjectures.
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CHAPTER 49
Unaccountable, however, as the circumstances of his release might appear to the whole family, it was certain that Edward was free; and to what purpose that freedom would be employed was easily pre-determined by all;—for after experiencing the blessings of ONE imprudent engagement, contracted without his mother’s consent, as he had already done for more than four years, nothing less could be expected of him in the failure of THAT, than the immediate contraction of another.
His errand at Barton, in fact, was a simple one. It was only to ask Elinor to marry him;—and considering that he was not altogether inexperienced in such a question, it might be strange that he should feel so uncomfortable in the present case as he really did, so much in need of encouragement and fresh air.
How soon he had walked himself into the proper resolution, however, how soon an opportunity of exercising it occurred, in what manner he expressed himself, and how he was received, need not be particularly told. This only need be said;—that when they all sat down to table at four o’clock, about three hours after his arrival, he had secured his lady, engaged her mother’s consent, and was not only in the rapturous profession of the lover, but, in the reality of reason and truth, one of the happiest of men. His situation indeed was more than commonly joyful. He had more than the ordinary triumph of accepted love to swell his heart, and raise his spirits. He was released without any reproach to himself, from an entanglement which had long formed his
misery, from a woman whom he had long ceased to love;— and elevated at once to that security with another, which he must have thought of almost with despair, as soon as he had learnt to consider it with desire. He was brought, not from doubt or suspense, but from misery to happiness;—and the change was openly spoken in such a genuine, flowing, grateful cheerfulness, as his friends had never witnessed in him before.
His heart was now open to Elinor, all its weaknesses, all its errors confessed, and his first boyish attachment to Lucy treated with all the philosophic dignity of twenty-four.
“It was a foolish, idle inclination on my side,” said he, “the consequence of ignorance of the world—and want of employment. Had my brother given me some active profession when I was removed at eighteen from the care of Mr. Pratt, I think—nay, I am sure, it would never have happened; for though I left Longstaple with what I thought, at the time, a most unconquerable preference for his niece, yet had I then had any pursuit, any object to engage my time and keep me at a distance from her for a few months, I should very soon have outgrown the fancied attachment, especially by mixing more with the world, as in such case I must have done. But instead of having any thing to do, instead of having any profession chosen for me, or being allowed to chuse any myself, I returned home to be completely idle; and for the first twelvemonth afterwards I had not even the nominal employment, which belonging to the university would have given me; for I was not entered at Oxford till I was nineteen. I had therefore nothing in the world to do, but to fancy myself in love; and as my mother did not make my home in every respect comfortable, as I had no friend, no companion in my brother, and disliked new acquaintance, it was not unnatural for me to be very often at Longstaple, where I always felt myself at home, and was always sure of a welcome; and accordingly I spent the
greatest part of my time there from eighteen to nineteen: Lucy appeared everything that was amiable and obliging. She was pretty too—at least I thought so THEN; and I had seen so little of other women, that I could make no comparisons, and see no defects. Considering everything, therefore, I hope, foolish as our engagement was, foolish as it has since in every way been proved, it was not at the time an unnatural or an inexcusable piece of folly.”
The change which a few hours had wrought in the minds and the happiness of the Dashwoods, was such—so great— as promised them all, the satisfaction of a sleepless night. Mrs. Dashwood, too happy to be comfortable, knew not how to love Edward, nor praise Elinor enough, how to be enough thankful for his release without wounding his delicacy, nor how at once to give them leisure for unrestrained conversation together, and yet enjoy, as she wished, the sight and society of both.
Marianne could speak HER happiness only by tears. Comparisons would occur—regrets would arise;—and her joy, though sincere as her love for her sister, was of a kind to give her neither spirits nor language.
But Elinor—how are HER feelings to be described?— From the moment of learning that Lucy was married to another, that Edward was free, to the moment of his justifying the hopes which had so instantly followed, she was every thing by turns but tranquil. But when the second moment had passed, when she found every doubt, every solicitude removed, compared her situation with what so lately it had been,—saw him honourably released from his former engagement, saw him instantly profiting by the release, to address herself and declare an affection as tender, as constant as she had ever supposed it to be,—she was oppressed, she was overcome by her own felicity;—and happily disposed as is the human mind to be easily
familiarized with any change for the better, it required several hours to give sedateness to her spirits, or any degree of tranquillity to her heart.
Edward was now fixed at the cottage at least for a week;—for whatever other claims might be made on him, it was impossible that less than a week should be given up to the enjoyment of Elinor’s company, or suffice to say half that was to be said of the past, the present, and the future;—for though a very few hours spent in the hard labor of incessant talking will despatch more subjects than can really be in common between any two rational creatures, yet with lovers it is different. Between THEM no subject is finished, no communication is even made, till it has been made at least twenty times over.
Lucy’s marriage, the unceasing and reasonable wonder among them all, formed of course one of the earliest discussions of the lovers;—and Elinor’s particular knowledge of each party made it appear to her in every view, as one of the most extraordinary and unaccountable circumstances she had ever heard. How they could be thrown together, and by what attraction Robert could be drawn on to marry a girl, of whose beauty she had herself heard him speak without any admiration,—a girl too already engaged to his brother, and on whose account that brother had been thrown off by his family—it was beyond her comprehension to make out. To her own heart it was a delightful affair, to her imagination it was even a ridiculous one, but to her reason, her judgment, it was completely a puzzle.
Edward could only attempt an explanation by supposing, that, perhaps, at first accidentally meeting, the vanity of the one had been so worked on by the flattery of the other, as to lead by degrees to all the rest. Elinor remembered what Robert had told her in Harley Street, of his opinion of what
his own mediation in his brother’s affairs might have done, if applied to in time. She repeated it to Edward.
“THAT was exactly like Robert,”—was his immediate observation.—”And THAT,” he presently added, “might perhaps be in HIS head when the acquaintance between them first began. And Lucy perhaps at first might think only of procuring his good offices in my favour. Other designs might afterward arise.”
How long it had been carrying on between them, however, he was equally at a loss with herself to make out; for at Oxford, where he had remained for choice ever since his quitting London, he had had no means of hearing of her but from herself, and her letters to the very last were neither less frequent, nor less affectionate than usual. Not the smallest suspicion, therefore, had ever occurred to prepare him for what followed;—and when at last it burst on him in a letter from Lucy herself, he had been for some time, he believed, half stupified between the wonder, the horror, and the joy of such a deliverance. He put the letter into Elinor’s hands.
“DEAR SIR,
“Being very sure I have long lost your affections, I have thought myself at liberty to bestow my own on another, and have no doubt of being as happy with him as I once used to think I might be with you; but I scorn to accept a hand while the heart was another’s. Sincerely wish you happy in your choice, and it shall not be my fault if we are not always good friends, as our near relationship now makes proper. I can safely say I owe you no ill-will, and am sure you will be too generous to do us any ill offices. Your brother has gained my affections entirely, and as we could not live without one another, we
are just returned from the altar, and are now on our way to Dawlish for a few weeks, which place your dear brother has great curiosity to see, but thought I would first trouble you with these few lines, and shall always remain,
“Your sincere well-wisher, friend, and sister, “LUCY FERRARS.
“I have burnt all your letters, and will return your picture the first opportunity. Please to destroy my scrawls—but the ring with my hair you are very welcome to keep.”
Elinor read and returned it without any comment.
“I will not ask your opinion of it as a composition,” said Edward.—”For worlds would not I have had a letter of hers seen by YOU in former days.—In a sister it is bad enough, but in a wife!—how I have blushed over the pages of her writing!—and I believe I may say that since the first half year of our foolish—business—this is the only letter I ever received from her, of which the substance made me any amends for the defect of the style.”
“However it may have come about,” said Elinor, after a pause,—”they are certainly married. And your mother has brought on herself a most appropriate punishment. The independence she settled on Robert, through resentment against you, has put it in his power to make his own choice; and she has actually been bribing one son with a thousand a-year, to do the very deed which she disinherited the other for intending to do. She will hardly be less hurt, I suppose, by Robert’s marrying Lucy, than she would have been by your marrying her.”
“She will be more hurt by it, for Robert always was her favourite.—She will be more hurt by it, and on the same principle will forgive him much sooner.”
In what state the affair stood at present between them, Edward knew not, for no communication with any of his family had yet been attempted by him. He had quitted Oxford within four and twenty hours after Lucy’s letter arrived, and with only one object before him, the nearest road to Barton, had had no leisure to form any scheme of conduct, with which that road did not hold the most intimate connection. He could do nothing till he were assured of his fate with Miss Dashwood; and by his rapidity in seeking THAT fate, it is to be supposed, in spite of the jealousy with which he had once thought of Colonel Brandon, in spite of the modesty with which he rated his own deserts, and the politeness with which he talked of his doubts, he did not, upon the whole, expect a very cruel reception. It was his business, however, to say that he DID, and he said it very prettily. What he might say on the subject a twelvemonth after, must be referred to the imagination of husbands and wives.
That Lucy had certainly meant to deceive, to go off with a flourish of malice against him in her message by Thomas, was perfectly clear to Elinor; and Edward himself, now thoroughly enlightened on her character, had no scruple in believing her capable of the utmost meanness of wanton ill-nature. Though his eyes had been long opened, even before his acquaintance with Elinor began, to her ignorance and a want of liberality in some of her opinions—they had been equally imputed, by him, to her want of education; and till her last letter reached him, he had always believed her to be a well-disposed, good-hearted girl, and thoroughly attached to himself. Nothing but such a persuasion could have prevented his putting an end to an engagement, which, long before the discovery of it laid him open to his mother’s anger, had been a continual source of disquiet and regret to him.
“I thought it my duty,” said he, “independent of my feelings, to give her the option of continuing the engagement or not, when I was renounced by my mother, and stood to all appearance without a friend in the world to assist me. In such a situation as that, where there seemed nothing to tempt the avarice or the vanity of any living creature, how could I suppose, when she so earnestly, so warmly insisted on sharing my fate, whatever it might be, that any thing but the most disinterested affection was her inducement? And even now, I cannot comprehend on what motive she acted, or what fancied advantage it could be to her, to be fettered to a man for whom she had not the smallest regard, and who had only two thousand pounds in the world. She could not foresee that Colonel Brandon would give me a living.”
“No; but she might suppose that something would occur in your favour; that your own family might in time relent. And at any rate, she lost nothing by continuing the engagement, for she has proved that it fettered neither her inclination nor her actions. The connection was certainly a respectable one, and probably gained her consideration among her friends; and, if nothing more advantageous occurred, it would be better for her to marry YOU than be single.”
Edward was, of course, immediately convinced that nothing could have been more natural than Lucy’s conduct, nor more self-evident than the motive of it.
Elinor scolded him, harshly as ladies always scold the imprudence which compliments themselves, for having spent so much time with them at Norland, when he must have felt his own inconstancy.
“Your behaviour was certainly very wrong,” said she; “because—to say nothing of my own conviction, our relations
were all led away by it to fancy and expect WHAT, as you were THEN situated, could never be.”
He could only plead an ignorance of his own heart, and a mistaken confidence in the force of his engagement.
“I was simple enough to think, that because my FAITH was plighted to another, there could be no danger in my being with you; and that the consciousness of my engagement was to keep my heart as safe and sacred as my honour. I felt that I admired you, but I told myself it was only friendship; and till I began to make comparisons between yourself and Lucy, I did not know how far I was got. After that, I suppose, I WAS wrong in remaining so much in Sussex, and the arguments with which I reconciled myself to the expediency of it, were no better than these:— The danger is my own; I am doing no injury to anybody but myself.”
Elinor smiled, and shook her head.
Edward heard with pleasure of Colonel Brandon’s being expected at the Cottage, as he really wished not only to be better acquainted with him, but to have an opportunity of convincing him that he no longer resented his giving him the living of Delaford—”Which, at present,” said he, “after thanks so ungraciously delivered as mine were on the occasion, he must think I have never forgiven him for offering.”
NOW he felt astonished himself that he had never yet been to the place. But so little interest had be taken in the matter, that he owed all his knowledge of the house, garden, and glebe, extent of the parish, condition of the land, and rate of the tithes, to Elinor herself, who had heard so much of it from Colonel Brandon, and heard it with so much attention, as to be entirely mistress of the subject.
One question after this only remained undecided, between them, one difficulty only was to be overcome. They were brought together by mutual affection, with the warmest approbation of their real friends; their intimate knowledge of each other seemed to make their happiness certain—and they only wanted something to live upon. Edward had two thousand pounds, and Elinor one, which, with Delaford living, was all that they could call their own; for it was impossible that Mrs. Dashwood should advance anything; and they were neither of them quite enough in love to think that three hundred and fifty pounds a-year would supply them with the comforts of life.
Edward was not entirely without hopes of some favourable change in his mother towards him; and on THAT he rested for the residue of their income. But Elinor had no such dependence; for since Edward would still be unable to marry Miss Morton, and his chusing herself had been spoken of in Mrs. Ferrars’s flattering language as only a lesser evil than his chusing Lucy Steele, she feared that Robert’s offence would serve no other purpose than to enrich Fanny.
About four days after Edward’s arrival Colonel Brandon appeared, to complete Mrs. Dashwood’s satisfaction, and to give her the dignity of having, for the first time since her living at Barton, more company with her than her house would hold. Edward was allowed to retain the privilege of first comer, and Colonel Brandon therefore walked every night to his old quarters at the Park; from whence he usually returned in the morning, early enough to interrupt the lovers’ first tete-a-tete before breakfast.
A three weeks’ residence at Delaford, where, in his evening hours at least, he had little to do but to calculate the disproportion between thirty-six and seventeen, brought him to Barton in a temper of mind which needed all the improvement in Marianne’s looks, all the kindness of her
welcome, and all the encouragement of her mother’s language, to make it cheerful. Among such friends, however, and such flattery, he did revive. No rumour of Lucy’s marriage had yet reached him:—he knew nothing of what had passed; and the first hours of his visit were consequently spent in hearing and in wondering. Every thing was explained to him by Mrs. Dashwood, and he found fresh reason to rejoice in what he had done for Mr. Ferrars, since eventually it promoted the interest of Elinor.
It would be needless to say, that the gentlemen advanced in the good opinion of each other, as they advanced in each other’s acquaintance, for it could not be otherwise. Their resemblance in good principles and good sense, in disposition and manner of thinking, would probably have been sufficient to unite them in friendship, without any other attraction; but their being in love with two sisters, and two sisters fond of each other, made that mutual regard inevitable and immediate, which might otherwise have waited the effect of time and judgment.
The letters from town, which a few days before would have made every nerve in Elinor’s body thrill with transport, now arrived to be read with less emotion that mirth. Mrs. Jennings wrote to tell the wonderful tale, to vent her honest indignation against the jilting girl, and pour forth her compassion towards poor Mr. Edward, who, she was sure, had quite doted upon the worthless hussy, and was now, by all accounts, almost broken-hearted, at Oxford.— “I do think,” she continued, “nothing was ever carried on so sly; for it was but two days before Lucy called and sat a couple of hours with me. Not a soul suspected anything of the matter, not even Nancy, who, poor soul! came crying to me the day after, in a great fright for fear of Mrs. Ferrars, as well as not knowing how to get to Plymouth; for Lucy it seems borrowed all her money before she went off to be married, on purpose we suppose to make a show with, and
poor Nancy had not seven shillings in the world;—so I was very glad to give her five guineas to take her down to Exeter, where she thinks of staying three or four weeks with Mrs. Burgess, in hopes, as I tell her, to fall in with the Doctor again. And I must say that Lucy’s crossness not to take them along with them in the chaise is worse than all. Poor Mr. Edward! I cannot get him out of my head, but you must send for him to Barton, and Miss Marianne must try to comfort him.”
Mr. Dashwood’s strains were more solemn. Mrs. Ferrars was the most unfortunate of women—poor Fanny had suffered agonies of sensibility—and he considered the existence of each, under such a blow, with grateful wonder. Robert’s offence was unpardonable, but Lucy’s was infinitely worse. Neither of them were ever again to be mentioned to Mrs. Ferrars; and even, if she might hereafter be induced to forgive her son, his wife should never be acknowledged as her daughter, nor be permitted to appear in her presence. The secrecy with which everything had been carried on between them, was rationally treated as enormously heightening the crime, because, had any suspicion of it occurred to the others, proper measures would have been taken to prevent the marriage; and he called on Elinor to join with him in regretting that Lucy’s engagement with Edward had not rather been fulfilled, than that she should thus be the means of spreading misery farther in the family.— He thus continued:
“Mrs. Ferrars has never yet mentioned Edward’s name, which does not surprise us; but, to our great astonishment, not a line has been received from him on the occasion. Perhaps, however, he is kept silent by his fear of offending, and I shall, therefore, give him a hint, by a line to Oxford, that his sister and I both think a letter of proper submission from him, addressed perhaps to Fanny, and by her shewn to her mother, might not be taken amiss; for we all know the
tenderness of Mrs. Ferrars’s heart, and that she wishes for nothing so much as to be on good terms with her children.”
This paragraph was of some importance to the prospects and conduct of Edward. It determined him to attempt a reconciliation, though not exactly in the manner pointed out by their brother and sister.
“A letter of proper submission!” repeated he; “would they have me beg my mother’s pardon for Robert’s ingratitude to HER, and breach of honour to ME?—I can make no submission—I am grown neither humble nor penitent by what has passed.—I am grown very happy; but that would not interest.—I know of no submission that IS proper for me to make.”
“You may certainly ask to be forgiven,” said Elinor, “because you have offended;—and I should think you might NOW venture so far as to profess some concern for having ever formed the engagement which drew on you your mother’s anger.”
He agreed that he might.
“And when she has forgiven you, perhaps a little humility may be convenient while acknowledging a second engagement, almost as imprudent in HER eyes as the first.”
He had nothing to urge against it, but still resisted the idea of a letter of proper submission; and therefore, to make it easier to him, as he declared a much greater willingness to make mean concessions by word of mouth than on paper, it was resolved that, instead of writing to Fanny, he should go to London, and personally intreat her good offices in his favour.— “And if they really DO interest themselves,” said Marianne, in her new character of candour, “in bringing about a reconciliation, I shall think that even John and Fanny are not entirely without merit.”
After a visit on Colonel Brandon’s side of only three or four days, the two gentlemen quitted Barton together.— They were to go immediately to Delaford, that Edward might have some personal knowledge of his future home, and assist his patron and friend in deciding on what improvements were needed to it; and from thence, after staying there a couple of nights, he was to proceed on his journey to town.
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CHAPTER 50
After a proper resistance on the part of Mrs. Ferrars, just so violent and so steady as to preserve her from that reproach which she always seemed fearful of incurring, the reproach of being too amiable, Edward was admitted to her presence, and pronounced to be again her son.
Her family had of late been exceedingly fluctuating. For many years of her life she had had two sons; but the crime and annihilation of Edward a few weeks ago, had robbed her of one; the similar annihilation of Robert had left her for a fortnight without any; and now, by the resuscitation of Edward, she had one again.
In spite of his being allowed once more to live, however, he did not feel the continuance of his existence secure, till he had revealed his present engagement; for the publication of that circumstance, he feared, might give a sudden turn to his constitution, and carry him off as rapidly as before. With apprehensive caution therefore it was revealed, and he was listened to with unexpected calmness. Mrs. Ferrars at first reasonably endeavoured to dissuade him from marrying Miss Dashwood, by every argument in her power;—told him, that in Miss Morton he would have a woman of higher rank and larger fortune;—and enforced the assertion, by observing that Miss Morton was the daughter of a nobleman with thirty thousand pounds, while Miss Dashwood was only the daughter of a private gentleman with no more than THREE; but when she found that, though perfectly admitting the truth of her representation, he was by no means inclined to be guided by it, she judged it wisest, from the experience of
the past, to submit—and therefore, after such an ungracious delay as she owed to her own dignity, and as served to prevent every suspicion of good-will, she issued her decree of consent to the marriage of Edward and Elinor.
What she would engage to do towards augmenting their income was next to be considered; and here it plainly appeared, that though Edward was now her only son, he was by no means her eldest; for while Robert was inevitably endowed with a thousand pounds a-year, not the smallest objection was made against Edward’s taking orders for the sake of two hundred and fifty at the utmost; nor was anything promised either for the present or in future, beyond the ten thousand pounds, which had been given with Fanny.
It was as much, however, as was desired, and more than was expected, by Edward and Elinor; and Mrs. Ferrars herself, by her shuffling excuses, seemed the only person surprised at her not giving more.
With an income quite sufficient to their wants thus secured to them, they had nothing to wait for after Edward was in possession of the living, but the readiness of the house, to which Colonel Brandon, with an eager desire for the accommodation of Elinor, was making considerable improvements; and after waiting some time for their completion, after experiencing, as usual, a thousand disappointments and delays from the unaccountable dilatoriness of the workmen, Elinor, as usual, broke through the first positive resolution of not marrying till every thing was ready, and the ceremony took place in Barton church early in the autumn.
The first month after their marriage was spent with their friend at the Mansion-house; from whence they could superintend the progress of the Parsonage, and direct every thing as they liked on the spot;—could chuse papers, project
shrubberies, and invent a sweep. Mrs. Jennings’s prophecies, though rather jumbled together, were chiefly fulfilled; for she was able to visit Edward and his wife in their Parsonage by Michaelmas, and she found in Elinor and her husband, as she really believed, one of the happiest couples in the world. They had in fact nothing to wish for, but the marriage of Colonel Brandon and Marianne, and rather better pasturage for their cows.
They were visited on their first settling by almost all their relations and friends. Mrs. Ferrars came to inspect the happiness which she was almost ashamed of having authorised; and even the Dashwoods were at the expense of a journey from Sussex to do them honour.
“I will not say that I am disappointed, my dear sister,” said John, as they were walking together one morning before the gates of Delaford House, “THAT would be saying too much, for certainly you have been one of the most fortunate young women in the world, as it is. But, I confess, it would give me great pleasure to call Colonel Brandon brother. His property here, his place, his house, every thing is in such respectable and excellent condition!—and his woods!—I have not seen such timber any where in Dorsetshire, as there is now standing in Delaford Hanger!—And though, perhaps, Marianne may not seem exactly the person to attract him— yet I think it would altogether be advisable for you to have them now frequently staying with you, for as Colonel Brandon seems a great deal at home, nobody can tell what may happen—for, when people are much thrown together, and see little of anybody else—and it will always be in your power to set her off to advantage, and so forth;—in short, you may as well give her a chance—You understand me.”—
But though Mrs. Ferrars DID come to see them, and always treated them with the make-believe of decent affection, they were never insulted by her real favour and
preference. THAT was due to the folly of Robert, and the cunning of his wife; and it was earned by them before many months had passed away. The selfish sagacity of the latter, which had at first drawn Robert into the scrape, was the principal instrument of his deliverance from it; for her respectful humility, assiduous attentions, and endless flatteries, as soon as the smallest opening was given for their exercise, reconciled Mrs. Ferrars to his choice, and re-established him completely in her favour.
The whole of Lucy’s behaviour in the affair, and the prosperity which crowned it, therefore, may be held forth as a most encouraging instance of what an earnest, an unceasing attention to self-interest, however its progress may be apparently obstructed, will do in securing every advantage of fortune, with no other sacrifice than that of time and conscience. When Robert first sought her acquaintance, and privately visited her in Bartlett’s Buildings, it was only with the view imputed to him by his brother. He merely meant to persuade her to give up the engagement; and as there could be nothing to overcome but the affection of both, he naturally expected that one or two interviews would settle the matter. In that point, however, and that only, he erred;— for though Lucy soon gave him hopes that his eloquence would convince her in TIME, another visit, another conversation, was always wanted to produce this conviction. Some doubts always lingered in her mind when they parted, which could only be removed by another half hour’s discourse with himself. His attendance was by this means secured, and the rest followed in course. Instead of talking of Edward, they came gradually to talk only of Robert,—a subject on which he had always more to say than on any other, and in which she soon betrayed an interest even equal to his own; and in short, it became speedily evident to both, that he had entirely supplanted his brother. He was proud of his conquest, proud of tricking Edward, and very proud of marrying privately without his mother’s consent. What
immediately followed is known. They passed some months in great happiness at Dawlish; for she had many relations and old acquaintances to cut—and he drew several plans for magnificent cottages;—and from thence returning to town, procured the forgiveness of Mrs. Ferrars, by the simple expedient of asking it, which, at Lucy’s instigation, was adopted. The forgiveness, at first, indeed, as was reasonable, comprehended only Robert; and Lucy, who had owed his mother no duty and therefore could have transgressed none, still remained some weeks longer unpardoned. But perseverance in humility of conduct and messages, in self-condemnation for Robert’s offence, and gratitude for the unkindness she was treated with, procured her in time the haughty notice which overcame her by its graciousness, and led soon afterwards, by rapid degrees, to the highest state of affection and influence. Lucy became as necessary to Mrs. Ferrars, as either Robert or Fanny; and while Edward was never cordially forgiven for having once intended to marry her, and Elinor, though superior to her in fortune and birth, was spoken of as an intruder, SHE was in every thing considered, and always openly acknowledged, to be a favourite child. They settled in town, received very liberal assistance from Mrs. Ferrars, were on the best terms imaginable with the Dashwoods; and setting aside the jealousies and ill-will continually subsisting between Fanny and Lucy, in which their husbands of course took a part, as well as the frequent domestic disagreements between Robert and Lucy themselves, nothing could exceed the harmony in which they all lived together.
What Edward had done to forfeit the right of eldest son, might have puzzled many people to find out; and what Robert had done to succeed to it, might have puzzled them still more. It was an arrangement, however, justified in its effects, if not in its cause; for nothing ever appeared in Robert’s style of living or of talking to give a suspicion of his regretting the extent of his income, as either leaving his
brother too little, or bringing himself too much;—and if Edward might be judged from the ready discharge of his duties in every particular, from an increasing attachment to his wife and his home, and from the regular cheerfulness of his spirits, he might be supposed no less contented with his lot, no less free from every wish of an exchange.
Elinor’s marriage divided her as little from her family as could well be contrived, without rendering the cottage at Barton entirely useless, for her mother and sisters spent much more than half their time with her. Mrs. Dashwood was acting on motives of policy as well as pleasure in the frequency of her visits at Delaford; for her wish of bringing Marianne and Colonel Brandon together was hardly less earnest, though rather more liberal than what John had expressed. It was now her darling object. Precious as was the company of her daughter to her, she desired nothing so much as to give up its constant enjoyment to her valued friend; and to see Marianne settled at the mansion-house was equally the wish of Edward and Elinor. They each felt his sorrows, and their own obligations, and Marianne, by general consent, was to be the reward of all.
With such a confederacy against her—with a knowledge so intimate of his goodness—with a conviction of his fond attachment to herself, which at last, though long after it was observable to everybody else—burst on her—what could she do?
Marianne Dashwood was born to an extraordinary fate. She was born to discover the falsehood of her own opinions, and to counteract, by her conduct, her most favourite maxims. She was born to overcome an affection formed so late in life as at seventeen, and with no sentiment superior to strong esteem and lively friendship, voluntarily to give her hand to another!—and THAT other, a man who had suffered no less than herself under the event of a former attachment,
whom, two years before, she had considered too old to be married,—and who still sought the constitutional safeguard of a flannel waistcoat!
But so it was. Instead of falling a sacrifice to an irresistible passion, as once she had fondly flattered herself with expecting,—instead of remaining even for ever with her mother, and finding her only pleasures in retirement and study, as afterwards in her more calm and sober judgment she had determined on,—she found herself at nineteen, submitting to new attachments, entering on new duties, placed in a new home, a wife, the mistress of a family, and the patroness of a village.
Colonel Brandon was now as happy, as all those who best loved him, believed he deserved to be;—in Marianne he was consoled for every past affliction;—her regard and her society restored his mind to animation, and his spirits to cheerfulness; and that Marianne found her own happiness in forming his, was equally the persuasion and delight of each observing friend. Marianne could never love by halves; and her whole heart became, in time, as much devoted to her husband, as it had once been to Willoughby.
Willoughby could not hear of her marriage without a pang; and his punishment was soon afterwards complete in the voluntary forgiveness of Mrs. Smith, who, by stating his marriage with a woman of character, as the source of her clemency, gave him reason for believing that had he behaved with honour towards Marianne, he might at once have been happy and rich. That his repentance of misconduct, which thus brought its own punishment, was sincere, need not be doubted;—nor that he long thought of Colonel Brandon with envy, and of Marianne with regret. But that he was for ever inconsolable, that he fled from society, or contracted an habitual gloom of temper, or died of a broken heart, must not be depended on—for he did neither. He lived to exert,
and frequently to enjoy himself. His wife was not always out of humour, nor his home always uncomfortable; and in his breed of horses and dogs, and in sporting of every kind, he found no inconsiderable degree of domestic felicity.
For Marianne, however—in spite of his incivility in surviving her loss—he always retained that decided regard which interested him in every thing that befell her, and made her his secret standard of perfection in woman;—and many a rising beauty would be slighted by him in after-days as bearing no comparison with Mrs. Brandon.
Mrs. Dashwood was prudent enough to remain at the cottage, without attempting a removal to Delaford; and fortunately for Sir John and Mrs. Jennings, when Marianne was taken from them, Margaret had reached an age highly suitable for dancing, and not very ineligible for being supposed to have a lover.
Between Barton and Delaford, there was that constant communication which strong family affection would naturally dictate;—and among the merits and the happiness of Elinor and Marianne, let it not be ranked as the least considerable, that though sisters, and living almost within sight of each other, they could live without disagreement between themselves, or producing coolness between their husbands.
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The year 2000 in cinema was a turning point — a bold declaration that the new millennium was here to reshape storytelling and redefine the boundaries of genre and culture. While the world stood on the edge of a technological revolution, filmmakers unleashed a series of ambitious, provocative, and visually groundbreaking movies. These films not only entertained but also challenged audiences, reflecting societal anxieties and aspirations as the 21st century dawned.
From psychological thrillers to epic historical dramas and mesmerizing martial arts adventures, the films of the year 2000 are enduring cultural landmarks. They introduced us to unforgettable characters, explored timeless themes of ambition, power, and identity, and employed revolutionary cinematography. Directors and actors pushed the envelope, crafting works that remain highly influential in contemporary cinema.
The year 2000 wasn’t just about the beginning of a new era — it was about transformation. This was the year when Christian Bale transformed into a chilling Wall Street sociopath, Russell Crowe became a vengeful Roman gladiator, and Ang Lee brought wuxia martial arts to global audiences. Let’s explore the best movies that defined the new millennium and why they still resonate with film lovers today.
Keywords: year 2000 in cinema, new millennium movies, best movies of 2000, revolutionary films, cultural landmarks, cinematic transformation
Few films capture the dark heart of modern capitalism like American Psycho. Based on Bret Easton Ellis’s controversial novel, this 2000 adaptation saw Christian Bale give a haunting performance as Patrick Bateman, a wealthy Wall Street banker with a psychotic double life. The juxtaposition of 1980s excess with Bateman’s descent into bloodlust creates a satirical horror that’s as much a commentary on corporate greed as it is a psychological thriller. Directed by Mary Harron, the film pulls viewers into a world where appearances are deceptive, and morality is disturbingly fluid.
American Psycho remains a masterpiece of ambiguity. The unsettling balance between Bateman’s polished public persona and his chilling private horrors prompts audiences to question the veneer of success and civility. Critics have described it as a “nightmare of narcissism” and a biting critique of consumerist culture. As film scholar Mark Fisher noted, “Patrick Bateman embodies the hollowness of late capitalism, where identity is defined by brand names and status symbols.”
Keywords: American Psycho film, Patrick Bateman, Christian Bale, corporate greed, psychological thriller, Mary Harron, capitalism critique
The visual and narrative style of American Psycho broke conventions for psychological thrillers, combining horror with satire in an unprecedented way. The film’s sharp, unsettling dialogue and Bale’s nuanced performance turned Patrick Bateman into a symbol of unchecked privilege and moral decay. It questions whether society, in its relentless pursuit of wealth and power, has lost its moral compass altogether.
For those interested in deeper examinations of late-20th-century materialism, Bret Easton Ellis’s novel provides even more chilling detail, while Mary Harron’s adaptation remains a textbook case of how to translate such provocative material to the screen. The film challenges audiences to distinguish between reality and delusion, leaving an ambiguous, lasting impression.
Keywords: American Psycho adaptation, psychological horror, satire, late capitalism, moral ambiguity, Wall Street thriller
Ridley Scott’s Gladiator revitalized the historical epic genre with a raw, emotionally charged narrative. Russell Crowe’s portrayal of Maximus, a betrayed Roman general seeking vengeance, is both powerful and poignant. His journey from esteemed commander to enslaved gladiator captivated audiences and earned Crowe an Academy Award for Best Actor. At the heart of the film is the ruthless power struggle with Emperor Commodus, brought to life by the chilling performance of Joaquin Phoenix.
More than just a historical drama, Gladiator explores themes of honor, betrayal, and justice. The film’s stunning visuals, elaborate sets, and visceral battle scenes transport viewers to the glory and brutality of Ancient Rome. As scholar David W. Chapman writes, “In Gladiator, the grandeur of Rome serves as both a dream and a nightmare, reflecting mankind’s eternal struggle between freedom and tyranny.”
Keywords: Gladiator film, Russell Crowe, Ridley Scott, historical epic, Roman history, Joaquin Phoenix, honor and betrayal
The enduring legacy of Gladiator lies in its emotional depth and commitment to historical authenticity. Its timeless story of a fallen hero seeking justice struck a chord with audiences worldwide, making it one of the most celebrated films of the 21st century. The phrase “Are you not entertained?” became synonymous with the film’s exploration of violence as public spectacle — a sharp critique of both Roman and modern-day cultures.
For those fascinated by the intersection of history and cinema, Adrian Goldsworthy’s The Fall of the West provides further context on Rome’s decline. The film, with its blend of history and myth, continues to inspire discussions on leadership, legacy, and justice.
Keywords: Roman heroism, historical authenticity, cinematic legacy, Gladiator film critique, violence as spectacle
Ang Lee’s Crouching Tiger, Hidden Dragon elevated martial arts films to an unprecedented global stage. This elegantly choreographed tale of warriors, secrets, and lost love won four Academy Awards, including Best Foreign Language Film. Chow Yun-Fat and Michelle Yeoh delivered spellbinding performances, while Zhang Ziyi dazzled as a rebellious prodigy. The film’s ethereal visuals and gravity-defying fight sequences captivated audiences, seamlessly blending action with lyrical storytelling.
At its core, Crouching Tiger, Hidden Dragon is about restrained passion and the weight of destiny. The sword known as the Green Destiny becomes a symbol of ambition, honor, and forbidden desire. As scholar David Bordwell notes, “Ang Lee’s film transcends the wuxia genre, offering audiences a meditation on the costs of loyalty and the paths not taken.”
Keywords: Crouching Tiger, Hidden Dragon, Ang Lee, wuxia films, martial arts cinema, Green Destiny, Michelle Yeoh, Zhang Ziyi
Lee’s direction combines visual poetry with emotional depth, allowing the story to unfold with grace and intensity. The film’s exploration of unspoken desires and missed opportunities resonates universally, transcending cultural boundaries. Crouching Tiger, Hidden Dragon paved the way for future global successes like House of Flying Daggers and Hero, cementing the wuxia genre’s place in world cinema.
For further study, Stephen Teo’s Chinese Martial Arts Cinema provides an in-depth look at the genre’s evolution. Ang Lee’s masterpiece remains a testament to the power of visual storytelling and cross-cultural appeal.
Keywords: visual poetry, wuxia genre, emotional depth, Ang Lee direction, cultural impact, martial arts legacy
The year 2000 in film gave us stories that were bold, brutal, and beautiful. These movies not only defined the beginning of a new millennium but also left an indelible mark on cinematic history. Whether through psychological thrillers, historical epics, or martial arts fantasies, these films pushed boundaries and set new standards for storytelling.
Each film reflects deeper societal themes — the superficiality of wealth in American Psycho, the pursuit of justice in Gladiator, and the longing for freedom in Crouching Tiger, Hidden Dragon. As we look back, it’s clear that the year 2000 wasn’t just a year in film history; it was a launchpad for a new era of cinematic excellence.
Keywords: year 2000 films, cinematic history, new millennium movies, societal themes, storytelling excellence
Billy Elliot is a heartwarming story that challenges societal expectations and celebrates individuality. Set in a working-class mining town in Northern England during the 1984 miners’ strike, the film follows 11-year-old Billy, who discovers his passion for ballet amidst a culture of boxing and rigid masculinity. Jamie Bell delivers a stunning performance as the determined young dancer, supported by an equally compelling cast. Directed by Stephen Daldry, this film explores themes of identity, class struggle, and the transformative power of art.
Billy’s journey is one of courage and perseverance. Despite his father’s resistance and the scorn of his peers, Billy defies convention to pursue his dream. As film critic Roger Ebert remarked, Billy Elliot “is not just about dancing; it’s about the way art can lift us out of our circumstances and reveal our true selves.” The film’s poignant narrative resonates with anyone who has dared to challenge societal norms to follow their heart.
Keywords: Billy Elliot film, Jamie Bell, Stephen Daldry, ballet dancer, working-class struggles, miners’ strike, identity and art
The film’s portrayal of 1980s Britain is both gritty and hopeful. The miners’ strike serves as a powerful backdrop, highlighting the economic and social pressures of the time. Through Billy’s story, the film emphasizes the importance of self-expression and resilience. His determination to succeed in ballet, despite the odds, becomes a metaphor for breaking free from societal limitations.
For those interested in deeper socio-cultural analysis, Richard Hoggart’s The Uses of Literacy provides insight into working-class identity and aspirations. Billy Elliot remains a timeless reminder that passion and perseverance can overcome even the toughest circumstances.
Keywords: British cinema, working-class identity, ballet and masculinity, socio-cultural themes, passion and perseverance
When X-Men premiered in 2000, it redefined the superhero genre and laid the foundation for the modern comic book movie era. Directed by Bryan Singer, the film introduces us to a world where mutants — humans with extraordinary powers — are caught in a battle for acceptance. The story focuses on two opposing leaders: Professor Charles Xavier (played by Patrick Stewart), who believes in peaceful coexistence, and Magneto (Ian McKellen), who sees war as inevitable. In the midst of this conflict, Hugh Jackman made his debut as the iconic Wolverine.
X-Men addresses themes of prejudice, identity, and the fear of the unknown. The mutants’ struggle mirrors real-world social issues, making the film resonate on a deeper level. As film scholar Matt Yockey notes, “The X-Men franchise uses the mutant metaphor to explore societal anxieties around difference and discrimination.” This thoughtful approach elevated X-Men beyond standard superhero fare, giving it a rich narrative foundation that continues to influence the genre.
The visual effects, character-driven narrative, and dynamic performances set X-Men apart as a pioneering superhero film. Hugh Jackman’s portrayal of Wolverine brought a raw intensity to the character, making him one of the most beloved heroes in cinema. The film’s success led to an expansive franchise, paving the way for future Marvel hits and the broader superhero boom.
For further exploration, Sean Howe’s Marvel Comics: The Untold Story offers an in-depth look at the origins of these iconic characters. The X-Men series continues to be a cultural touchstone, reminding audiences of the importance of embracing diversity and fighting for justice.
Combining comedy, crime, and an empowering message, Miss Congeniality was a delightful surprise in the year 2000. Sandra Bullock stars as Gracie Hart, a no-nonsense FBI agent who goes undercover at a beauty pageant to thwart a potential terrorist attack. Gracie’s awkwardness and disdain for the pageant world provide ample comedic moments, but the film also explores themes of femininity, stereotypes, and self-acceptance. Directed by Donald Petrie, the film blends humor with a subtle critique of societal expectations placed on women.
What makes Miss Congeniality stand out is Bullock’s charismatic performance and the film’s ability to balance comedy with meaningful commentary. The film challenges the notion that femininity and strength are mutually exclusive. As film critic Lisa Schwarzbaum observed, “Beneath the laughs, Miss Congeniality offers a sly message about the value of authenticity in a world obsessed with appearances.”
Keywords: Miss Congeniality movie, Sandra Bullock, comedy crime films, undercover FBI agent, femininity and strength, beauty pageants
The film’s humor is matched by its heart, as Gracie’s journey becomes one of personal growth and self-acceptance. By the end, she learns that embracing femininity doesn’t diminish her strength — it enhances it. This message resonated widely, making Miss Congeniality a cultural touchstone for women breaking barriers in male-dominated fields.
For those interested in the intersection of gender and culture, Naomi Wolf’s The Beauty Myth offers insightful context on societal standards of beauty. Miss Congeniality remains a beloved film for its humor, charm, and underlying message that women can be both tough and glamorous.
Keywords: gender roles in film, comedy with social commentary, self-acceptance, beauty standards, women empowerment
The year 2000 offered a diverse range of films that reflected shifting cultural values and storytelling techniques. From the uplifting tale of a boy pursuing ballet in Billy Elliot to the groundbreaking superhero narrative of X-Men, and the comedic yet empowering journey in Miss Congeniality, these films showcased themes of identity, resilience, and transformation. Each story, in its own way, pushed audiences to rethink conventional norms.
These movies not only entertained but also provided commentary on class, prejudice, and gender roles. They remain relevant today, reminding us of cinema’s power to inspire, challenge, and reflect society. The year 2000 was a testament to film’s ability to blend artistry with meaning, setting the stage for the cinematic trends that would define the new millennium.
Keywords: year 2000 films, identity in cinema, cultural commentary, storytelling trends, cinematic artistry
Christopher Nolan’s Memento redefined the psychological thriller genre with its innovative, non-linear narrative. Guy Pearce delivers a riveting performance as Leonard Shelby, a man suffering from short-term memory loss, who is determined to solve his wife’s murder. The film’s structure — told in reverse chronology — keeps viewers disoriented, mirroring Leonard’s own fragmented reality. Using Polaroid photos, notes, and cryptic tattoos, Leonard pieces together clues to a mystery where trust is elusive, and reality is unreliable.
Memento is a masterclass in storytelling, challenging audiences to question the nature of memory, identity, and truth. The film explores how memories shape our perception of reality, and how easily that perception can be manipulated. As film scholar David Bordwell notes, “Memento forces us to engage with the slippery nature of recollection and the consequences of our own interpretations.” The film’s intricate plot and philosophical undertones make it a standout piece of cinema.
Keywords: Memento movie, Christopher Nolan, Guy Pearce, psychological thriller, non-linear narrative, memory loss, fragmented reality
The brilliance of Memento lies not just in its storytelling, but in its exploration of human psychology. Leonard’s desperate quest for justice becomes a meditation on the reliability of memory and the fallibility of the human mind. The film’s ending — or beginning, depending on your perspective — leaves viewers questioning what they’ve seen and the nature of truth itself.
For those intrigued by the psychological aspects of memory, Elizabeth Loftus’s The Myth of Repressed Memory offers a deeper dive into the science of recollection. Memento remains a powerful testament to how form and content can work in perfect harmony to craft a truly unforgettable cinematic experience.
Final Destination brought a fresh and chilling premise to the horror genre in 2000. Directed by James Wong, the film follows a group of students who cheat death after one of them, Alex (played by Devon Sawa), has a premonition of a plane crash. Although they escape the initial disaster, fate continues to stalk them, delivering gruesome and elaborate deaths. The film’s core concept — that death cannot be outrun — introduces an existential dread that resonated deeply with audiences.
This movie turned the horror genre on its head by making death itself the antagonist. Instead of a tangible killer, the invisible force of fate becomes the enemy, reinforcing a sense of inevitability. As critic Leonard Maltin described it, “Final Destination taps into our primal fear of mortality and randomness, reminding us that control is ultimately an illusion.” The film’s creative death sequences and relentless suspense made it a cult classic.
Keywords: Final Destination movie, James Wong, horror genre, fate and mortality, Devon Sawa, supernatural thriller
The chilling brilliance of Final Destination lies in its exploration of destiny and the illusion of control. The characters’ futile attempts to outsmart fate force viewers to confront their own mortality. This existential horror, combined with the film’s inventive suspense, turned it into a successful franchise that continued to explore the terrifying unpredictability of death.
For those interested in the philosophical implications of fate and free will, Thomas Nagel’s Mortal Questions offers thought-provoking insights. Final Destination remains a reminder that life’s fragility can be as frightening as any monster.
Keywords: fate vs. free will, horror philosophy, mortality themes, suspense horror, Final Destination franchise
Cast Away is a poignant survival drama that showcases Tom Hanks in one of his most iconic roles. Directed by Robert Zemeckis, the film tells the story of Chuck Noland, a FedEx executive stranded on a remote island after a plane crash. Isolated from civilization, Chuck grapples with the physical and psychological challenges of survival. Hanks delivers a masterful, largely wordless performance that captures the desperation, ingenuity, and resilience of a man facing absolute solitude.
The film goes beyond mere survival; it delves into themes of human connection, existential reflection, and the will to live. Chuck’s relationship with the volleyball “Wilson” highlights the innate human need for companionship. As Roger Ebert noted, “Cast Away is not just about a man stranded on an island — it’s about a man stripped to his core, confronting what truly matters in life.”
Keywords: Cast Away movie, Tom Hanks, Robert Zemeckis, survival drama, isolation, human connection, existential themes
The film’s brilliance lies in its simplicity and emotional depth. By stripping away the distractions of modern life, Cast Away forces viewers to ponder what is truly essential. Chuck’s eventual return to civilization is bittersweet, highlighting the profound transformation that isolation can impose. The film’s exploration of perseverance and hope resonates universally.
For those interested in survival psychology, Laurence Gonzales’s Deep Survival offers fascinating insights into the mindset required to overcome extreme adversity. Cast Away stands as a powerful testament to human resilience and the search for meaning in the face of overwhelming challenges.
Keywords: survival psychology, human resilience, isolation themes, overcoming adversity, emotional depth in film
The year 2000 delivered films that explored the complexities of the human experience through innovative storytelling and thought-provoking themes. From the psychological intricacies of memory in Memento, to the inescapable nature of fate in Final Destination, and the solitary resilience of survival in Cast Away, these movies captivated audiences with their depth and originality.
Each of these films leaves a lasting impact, inviting viewers to reflect on identity, mortality, and the essence of the human spirit. They are not just products of their time; they are enduring narratives that continue to influence modern cinema and spark meaningful conversations.
Keywords: year 2000 cinema, psychological depth, survival themes, fate in film, human experience in movies
Scary Movie burst onto the scene in 2000 as a genre-defining spoof that poked fun at the tropes of classic horror films. Directed by Keenen Ivory Wayans and starring Anna Faris in her breakout role as Cindy Campbell, the film parodies hits like Scream and I Know What You Did Last Summer. With over-the-top humor, ridiculous plot twists, and exaggerated horror clichés, Scary Movie became a cultural phenomenon and set the tone for a new wave of parody films.
What made Scary Movie exceptional was its ability to blend satire with absurdity while maintaining sharp comedic timing. The Wayans Brothers crafted a script that cleverly dissected the horror genre, exposing its predictable conventions. As film scholar Geoff King notes, “Parody films like Scary Movie reveal how genres evolve through self-awareness and cultural critique.” This self-referential humor ensured the film’s popularity among audiences who had grown familiar with horror formulas.
Beyond the laughs, Scary Movie set a template for modern spoof films by demonstrating that parody could be both ridiculous and culturally relevant. The film’s fearless approach to lampooning horror tropes resonated with audiences eager for a comedic take on a genre that often took itself too seriously. Its success spawned a franchise and cemented Anna Faris as a leading comedic actress.
For those exploring the art of satire, Linda Hutcheon’s A Theory of Parody offers valuable insight into how humor critiques and reshapes genres. Scary Movie remains a testament to how comedy can subvert expectations and offer a fresh perspective on familiar narratives.
Keywords: spoof movies, horror comedy, film satire, genre critique, Scary Movie franchise
Requiem for a Dream, directed by Darren Aronofsky, is a haunting exploration of addiction and the pursuit of unattainable dreams. Featuring powerful performances from Ellen Burstyn, Jennifer Connelly, and Jared Leto, the film tells the interconnected stories of four characters whose lives spiral into despair. Sara Goldfarb (Burstyn) becomes addicted to diet pills while chasing the illusion of television fame, while her son Harry (Leto) and his girlfriend Marion (Connelly) succumb to the horrors of heroin addiction. The film’s brutal realism and relentless pacing make it a visceral experience.
Aronofsky’s use of rapid-cut editing, split-screen techniques, and a chilling score by Clint Mansell intensifies the psychological impact. The film dissects the destructive nature of addiction, portraying how the characters’ aspirations crumble into delusion and despair. As film critic Peter Bradshaw stated, “Requiem for a Dream is a nightmarish vision of shattered hopes, amplified by an unrelenting sense of doom.” This unflinching narrative forces viewers to confront the grim realities of substance abuse and societal pressures.
Keywords: Requiem for a Dream, Darren Aronofsky, addiction in film, Ellen Burstyn, Jennifer Connelly, psychological drama, Clint Mansell score
The film’s portrayal of addiction as a relentless downward spiral leaves a lasting emotional impact. Sara’s obsession with superficial beauty and Harry’s descent into self-destruction illustrate the devastating cost of chasing illusions. The bleak yet poetic narrative serves as a cautionary tale, highlighting how societal expectations and personal insecurities can lead to ruin.
For deeper insight into addiction and its cultural portrayal, Gabor Maté’s In the Realm of Hungry Ghosts provides a compelling analysis. Requiem for a Dream remains a landmark film that exposes the fragility of human dreams when faced with the crushing weight of addiction.
Steven Soderbergh’s Traffic is a multi-layered drama that delivers a sobering examination of the American War on Drugs. Featuring a stellar ensemble cast, including Michael Douglas, Benicio del Toro, and Catherine Zeta-Jones, the film weaves together multiple storylines that explore drug trafficking from various perspectives. The narrative spans corrupt officials, desperate addicts, and relentless law enforcement officers, offering a panoramic view of a system overwhelmed by complexity and corruption. Del Toro’s performance as Mexican police officer Javier Rodriguez earned him an Academy Award for Best Supporting Actor.
What sets Traffic apart is its unflinching portrayal of systemic failures in the battle against drugs. Soderbergh uses distinct visual palettes to differentiate each storyline, enhancing the film’s documentary-like realism. As film scholar David Thomson observes, “Traffic shows the futility of a war fought on too many fronts, exposing the human cost behind policy decisions.” The film’s nuanced storytelling and gritty realism make it a critical touchstone for understanding the drug epidemic.
Keywords: Traffic movie, Steven Soderbergh, Benicio del Toro, War on Drugs, systemic corruption, drug trafficking, ensemble cast
Beyond its gripping narrative, Traffic challenges viewers to question the effectiveness of drug policies and the ethical dilemmas faced by those enforcing them. Each character’s struggle — whether as an enforcer, a victim, or a profiteer — highlights the pervasive nature of the drug trade. The film avoids easy answers, reflecting the ambiguity and tragedy of the real-world crisis.
For those interested in the socio-political aspects of the War on Drugs, Michelle Alexander’s The New Jim Crow offers a powerful critique of drug policies and systemic injustice. Traffic remains an essential exploration of a war that continues to shape lives and societies.
Keywords: drug policy critique, War on Drugs film, systemic injustice, socio-political drama, ethical dilemmas
The year 2000 produced a slate of films that delved into the depths of human experience, blending genres and challenging conventions. From the biting satire of Scary Movie to the harrowing descent of Requiem for a Dream and the gritty realism of Traffic, these films offered diverse perspectives on societal challenges, human frailty, and systemic failures. Each story, in its own way, forced audiences to confront uncomfortable truths while pushing the boundaries of storytelling.
These films endure not just for their entertainment value but for their ability to spark critical discussions. They underscore cinema’s power to reflect, critique, and question the world we inhabit, setting the tone for a new millennium of bold and thought-provoking filmmaking.
Keywords: year 2000 films, societal challenges, satire and realism, addiction, War on Drugs, film commentary
Erin Brockovich, directed by Steven Soderbergh, is a powerful drama based on the true story of a single mother who took on a major corporation and won. Julia Roberts delivers a career-defining, Oscar-winning performance as Erin, an unemployed mother who lands a job at a small law firm. Initially dismissed due to her lack of formal legal training, Erin’s tenacity and dedication lead her to uncover a cover-up involving contaminated groundwater that caused severe health issues in a California town. Her relentless pursuit of justice turns the case into one of the largest environmental lawsuits in U.S. history.
What makes Erin Brockovich compelling is its portrayal of grit, determination, and the fight for justice against corporate power. Erin’s bold, unorthodox methods and unwavering commitment to the truth remind us of the power of ordinary people to enact extraordinary change. As legal scholar Lawrence Friedman states, “The strength of the individual to challenge systemic injustice is a recurring and necessary theme in American legal culture.” The film’s focus on environmental justice and corporate accountability continues to resonate in an age where such issues remain critically relevant.
Keywords: Erin Brockovich, Julia Roberts, environmental lawsuit, Steven Soderbergh, corporate accountability, legal drama, real-life story
The film’s triumph lies in its emphasis on resilience and the power of perseverance. Erin’s personal struggles as a single mother add a human element to the legal battle, making her victory even more inspiring. The narrative underscores the importance of standing up for what’s right, even when the odds are stacked against you.
For readers interested in environmental justice, Jonathan Harr’s A Civil Action offers another gripping account of legal battles against corporate negligence. Erin Brockovich remains a shining example of how one individual’s resolve can bring about monumental change.
Keywords: perseverance, single mother, legal triumph, environmental justice, personal struggles, true story
Directed by Lars von Trier, Dancer in the Dark is a tragic musical drama starring Icelandic singer Björk in a raw, heart-wrenching performance as Selma. Selma, a Czech immigrant working in a factory, struggles to support her son while facing a degenerative eye condition that will eventually blind her. Her only solace is her love of musicals, which allows her to escape into a world of vibrant imagination. As Selma’s reality spirals into despair, the film explores themes of sacrifice, injustice, and the cruelty of fate.
Von Trier’s handheld camera work and gritty realism create an immersive, emotionally charged experience. The juxtaposition of grim reality with fantastical musical numbers highlights Selma’s coping mechanism against overwhelming hardship. As critic Roger Ebert observed, “Dancer in the Dark is a film of uncompromising vision, a stark reminder of how dreams and reality can tragically collide.” The raw emotional depth of Björk’s performance earned her the Best Actress Award at the Cannes Film Festival.
Keywords: Dancer in the Dark, Björk, Lars von Trier, tragic musical, sacrifice, injustice, factory worker, degenerative blindness
Beyond its heartbreaking narrative, Dancer in the Dark is a meditation on hope and despair. Selma’s willingness to sacrifice everything for her son’s future reflects the extremes of maternal love and personal resilience. The film’s devastating conclusion forces viewers to grapple with the harshness of fate and societal injustice.
For further exploration of film and music’s intersection, Claudia Gorbman’s Unheard Melodies examines how music shapes cinematic storytelling. Dancer in the Dark remains an unforgettable exploration of the fragility of hope in an unforgiving world.
Wong Kar-Wai’s In the Mood for Love is a masterpiece of romantic cinema, celebrated for its subtle storytelling and mesmerizing visuals. Starring Maggie Cheung and Tony Leung, the film is set in 1960s Hong Kong and follows two neighbors, Su Li-Zhen and Chow Mo-Wan, who discover that their spouses are having an affair. As they bond over shared betrayal, their relationship blossoms into an emotionally charged connection, restrained by societal norms and personal integrity. The film’s exquisite cinematography and lush color palette evoke a sense of melancholy and longing.
Wong Kar-Wai’s direction focuses on the unspoken — glances, silences, and fleeting touches — to convey profound emotions. The film captures the agony of love that cannot be, beautifully underscored by Shigeru Umebayashi’s haunting score. As film scholar David Bordwell notes, “Wong’s films express emotions not through grand gestures but through the poetry of everyday life.” In the Mood for Love is a testament to the power of subtlety and restraint in storytelling.
Keywords: In the Mood for Love, Wong Kar-Wai, Maggie Cheung, Tony Leung, romantic drama, unspoken love, 1960s Hong Kong
The film’s brilliance lies in its exploration of love, fidelity, and societal constraints. Su and Chow’s restrained relationship highlights the tension between desire and duty. Their unresolved longing leaves a bittersweet aftertaste, emphasizing that some loves remain eternally suspended in “what could have been.” This delicate portrayal resonates universally, reminding us of the complexities of the human heart.
For those interested in the art of subtle storytelling, David Bordwell’s Planet Hong Kong offers rich insights into Wong Kar-Wai’s cinematic techniques. In the Mood for Love remains a pinnacle of romantic drama and visual artistry.
The films of 2000 continued to push the boundaries of genre, storytelling, and emotional depth. From the fight for environmental justice in Erin Brockovich, to the heartbreaking sacrifice in Dancer in the Dark, and the restrained romance of In the Mood for Love, these films explore themes of love, resilience, and societal struggles. Each story resonates through powerful performances and masterful direction, reminding us of cinema’s ability to reflect the human condition.
These timeless narratives not only defined the new millennium but also continue to inspire and provoke thought. They are a testament to the enduring power of film as a medium for storytelling and social commentary.
Keywords: year 2000 films, emotional depth, resilience, love and sacrifice, storytelling mastery, cinema of the new millennium
M. Night Shyamalan’s Unbreakable is a thought-provoking thriller that reimagines the superhero genre through a psychological and suspenseful lens. Bruce Willis plays David Dunn, a man who miraculously survives a devastating train crash without a scratch. His life takes a mysterious turn when he meets Elijah Price (Samuel L. Jackson), a comic book aficionado with brittle bone disease who believes that David possesses superhuman abilities. This exploration of heroism and fragility brings a unique sense of realism to a genre typically known for fantasy.
Shyamalan’s signature use of subdued colors and deliberate pacing crafts a film that feels grounded, yet extraordinary. The dynamic between David and Elijah is fascinating, with Elijah’s obsession acting as a dark reflection of David’s reluctance to embrace his potential. As film critic Richard Corliss noted, “Unbreakable is a superhero film for adults, where powers and vulnerabilities are psychological as much as physical.” This deconstruction of the hero archetype adds layers of depth, making the film a standout in the genre.
Keywords: Unbreakable, Bruce Willis, M. Night Shyamalan, superhero thriller, psychological drama, Samuel L. Jackson, hero archetype
The film delves into themes of destiny, identity, and the burden of responsibility. David’s journey from disbelief to acceptance mirrors a deeper exploration of self-awareness. Elijah’s tragic perspective on life — viewing his condition as a necessary counterpart to David’s strength — adds complexity to their relationship. This interplay between vulnerability and invincibility makes Unbreakable a compelling philosophical inquiry into what makes someone truly heroic.
For readers interested in the psychology of heroism, Joseph Campbell’s The Hero with a Thousand Faces provides insights into mythological structures that underpin narratives like Unbreakable. Shyamalan’s film remains a landmark exploration of the superhero mythos.
Almost Famous, directed by Cameron Crowe, is a heartfelt coming-of-age drama that takes viewers on a nostalgic journey through the 1970s rock scene. The film follows Patrick Fugit as William Miller, a teenage music journalist who gets the chance of a lifetime when Rolling Stone hires him to tour with the fictional band Stillwater. As William navigates the highs and lows of life on the road, he discovers the complexities of fame, friendship, and self-discovery.
What makes Almost Famous so captivating is its authenticity, drawn from Crowe’s own experiences as a young journalist. The film is a love letter to the era’s music and culture, infused with humor, warmth, and melancholy. As critic A.O. Scott noted, “It captures the sweet, scary thrill of being young and in love with something bigger than yourself.” The standout performances by Kate Hudson as the free-spirited groupie Penny Lane and Billy Crudup as the band’s enigmatic guitarist add emotional depth to the narrative.
Keywords: Almost Famous, Cameron Crowe, coming-of-age, 1970s rock scene, music journalism, Patrick Fugit, Kate Hudson
At its core, Almost Famous is about finding one’s voice and the struggle between authenticity and fame. William’s journey is a poignant exploration of youthful idealism colliding with the gritty realities of the music industry. The film’s soundtrack, featuring iconic tracks from Led Zeppelin, Elton John, and The Who, enhances its emotional resonance.
For a deeper dive into rock culture and journalism, Lester Bangs’ anthology Psychotic Reactions and Carburetor Dung offers a raw, unfiltered perspective. Almost Famous remains a timeless tribute to music, youth, and the pursuit of passion.
Keywords: authenticity vs fame, rock journalism, music culture, youthful idealism, road adventure, iconic soundtrack
High Fidelity, directed by Stephen Frears and based on Nick Hornby’s novel, is a witty exploration of relationships, self-awareness, and the art of music fandom. John Cusack stars as Rob Gordon, a cynical record store owner navigating a personal crisis after his long-time girlfriend leaves him. In an attempt to understand his failures, Rob revisits his “Top Five” breakups, analyzing where things went wrong while leaning on music as his emotional compass. The film’s sharp dialogue, pop-culture references, and Rob’s frequent direct-to-camera monologues make it a relatable and engaging experience.
Music serves as both a refuge and a metaphor for Rob’s emotional state. His obsession with vinyl and curated playlists reflects his desire to categorize and control his chaotic personal life. As critic Roger Ebert remarked, “High Fidelity is about the life we think we want and the life we actually have, seen through the filter of the music we love.” The film’s exploration of nostalgia, heartbreak, and identity strikes a chord with anyone who’s ever used art to make sense of life’s messiness.
Keywords: High Fidelity, John Cusack, Stephen Frears, Nick Hornby, record store, relationships, music fandom, romantic comedy
Beneath its comedic surface, High Fidelity offers a candid look at emotional immaturity and the journey toward self-growth. Rob’s realizations about his flawed perspectives on love and commitment highlight the challenges of genuine connection. The film celebrates the messiness of real relationships, suggesting that true growth requires vulnerability and self-reflection.
For further reading on music and identity, Nick Hornby’s original novel High Fidelity offers deeper insights and humor. The film’s blend of romantic comedy and introspective drama ensures its place as a beloved exploration of life, love, and music.
Keywords: self-growth, emotional immaturity, romantic challenges, identity and music, introspective drama, personal reflection
The films Unbreakable, Almost Famous, and High Fidelity showcase the diversity of cinema in the year 2000. From psychological thrillers that deconstruct heroism to heartfelt tales of youthful discovery and witty explorations of love and identity, these movies capture a broad spectrum of human experience. Each film engages audiences through relatable themes, dynamic characters, and storytelling that transcends its genre.
These narratives highlight cinema’s power to reflect, entertain, and inspire. As we revisit these gems, we’re reminded that the early 2000s offered not just entertainment, but stories that continue to resonate deeply with audiences today.
Keywords: year 2000 cinema, psychological thrillers, coming-of-age, romantic comedy, storytelling diversity, human experience
Few comedies have mastered cringe-worthy awkwardness as brilliantly as Meet the Parents, directed by Jay Roach. Ben Stiller stars as Greg Focker, an earnest but perpetually unlucky nurse who is eager to impress his fiancée Pam’s family. Opposite him is Robert De Niro as Jack Byrnes, Pam’s suspicious, ex-CIA agent father who subjects Greg to a series of increasingly humiliating tests and trials. The movie’s humor stems from the clash between Greg’s desperation to fit in and Jack’s relentless skepticism, creating scenes of escalating tension and comedy gold.
The film’s comedic brilliance lies in its ability to make audiences squirm while laughing uncontrollably. De Niro’s deadpan delivery and Stiller’s frantic energy are a perfect match, offering a hilarious commentary on family dynamics and the pressure of approval. As film critic Roger Ebert noted, “Meet the Parents mines the terror of social acceptance and turns it into farce, reminding us of our own worst family meet-ups.” The film remains a quintessential comedy for anyone who’s ever faced the intimidating scrutiny of a partner’s family.
Keywords: Meet the Parents, Ben Stiller, Robert De Niro, Jay Roach, comedy, family dynamics, awkward humor, social acceptance
The film also explores themes of identity and authenticity. Greg’s struggle to win over Jack reflects a broader anxiety about societal expectations and personal worth. The humor, while exaggerated, resonates with anyone who has felt judged or misunderstood. Beneath the laughs, there’s an exploration of the human need for acceptance and the lengths we go to earn it. The film’s sequels, like Meet the Fockers, continued this exploration, cementing the story’s cultural relevance.
For readers interested in comedy’s role in exploring social anxieties, Steve Neale’s Genre and Hollywood offers valuable insights into the conventions and evolution of film comedy. Meet the Parents exemplifies how humor can be a lens for examining personal and societal pressures.
Keywords: identity, social expectations, personal worth, comedy and anxiety, film genre, cultural relevance
Amores Perros, directed by Alejandro González Iñárritu, is a gritty and emotional drama that marked a turning point for Mexican cinema and launched the international career of Gael García Bernal. The film weaves together three stories connected by a horrific car accident in Mexico City. Each narrative explores themes of love, betrayal, and violence, with the fate of a dog serving as a symbolic anchor for the unfolding tragedies. The raw, visceral storytelling captures the harsh realities of urban life and the complexity of human relationships.
The film’s title, which translates to Love’s a Bitch, reflects the dark and unforgiving nature of the stories. Iñárritu’s use of a nonlinear narrative creates a sense of chaos and interconnectedness, much like the sprawling city where the events unfold. Critics like David Ansen praised the film for its unflinching portrayal of desperation and passion, saying, “It reveals the fragility of human connection in a world where fate can shatter lives in an instant.” This combination of intensity, emotion, and gritty realism makes Amores Perros a landmark in modern cinema.
Keywords: Amores Perros, Alejandro González Iñárritu, Gael García Bernal, Mexican cinema, nonlinear narrative, urban life, human relationships
Beyond its intense narrative, Amores Perros is a meditation on the human condition, portraying characters who are trapped by circumstances and poor decisions. Each story — whether it’s Octavio’s dangerous love, Daniel’s collapsing marriage, or El Chivo’s quest for redemption — reveals the consequences of fractured dreams. The film’s cinematography, with its handheld shots and muted colors, immerses viewers in the characters’ turmoil.
For those who want to explore Latin American cinema further, Paul A. Schroeder Rodríguez’s Latin American Cinema: A Comparative History offers a detailed look at the region’s cinematic evolution. Amores Perros remains a compelling and poignant examination of fate and survival.
Keywords: human condition, fractured dreams, redemption, cinematography, Latin American cinema, survival, fate
Meet the Parents and Amores Perros showcase two vastly different yet equally powerful approaches to storytelling from the year 2000. While one uses comedy to explore the anxieties of family acceptance, the other employs gritty drama to dissect the harsh realities of love and fate. These films highlight cinema’s ability to reflect both the humor and the tragedy of the human experience.
Together, they demonstrate how diverse narratives can define an era, offering laughter and reflection in equal measure. Whether through awkward humor or raw emotion, these movies continue to resonate, reminding us of the power of storytelling to capture life’s complexities.
Keywords: storytelling diversity, comedy vs drama, human experience, film narratives, humor and tragedy, year 2000 cinema
Campbell, Joseph.The Hero with a Thousand Faces. Princeton University Press, 1949. A seminal work exploring the archetypal hero’s journey and mythological structures, relevant to films like Unbreakable.
Corliss, Richard. “Superheroes for Adults: Unbreakable.” Time Magazine, 2000. Insightful analysis on the psychological depth of Unbreakable and its deconstruction of superhero tropes.
Ebert, Roger.Roger Ebert’s Movie Yearbook 2002. Andrews McMeel Publishing, 2001. A comprehensive collection of Ebert’s reviews, including critiques on Meet the Parents, Almost Famous, and High Fidelity.
Hornby, Nick.High Fidelity. Riverhead Books, 1995. The original novel that inspired the film High Fidelity, offering sharp observations on music, relationships, and identity.
Neale, Steve.Genre and Hollywood. Routledge, 2000. A scholarly exploration of film genres, including insights on comedy and its role in addressing social anxieties.
Schroeder Rodríguez, Paul A.Latin American Cinema: A Comparative History. University of California Press, 2016. A detailed study on the evolution of Latin American cinema, relevant for understanding films like Amores Perros.
Scott, A.O. “In Almost Famous, It’s Only Rock ‘n’ Roll, and He’s Not Sure He Likes It.” The New York Times, 2000. A review highlighting the themes of youth, music, and identity in Almost Famous.
Ansen, David. “Love’s a Bitch: Amores Perros.” Newsweek, 2000. A critique of the gritty realism and narrative structure of Amores Perros.
Monaco, James.How to Read a Film: Movies, Media, and Beyond. Oxford University Press, 2009. A comprehensive guide to understanding film theory, narrative, and criticism.
Higson, Andrew.Film Europe and Film America: Cinema, Commerce, and Cultural Exchange 1920-1939. Indiana University Press, 1999. Provides historical context on cultural exchange and its influence on global cinema, useful for understanding international hits like Crouching Tiger, Hidden Dragon.
Bangs, Lester.Psychotic Reactions and Carburetor Dung. Edited by Greil Marcus, Anchor Books, 1987. A classic collection of rock journalism that complements the themes explored in Almost Famous.
Maltin, Leonard.Leonard Maltin’s Movie Guide 2000 Edition. Penguin, 1999. A reliable source for film summaries, reviews, and historical context for movies from the late 20th and early 21st centuries.
Cardullo, Bert.Screening the Stage: Studies in Cinedramatic Art. Peter Lang, 2006. Examines the intersection of theater and cinema, relevant to films like Billy Elliot and Dancer in the Dark.
Kawin, Bruce F.How Movies Work. University of California Press, 1992. A breakdown of film mechanics, useful for understanding narrative structure in films like Memento.
Thompson, Kristin, and David Bordwell.Film History: An Introduction. McGraw-Hill Education, 2018. A comprehensive overview of film history, including key developments in the year 2000.
This bibliography covers a range of critical, theoretical, and historical resources to deepen understanding of the films from the year 2000 and their broader cultural significance.
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The provided text is a transcript from an episode of The Lucy Show. The episode centers around Lucy Carmichael’s efforts to secure a lucrative bank account from a newly arrived, eccentric millionaire named Homer Higgins. To impress Higgins, Lucy and her boss, Mr. Mooney, visit Higgins and his down-to-earth kin, attempting to appear as fellow country folk. Ultimately, they invite Higgins and his relatives to a bank-sponsored hoedown in a comical attempt to finalize the business deal.
The Lucy Show: Study Guide
Quiz
What is Mr. Mooney upset about at the beginning of the episode?
Why is Lucy so eager to get the account of Homer Higgins?
Describe Homer Higgins’ initial reaction to banks and bankers.
What does Effie offer Mr. Mooney and Lucy when they first visit?
What surprising detail does Lucy learn about Homer Higgins’ finances?
How does Lucy attempt to bridge the gap between Homer Higgins’ expectations of a banker and Mr. Mooney’s actual persona?
What does Josh reveal about Mrs. Mooney’s past?
Why does Lucy suggest that Homer and his family visit the bank after hours?
What is Mr. Mooney’s initial reaction to the hoedown at the bank?
What talent does Mr. Cheever surprisingly demonstrate at the hoedown?
Quiz Answer Key
Mr. Mooney is upset because he learned at a meeting the previous night that their branch is lagging in getting new accounts, and it was suggested that the branch might be overstaffed, hinting at the possibility of him losing his job.
Lucy believes that Homer Higgins, with his estimated income exceeding five million dollars, would be a very large and valuable new account for the bank, potentially saving Mr. Mooney’s job and benefiting her as well.
Homer Higgins states that he doesn’t “cotton much to banks,” indicating a distrust or lack of interest in traditional banking institutions. He prefers to keep his money in boxes at home.
Effie offers Mr. Mooney and Lucy fried duck gizzards and hog lard, showcasing their country hospitality and unique culinary tastes.
Lucy is astonished to discover that Homer Higgins keeps large amounts of cash in boxes, both in his hotel suite and at home, rather than depositing it in a bank.
Lucy tries to convince Homer Higgins that Mr. Mooney is not a typical “big-city type banker” by emphasizing his down-to-earth country roots, claiming he grew up on a farm and that his family were all farmers.
Josh reveals that back in Cedar Creek County, Mrs. Mooney was a champion hog caller, explaining how she initially attracted Mr. Mooney’s attention.
Lucy suggests visiting the bank after hours and attending their weekly hoedown to create a more relaxed and informal setting where Homer and his family can meet Mr. Mooney and the bank staff in a non-traditional banking environment.
Mr. Mooney is clearly uncomfortable and bewildered by the hoedown, stating that in all his years of banking, he has never been involved in anything so “bizarre and outrageous.”
Mr. Cheever surprises everyone by enthusiastically participating in and calling the square dance at the hoedown, revealing a hidden talent for country-style entertainment.
Essay Format Questions
Analyze the cultural clash presented in this episode between the “country” sensibilities of Homer Higgins and the more “city” or formal expectations of the bank employees, particularly Mr. Mooney. How do the characters attempt to bridge this divide, and with what degree of success?
Discuss Lucy Carmichael’s role as a catalyst in the episode’s events. What are her motivations, and how effective are her strategies in trying to secure the Higgins account? Consider both her professional ambition and her relationship with Mr. Mooney.
Examine the humor in this episode. What are some of the primary sources of comedy, such as character interactions, dialogue, and situational irony? Provide specific examples from the text to support your analysis.
Consider the portrayal of stereotypes in the episode, particularly those related to rural versus urban life and the personality traits associated with different types of people (e.g., bankers, entertainers, country folk). To what extent are these stereotypes played upon or subverted?
Evaluate the significance of the hoedown scene as the climax of the episode. How does this event contribute to the plot’s resolution (or lack thereof)? What does it reveal about the characters and the potential for future relationships?
Glossary of Key Terms
Vice President: A high-ranking officer in a corporation or bank, responsible for a specific area of operations.
Inferring: To deduce or conclude information from evidence and reasoning rather than from explicit statements.
Penthouse Suite: The most luxurious and typically highest-located apartment in a hotel or residential building.
Carnation: A type of flower often worn as a boutonnière or used in floral arrangements.
Sassafras Tea: A beverage made from the roots or bark of the sassafras tree, known for its distinct flavor.
Hospitality: The friendly and generous reception and entertainment of guests, visitors, or strangers.
Folks: An informal term for people, often used in a rural or folksy context.
Cotton to: To take a liking to; to get along well with.
Howdy: A friendly, informal greeting, common in the Southern and Western United States.
Kin: One’s family and relatives.
Buckethouth: A derogatory term for someone who talks excessively or indiscreetly.
Hoedown: A social gathering with lively music and dancing, typically of a folk or country style.
Shindig: A lively party or celebration, often with dancing.
Calico: A plain-woven textile made from cotton, often printed with colorful patterns.
Sunday-go-to-meeting clothes: One’s best or most formal attire, typically worn for church or special occasions.
Square Dance: A type of folk dance in which four couples arranged in a square perform a sequence of movements called out by a caller.
Briefing Document: Analysis of “The Lucy Show” Excerpt
Date: October 26, 2023 Subject: Analysis of Themes and Key Plot Points in “The Lucy Show” Excerpt Source: Excerpts from “Pasted Text” (The Lucy Show)
Executive Summary:
This briefing document analyzes an excerpt from “The Lucy Show,” focusing on the introduction of a new, wealthy character (Homer Higgins) and Lucy Carmichael’s attempts to secure his substantial bank account for her struggling branch. The excerpt highlights themes of financial pressure, cultural clashes between rural and urban perspectives, Lucy’s characteristic entrepreneurial spirit and somewhat unorthodox methods, and the introduction of a colorful set of supporting characters. The narrative centers around Lucy’s efforts to bridge the gap between the seemingly unsophisticated Mr. Higgins and her more traditional banking boss, Mr. Mooney, often leading to humorous situations and misunderstandings.
Main Themes and Key Ideas:
Financial Pressure and the Need for New Accounts: The central driving force of the plot is the poor performance of Mr. Cheever’s bank branch and the direct pressure on Mr. Mooney to acquire new, significant accounts. Mr. Cheever explicitly states, “it was brought to my attention that our branch is lagging and they’re getting him new accounts it is yes and it was suggested that perhaps this branch was a bit over staffed one vice president to many and to be exact as a vice president I hope that you can read between the lines mr. Mooney.” This establishes the high stakes and Mooney’s desperation to improve the branch’s standing.
The Arrival of a Wealthy Outsider: Homer Higgins, a successful musician with an estimated income exceeding five million dollars, arrives in Los Angeles, immediately becoming a target for the financially strained bank. His character is presented as a naive but good-natured country boy, emphasizing a stark contrast with the urban setting and potentially sophisticated bankers.
Cultural Clash and Misunderstandings: The interaction between Lucy and the Higginses (Homer, his wife Annie, and her brother Effie) is rife with humorous cultural misunderstandings. Their down-to-earth language (“ain’t this pretty happy”), unique customs (offering “duck gizzards fried and hog lord”), and unfamiliarity with city life (“it looks like an awful big place to keep clean”) create comedic friction. Lucy’s attempts to bridge this gap and present a relatable image of her bank are central to the plot.
Lucy’s Entrepreneurial and Slightly Deceptive Approach: Driven by the need to save Mr. Mooney’s job (and by extension, likely her own), Lucy immediately identifies Mr. Higgins as a potential solution. She proactively seeks him out, feigning a social visit before revealing her business intentions. Her statement, “I’m going out I’ll be back as soon as I can but what about this work if mr. Mooney comes back and you’re not here won’t he be angry no not when he hears about the big new account I got lined up for him,” highlights her focus and willingness to bend the rules for a potentially significant gain.
Mr. Higgins’ Unconventional Banking Habits: The revelation that Mr. Higgins keeps his vast wealth in boxes (“in boxes you mean you mean all these boxes are full of money”) underscores his naivety regarding modern financial institutions and presents a significant challenge and opportunity for Lucy’s bank.
The Importance of Personal Connection: Mr. Higgins expresses a distrust of traditional banks (“frankly ma’am I don’t cotton much to banks”). He values personal connection and prefers dealing with people he perceives as being like him – “down-to-earth country folk.” This motivates Lucy to emphasize Mr. Mooney’s supposed rural roots and orchestrate a meeting in a less formal setting.
Introducing Colorful Supporting Characters: Annie and Effie Higgins contribute significantly to the comedic tone with their unique personalities and expressions. Effie’s odd comments (“you got hired the color of orange juice”) and Annie’s hospitality create memorable moments and further emphasize the cultural differences.
Mr. Mooney’s Initial Skepticism and Eventual Participation: Mr. Mooney is initially portrayed as stressed and demanding (“no you can’t have your coffee first you just got here now please get to work”). However, he becomes increasingly involved in Lucy’s plan, ultimately agreeing to attend the Higgins’ “hoedown” in an attempt to connect with them on a personal level. His comment, “in all my years of banking I have never been involved in anything so bizarre and outrageous,” reflects the unusual nature of Lucy’s approach.
The Hoedown as a Strategic Move: Lucy arranges for Mr. and Mrs. Mooney to attend a “hoedown” hosted by the Higginses’ friends, Josh and Irma, believing this informal gathering will help Mr. Mooney connect with Mr. Higgins on a cultural level. This highlights Lucy’s understanding of Mr. Higgins’ preferences and her willingness to go to unconventional lengths to secure his account.
Key Quotes:
Mr. Cheever’s dire warning to Mr. Mooney:“mr. Cheever sir are you inferring that unless I get some new town square congratulations at least you can read.”
Lucy’s optimistic ambition:“no not when he hears about the big new account I got lined up for him.”
Homer Higgins’ surprise at his accommodation:“ain’t this pretty happy well it looks like an awful big place to keep clean.”
Homer Higgins’ unconventional banking practice:“Oh I do ma’am I do in boxes.”
Homer Higgins’ preference for down-to-earth people:“no offense to you ma’am but I feel like a worm in hot ashes around them big city bankers…skin sounds like my kind of pole.”
Mr. Mooney’s bewildered reaction to the situation:“in all my years of banking I have never been involved in anything so bizarre and outrageous.”
Conclusion:
This excerpt from “The Lucy Show” effectively sets up a comedic premise centered around the clash of cultures and unconventional methods employed to achieve a crucial financial goal. Lucy’s proactive and somewhat chaotic approach, combined with the colorful personalities of the newly introduced characters, promises further humorous developments as she attempts to bridge the gap between the sophisticated world of banking and the down-to-earth sensibilities of Homer Higgins and his circle. The excerpt leaves the audience anticipating the success (or likely humorous failure) of Lucy’s unorthodox strategies.
Frequently Asked Questions about the Provided Text
1. What is the central conflict or problem presented in the initial office scene? The central conflict revolves around the pressure Mr. Mooney feels to acquire new accounts for the lagging branch and the implied threat of being deemed “one vice president too many.” He expresses his frustration and places the responsibility (and potential consequences) on his employees, specifically mentioning Mrs. Carmichael.
2. How does Lucy Carmichael attempt to secure a significant new client for the bank? Lucy overhears the news about Homer Higgins, a wealthy musician moving to town. Recognizing the potential for a large account, she impulsively goes to his hotel to introduce herself and solicit his banking business, even neglecting her regular work duties in the process.
3. What are Homer Higgins’ initial reactions and attitudes towards city life and banks? Homer and his family (wife Annie and brother-in-law Effie) are portrayed as somewhat naive and overwhelmed by the luxury of their penthouse suite in Los Angeles. Homer expresses a general distrust of banks, preferring to keep his considerable wealth in boxes at home.
4. How does Lucy try to bridge the cultural gap between the bank and Homer Higgins? Lucy attempts to appeal to Homer’s down-to-earth nature by suggesting that her boss, Mr. Mooney, is also from a rural background and would be someone Homer could relate to. She emphasizes Mr. Mooney’s farming roots and his family’s history in agriculture.
5. What is the unexpected event that Lucy orchestrates to further connect Mr. Mooney and the Higgins family? Lucy arranges for Mr. Mooney to attend a “hoedown” at the Higgins’ hotel suite after the bank closes. She hopes that this informal, country-style gathering will create a comfortable and relatable environment for Mr. Mooney to connect with Homer and secure his account.
6. How do the Higgins family members, Annie and Effie, contribute to the interaction with Lucy and Mr. Mooney? Annie and Effie are depicted as welcoming and hospitable, embodying a rural, folksy charm. They readily offer food and drink, share personal anecdotes, and generally create a warm and informal atmosphere that contrasts with the typical banking environment.
7. How does Mr. Mooney react to the unexpected social event and the Higgins family’s lifestyle? Mr. Mooney is initially taken aback by the unconventional situation and the Higgins’ country mannerisms, including taking off his shoes and eating unusual dishes. However, he gradually seems to adapt and participate in the hoedown, suggesting a potential willingness to connect with the Higgins on their terms for the sake of the large account.
8. What is the overall tone and comedic style of this excerpt? The excerpt employs a comedic style rooted in culture clash and character eccentricities. The humor arises from the juxtaposition of the sophisticated banking world with the naive charm of the Higgins family, Lucy’s impulsive schemes, and the reactions of characters like Mr. Mooney to unfamiliar situations. Slapstick and witty dialogue also contribute to the lighthearted tone.
Securing the Higgins Account: A Banking Narrative
The sources provide a narrative centered around the efforts of a bank, specifically represented by Mr. Mooney and Lucy Carmichael, to secure the large account of a wealthy individual, Homer Higgins.
Here are some key aspects of the banking business as portrayed in the sources:
Account Acquisition: A primary focus is on acquiring new accounts, particularly large ones. Mr. Cheever expresses concern that their branch is “lagging” and needs new accounts. Lucy takes the initiative to pursue Homer Higgins’ substantial income as a new account for her boss, Mr. Mooney. This highlights the competitive nature of the banking business and the pressure to grow the client base.
Relationship Banking: Lucy believes that a personal connection and understanding of Mr. Higgins’ background are crucial to securing his business. She emphasizes that Mr. Mooney is not a typical “big-city type banker” and comes from a similar rural background. This suggests an understanding of relationship banking, where building trust and rapport with clients is vital, especially for individuals who might be wary of formal financial institutions.
Addressing Client Concerns: Mr. Higgins expresses a general distrust of banks, stating he doesn’t “cotton much to banks” and prefers to keep his money in boxes. Lucy attempts to counter this by highlighting the benefits of banking, such as financial advice and investment opportunities, and by presenting Mr. Mooney as someone relatable to his “country folk” background. This demonstrates the need for bankers to address client reservations and tailor their approach to individual preferences.
Branch Performance and Staffing: Mr. Cheever’s remarks about the branch lagging and being “a bit over staffed” with “one vice president too many” indicate that branch performance is monitored, and staffing decisions are potentially linked to the ability to attract and retain business. This provides a glimpse into the internal management and pressures within a banking institution.
Marketing and Impression Management: The effort to introduce Mr. Mooney to Mr. Higgins in a social setting, such as a hoedown, and the emphasis on the bank being “as homey as gravy on a tablecloth” and its staff being “neighborly country reared folk” suggest a deliberate strategy to create a welcoming and trustworthy image for potential clients who might be more comfortable with a down-to-earth approach.
The Value of a Large Account: Mr. Mooney’s initial bewilderment at the “bizarre and outrageous” situation quickly shifts to an understanding that “the Higgins account is worth a little trouble sir”. This underscores the significant impact that a high-value client can have on a bank’s business and justifies the unusual efforts made to secure it.
Internal Accountability: Mr. Cheever’s final question, “if we don’t get the Higgins account well it was all mrs. Carmichael’s idea where is mrs. Mooney,” implies a level of accountability within the bank, where individuals who initiate client acquisition efforts might be held responsible for the outcome.
Overall, the sources depict the banking business as involving active client acquisition, the importance of understanding and addressing client needs and preferences, and the strategic use of relationship building and image management, all driven by the goal of securing profitable accounts. The narrative also hints at internal pressures related to branch performance and staffing.
Securing New Accounts: A Banking Imperative
Based on the sources and our previous discussion, the acquisition of new accounts is a central concern and a driving force behind the events depicted.
Necessity for Growth: The sources clearly establish the importance of securing new accounts for the bank’s success. Mr. Cheever explicitly states that their branch is “lagging” and needs “new accounts”. This highlights that the growth and stability of the banking business are directly linked to its ability to attract new clients.
High-Value Targets: The pursuit of Homer Higgins’ account, with his estimated income exceeding five million dollars, exemplifies the banking industry’s focus on acquiring high-value clients. This suggests that securing large accounts is particularly prized due to their potential impact on the bank’s overall performance and profitability. Lucy recognizes the significance of this potential “big new account” and takes it upon herself to pursue it.
Strategies for Acquisition: The narrative showcases various strategies employed to attract new clients, particularly Mr. Higgins.
Personal Connection and Relationship Building: Lucy believes that connecting with Mr. Higgins on a personal level, emphasizing Mr. Mooney’s similar background (“down-to-earth country folk”), is key to overcoming his initial reluctance towards banks. This underscores the importance of relationship banking in acquiring new customers, especially those who might be wary of traditional financial institutions.
Addressing Concerns: Lucy actively tries to counter Mr. Higgins’ skepticism about banks by explaining the benefits of financial services like investment advice. This highlights the need to understand and address potential clients’ concerns when trying to secure their business.
Creating a Favorable Impression: The efforts to portray the bank as “as homey as gravy on a tablecloth” and its staff as “neighborly country reared folk”, along with the unusual step of inviting Mr. Higgins to a hoedown, demonstrate a deliberate strategy of marketing and impression management aimed at making the bank more appealing to him.
Impact on Internal Dynamics: The urgency surrounding the acquisition of new accounts is also shown to influence internal dynamics within the bank. Mr. Cheever’s veiled threat about potential staff reductions (“one vice president to many”) if new business isn’t secured indicates that the ability to bring in new accounts directly affects job security and potentially branch staffing decisions. His later remark about Mrs. Carmichael being responsible if they don’t get the Higgins account points to internal accountability related to new account acquisition.
Valuing a Significant Account: Mr. Mooney’s eventual understanding that “the Higgins account is worth a little trouble” emphasizes the substantial value that a major new client can bring to the bank, justifying the unconventional methods employed to secure it.
In summary, the sources depict the active and often unconventional efforts involved in the banking business to acquire new accounts, particularly high-value ones. These efforts involve building relationships, addressing client concerns, managing the bank’s image, and can have significant implications for both the bank’s performance and its internal operations.
Homer Higgins: A Key Banking Opportunity
Based on the sources, Homer Higgins is a significant individual due to his substantial wealth and status as a potential new account for the Westland Bank. He is a prominent figure in the music industry, with his income this year estimated to exceed five million dollars. This considerable wealth makes him a highly desirable client for Mr. Mooney’s branch, as emphasized in our previous discussions about the necessity of acquiring new, especially high-value, accounts [You].
Here are key aspects of Homer Higgins as portrayed in the sources:
Wealth and Profession: He is a successful figure in the music industry, earning over five million dollars in the current year. He is not only a singer and recording artist but also writes his own songs. This musical talent and financial success are the primary reasons why Lucy Carmichael targets him as a potential client for the bank.
Background and Demeanor: Homer Higgins is depicted as a “harbor country boy” recently arrived in Los Angeles. He is accompanied by his wife Annie and her brother Effie. His interactions and language suggest a down-to-earth, possibly rural background, as seen in his initial reaction to the penthouse suite (“awful big place to keep clean”) and his preference for “duck gizzards”. He expresses a general distrust of “big city bankers” and seems more comfortable with “down-to-earth country folk”. This aligns with the concept of addressing client concerns we discussed earlier [You], as Lucy attempts to bridge this gap by presenting Mr. Mooney as someone from a similar background.
Skepticism Towards Banks: Mr. Higgins explicitly states, “frankly ma’am I don’t cotton much to banks” and reveals he keeps his money “in boxes” at home. This highlights a key challenge in acquiring his account and underscores the importance of relationship banking and addressing client reservations, which we previously discussed [You]. Lucy attempts to counter this skepticism by explaining the benefits of banking services.
Openness to Connection: Despite his initial distrust, Mr. Higgins shows a willingness to engage with Lucy and expresses a preference for bankers who are “real down-to-earth country folk”. He is also receptive to meeting Mr. Mooney if Lucy brings him over for a “howdy in a handshake”. This openness provides an opportunity for the bank to build a relationship with him, which is a crucial strategy for new account acquisition [You].
Social Inclinations: Homer and his family readily accept Lucy and Mr. Mooney’s invitation to a hoedown, indicating a friendly and social nature. This social interaction becomes a key part of the bank’s strategy to build rapport and secure his business, further illustrating the importance of creating a favorable impression, as we previously noted [You].
In conclusion, Homer Higgins represents a significant potential asset for the Westland Bank due to his substantial income. However, his background and initial distrust of banks necessitate a personalized approach focused on building trust and rapport, aligning with the principles of relationship banking discussed earlier [You]. The bank’s efforts to connect with him on a personal level, emphasizing shared backgrounds and creating a welcoming atmosphere, are all aimed at overcoming his skepticism and securing his valuable account.
Country Folk and Westland Bank’s Strategy
Based on the sources and our conversation history, the concept of “country folk” plays a significant role in the narrative, particularly in the Westland Bank’s efforts to secure Homer Higgins’ substantial account.
Here’s a breakdown of how “country folk” and related ideas are presented:
Homer Higgins and his Entourage: Mr. Higgins and his family, including his wife Annie and her brother Effie, are explicitly or implicitly portrayed as “country folk”. Their dialogue, reactions, and preferences suggest a rural background. For example, Annie remarks that the penthouse is an “awful big place to keep clean”, and Effie offers “duck gizzards” and “hog jowl” as food. Their comfort at the hoedown also aligns with a more rural, community-oriented lifestyle. Mr. Higgins himself is described as a “harbor country boy”.
Lucy’s Strategy: Lucy Carmichael strategically emphasizes Mr. Mooney’s connection to “down-to-earth country folk” when trying to persuade Mr. Higgins to consider their bank. She explicitly states that Mr. Mooney “comes from real down-to-earth country folk,” grew up on a farm, and that “all his kin were farmers”. Lucy believes this shared background will make Mr. Mooney more relatable and trustworthy to Mr. Higgins, who expresses a distrust of “big city bankers”. This directly connects the idea of being “country folk” to the strategy of relationship banking and addressing client concerns, which we discussed previously [You].
The Bank’s Image: The Westland Bank actively tries to cultivate an image that appeals to individuals like Mr. Higgins by presenting itself as being “as homey as gravy on a tablecloth” and its staff as “neighborly country reared folk”. This is a deliberate effort to counter the perception of banks as impersonal and intimidating, particularly for those with a rural background. This aligns with the concept of marketing and impression management in new account acquisition that we previously discussed [You].
Social Gatherings: The hoedown is presented as a typical social event for “folks like to have a little get-together”. Inviting Mr. Higgins and his family to this event is a tactic to further build rapport and connect with them on a personal level, reinforcing the idea that the bank and its people share similar values and social norms with “country folk.” This again highlights the importance of creating a favorable impression to secure new accounts [You].
Overcoming Skepticism: Mr. Higgins’ initial reluctance towards banks stems from a perception of them as “big city” institutions. Lucy attempts to overcome this by emphasizing the “country” roots of Mr. Mooney and the “homey” nature of the bank, suggesting that it is not like those he distrusts. This underscores how understanding and addressing the specific concerns of potential clients, particularly those rooted in their background and experiences as “country folk,” is crucial in acquiring new accounts [You].
In conclusion, the portrayal of “country folk” in the sources is central to the plot, particularly in the context of attracting Homer Higgins’ valuable account. His own background as a “country boy” and his preference for dealing with similar individuals drive Lucy’s strategy to present Mr. Mooney and the bank itself as relatable and trustworthy by emphasizing their down-to-earth, “country” qualities. The hoedown further serves as a way to connect with Mr. Higgins on a social level that aligns with the perceived lifestyle and preferences of “country folk.”
Westland Bank Hoedown: Securing Homer Higgins’ Account
Based on the sources and our conversation history, the evening hoedown is a significant social event strategically utilized by Lucy Carmichael and others at the Westland Bank to cultivate a relationship with Homer Higgins and secure his valuable account [5, 6, You].
Here’s a breakdown of the key aspects of the hoedown:
Purpose of the Hoedown: The hoedown serves as an informal gathering where “country folks like to have a little get-together”. For Lucy and the bank, it represents a key element in their strategy to connect with Homer Higgins on a personal level by creating a relaxed and familiar environment [5, You]. It’s a deliberate effort to build rapport and make him feel comfortable with the people associated with the Westland Bank, aligning with our previous discussion about the importance of relationship banking in acquiring new accounts [You].
Timing and Location: The hoedown is scheduled to take place tonight after the bank is closed. This timing suggests it’s an after-hours, social event separate from formal banking hours, further emphasizing its role in building personal connections. It is implied to be held by Josh and Effie, given Josh’s invitation. The proximity of the Westland Bank being “right down the street” makes it convenient for Mr. Mooney and Lucy to attend after their workday.
Attendees: The invitation is extended to Mr. and Mrs. Mooney and Lucy Carmichael. Josh specifically states he knows “old Josh would love to have you join us,” indicating Homer Higgins and his family, Annie and Effie, are expected to be there. Source 6 confirms the presence of Homer Higgins and his family, as well as Mr. Mooney and Lucy. Interestingly, Mr. Cheever also attends the hoedown.
Activities: The hoedown involves traditional social activities associated with “country folk,” including square dancing and singing. Source 6 mentions “dancing” and “singing,” indicating a lively and participatory atmosphere. Irma, Mr. Mooney’s wife, is revealed to be a “champion home caller” and leads the square dancing. This unexpected skill further reinforces the “country” image that Lucy is trying to project for the bank and its people to appeal to Homer Higgins [3, 4, You].
Strategic Significance: The hoedown directly supports the bank’s efforts to present itself as being “as homey as gravy on a tablecloth” and its staff as “neighborly country reared folk” [5, You]. By participating in this social event, Mr. and Mrs. Mooney and Lucy aim to demonstrate that they share similar cultural values and social norms with Homer Higgins and his family [3, 4, You]. This is a crucial step in overcoming Mr. Higgins’ initial skepticism towards “big city banks” and building the trust necessary to secure his substantial account [3, You]. Mr. Mooney’s presence and his wife’s active participation as the square dance caller are particularly significant in demonstrating a connection to the “country” lifestyle that Mr. Higgins seems to value.
In conclusion, the evening hoedown is not just a casual social gathering but a carefully orchestrated event that plays a vital role in the Westland Bank’s strategy to acquire Homer Higgins’ account. It leverages the shared cultural background and social preferences associated with “country folk” to build personal connections and foster trust, aligning directly with the principles of relationship banking and impression management we have previously discussed [You]. The participation of Mr. Mooney and, especially, his wife, is key to demonstrating the down-to-earth, “country” image the bank is trying to cultivate.
The Lucy Show – Season 5, Episode 21: Lucy and Tennessee Ernie Ford (HD Remastered)
The Original Text
[Music] [Applause] the Lucy show starring Lucille Ball [Applause] sorry Gordon [Music] [Applause] [Music] well pleasant surprise mrs. Carmichael and how did we manage to get to work on time for once well I think my clocks broken I’ll get to work on these right away please well can I have my coffee first no you can’t have your coffee first you just got here now please get to work just work yes sir yes sir what is that thing doing here well you see mr. Mooney when I was in high school I always played the radio while I did my homework and and and and now that it’s it’s hard for me to concentrate it was so much quiet going on I didn’t know they had radios when you went to high school you keep that thing off and you get to work oh good morning mr. Cheever hi Sam not very well oh what’s wrong sir well it’s the meeting last night it was brought to my attention that our branch is lagging and they’re getting him new accounts it is yes and it was suggested that perhaps this branch was a bit over staffed one vice president to many and to be exact as a vice president I hope that you can read between the lines mr. Mooney mr. Cheever sir are you inferring that unless I get some new town square congratulations at least you can read oh I’ve never seen him so upset how does he expect me to get new accounts dragged people in off the streets I don’t know why he blames me for everything that goes on around here well I wouldn’t worry about it were you worried about you just remember if I go you go I’ll be in my office I don’t want to be disturbed you Homer Higgins fans Hobart is about to become a California citizen he arrives in town this morning and will check into the penthouse suite of the luxurious Palm Garden hotel now that’s even pretty high in a harbor country boy and he should be hard because the music industry has estimated that homers income this year will exceed five million dollars Wow and I was right dottie I’m going out I’ll be back as soon as I can but what about this work if mr. Mooney comes back and you’re not here won’t he be angry no not when he hears about the big new account I got lined up for him this way [Music] [Applause] well if this don’t beat all I hope you will find this suite satisfactory ain’t this pretty happy well it looks like an awful big place to keep clean why didn’t we take that little room we was just in that was the elevator this penthouse apartment gives you a magnificent view overlooking Los Angeles have mercy on us all on the clear day you can see Catalina well from what I hear that’s a mighty rare sight Catalina know a clear day in Los Angeles Annie ting yes oh oh I know no thank you but just a minute just a minute I hope you enjoy your stay hold on there just a minute you’ve been awful nice to us and if he give this nice man some of your duck gizzards they’re awful good fried and hog lord oh and by the way at the end of the week take out what we owe you yes sir oh by the way if there’s any left why treat your carnation to a sack of fertilized [Music] [Applause] [Music] hello mr. Higgins I I heard on the radio that you were moving here today and I thought I’d stop by and welcome you and well ain’t that nice Effie oh it sure is come in and make yourself to home yes come on in I want you to meet my kin folks God has come this is this is my wife Annie hello howdy and that’s her brother yessum he was born ahead of her and his folks call him if he cuz if he was a girl he was gonna name him happy oh how do you do glad to meet you if he my name is Lucy Lucy Carmichael I miss Lucy gee you got hired the color of orange juice orange juice yeah and I bet a girl as pretty as you must get squeezed alive only when the bus is crowded well since he’s pet skunk died last year he’s gotten girl minded thank you go right ahead oh if he come on he unpack vomits Lucy boy that boys about as useful as a milk bucket under a bull would you like some epic sassafras tea well thank you but before I accept your hospitality mr. Higgins I I think I should explain that my visit is not entirely social it is not no not exactly you see well the truth is well what I’m trying to say is if well why don’t you stop spitting on the handle and get to holding how’s that say what you come to say man oh oh well you see uh I really came here to talk business I worked for a bank mr. Higgins and well I I came to see if we could handle your account well frankly ma’am I don’t cotton much to banks oh well mr. Higgins banks are very necessary especially to a man with your income you know a bank offers advice on financial investments and well I just think a person should put his money into something oh I do ma’am I do in boxes you mean you mean all these boxes are full of money yes ma’am Oh Oh for heaven’s sake you mean you you carry your money around with you all the time well not all of it ma’am I had to leave a whole mess of it at home we run out of boxes Oh mr. Higgins my you you certainly make a lot of money with your singing and your records and you know I also write all my own song you do yes ma’am you want to see me make up a folk song about you right now just like that well I sure would all righty bye I didn’t know you compose your own song fell in love with a pink haired girl fell in love the pink haired girl fell in love with the pink haired girl she fell in love with me yeah oh it’s very clever well a clash line didn’t come too easy well you were the inspiration oh facts ever a hit uh-oh your favorite oh well the the biggest favor you could do for me miss Higgins is let me introduce you to my boss mr. Mooney he’s the banker I work for no offense to you ma’am but I feel like a worm in hot ashes around them big city bankers mr. moon he’s not a big-city type banker he he comes from real down-to-earth country folk he does yeah yeah he grew up on a farm and and and all his kin were farmers and all his kin skin sounds like my kind of pole oh I just know that mr. Mooney is a type of banker that you cotton to I tell you what you do you bring this mr. Mooney over here so that we at least have a howdy in a handshake Oh wonderful thank you mr. Higa I’ll bring him over right away and I just know that you and mr. Mooney are gonna hit it off like two pigs in a poke [Applause] [Music] Diggins I’d like you to meet my boss mr. moly you sure don’t look like no banker I don’t feel like one either this is my wife howdy hello Miss Lucy hello and that’s her brother because if he was a girl they were gonna name him Effie around with him all the time y’all hungry oh yeah mmm something smells mighty invited mrs. Higgins oh just call me Effie and I’m home and I’m J the J stands for Joshua his friends and kid call him Josh well that’s a mighty fitting name you know you look like a josh is coming Oh got into a turn Oh fine sit down miss loosen you too Josh let’s say you folks you’re got this place looking mighty comfortable you know speaking of comfort do you mind if I take my shoes off not at all thank you I never could get used to these Dern things glue if you have anything to loosen man just let her pop here you are mr. moody thank you and yeah you are Miss Lucy this here’s Epis favorite recipe thank you yeah what is it well if he calls it rib-sticking Steve it’s just chock-full of all deer liver turnip greens hog jowls back back from South come on eat up you know Manchuria of lucky to have a warmer and it’s got a gift for cooking your wife cooking faint tastes like this everything my wife [Laughter] well then I’ll take it you’re mrs. moon is a girl with country rearing acres of it you know something back in Cedar Creek County mrs. Mooney was a champion hog caller yeah that’s how she got mr. Mooney well you know I reckon we won’t be getting homesick here in California knowing people like Josh and his missus yeah I hope you’ll be seeing a lot of each other jars well no reason why shouldn’t if you come to my office to do your banking chores Oh sounds mighty fine to me when I wait a minute bucketmouth don’t you go get take told jokes here but big city banks or something else again oh but Miss Higgins our bank isn’t at all like a big-city bag it says it’s as homey as gravy on a tablecloth and all the people that work there are just like old Josh here neighborly country reared folk sounds like Andy here of a bank well maybe we could go down there a little while Saturn ooh look the place over Oh instead of this afternoon why don’t you come down tonight after the bank is closed after your clothes yeah tonight’s the night we ever our weekly hoedown what’s the weakest folks like to have a little get-together and I just know old Josh would love to have you join us why me and a few take the hoedowns like a hug takes the slob wonderful ice the Westland Bank and it’s right down the street come on mr. Mooney we have to get back to the bank for your most of all will be look forward to meeting mrs. Moore you’ll be looking forward to meeting you too you’ll be sure to show up now oh don’t you worry ma’am we’ll be there finish at Italy and ready to win [Music] [Applause] [Music] in all my years of banking I have never been involved in anything so bizarre and outrageous well the Higgins account is worth a little trouble sir oh you’ll thank me if we get it now why don’t we don’t get the Higgins account well it was all mrs. Carmichael’s idea where is mrs. Mooney [Music] I know my wife you’re doing swell into the Senate with a great [Music] [Music] folks I’d like you to meet my wife Irma oh that was mighty good square dance calling ma’am phurba don’t be so shy you was a champion home collar ma’am oh well my days are over the last time I called I called so loud my Adam’s apple turn to cider take that a knee-slapper now since the Higgins clan is all here let’s get this shindig going let’s get more real well okay come on mr. Cheever now we’ll get my doozy [Music] [Applause] [Music] [Applause] [Music] singing that’s gonna be dancin there’s gonna be no pickin and the killer will [Applause] [Music] [Applause] gather round some things I’d like to say about it’s only way [Music] [Music] the gals will dress in calico with her fancy lace and person posts all you fellows in casa de in you sunday-go-to-meeting clothes shining bride auxilary bar on Saturday night [Music] [Music] [Applause] [Music] [Applause] [Applause] [Music] [Applause] [Music] [Applause] [Music] [Applause] [Music] [Applause] [Music] [Applause] [Music] [Applause] [Music] [Applause] [Music] [Applause] [Music] No [Music] [Applause] you The Lucy Show [Music] [Applause] [Music] [Applause] [Music]
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