Kaalia Hindi Full Movie 1981 – Amitabh Bachchan Parveen Bobi Pran – Superhit Hindi Movie

The provided text, “01.pdf,” appears to be a dramatic narrative, likely a film script or play. It centers around a character named Kallu, who transforms into the feared figure Kaalia after facing injustice and hardship, including imprisonment and the death of his brother. The story follows Kaalia’s rise in the criminal underworld, his complex relationships, and his confrontations with authority figures and enemies like Sahani Seth. Themes of revenge, justice, morality, and social commentary on poverty and corruption seem prevalent throughout the unfolding events.

Kaalia: A Study Guide

Quiz

1. Describe Mukhtar Singh based on Kallu’s initial story. What does this introduction suggest about the kind of world the characters inhabit?
2. Explain the incident at the mill that leads to Abdul’s injury and what this event reveals about the mill owner, Sahani Seth.
3. What motivates Kallu to rob Sahani Seth? What is the immediate consequence of this action for Kallu?
4. Describe the transformation of Kallu into Kaalia. What events contribute to this change in identity and behavior?
5. What is the significance of the diamond that Kaalia seeks? What does Sahani Seth intend to do with it?
6. Explain the complex relationship between Kaalia and his sister-in-law. How does her perception of him evolve throughout the narrative?
7. Describe the character of the Jailer. What is his past connection to Kaalia, and how does their relationship develop?
8. What prompts Kaalia to seemingly reform and take on a different persona upon his return? Is this transformation genuine?
9. Explain the game of life and death that Sahani Seth forces Kaalia to play at the climax. What are the stakes for each character involved?
10. What is the final revelation about the Jailer’s past, and how does it contribute to the resolution of the conflict?

Quiz Answer Key

1. Mukhtar Singh is described as a feared figure in the city, with both the police and public avoiding him. His passage through the market is likened to a curfew due to the fear he instills. This introduction suggests a world where power is often wielded through intimidation and where individuals like Mukhtar Singh operate outside the bounds of normal law and order.
2. At the mill, Abdul is injured by a malfunctioning machine, highlighting the dangerous working conditions. Sahani Seth’s primary concern is the damage to his cloth and the repair costs, rather than the well-being of his worker. This reveals him to be a callous and exploitative individual who values profit over human life.
3. Kallu robs Sahani Seth to obtain the Rs. 500 needed for his brother’s life-saving operation, after being denied help by the industrialist. The immediate consequence of this action is Kallu’s arrest and sentencing to nine months in prison for robbery and attacking a police officer.
4. Kallu’s transformation into Kaalia is fueled by the injustice of his brother’s death, his own imprisonment, and the harsh realities of poverty and powerlessness. His experiences in jail, the desire for revenge against Sahani Seth, and the adoption of a more ruthless and cunning persona contribute to this significant change in identity.
5. The diamond is presented as a priceless object that Sahani Seth intends to acquire for his own gain and to further solidify his power. For Kaalia, obtaining the diamond seems to be a way to challenge Sahani Seth on his own terms and possibly leverage it for his own ends, showcasing his growing ambition and audacity.
6. Initially, the sister-in-law views Kallu as an innocent and good-hearted individual. However, as he transforms into the wealthy Kaalia, she becomes increasingly suspicious and disturbed by the source of his wealth, suspecting it comes from criminal activities. Her faith in him is severely tested, leading to a moment of potential separation before a reconciliation based on his willingness to change.
7. The Jailer is portrayed as a stern but principled figure deeply committed to law and order, haunted by the abduction of his daughter years prior. His initial interactions with Kaalia are adversarial, but he develops a grudging respect for Kaalia’s defiance. The revelation that Kaalia is the prisoner who abducted his daughter creates a complex and personal conflict.
8. Upon his return, Kaalia presents himself as a reformed man who has made legitimate wealth, seemingly to reassure his sister-in-law and Munni. However, this transformation appears to be a facade, a strategic move to infiltrate Sahani Seth’s world and enact his revenge. His underlying nature as Kaalia remains.
9. The game involves placing Kaalia, his sister-in-law, and Munni on a board with colored squares representing life and death. Sahani Seth controls the moves, threatening to kill Munni or the sister-in-law if Kaalia steps on the wrong squares. The stakes are the lives of Kaalia’s loved ones, forcing him into a desperate and dangerous situation.
10. The final revelation is that Kaalia is Jaswant, the prisoner who abducted the Jailer’s daughter twenty years prior. This personal connection adds a layer of complexity to their final confrontation and explains the Jailer’s intense commitment to bringing Kaalia to justice, while also leading to a moment of unexpected reunion between the Jailer and his long-lost daughter, Rani.

Essay Format Questions

1. Analyze the theme of transformation in the provided excerpts. How do characters like Kallu and potentially others undergo significant changes, and what are the key factors driving these transformations?
2. Discuss the portrayal of power and corruption in this narrative. How do characters like Mukhtar Singh and Sahani Seth exercise their power, and what are the social and individual consequences of this corruption?
3. Examine the significance of familial bonds in the excerpts. How do relationships between brothers, sisters-in-law, nieces, and even the Jailer and his daughter shape the motivations and actions of the characters?
4. Explore the role of justice and injustice as presented in the source material. How do characters perceive and pursue justice, and what are the flaws and limitations of the legal and social systems depicted?
5. Analyze the use of dialogue and dramatic action in the excerpts to reveal character and advance the plot. Provide specific examples of how these elements contribute to the overall impact of the narrative.

Glossary of Key Terms

• Curfew: A regulation requiring people to remain indoors between specified hours, often during times of unrest or as a show of authority.
• Alsatian: Another name for a German Shepherd dog, often associated with strength and police work.
• Mill workers: People employed in a factory, particularly one that processes raw materials like cloth.
• Bonus: An extra amount of money given as a reward or share of profits, often demanded by workers.
• Godown: A large warehouse or storage space, often used for goods or valuables.
• Dongri: A specific location (likely in India, given the context) where a godown containing gold was situated.
• Aarti (veneration): A Hindu ritual of worship involving the waving of a lamp or other light in front of a deity or a respected person.
• Dowry: Property or money brought by a bride to her husband on their marriage.
• Matriculation: The formal process of being admitted to a university or college; also refers to passing a standard school-leaving examination.
• Sleight-of-hand: Skillful manipulation of the hands, especially in performing tricks.
• Connoisseur: A person who has a great deal of knowledge about something, especially an art or a fine art; a judge in matters of taste.
• Fiancee: The woman to whom a man is engaged to be married.
• Scaffold: A raised wooden structure used for public executions by hanging.
• Shroud: A cloth in which a dead person is wrapped for burial.
• Lust (for wealth): A strong desire or craving for money and possessions.
• Harlot: A prostitute.
• Idealism: The practice of forming or pursuing ideals, especially unrealistically.
• Integrity: The quality of being honest and having strong moral principles; moral uprightness.
• Dissipated: Overindulging in sensual pleasures.
• Aagas (likely ‘Aagaz’): (Hindi) The beginning or start of something.
• Vigour: Physical strength and good health.
• Din: A loud, unpleasant, and prolonged noise.
• Vengeance: Punishment inflicted or retribution exacted for an injury or wrong.
• Chess-board (of death): A metaphor for a situation where every move has life-or-death consequences.
• White spot: In the context of the climax, a designated area representing safety and life.
• Red spot: In the context of the climax, a designated area representing death for Munni.
• Green spot: In the context of the climax, a designated area representing death for the sister-in-law.
• Riddled (with bullets): Full of holes made by bullets.
• Staggering: Walking or moving unsteadily, as if about to fall.
• Corpse: A dead human body.
• Platoon: A subdivision of a company of soldiers, usually comprising two or more sections or squads.
• I.G.P. (Inspector General of Police): A high-ranking officer in the police force (common in India).

Briefing Document: Analysis of “01.pdf” Excerpts

This briefing document analyzes the provided excerpts from “01.pdf,” identifying the main themes, important ideas, and key plot points. The excerpts appear to be from a dramatic screenplay or novel, likely set in India, revolving around themes of social injustice, crime, love, and redemption.

I. Introduction of Key Characters and Setting:

• The initial scenes introduce a character named Mukhtar Singh, who is established as a feared figure wielding significant power through intimidation and illegal taxation. “Mukhtar Singh is such a man.. ..both the police and the public of.. ..this city fear Mukhtar Singh. When he passes through the market it seems there’s a curfew. The market turns empty, and shops are closed.”
• Kallu is introduced as a seemingly ordinary individual who dares to challenge Mukhtar Singh’s authority when he demands “tax” for walking on the road. This initial confrontation, while possibly exaggerated in Kallu’s retelling, highlights his defiant nature and sets the stage for potential conflict with powerful figures.
• The setting appears to be a city with a market, suggesting a bustling yet potentially vulnerable community susceptible to the whims of local strongmen.

II. Themes of Power, Fear, and Resistance:

• Mukhtar Singh embodies unchecked power and the fear it instills in the community. His actions are likened to the government’s taxation, emphasizing his arbitrary and exploitative control.
• Kallu’s initial resistance, however fantastical his claims, introduces the theme of challenging oppressive power. His recounting of the fight with Mukhtar Singh and his dog, while likely embellished, showcases a desire to stand up against injustice.
• The conversation later in the excerpt confirms Mukhtar Singh’s feared reputation: “Have you heard of Mukhtar Singh? -No. Then what have you heard? He’s the man who’s feared by both the police and the public.”

III. Introduction of Social and Economic Stratification:

• The scene shifts to a celebration of a newborn child in a seemingly working-class neighborhood. This contrasts with the earlier depiction of fear and highlights the importance of community and family in the lives of ordinary people.
• The mill workers’ strike demanding a bonus and the replacement of old, dangerous machinery (“All the machines in your factory are either old or rusted. An accident can happen any moment, killing some worker. So, we demand that the machines be replaced with new ones.”) underscores the poor working conditions and the struggle for basic rights faced by the laboring class. Their leader, Shamu, and Abdul Uncle are introduced as voices for their demands.
• The new mill owner initially agrees to the bonus but hesitates on the machine replacement, revealing a conflict between profit and worker safety (“If the time of rich people is valuable.. ..so is the life of a worker.”).
• The workers ultimately prioritize immediate financial relief over long-term safety, highlighting the desperation caused by poverty (“I can accept danger to my life.. ..but not my children’s hunger!”). This showcases the difficult choices faced by the economically disadvantaged.
• The character of Sahani Seth is introduced as a wealthy mill owner and a gambler, representing the powerful capitalist class. His conversation about investing in a “lame horse” as a strategy for significant gains hints at his manipulative and risk-taking nature.
• The revelation that the mill is also being used to hide and transport gold (“These lorries are carrying the gold.. ..that was in our godown at Dongri. Now that gold will be hidden with the cloths of this mill.”) introduces an element of illicit activity and suggests a deeper level of corruption and crime intertwined with the industrial setting.

IV. A Tragic Incident and its Aftermath:

• A significant turning point occurs when Abdul Uncle is severely injured at the mill (“My hands have been cut!”). This tragic accident directly results from the dangerous working conditions the workers had protested.
• The mill owner, Sahani Seth, shows callous disregard for Abdul’s suffering and the plight of his family, focusing instead on the damaged cloth and machinery (“Your brother was at fault, but I suffered a loss. His blood ruined cloth worth thousands. And there are also the repairing costs for the machine.”).
• Kallu’s desperate attempt to secure funds for Abdul’s operation, culminating in a theft from Sahani Seth (“Sir, save my brother’s life! Rs. 500 Is required for his operation! – I can’t give it to you.”), leads to his arrest and imprisonment. Sahani Seth’s gate sign, “‘Dogs and beggars aren’t allowed inside,’” starkly illustrates his elitism and cruelty.
• Kallu’s defense in court, while unsuccessful, reveals his understanding of societal factors that can lead to crime (“If a child makes a mistake, there.. ..are two ways of correcting him.. To make him understand with love.. ..or to punish him.”). His prediction that prison will turn him into a hardened criminal (“By punishing him, I feel the court is putting.. ..him straight into the university.”) proves to be prophetic.

V. Transformation and Emergence of “Kaalia”:

• Upon his release from prison, Kallu appears hardened and engages in criminal activities, as evidenced by the accusation of theft and his plan to “kill his old enemy Sahani Seth!”
• He is seemingly guided or aided in his criminal endeavors, suggesting a network or mentors he encountered in prison or afterwards. The offering of weapons (“Take this English pistol. – And this Rampuri knife.”) highlights his descent into violence.
• The act of setting fire to Sahani Seth’s mill marks a significant escalation and a declaration of war (“Through this fire, I declare war on you, Sahani Seth!”). This action solidifies Kallu’s transformation.
• The subsequent imprisonment for arson further cements his criminal path, but he views it as a step towards a brighter future, albeit through illicit means (“Behind me, there’s only the darkness of poverty. But, ahead, the bright sun of wealth is inviting me. Kallu is about to turn Kaalia!”).

VI. Rise of “Kaalia” and Acquisition of Wealth:

• The narrative jumps forward, depicting Kallu, now known as “Kaalia,” as a highly successful and wealthy individual (“In one day, he has made profits.. ..worth millions for our company. We’ve made him our fourth partner.”). His sister-in-law and Munni are now living in comfort.
• His business is revealed to be in jewelry, suggesting that the “gold” from the mill incident might have played a role in his initial rise.
• Despite his wealth, Kaalia’s past actions and the means of his success remain a point of concern and potential conflict, particularly for his sister-in-law.

VII. Encounters with Law Enforcement and Moral Conflict:

• An encounter with a jailer (“Prisoner 602! Here I’m! Talk with your head bowed! This head can never bow in front of any human being.”) reveals Kaalia’s defiant nature and his history within the prison system. The jailer recognizes his potential for trouble (“If it does, you’ll be really sorry!”).
• The jailer’s personal tragedy involving a daughter abducted by a prisoner adds another layer to his determination to maintain order and punish criminals.
• Kaalia’s eventual release, despite the jailer’s reservations, suggests his cunning and ability to manipulate the system. His parting words (“The path you’ve taken ends right here. You’ll come again, and I’ll meet you here.”) foreshadow a future confrontation.
• Kaalia maintains a facade of respectability for his family, pretending his wealth comes from legitimate sources (“He only knows that you’re returning from America.”). This creates internal conflict and potential for his past to be revealed.

VIII. Growing Suspicion and Confrontation:

• The sister-in-law becomes increasingly suspicious of Kaalia’s wealth and his explanations (“My brother-in-law can never bring.. ..sinful earnings into my house!”). She confronts him about his past and the possibility of his involvement in crime (“He would go to jail, but tell you that he was going abroad. If you don’t believe me, then go and enquire at any prison.”).
• The revelation of Kaalia’s criminal activities causes deep distress and a sense of betrayal for his sister-in-law (“They had only cut my husband’s hands .. .. but you’ve stabbed my heart!”). She ultimately leaves his opulent home, unable to reconcile his wealth with the suffering they endured.
• Kaalia’s justification for his actions highlights the cycle of violence and injustice he experienced (“The venom of sin was injected into me. Until I spit this venom onto the faces of my enemies .. .. I can’t even think about sin or virtue.”). However, his sister-in-law’s moral compass remains firm.

IX. Shifting Dynamics and Strategic Maneuvering:

• Kaalia seeks a meeting with Sahani Seth, indicating a continued adversarial relationship. His instruction for Sahani to keep his car headlights on suggests a planned and potentially dangerous encounter.
• The return of Rawat, Sahani Seth’s man, and his forced participation in driving Kaalia’s car implies a power shift and Kaalia’s control over his former adversaries.
• Kaalia confronts Sahani Seth, revealing his intention to break the cycle of violence (“Sahani Seth, you had drawn a line of blood between you and me. It would’ve ended with the death of either of us. I’ve come to tell you that I’ve erased that line myself.”). This suggests a potential for change or a more strategic approach to his conflict with Sahani.

X. A Murder Trial and a Shocking Confession:

• Kaalia is on trial for murder, with strong circumstantial evidence against him (“The corpse was found in the arms of the murderer. The accused’s fingerprints were found on this knife. Bloodstains were found on the accused’s clothes.”).
• The defense argues for the necessity of an eyewitness to prove guilt.
• In a dramatic turn, Kaalia’s sister-in-law appears as the eyewitness and testifies against him (“Did you see him commit the murder? – Yes!”).
• Kaalia surprisingly confesses to the murder, seemingly to protect his sister-in-law (“If she’s seen me commit this murder, then I’ve committed it!”). His willingness to sacrifice himself for her highlights the depth of their bond and a potential element of redemption.

XI. Imprisonment and a Promise:

• Kaalia accepts his fate, viewing his return to prison as the logical conclusion of his chosen path (“I’ve myself opted for that scaffold!”).
• The sister-in-law’s motive for testifying against him is revealed: her daughter, Munni, is being held by Sahani Seth, likely as leverage or retribution.
• Kaalia promises to continue his fight against Sahani Seth, even from prison, indicating that the story is far from over (“The story begun by Sahani Seth doesn’t.. ..end, but starts from here. He wrote the first word of this.. ..story, but I’ll write the last!”).

XII. Escape and Renewed Confrontation:

• Kaalia manages to escape from prison, demonstrating his resourcefulness and determination. The jailer’s reaction (“Death arrived before you, Jailer. Kaalia is no more!”) shows his frustration and the unexpected turn of events.
• Kaalia confronts the jailer, highlighting the shift in power (“The tables have turned now!”). However, the jailer remains committed to his duty.
• The revelation that Kaalia is trying to save Munni, and that his sister-in-law falsely accused him for this reason, appeals to the jailer’s own paternal instincts (“Small life? – Yes, his niece. To save her, his sister-in-law falsely accused him of murder. And he accepted it.”). This leads to an unlikely alliance.

XIII. Final Confrontation and Revelations:

• Kaalia, with the unexpected help of the jailer, confronts Sahani Seth in a tense standoff involving Munni and his sister-in-law as hostages.
• The scene is framed as a dangerous game on a “chess-board of death,” emphasizing the high stakes and calculated moves.
• In a shocking revelation, the jailer recognizes Kaalia as the prisoner who abducted his daughter twenty years prior (“Look at me closely .. I’m that prisoner! Jaswant? – Yes!”).
• The jailer’s daughter, Rani, is revealed to be alive and present, leading to a highly emotional reunion.
• Kaalia orchestrates Sahani Seth’s downfall, using his past grievances and the injustices he suffered as motivation (“That was for the Rs.500.. ..which you gave to a harlot, but not to me! That was for my brother’s death… That was for turning an honest man.. ..like me into a devil like you!”).
• Sahani Seth is finally arrested, and Kaalia, despite his criminal past, appears to be seeking a form of justice for himself and his family.
• The final lines circle back to the initial conversation about Mukhtar Singh, suggesting a cyclical nature of power and fear, or perhaps a question of whether Kaalia will become the new feared figure in the city.

XIV. Themes of Love and Redemption:

• Throughout the excerpts, the strong familial bonds between Kallu, his brother, his sister-in-law, and Munni are evident. His actions, even criminal ones, are often motivated by a desire to protect them.
• His willingness to confess to murder to save his sister-in-law showcases a profound act of love and a potential step towards redemption.
• The jailer’s decision to help Kaalia, driven by the mention of the child and his own past tragedy, hints at the possibility of compassion and understanding transcending the boundaries of law and crime.
• The romantic song interspersed within the narrative suggests a potential love interest for Kaalia, further adding to the complexity of his character.

Conclusion:

The excerpts from “01.pdf” paint a vivid picture of a society grappling with poverty, injustice, and the corrupting influence of power. The protagonist, Kallu, undergoes a significant transformation from a defiant individual to a hardened criminal known as Kaalia, driven by tragic circumstances and a desire for retribution. However, underlying his criminal activities are strong familial loyalties and hints of a moral compass. The narrative is filled with dramatic twists and turns, setting the stage for a compelling story of crime, revenge, love, and the potential for redemption. The final scenes suggest a resolution to the immediate conflict with Sahani Seth, but also raise questions about Kaalia’s future and the cyclical nature of power dynamics within the society depicted.

Analyzing Power, Justice, and Transformation

Frequently Asked Questions

• Who is Mukhtar Singh, and why is he mentioned multiple times in the beginning? Mukhtar Singh is introduced as a feared figure in the city, someone both the police and the public are afraid of. His presence evokes a curfew-like atmosphere in the market. The initial mentions serve to establish a context of lawlessness and the existence of powerful, intimidating individuals who operate outside the conventional legal framework. However, despite the initial fear he instills in some characters, he ultimately appears as a figure who can be challenged, as indicated by the interaction with Kallu. His repetition at the beginning of seemingly unrelated dialogues suggests a prevalent awareness of such figures in this society, highlighting the underlying themes of power, fear, and potentially, resistance against them.
• What motivates Kallu’s actions and transformations throughout the story? Kallu is primarily motivated by a strong sense of loyalty and responsibility towards his sister-in-law and her child, Munni. Initially, he reacts to injustice and stands up against figures like Mukhtar Singh. Later, his desperation to save his brother’s life after a mill accident leads him to theft and confrontation with Sahani Seth, triggering his descent into crime and his transformation into Kaalia. Even as Kaalia, his actions are often driven by a desire to provide for his family and to avenge the wrongs committed against them. His eventual surrender and acceptance of punishment stem from a realization of the consequences of his criminal path and a desire to protect his family from further harm.
• What role does Sahani Seth play in the unfolding events? Sahani Seth represents the callous and exploitative wealthy industrialist. His refusal to provide a meager sum for Kallu’s brother’s medical treatment directly leads to the brother’s death and sets Kallu on a path of revenge. Sahani Seth embodies the systemic injustices and the vast power imbalance between the rich and the poor. He is portrayed as greedy, ruthless, and someone who values profit over human life. His actions serve as a catalyst for much of the conflict in the story, and he becomes the primary antagonist against whom Kallu/Kaalia directs his anger and criminal activities.
• How does the theme of justice and law enforcement manifest in the narrative? The narrative presents a complex view of justice and law enforcement. Initially, figures like Mukhtar Singh operate with impunity, suggesting a failure of the system to protect the vulnerable. Later, when Kallu commits crimes, he is swiftly apprehended and punished, highlighting a selective application of the law. The character of the Jailer represents a more principled, though perhaps rigid, adherence to duty. The court proceedings are shown, but the story also reveals how the powerful can manipulate the system, as seen in Sahani Seth’s actions. Ultimately, the film seems to question the fairness and effectiveness of the conventional legal system in addressing the root causes of crime and delivering true justice.
• What is the significance of the mill and the workers’ struggle in the story? The mill setting introduces the theme of labor exploitation and the struggles of the working class. The workers’ demands for better working conditions and fair compensation (bonus) highlight the economic disparities and the precarious existence of laborers. The accident at the mill, caused by old and unsafe machinery, underscores the negligence of the wealthy owners like Sahani Seth and its devastating consequences for the workers. This backdrop provides a social commentary on the exploitation of the poor and the lack of safety and rights for industrial workers, contributing to the motivations for Kallu’s initial desperation.
• How does the relationship between Kallu, his sister-in-law, and Munni evolve throughout the story? The relationship between Kallu, his sister-in-law, and Munni forms the emotional core of the narrative. Initially, there is a strong bond of affection and mutual support. Kallu sees himself as a protector and provider for them. However, as Kallu descends into crime and becomes Kaalia, this relationship becomes strained by his secrecy and the dubious nature of his wealth. The sister-in-law grapples with the moral implications of his actions and eventually confronts him. Despite the challenges and betrayals they face, their underlying love and loyalty are tested but not entirely broken, as evidenced by the sister-in-law’s sacrifice in court and Kallu’s concern for their well-being.
• What are the key turning points that lead to Kallu’s transformation from a common man to the feared Kaalia and back again? Several key events contribute to Kallu’s transformation. The first is his defiance of Mukhtar Singh, showing his inherent resistance to injustice. The pivotal moment is the mill accident and Sahani Seth’s heartless refusal of aid, leading to his brother’s death and Kallu’s subsequent theft and imprisonment. His time in prison likely hardens him and exposes him to the criminal underworld. His release and rapid accumulation of wealth, seemingly through crime, solidify his identity as Kaalia. The turning point back towards a more moral path is influenced by his sister-in-law’s disapproval, his own conscience, and his eventual realization of the destructive nature of his chosen path, culminating in his confession and acceptance of his fate.
• What is the overall message or commentary conveyed by the narrative? The narrative offers a multifaceted commentary on social inequality, the corrupting influence of wealth and power, the desperation that poverty can breed, and the complexities of justice and redemption. It critiques the indifference of the wealthy towards the plight of the poor and highlights the human cost of systemic injustice. While depicting the allure and power associated with a life of crime, it also ultimately suggests the importance of family, conscience, and the possibility of choosing a more righteous path, even after significant moral compromises. The ending, though tragic for Kallu, implies a potential for societal change and a recognition of the human element even within the confines of the law.

The Reign of Fear: Mukhtar Singh’s City Dominance

Based on the excerpts from “01.pdf”, Mukhtar Singh is a man who inspires significant fear among both the police and the public of the city. This fear is so intense that when he passes through the market, it seems like a curfew has been imposed. As a result, the market turns empty, and shops are closed. One character, Kallu, notes that he challenged Mukhtar Singh because, like the government, Mukhtar Singh collects tax from everyone, including for walking on the road. The repeated question “Have you ever heard of Mukhtar Singh?” followed by the statement about the fear he instills highlights his notorious reputation. Even if people claim they haven’t heard of him, the subsequent description emphasizes the widespread fear he commands.

Mukhtar Singh’s Road Tax and Other Financial Demands

Based on the excerpts from “01.pdf”, the topic of tax collection arises in the context of Mukhtar Singh. One character, Kallu, describes Mukhtar Singh as a man who is feared by both the police and the public. Kallu explains that Mukhtar Singh, “like the Government,” collects tax from everybody, including shopkeepers, merchants, and workers.

The specific incident that led to a confrontation between Kallu and Mukhtar Singh was when Mukhtar Singh came to demand tax from Kallu “for walking on the road!”. When Kallu questioned why he alone should pay and not other pedestrians, Mukhtar Singh’s absurd reasoning was that the road wore out more due to Kallu’s “long legs”. This incident highlights Mukhtar Singh’s arbitrary and potentially exploitative method of tax collection.

It’s important to note that this portrayal of tax collection by Mukhtar Singh is presented as a form of extortion and abuse of power, contributing to the fear he instills in the community.

While not directly termed “tax,” there are other instances involving financial demands:

• Mill workers demand a bonus from the new mill owner. This can be seen as a demand for additional payment beyond their regular wages, framed as a right.
• Sahani Seth demands payment for the loss he incurred due to Kallu’s brother’s accident in the mill. He states that his blood “ruined cloth worth thousands” and that there were also “repairing costs for the machine”. This is a demand for compensation for damages.

However, the most explicit and discussed instance of tax collection within the provided source material is the unlawful and fear-inducing practice of Mukhtar Singh.

Kallu and the “Lion-Sized” Alsatian Dog Fight

Based on the excerpts from “01.pdf”, the discussion of an Alsatian dog fight occurs in the context of Kallu’s confrontation with Mukhtar Singh.

According to Kallu’s dramatic retelling:

• After Kallu tripped and hit Mukhtar Singh, Mukhtar Singh’s dog appeared.
• This dog was identified as an Alsatian dog, which Kallu described as “bigger than a lion!”.
• Kallu and the dog looked at each other and growled.
• The dog then “leaped at my neck,” mirroring his master’s earlier attack.
• However, Kallu claims that before the dog could bite him, he put his hands into the dog’s mouth and “tore his body into two!”.

This account of the Alsatian dog fight is part of Kallu’s initial boasting about his confrontation with the feared Mukhtar Singh. It’s important to note that this entire sequence is presented through Kallu’s narration, which may be exaggerated. The reaction of others to Kallu’s story, such as the aunt asking “Why are you panting, Kallu?” and Kallu’s denial, suggests that his version of events might not be entirely accurate. Later in the excerpt, when Kallu repeats the story, the focus shifts to Mukhtar Singh himself, and the details of the dog fight are not reiterated.

Ramdin’s Son: A Birth and Its Ripples

Based on the excerpts from “01.pdf”, the birth of Ramdin’s child, who turns out to be a son, is a significant event discussed among the characters.

Here’s a breakdown of the information related to Ramdin’s child:

• It is initially announced that Ramdin is going to have a child, and this news causes some excitement.
• Ramdin is portrayed as being “tense” about the impending birth, likely because it is his “first child”.
• Another character, who claims to have “sired ten children” despite being unmarried, offers unsolicited advice and reassurance to Ramdin, confidently predicting that he will “get a son!”.
• The news of the birth is later proclaimed: “Ramdin has got a son!” This is announced publicly, indicating it is a noteworthy event within the community.
• Kallu spreads the news enthusiastically, telling everyone about “the news of Ramdin’s son”. When asked if his own father had a son, Kallu clarifies that “Ramdin has!”.
• The birth of Ramdin’s son becomes a point of contention with another character, Narayan. Narayan becomes angry with Kallu for sharing the joyful news because Narayan himself has not had a child for five years, highlighting the sensitivity surrounding childbirth and fertility.

In summary, the arrival of Ramdin’s son is presented as a piece of significant local news, evoking various reactions from the community, ranging from excitement and celebration to envy and resentment.

Mill Workers’ Bonus and Safety Demands

Based on the excerpts from “01.pdf”, the discussion of the mill workers’ bonus occurs during a confrontation with the new owner of the mill.

Here’s a breakdown of the key points regarding the bonus demand:

• The mill workers are engaged in some form of protest or strike, as they are chanting slogans such as “Long live mill workers! Fulfil our demands!” and “Bonus isn’t charity, but a right of workers!”. This indicates that the demand for a bonus is a central issue for the workers.
• The new owner of the mill acknowledges their demand and states, “I agree to this. I’m the new owner of this mill, I’ll grant all your rights.” He then offers “two months’ bonus” on the condition that “work should start right from this moment”. This shows the owner’s initial willingness to concede to the bonus demand in exchange for resumed work.
• However, the workers have another significant demand that takes precedence over the immediate bonus. They demand that “the machines be replaced with new ones” because “all the machines in your factory are either old or rusted. An accident can happen any moment, killing some worker”. This highlights that worker safety is a crucial concern for them, potentially even more so than the bonus.
• The owner expresses that “time is required for that, and I don’t have it,” indicating a reluctance or inability to immediately address the machine replacement demand. The workers, through their representative, counter this by stating, “If the time of rich people is valuable.. ..so is the life of a worker. Unless new machines are set up in.. ..your factory, work won’t start!”. This demonstrates their firm stance and prioritization of safety.
• The owner attempts to divide the workers by asking them directly what they want: “Your leader wants to strike, but I want work. What do you want? Hunger, or money? Strike, or bonus?”. This puts pressure on the workers to choose between immediate financial relief (bonus) and continuing their protest for safer working conditions.
• Ultimately, the majority of the workers choose the bonus and enter the mill, signifying their immediate need for money. However, Abdul Uncle, who had earlier emphasized the need for new machines, also goes in for the bonus, explaining his decision by saying, “I haven’t forgotten anything, but remembered my children. I can accept danger to my life.. ..but not my children’s hunger!”. This illustrates the difficult choices faced by the workers who are struggling financially.

In summary, the mill workers’ demand for a bonus is presented as a key aspect of their rights and a point of negotiation with the new mill owner. While the owner is willing to grant the bonus to resume work, the workers also have a critical demand for safer working conditions through the replacement of old machinery, creating a conflict of priorities. The scene ultimately shows the economic pressures faced by the workers, leading many to accept the immediate bonus despite the unresolved safety concerns.

The Original Text

So kids. Have you ever heard of Muktar Singh? No. – Then what do you know of this world? Muktar Singh is such a man.. ..both the police and the public of.. ..this city fear Mukhtar Singh. When he passes through the market it seems there’s a curfew. The market turns empty, and shops are closed. -Then? Today he made the mistake of challenging me. -How? Like the Government., he collects tax from everybody. From shopkeepers, merchants, workers, etc. Today he came to demand tax from me. Ask why .. -Why? For walking on the road! -Well? I asked.. ”Why only me? What about the other pedestrians?” He said.. ” Because the road wears..’ ‘..out more due to your long legs.” The trouble started this way. First, he caught my neck. -Then? I tripped him, then hit him this way! He lost his senses, and froth came out from his mouth. What happened then, Kallu? I saw his dog coming. You know what dog? -What? An Alsatian dog! Really? -Yes. He was bigger than a lion! We looked at each other and growled. -Then? Like his master, he leaped at my neck. But, before he could jab his nails into my neck, .. .. I put my hands into his mouth and tore his body into two! What happened after that? -Then .. Go away! Go away! Run! Get lost! .. Auntie, restrain him! Move aside! Why are you panting, Kallu? -Who’s panting? Do you know what happened in the market today? -What? Have you heard of Mukhtar Singh? -No. Then what have you heard? He’s the man who’s feared by both the police and the public. When he passes through the market it seems there’s a curfew. The market turns empty, and the shops are closed. -Then? He challenged me ..! He’s come here! Then what happened, Kallu? -Sister-in-law ..! That.. Out! Uncle, your friend’s gone, come out now. He didn’t go, he ran away! He’s scared of me! Everyone’s scared of you. But you had gone to buy potatoes. I had forgotten, I’ll get them right now! Munni, how are you? Auntie, why are so many people here? Don’t you know? Ramdin is going to have a child. -I see! Where are you going? -I may be required inside. You’ll be required outside, if possible, help Ramdin. Ramdin, what’s the matter? There’s no need to get tense. This is your first child, but I’ve sired ten children. -You? -Yes! I’m not married, but held the hands.. ..of wives on such occasions. Don’t worry, you’ll get a son! Listen.. have you heard the name of Mukhtar Singh? -No! Then what have you heard? Both the police and the public are scared of Mukhtar Singh! When he passes, it seems as if the city .. The child’s born! Listen everybody! Aunt, listen! Ramdin has got a son! What happened kallu? Okay. Ramdin has got a son! Ramdin has got a son! Has your father sired a son? – No.. ..Ramdin has! Get lost, or I’ll cut you to pieces! Did you bring the potatoes? – No! Narayan bashed me up on the way. See this! – My God! Did Narayan beat you up? Listen to why he did it.. I was telling everyone the news of Ramdin’s son. Is this any reason? Don’t worry. I’ll talk to your brother about Narayan. I’ve heard everything from Narayan. It’s all his fault! He’s getting out of control. Why did you’ve to go there as a local reporter? Narayan only slapped you, I would’ve broken your face! Rogue! Even you’re scolding him! – What else should I do? He’s making life difficult for me. He doesn’t do any work, but can only eat. He plays marbles and flies kites with children. When he gets time, he rubs salt on people’s wounds. Narayan hasn’t had a child for 5 years.. ..and he went there to celebrate! I won’t listen to complaints against you again! Understand? Uncle! You just did what everybody does. You’re angry with your bosses, but.. ..took it out on your brother. Is he responsible for the strike in your factory? Or the fact that there’s hardly any food in the house? Sorrowed by your anger, if he leaves our house .. .. then even I won’t stay here! – He won’t go anywhere. He can leave me, but not you, he’ll return. Long live mill workers! Fulfil our demands! Long live mill workers! Fulfil our demands! Bonus isn’t charity, but a right of workers! Bonus isn’t charity, but a right of workers! Bonus isn’t charity, but a right of workers! I agree to this. I’m the new owner of this mill, I’ll grant all your rights. Who’s your leader? Shamu, go .. I’m ready to give you two months’ bonus. But work should start right from this moment. But we have one more demand. -What is it? All the machines in your factory are either old or rusted. An accident can happen any moment, killing some worker. So, we demand that the machines be replaced with new ones. Time is required for that, and I don’t have it. If the time of rich people is valuable.. ..so is the life of a worker. Unless new machines are set up in.. ..your factory, work won’t start! All right! I ask the workers .. What do you want? Your leader wants to strike, but I want work. What do you want? Hunger, or money? Strike, or bonus? Bonus! Then it’s decided! Those who want bonus can enter. Those who want to strike can stand outside. Abdul Uncle! You had demanded the machines to be changed .. but now .. I haven’t forgotten anything, but remembered my children. I can accept danger to my life.. ..but not my children’s hunger! Times have really changed! Before, the leader used to walk in front of the public. Now, the public walks in front of the leader! You’re an old player of the races. But you’ve erred today, Sahani Seth .. I’ve come from the mill just now. You’ve put 15 lakhs on a lame horse. Rawat, I’ve spent my whole life.. ..in the race-course, you’re new. You don’t know.. whoever wins on a lame horse, wins a lot. And you don’t even know which game I’m playing! Rawat. I haven’t bought this mill just to manufacture cloth. These lorries are carrying the gold.. ..that was in our godown at Dongri. It could’ve fallen into the hands of the police any time. Now that gold will be hidden with the cloths of this mill. And will be sent all over our country. Abdul Uncle! No! Shanti, nothing’s happened to me. Nothing has happened to me. No! Doctor, what have you done? My hands .. – Please keep your courage. Brace yourself. My hands have been cut! Brother, lie down. What are you doing, Uncle? I’m searching for my God in the darkness of my heart! I want to ask Him.. why are you kind to sinners like me .. .. but angry with angels like him? You should have cut my hands! Why did you cut the hands that were.. ..always raised to you in prayer .. .. or to save the lives of others? Munni, take your milk! Come and take your milk! Take this. – We don’t want milk anymore. Why? We spent all our money for my husband’s treatment. Then take it on credit and pay me from his salary next month. Where will any salary come from now? We don’t want any milk. – I’m feeling very hungry! Keep quiet, there’s no milk! – I’m feeling very hungry! Shanti! Which one? – This! Move! I hit it! Come on, bring them out! – Here. Brother! Brother! Brother! Brother! The doctor told you not to get up.. ..and you’re pulling this load! The weight of Munni’s tears for a pint of milk .. .. was far greater than the weight of this load! You go home, I’ll take this. From now on, Munni will never have to cry for anything! Take this milk .. drink as much as you want. The doctor is inside. You shouldn’t have lifted such a load in this condition. The stitches on your wounds have been torn. I advise you to get another operation.. ..done by some big doctor. How much will this operation cost? – At least Rs. 500 Where will we bring this money from? I’ll bring it! “We don’t exchange hearts.” “We don’t exchange hearts. That’s your question.” “We don’t exchange hearts. That’s your question.” “You’ve tied me with a bond. That’s your style.” “We don’t exchange hearts. That’s your question.” “You’ve tied me with a bond. That’s your style.” “You’ve tied me with a bond.” “You come close making promises.” “And I trust your false words.” “You come close making promises.” “And I trust your false words.” “Whenever you want..” “..you steal my heart.” “You always deceive me. That’s your charm.” “You’ve tied me with a bond. That’s your style.” “We don’t exchange hearts. That’s your question.” “You’ve tied me with a bond. That’s your style.” “We don’t exchange hearts.” Sir, save my brother’s life! Rs. 500 Is required for his operation! Rs. 500? – Yes, Sir! Rs. 500 Can save my brother’s life! – I can’t give it to you. Look. I’m a simple industrialist. I’m not responsible for anyone’s life or death. Your brother was at fault, but I suffered a loss. His blood ruined cloth worth thousands. And there are also the repairing costs for the machine. For me, you come next to God. My brother is fighting for his life. Please save his life! I beg you at your feet! Watchmen. – Yes? Show him the board on my gate. ”Dogs and beggars aren’t allowed inside.” – Sir! Please listen to me! Save my brother’s life! I beg you! Save my brother’s life! I beg you! Wonderful! You came as a beggar first, and now as a thief! You’re progressing! My request is the same even now.. I need Rs. 500 For my brother’s life! My reply is also the same.. I can’t give you any money! You’ve a river of wealth here, I’m asking you for only two drops! Put back the money, or I’ll have to use this revolver! I beg you, Sir! Rs. 500 Can save my brother’s life! I’ve brought the money! Brother! .. No! Brother! Brother! Brother. Inspector, he’s the thief. Arrest him! Sahani, you killed my brother! I won’t leave you! Sahani, you killed my brother! I won’t leave you! Move! Sahani, you killed my brother! I won’t leave you! I won’t leave you! Never! Leave me. Move! Accused Kallu, because of robbing at Mr. Sahani’s house .. .. and attacking a uniformed police officer, .. .. the court sentences you to nine months in prison. Have you anything to say in your defense? Yes, your honour. I feel this sentence to be really unjust. A child is born after nine months.. ..even Kallu will be reborn. If a child makes a mistake, there.. ..are two ways of correcting him.. To make him understand with love.. ..or to punish him. This is Kallu’s first blunder, which could be ignored.. ..but it hasn’t been forgiven. By punishing him, I feel the court is putting.. ..him straight into the university. Stepping into the university, he’ll.. ..meet big professors of crime. Each professor will be an expert in his subject. They won’t rest until he too becomes an expert like them. After 9 months, Kallu would’ve got his new life. ‘Kaalia!’ ‘Kaalia!’ ‘Kaalia!’ ‘Kaalia!’ You haven’t finished with the clothes.. ..when will you do the utensils? – You thief! Get lost! What has she done? – She stole, the way you taught her! Feeling very hungry, I took some leftovers from their plate. I didn’t steal, he’s lying! Yeah! Your mother and uncle are angels! Don’t say anything against my uncle! -Get lost! Sister-in-law, take Munni! You hit this innocent child, Narayan! What a stride! – Where are you going? To kill his old enemy Sahani Seth! – I see! We have all the items required for murder. Take this English pistol. – And this Rampuri knife. Take whatever you wish! Kallu, tell us something. But, when Sahani Seth dies, and you’re hanged, .. ..then what will happen to your sister-in-law and Munni? You should kill your enemy with his own weapon. And Sahani’s weapon is gold! Kallu, sit inside, fast! – You all go. I’ll come afterwards. I’ve to settle an old account with this mill. Fire! Inspector, he set fire to my mill! Arrest him! Through this fire, I declare war on you, Sahani Seth! Henceforth, any step you take will go towards your death! If you dare, tell these policemen about.. ..what you’ve lost and what I’ve gained! Kallu, because you set fire to Sahani Seth’s mill .. .. this court sentences you to two years in prison. Your sentence is very long – Two years! On the path which Sahani has pushed me into .. .. there will be many more courts and prisons. Behind me, there’s only the darkness of poverty. But, ahead, the bright sun of wealth is inviting me. Kallu is about to turn Kaalia! Come on! Are you Kallu’s sister-in-law? – Yes. Has he done something wrong again? – Ask about what he’s done. What has he done? In one day, he has made profits.. ..worth millions for our company. We’ve made him our fourth partner. Kallu made profits worth millions in one day? I don’t understand! Just understand that we are jewelers. At first sight, we knew that your.. ..brother-in-law was made of gold. He’s! See this! What is all this? Kallu has earned this money. And these are two keys. One is of your new house, and the other of your new car. Before becoming a partner, Kallu put two conditions.. That you won’t stay in this slum, and.. ..won’t have to walk all the time. So sit in your new car and visit your new house. In one day, you’ve taken Kallu to such heights! God, give him success in his work and earning. That is my plate! – But you’re not even in line! The line always starts from where I stand! My name is written on this plate! – Who are you? I’m also a person who never stands behind anyone. The line always starts from where I stand. Fill the plate! You’re lucky that you survived today, Michael. Your death was as near as this bar is from you! Kaalia can never attack an unarmed man! Sir, as you ordered.. ..all prisoners have been lined up outside. That bloody jailer is coming! How do you know? Jailers and prisoners are like husbands and wives. For a successful marriage, they should understand each other! He’ll descend four steps, then stop. Then he’ll feel his trouser pocket. But he’ll find his cigar in his left shirt pocket. He’ll chew on the cigar, then spit. He’ll now light the cigar, and the.. ..matchstick will land on my back! Prisoner 602! Here I’m! Talk with your head bowed! This head can never bow in front of any human being. It’ll only bow at God’s door, or His court. Very good! I respect such heads. But what you did in other jails shouldn’t happen here. If it does, you’ll be really sorry! I’ve read all your records. Then you’ll know that the jailer of whichever jail I go to .. .. gets himself transferred, or goes on a long leave. I’m not like that! I won’t go on a leave, nor will I apply for a transfer. Even I’ve a record. Any criminal who’s been released from.. ..my jail has only one prayer.. Never to come to my jail again! Dismiss. You haven’t eaten your food. Has some prisoner irked you again? Yes, there’s a prisoner. He’s completely wild and unbridled like a wayward tempest! I’ll have to bridle this tempest! There was such a prisoner before, whom you bridled. But could you ever forget the hoof.. ..marks he left on your heart? No, I can never forget it! I had only one daughter. She was 3 years old when that devil abducted her. But I can’t also forget that I’m a jailer. It’s my duty to define to them the meaning of hard punishment. So that, after their release, they’ll.. ..never want to return to jail again! The Sessions Court has accepted your appeal. I’ve commenced the order for your release. You can go. You must be sorry that you didn’t get time to reform me. I’ll get it in the future. The path you’ve taken ends right here. You’ll come again, and I’ll meet you here. Your unfinished training will be completed then. – All right. Just think that our contest with each.. ..other has ceased for some time. When the game starts again, we’ll pick.. ..up the pawns from right here! Gopal! How was it? – All right. But has my sister-in-law learnt anything? No. She only knows that you’re returning from America. Here’s your luggage. There are saris for sister-in-law.. ..and frocks and toys for Munni. Come. The plane from New York has arrived.. ..Sir will be here any moment. But nothing’s ready here! The dining table is empty. As soon as he comes, he’ll say.. ”I’m really hungry” ! ”Everything’s available abroad, except food cooked by you.” He’s arrived! .. Ramu, set the table and get the ”aarti” items. – Ok. Sister-in-law. Wait, first let me do the ”aarti” (veneration). I keep going abroad all the time. For how long did I go this time? The house gets empty without you. Give! Your ”aarti” is done. What have you cooked for lunch? I’ve come hungry from America. Everything’s available there, except food cooked by you. I’ve told you so many times not to bring.. ..such expensive things for us. The wardrobes are already full. I bring them in my own interest. Wear whatever you like, and put away.. ..the rest for Munni’s dowry. And nothing for your bride? Before Munni, I’ll get you married. My husband desired your marriage so much! – Don’t ever weep! For one drop of your tears, I can shed my entire blood! These are tears of gratitude! How do you earn so much money? My money comes from a gold mine. Do you know where it’s? – Where? Beneath your feet! You’ll never change! This is just a pistol .. I’ve a license Here it’s! There’s a govt. Seal. Do you believe now? I trust you the same way I trust God. My entire world and life stand on these two pillars of faith. It’s a full-moon night, and you’re in this darkness! You don’t know what happened today. – What happened? Seeing the revolver, sister-in-law.. ..shivered once, and I got scared. Today, I lied and handled the situation. But for how long will I hide the truth? – I understand! Your conscience is troubling you! Then leave this luxury and pick up a beggar’s bowl! Forget you ever had a brother who died for just Rs. 500! Send your sister-in-law to some widows’ home! Put Munni in some orphanage from her hostel. Our country has lots of them! As long as I’m alive, Munni can’t be an orphan! – My throat! Sorry. – Never mind. See this card. There’s a party, which will be attended.. ..by the princess of Jeetnagar. She wears a particular diamond on her neck. If you manage to get it, your life will be blessed! I’m ready, Sahani Seth. Rawat, people who go to get priceless diamonds.. ..shouldn’t be dressed as washermen! Your bow looks as if it’s been borrowed! Big shots of the city will be coming.. ..to the place we’re going to. Kings, rich people .. Also hoodlums like you’ll come.. ..who’ll be eyeing the diamond. But today, that diamond will become forever mine! “I know what has caught your glimpse.” “I know what has caught your glimpse.” “Nobody could escape..” “..from my wide reach.” “Behold, friend! Where are you lost?” “Behold, friend! Where are you lost?” “I know what has caught your glimpse.” “Why don’t you realize..” “..this isn’t your cup of tea?” “Why don’t you realize..” “..this isn’t your cup of tea?” “Come to your senses, Oblivious one!” “I know what has caught your glimpse.” “Anyone who confronts me..” “..has fallen flat on his face.” “Anyone who confronts me..” “..has fallen flat on his face.” “Who can dare to challenge me?” “Who can dare to challenge me?” “I know what has caught your glimpse.” “If I make my move..” “..things vanish from closed fist.” “If I make my move..” “..things vanish from closed fist.” “You can see this miracle here.” “You can see this miracle here.” “I know what has caught your glimpse.” “I know what has caught your glimpse.” “Nobody could escape..” “..from my wide reach.” “Behold, friend! Where are you lost?” “Behold, friend! Where are you lost?” Who took the diamond straight from my hands? Sahani Seth. – Yes? The diamond is with me. – Who are you? Your master, whom you created yourself. Kaalia! Kaalia. Who’s this Kaalia? – Don’t worry! Whoever Kaalia may be .. .. I’ll get you the diamond within 24 hours! – 24 hours? If you can do that, I promise to give you this seat. To get it, many of your colleagues.. ..are ready to die or kill! Search the entire flat, you’ll get the diamond right here! Greetings, Sir! Greetings. Did you see anything? – I see many things. My hands work on shoes, but my eyes roam everywhere! Did you see anything particular last night? I saw, but my tongue feels scared to move! Will it move now? – This isn’t enough! I need more to speak. Now? Last night, a car came and stopped out there. The men inside were watching your flat. Then you came downstairs and went off in your car. Then? – They went and barged into your flat. After sometime, they returned and went off in their car. Here’s Rs. 50. Tell me the number fast! What are you doing? -I’m searching for the number! I don’t know which cell of my brain it’s hidden itself in! Number! See the 100-rupee note and come out! It’s come out! MRS. 9067. I like this toy of yours. – Sir, it’s not a toy! It’s a magical bird that flies in the air! You won’t get such goods everyday, buy it immediately! First I’ll take a test drive. – Absolutely right. Here are the keys – Drive and see how it glides! What a beautiful smooth start! Tell me a little thing. – Yes? Who took this car from your showroom last night? That’s top secret. I can’t tell it to you! – You can’t? My showroom! Stop the car! You’re crazy! What are you doing? Stop the car. Apply the break. Please. Have you come from an asylum? Leave me! God bless me, please! Hello! Police. Where are you from? Why are you punishing me? Leave me! Where did you come from? Brother, have you come from asylum. There is rod ahead. This car isn’t iron-proof! Put on the brakes! What are you doing? The hood’s gone! Stop. Press the brake! Get down. No, I’ll get down. Wait. Reverse gear! You broke the door. There is mud road. Beautiful driver! There is potholes. And bridge? It’ll fall down. Let’s the mud-guard break. Gurad too got lost! Let it be. Stop. Stop! Don’t run into it! Let it be. Back trunk is broken! Watch for the front! Watch it! Building! Car in the building. Building in car. Stop it. Where are you going? Ok? Beautiful! It’s gone too! Mr. Champion, I’m the only son of my parents! I’m only Adam of my madam. Only one. Only one. Pillar. Only one! It’s broken! Tell me who it was, or I’ll strip this car! I’ll tell you! I’ll tell you! Sahani Seth’s man Rawat! Rawat! Rawat! You entered my house last night! Henceforth, if you even look towards.. ..it, you’ll become like this! There won’t be any roof over you, or ground beneath you. And the pieces of your body will fly in the air like paper! Understand? – Yes. One more thing! Those who know the value of diamonds .. .. don’t hide them in mattresses or pillows. They attach them to themselves! Like this! I want that diamond, and you can get it! – What diamond? Due to it, my life is lying at stake with Sahani Seth! It’s tied to Kaalia’s wrist in a gold chain. “My beloved! My beloved!” “My heart is with you.” “My heart is with you.” “Why do you act aloof?” “Why do you act aloof?” “Come and quench my thirst.” “My heart is with you.” “Why do you act aloof?” “Come and quench my thirst.” “My heart is with you.” “My beloved is here.” “My love is here.” “My beloved is here.” “My love is here.” “Life is filled with intoxication.” “Now this is the night of our union.” “My heart is with you.” “Listen, by dear.” “Don’t go away now.” “Stop making excuses.” “Don’t go away now.” “Stop making excuses.” “Don’t waste this precious moments.” “Let the hearts dance merrily.” “My heart is with you.” “Listen, by dear.” “What are you looking at?” “This is eternal bliss.” “What are you looking at?” “This is eternal bliss.” “This is true love, not a sham.” “My heart is with you.” “Why do you act aloof?” “Why do you act aloof?” “Come and quench my thirst.” Did you get the diamond? – Yes! Where is it? – With me. Where are you? – Me? With the diamond! What rubbish! – My job’s over from today. I want a share – Fifty-fifty! Look behind you. Those two guys will turn you into fifty-fifty! Mother! See what I’ve brought! We’re not poor anymore! Get up and see what the sun of wealth looks like! My nights are over. My days are over. My daughter Rina whom you consider your younger sister.. ..isn’t your real sister. What are you saying? -Many years back .. .. someone had abducted and brought you .. .. and left you with me. Why didn’t you tell me before? How could I? That butcher had threatened to kill me. But what fear do I’ve now? He was .. – Tell me! Tell me, mother.. Mother. Mother! Mother! Run. Rawat, I’m drinking this to your success and my happiness. I applaud you. Taking the diamond from Kaalia was as difficult as.. .. snatching a chunk of meat from a tiger’s jaws. I’m now fit for this seat, Sahani Seth. – No! Not as yet! The diamond in Sahani’s glass is a fake.. ..like your success! What rubbish are you saying? – I’m speaking the truth. Bathing fake diamonds in wine doesn’t turn them real. Like bathing in the Ganges doesn’t turn donkeys into humans. This is the real diamond! You’ve recognized this diamond. Now look carefully and try to recognize me. I’m that same Kallu, whom you turned into Kaalia. I had heard that God writes the destinies of human beings. But you wrote mine by cutting my brothers hands. From now on, don’t try to use your hands too much .. .. nor should you try to stretch them too much! If you stretch them, I’ll cut and crush them! She’ll become conscious after some time, I’ll come again. Till then, give her these medicines every two hours. Thank you, doctor. – Nurse. What are you looking at? What I haven’t seen in you for many years. Anxiety, hope, and love. When your daughter had fallen ill.. .. you had sat like this for three days and nights. Yes, uncle. Rani would also have been of the same age now. Who knows where she’s, and in what condition? Look after her and give the medicines every 2 hours. – Yes. How’s your wife? She’s well, and has returned from the hospital. Good. Satnam. – Yes, sir? Did your daughter pass her exams? – She passed last year.. ..and is now attending college. Good. What’s happened to him today? For the first time, I’m seeing him so gentle. He treated us like humans, and also spoke like one! Uncle. Uncle. Yes, sir. Where’s the girl? -She’s gone. Where? – I don’t know! Why did you let her go? – I didn’t let her go. I had gone to make tea. When I returned, she was gone. I regret even leaving this place. Sorry, uncle. It’s not your fault. For how long would she have stayed here? Daughters have to leave their homes one day or the other. And she didn’t have any kinship with this house or me. Madam, it’s ready. – Keep it here. Good evening, sir. Where are you preparing to go? You’re going. – Where? To visit Munni. See her letters. She asks only one question.. ”When will Uncle come to meet me?” If I could, I would’ve gone to meet her every week. But what can I do? My feet are tied. I wonder when you’ll be able to stay with me restfully. Very soon. Very soon. I’ve to settle some accounts with the world. Once they’re settled, there’ll only be rest after that. I’m leaving the school, but why are you crying? Because you’re leaving. – Don’t cry! Life offers only two paths to human beings.. The right, and the wrong. I used to follow the wrong path. But I promised my dying mother to leave that path. That’s why I can no longer pay my sister Rina’s fees. Don’t get disheartened. You’re sitting in front of the Son of God. And God surely helps those who decide to help themselves. I’ve full faith that He’ll send someone to help you. Good morning, mother. – Good morning. I trust my God. I never thought God would answer anyone’s prayers so quickly. I don’t understand. – I prayed to Him just now .. .. to send a kind angel. And He has sent one! Where’s this angel? – He’s standing in front of me! Uncle! Uncle. Why are you crying? She’s also crying, she hasn’t paid.. ..her school fees, and is leaving. If she leaves the school, I’ll cry a lot! – Enough! I won’t let anyone of you cry. And I won’t let you cry either Your school fees had been paid. Now you’ll not leave Munni. Really, uncle You too give me a kiss Come on Sister Reena. You paid my fees. – Not me. He paid it. Let’s go. I didn’t even imagine that we would meet again. That too here. I didn’t even imagine that you would do thing to me. What have I done? You’ve made a charity You know that you’ve 0iven it to me. Won’t you like to take it back? No. Mother Superior told me about you. In some way our aagas are similar, and not are well. We were both following the same path. You faced a bend from which you could’ve turned back. But I’ve reached a position from where I can’t return. Even I didn’t have any way. But you arrived.. .. to save my wayward and dissipated life. If you look carefully, you’ll see my selfishness even in this. I didn’t save you, but saved myself. I thought I had lost everything. But, after coming here, I’ve found that.. ..there’s still something remaining. A bit of idealism and integrity that could help somebody. I’ve met you before, but now I feel I’m meeting someone else. Even I’ve met a person.. ..who had become completely alien to me. After a long time, I’ve met myself again today! “I can’t take my eyes of you.” “I can’t take my eyes of you.” “What has happened to me?” “LOVE.” “LOVE.” “LOVE.” “I live and die for you.” “I live and die for you.” “What has happened to me?” “LOVE.” “LOVE.” “This world seems like a fairy tale.” “The ambience has become romantic.” “This world seems like a fairy tale.” “The ambience has become romantic.” “What spell has been cast on me?” “LOVE.” “I live and die for you.” “What has happened to me?” “LOVE.” “Beloved, you’re captivated by the pleasant surrounding.” “Behold the dream my heart has woven for you.” “Beloved, you’re captivated by the pleasant surrounding.” “Behold the dream my heart has woven for you.” “You’re everywhere I see.” “LOVE.” “I live and die for you.” “What has happened to me?” “LOVE.” “You’ve changed my life.” “Let this season of love never end.” “You’ve changed my life.” “Let this season of love never end.” “We got what we desired in our lives.” “LOVE.” “I live and die for you.” “What has happened to me?” “LOVE.” “LOVE.” Jagir Singh. – Yes. Your goods have arrived. – Good. Wow! How superbly you lifted the glass! Now do something for me.. My briefcase is there in that cabin. I’ve kept a gift for you inside it. Go and get it. That was Jagir Singh, the uncrowned king of our docks. Our goods would reach the docks, but Kaalia would take them. The situation is similar at Madh lsland. Gold is sent to us from abroad, but reaches Kaalia. And these Madh lsland people sit on the shore, fishing! Let bygones be bygones. If this happens again, you’ll all end up like Jagir Singh! Don’t stare at me like that! Think of some way to defeat Kaalia. He’s not some angel, but human .. like you and me. A human being can be destroyed, he has to have some weakness. Find Kaalia’s weakness, it’s our strength! My biggest weakness is my sister-in-law. Will you go this way in front of her? Then how should I go? – This indecent dress won’t do. Wear this sari. I’m ready! I’m ruined! – What happened? This is how you wear a sari? It looks like you’ve tied a turban around you! Let me show you how to wear a sari. A part of it should be attached. A part should be suspended. And a part should be folded .. like this! Now the sari is ready! Instead of dropping the hem from your shoulder .. .. put it over your head. Like this. The face should be covered, like the moon by a cloud! Exposure is a western fashion, shyness is lndia’s ornament. My sister-in-law really likes it. Sister-in-law. She’s here? – Who? The girl I would told you about is here. Bring her inside. – Ok. So she’s the one who you’ve been lauding so much. Don’t you like her? – Let me see her first. Why has she covered her face? Is there some mark? No! – Isn’t she as lovely as the moon? You never see anything in sunlight, how can you see moon? She’s beautiful, but what about other qualities? She’s very educated.. she’s done her matriculation! I didn’t ask about her degrees. Can she use her hands for household work? – Hands? She’s an expert in sleight-of-hand! – You shut up! I’ll ask everything myself. .. Don’t mind, Sister .. Before buying gold, one has to examine it thoroughly. Can you cook? – She can cook all dishes.. Indian, western, Chinese, Russian .. She can cook pulav, biryani, and.. ..my most favorite dish.. omelet! Then come to the kitchen and make an omelet. Come. Ruined! Here are the eggs, frying pan, and ghee. How long will you take? Two! .. in two minutes! – All right. What have you done? She’s very nervous today, so she erred. She’ll learn everything in time. Just tell me whether she has passed or failed. Passed! – She’s passed! Why are you closing so early? I’ve come to buy flowers. A customer came and bought all the flowers. Who’s this connoisseur in Bombay city? There’s only one.. Kaalia! Make me a nice bouquet. – No flowers are left. But what about all these flowers, and the ones on that truck? All these flowers are for Mr. Kaalia. Is this man new in Bombay? – You don’t know Mr. Kaalia! His name is on everyone’s lips nowadays. Yes, they’ll reach there. Can you give me address please? B10. Bonmaril. Warden Road. Ok. It’ll reach there. Can I help you, sir? You can’t help me. I wanted to buy a small bouquet. But it seems all the flowers in this city have been sold. To only one person Kaalia! Yes. Do you know him? – No. But I definitely want to know Who’s this Kaalia? Kaalia is the king of crime, like this pawn is of chess. In chess, others are killed, but the.. ..king remains safe till the end. This might be the same Kaalia who had once come to my jail. How did he become a king so soon? – Go and see for yourself. Kaalia is giving a party today, and.. ..dared to even send me a card. He’s written that I should bring a full platoon with me! There’s Kaalia, whom you wanted to meet. Congratulations! I’ve recognized him. He’s come very fast from prison to this palace! I’ve seen something else, which you may have missed, Mr. S.P. Today, crime is so prosperous, and the law so helpless! Congratulations. Mr. Jailer, I would forgotten to invite you.. ..but I’m happy you’ve come. I was your guest once, now you’re mine! Whiskey. – Thank you. You must be sorry that I didn’t stay with you too long. And you couldn’t extend me the hospitality.. ..you would’ve liked to. I’ll get more opportunities for that. But now, I want to meet the person for.. ..whom you bought so many flowers. Thank you very much. Shalini. This is Shalini, my fiancee. – I’ve met her before. She was unconscious then .. and even now! You’re not in your senses to say.. ..such things on such an occasion. I wish I could pray for your eternal happiness as a wife. But I can see what none of you can. When criminals travel on the flashy road of success.. ..they forget that this road ends.. ..at the prison, or the scaffold! Then listen to me too.. What delight is there in troubles.. ..if death doesn’t come at youth? What delight is there in a funeral, if there’s no weeping? “With you beside me, I’ll show the world..” “..how to conquer death in lifetime.” “With you beside me, I’ll show the world..” “..how to conquer death in lifetime.” “Darkness casts long shadow.” “Darkness casts long shadow.” “But who fears dark nights?” “I can fill night with daylight.” “With you beside me, I’ll show the world..” “..how to conquer death in lifetime.” “Lovers don’t die.” “Lovers don’t die.” “Lovers of beauty don’t fear death.” “We’ll turn noose into garlands.” “With you beside me, I’ll show the world..” “..how to conquer death in lifetime.” “O’ world! You’re obsessed with hatred.” “O’ world! You’re obsessed with hatred.” “You can spread fire and venom.” “But with love we will douse all fire.” “With you beside me, I’ll show the world..” “..how to conquer death in lifetime.” “With you beside me, I’ll show the world..” “..how to conquer death in lifetime.” “With you beside me, I’ll show the world..” “..how to conquer death in lifetime.” You? .. Here? I had come to meet Kaalia, but it seems he’s not at home. Yes, he’s gone out for some work. – But I’ve met you at least. When I had met you first, what a condition you were in! But see your grandeur today! You people have really progressed! We have progressed only due to Kallu’s hard work. – Wrong! Through hard work, one can build a hut, not such a palace. I know this, because I too live in such a palace. The tree of wealth grows only on the soil of crime. – No! My brother-in-law can never bring.. ..sinful earnings into my house! It seems he keeps telling you false.. ..stories, and you believe them! He would go to jail, but tell you that he was going abroad. If you don’t believe me, then go and enquire at any prison. You’ll find his entire life story in the registers there. Where are you going? – I won’t stay in this house any longer! What happened? What have I done? Even outsiders didn’t do what you did! They had only cut my husband’s hands .. .. but you’ve stabbed my heart! – What are you saying? What have you left for me to say? The light of my life left me along with my husband. But the lamp of faith in you kept burning. Even that’s got extinguished today! – Sister-in-law. I considered your brother to be Ram, and you to be Laxman. I didn’t know that my Laxman had turned into Ravan! Sister-in-law. – Let me go.. ..you can enjoy your golden Lanka! Who had come here to tell you false stories? If they’re false, swear on me and tell the truth! That you’ve earned all this wealth through labor, not crime! Through labor, one can erect a hut, not such a palace. Enough! You’ve started speaking the words of your brother’s killers! I can no longer stay in this hell. Then was the place we left heaven? Where, to save the repairing costs of a faulty machine .. .. two strong hands and a young life could be cut! Where Rs. 500 Could be spent for some brief entertainment .. .. but not to save a life and a family! There’s no sin in my blood, nor was it in my mother’s milk. The venom of sin was injected into me. Until I spit this venom onto the faces of my enemies .. .. I can’t even think about sin or virtue. But I can! .. Therefore, I’m leaving! If you even step outside, you’ll see my corpse! What oath have you sworn? I can’t go outside, yet can’t stay.. ..here with a sinner like you! Even if the sinner wants to reform? Think that the sinner has changed his ways. Henceforth, whatever I did won’t happen again! You won’t leave me now, will you? I could’ve left Kaalia, but where.. ..will I go if I leave my Kallu? Yes. – Shahini Sheth. Who? Kaalia? – Yes, I want to meet you. When, and where? – Whenever and wherever you wish. It’s ten now. Can you meet me at 1 1 near the ruined church at Madh lsland? Why not? You’ll come first, but you’ll keep your car headlights on. Okay. Rawat. Get my car. – At once! But you won’t drive, I’ll, because.. ..I’ll have to go alone today. Sahani Seth, today I’ll do to you what you did to Ramani Seth. It’s the rule in our profession that seats are only snatched! What’s this? You’re not taking me along, so you might need this! Thank you. I like that. But, seeing your conduct, I’ve changed my decision. You and your weapon will now come with me! Come. Drive my car. Come on. I don’t have time, boy. Why are you glancing at your watch all the time? – What? A driver should always look at the road. – Sorry. The car is air-conditioned, but you’re sweating! What’s the matter? – Nothing! Rawat, stop the car. Open the bonnet. Quick. You should have thought of some new stratagem to kill me. I’m an old player of this game. Sahani Seth, you had drawn a line of blood between you and me. It would’ve ended with the death of either of us. I’ve come to tell you that I’ve erased that line myself. Your death was near But thank those hands that turned back the clock. But don’t think that you’ve defeated me. Today I’m not drawing.. ..but throwing a weapon in front of you! But fear that day when you’ll force me to pick up a weapon! The court has heard the full story about the murder .. .. and the testimonies from both sides. The accused has himself made my work very easy. The corpse was found in the arms of the murderer. The accused’s fingerprints were found on this knife. Bloodstains were found on the accused’s clothes. There’s no doubt now that this killer committed the murder! I don’t have to tell the court what punishment.. ..such a murderer deserves! That’s all, your honour. Such a murderer deserves death.. ..but the crime should be proved! The foundation of our country’s law and justice is that .. .. one cannot be considered a criminal unless proved guilty! None of the witnesses produced were.. ..present at the scene of the crime. They spoke about what happened before or after the crime. In a murder trial, an eyewitness’ Statement is the most valuable. Until such a witness is produced, the accused cannot .. .. get the punishment that my colleague is demanding! I agree with my worthy colleague. An eyewitness is most valuable in a murder trial. I’m sorry that I couldn’t produce such a witness before. But I can do so now! This witness saw the murder happen with her own eyes! Swear on this Gita.. ”I’ll speak nothing but the truth”. ”I’ll speak nothing but the truth”. What relationship do you’ve with the accused? He’s my brother-in-law. Is it true that he was dearer to you than a son? He’s even now. Did you see him commit the murder? – Yes! I’ve nothing more to ask. Don’t ask anything to my sister-in-law. For me, her words are always like the words of God. Throughout her life, she has spoken only the truth. If she’s seen me commit this murder, then I’ve committed it! After this, I don’t want to make any statement. I only want to confess that I’ve committed this murder! I did it! I did it! I was waiting for you, Kaalia. I had told you that the path you were.. ..following ends at the scaffold! I’ve myself opted for that scaffold! The judge only wrote my death sentence. But, even now, I worship as God the person who sealed it! I told the court whatever you asked me to. Now please return my daughter to me! The death sentence has only been passed now. Till Kaalia is hanged, I can’t return your daughter to you! What is this? – Your Kallu’s shroud! You’re so different from what he thought you to be! He brought you here, but see where you’ve sent him! What did his enemies give you that he didn’t? How much did you sell his life for? – Enough, Shalini! How deep is your lust for wealth, that.. ..only Kallu’s death can fill it? No, Shalini! If possible, put this shroud over me and burn me alive! I deserve this punishment! .. I’ve no way to go .. My Kallu is in prison, and my daughter ..is with Sahani Seth! What? My sister-in-law did the right thing. The story begun by Sahani Seth doesn’t.. ..end, but starts from here. He wrote the first word of this.. ..story, but I’ll write the last! The meeting time is over. Meetings can end, but not time! You’ve leaped really high today! Many prisoners have tried to escape from my jail. But nobody could reach as far as you did! Freedom is every prisoner’s dream. But now, your entire being will regret ever seeing it! Chain him so much that.. ..he’ll never think of escape again! Till now, you’ve seen the iron of chains and bars .. .. but not the steel of my guts! .. Shackle my entire body! Erect iron walls all around, but I’ll tear them apart! I’ll break all the shackles and show you! .. Understand? Chain him so much that.. ..he’ll never think of escape again! “Nobody could be restrained..” “..it’s an illusion of the hunter.” “Some day the bird will fly away from the cage.” “It’s hunter’s illusion that he could restrain its prey.” “Some day the bird will fly away from the cage.” “The youth is filled with vigour.” “The youth is filled with vigour.” “The dream is new and shackles are old.” “God save from the trap!” “Beware!” “In pitch dark night, this world is your foe.” “Some day the bird will fly away from the cage.” “It’s hunter’s illusion that he could restrain its prey.” “Some day the bird will fly away from the cage.” “Windows can’t stop the breeze.” “Create a din to shake walls!” “Windows can’t stop the breeze.” “Create a din to shake walls!” “Break free with a bang!” “Beware!” “You’ve to peform a vanishing act!” “Some day the bird will fly away from the cage.” “It’s hunter’s illusion that he could restrain its prey.” “Some day the bird will fly away from the cage.” “Tell the hunter to lay his trap.” “Tell the hunter to lay his trap.” “Let the courageous one dare us!” “The lion is out with vengeance!” “The prey will escape with head held high.” “Some day the bird will fly away from the cage.” “It’s hunter’s illusion that he could restrain its prey.” “Some day the bird will fly away from the cage.” “It’s hunter’s illusion that he could restrain its prey.” “Some day the bird will fly away from the cage.” “Some day the bird will fly away from the cage.” Run, Kallu. Death arrived before you, Jailer. Kaalia is no more! I wanted to hand over Kaalia to the law alive. By dying, he has really wronged me! But you’ve my full sympathy. And I sympathize with you, Jailer! The tables have turned now! If you follow me even one step, I’ll.. ..put all the bullets inside you! I’ll take all the bullets, but won’t budge from my place! You’re an escaped prisoner.. ..and it’s my duty to arrest you! Like you, even I’m bound by my duty! The tables have turned again, Kaalia! If you advance even one step, I’ll.. ..put all the bullets inside you! How can one who swallows fire get scared of sparks? Shoot! You came here following a line of blood .. .. but I’ll go, even if I’ve to swim on a canal of blood! You’re fighting for medals.. ..but I want to save a small life. Small life? – Yes, his niece. To save her, his sister-in-law falsely accused him of murder. And he accepted it. If you don’t believe even this, do.. ..whatever you wish, I’m going! Stop! Like you, even I’ve drunk the milk of a tigress! By mentioning about that small life .. .. you’ve made me decide to take a risky decision. I’ll accompany you wherever you’re going. Think that now you’ve four hands! Where’s Sahani? Speak, or I’ll shoot you! Get up Sahani, and take me to Munni! You’ve done enough of your firing. You’re now standing on a chess-board of death! If you’ve the guts, come forward and make the first move! The game will start later, first see your stake! Uncle! Mother. Mother! You did the right thing by coming back to the white spot. Else, Munni would’ve got crushed. Now look there! Beware! .. Don’t step forward! On this board, only that white spot.. ..means life, the rest mean death! If you step on that red spot, Munni will die. If you step on this green spot, your sister-in-law will die. They’ll stay alive only if you remain inside that white spot. There’s one more rule of this game.. ..only I’ll make all the moves! Now I’ll show you the strength of this.. ..hand, which you wanted to cut! If you even try to raise your hands.. ..you’ll be riddled with bullets! That was for stealing from my house, so it was a bit gentle! That was for setting fire to my factory, so it was a bit hard! That was for the priceless diamond.. .. which was your biggest victory, and my biggest defeat! Uncle, save me! These blows were for that gold, which.. ..reached the docks for me .. .. but landed up in your godowns! You’re already staggering! I’ve many more accounts to settle. If you must settle your accounts with my death, do so. But let these innocent people go. – And climb the scaffold myself? I’m not that stupid. One’s own life is always dearer than that of others. Maybe for scoundrels like you! .. If I had thousands of lives .. .. I would’ve sacrificed them for my sister-in-law and Munni! I admire your love, that’s why I’m killing you so slowly! Stop firing. Well done! You’ve saved Munni.. ..now watch your sister-in-law die! Mummy. Hands up! Tell your men to drop their weapons! Kallu. Now I’ll arrest you and take you to the place .. .. where you wanted this innocent.. ..man to be hanged for your crime! Drop your revolver, Jailer! Or she’ll be killed! – Well done, Khadag Singh! You’ve given a new twist to this story! Tie them up! Mother. – Munni! Do you remember, Jailer.. twenty years back .. .. one of your prisoners had abducted your daughter. Look at me closely .. I’m that prisoner! Jaswant? – Yes! Would you like to know where your daughter is? Where’s she? Right here! Father! – Rani! Father. – Rani, my daughter. My daughter! Rani. – Father. Oh God! I’m so happy today! You scoundrel! Your meeting time is over! Twenty years back, a prisoner was meeting his wife this way. Then you used your whip and said.. ”Time’s over” ! Your whip was fiery.. ..my back still burns. Now it’ll be cooled! I won’t hit you.. ..but your delicate daughter! You devil! Mother. Mother. You rogue! – Brother.. You’ve made all your moves It’s my turn now! You taught an inexperienced foot soldier.. ..like me the game of crime! You made me a powerful minister, who could hit like this! That was for the Rs.500.. ..which you gave to a harlot, but not to me! That was for my brother’s death, who had taught me idealism! That was for turning an honest man.. ..like me into a devil like you! I won’t give you an easy death. I’ll definitely kill you, but very slowly! Get up! I’m arresting you and taking you to your rightful dwelling! Pray that you don’t land-up in my jail! Mr. I.G.P., you’ll escort me outside! Come on! Come on! Now I’m handing my prisoner over to you. Watch him carefully, he has a habit of escaping! I want to ask you something.. Have you heard of Mukhtar Singh? – No! Then what have you heard? The name of Mukhtar Singh .. “I live and die for you.” “I live and die for you.” “Tell me..” “What has happened to me?” “LOVE”

By Amjad Izhar
Contact: amjad.izhar@gmail.com
https://amjadizhar.blog

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